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B-Sides in the Bins #47 : Disc World, Conshohocken, PA 3-13-09

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Disc World in Conshohocken, PA
I was in Pennsylvania for work in March, and I typically stay at the Mariott in Conshohocken because it is very close to work. I had to stay over a weekend and happened to stumble upon a record store literally up the street from the hotel! I was out for lunch with a co-worker when I spotted Disc World out the window of the restaurant. We decided to check it out.

Disc World (201 West Ridge Pike, Conshohocken, PA 19428 610-828-8434) is run by Michael and Terry Weiss a really nice couple who seem very devoted to their little store. It was previously a Disc-Go-Round, so the store looks very similar to that layout with the CD’s along the back and right wall and the counter on the left. We had a Disc-Go-Round in Cedar Rapids and today it is “CD Connection.”

At Disc World you have the typical used CD selection, but you can also order new titles which is really nice in this day-and-age. They have posters and DVD’s as well as games.

But, the real surprise was the two crates of vinyl at the front of the store! Even though it was a small collection– every piece of vinyl was in amazing condition. Michael Weiss told me that their vinyl buyer was really picky about what records he buys. He also said that he hadn’t intended to get into selling vinyl, but a good customer of theirs came in with a collection he wanted to sell.  So, that is how they started. The crate had a lot of 70’s classic rock in it, and a substantial Doobie Brothers collection. I picked the best of what I was interested in, but I will be back!

Thinking of You – Freakwater (CD, Thrill Jockey thrill 150, 2005)($5.99) Well, I can’t spot a Thrill Jockey release in the used CD bins and pass it up. This is the country folk project from Catherine Irwin and Janet Beveridge Bean. This is their most recent release produced by Tim Rutli from Califone and includes members of Califone as well. This album also includes James Elkington on “Double Clutch.” His participation was kind of a return-the-favor for Janet’s participation on the first Zincs record. Since then, Janet and James have formed The Horses Ha, whose album comes out this month.

4 Way Street – Crosby, Stills, Nash & Young (2 LP, Atlantic SD 2-902, 1971)($7.00) Wow! The cover is kind of worn, but the seams are all in tact. Includes original LP sleeves with other Atlantic titles. The vinyl is pristine! The label is a very vivid red and green. Fantastic live album. A must for any collection, really.

(first self-titled, aka “Car”) – Peter Gabriel (LP, Atco SD 36-147, 1977)($3.00) Another cool release. I don’t have any proper Gabriel releases (I have a 2 LP bootleg). This is the first solo album post- Genesis for Peter, and includes the smash hit “Solsbury Hill” as well as “Waiting for the Flood.” Produced by Bob Ezrin. Cover art designed by Hipgnosis who does most of the Pink Floyd cover art. Super clean vinyl, edge wear on cover and seam split on inner sleeve.

VI/ZOSO – Led Zeppelin (LP, Atlantic SD 7208, 1971)($5.00) Wow!! Hit the goldmine on this one. Very nice shape sleeve. The vinyl is immaculate. Has “Porky” / “Pecko Duck” scratched into the deadwax. According to this thread, generally accepted to be a superior pressing and probably first pressing. Gatefold in good shape and no seam splits. Inside record sleeve is in tact, too. Second Led Zeppelin release I have on vinyl. I have a Columbia House pressing of Physical Graffiti, too.

Blood On The Tracks – Bob Dylan (LP, Columbia PC 33235, 1975)($5.00) Here is where I start my Bob Dylan vinyl collection. Brilliant divorce album from Bob– angry and all of that. Apparently recorded the album twice– once in NYC, and then re-recorded half  of the record in Minneapolis at the suggestion of his brother. This LP is not a first-pressing, but is super-minty sleeve, record and inner sleeve. A prize piece for sure.

A nice selection of classic LPs at a really good price considering the price-hiking that Half Price Books has been doing lately. I recommend stopping in at Disc World if you’re in the area.

Pieta Brown Announces “Dream #9” Band and Upcoming Shows

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In an e-mail announcement yesterday, Pieta Brown announced that she is creating a band to tour with her that she’s calling “Dream #9.” She says she formed the band to “expand the sonic landscape of her songs in a live setting.” Indeed, Pieta has successfully been touring in relatively stripped-down combos for her entire career– mostly, just as a duo of Bo Ramsey and her, and recently with Jon Penner.

I have been really impressed with Pieta’s last couple of albums and her new EP Flight Time, but I have admittedly been not very motivated to see her live, because I wanted to hear the songs with drums.

Dream #9 is made up of players who have worked with her live and in the studio– a pretty intuitive move, really. On guitar will be Bo Ramsey, of course, who is her constant touring partner and also produced all of her albums. On bass will be Jon Penner who has been working with Bo and Pieta for the last couple of years. On drums will be Jim Viner, who has worked with Bo, Jon and Pieta as well and, up until last year, was the drummer for the Diplomats of Solid Sound. Jon and Jim were in Bo’s band when I saw them for Springville Fun Days in 2006. Here is a picture of Bo, Jim and Jon from that show:

Dream #9

I haven’t had a chance to ask, but I wonder if “Dream #9” is a reference to the John Lennon song “#9 Dream?”

The first two shows with Dream #9 are Thursday, June 11th at the Redstone Room in Davenport, and Friday, June 12th at the Mill in Iowa City. Tickets for both shows are $10.

Additionally, Pieta and Dream #9 are scheduled to record a Daytrotter session on June 11th. This will be the second time Pieta and Bo have done a Daytrotter session– the last one was in 2008.

Click Here to visit Pieta Brown’s website

Click Here to visit Pieta Brown’s MySpace Page

Click Here to visit Pieta Brown on Facebook

Click Here to purchase Pieta Brown’s Flight Time EP.

B-Sides in the Bins #46: Cheapo Discs – Fridley, MN 1/31/09

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The weekend I was in the Twin Cities for the Umphrey’s McGee concert at First Avenue, I had the opportunity to hit Cheapo Discs in Fridley, MN. While not as “hip” or “cool” a location as the Uptown locale, they have a surprisingly decent selection of CD’s and LP’s and would recommend it. I had a gift certificate for Cheapo from my birthday in October that was burning a hole in my pocket. I had started by perusing the CD’s there and had amassed a decent pile, but ended up putting it all away after I started flipping through the vinyl! I ended up paying a lot more per record than I usually do, but I found some really great pieces to add to the growing collection.

Smash Hits – Jimi Hendrix Experience (LP, Reprise Records MSK 2276, 1968) ($12.60) Labeled as “fine” condition. This was a later repressing of the record as it has a bar code on the back and the inner sleeve was mylar. Super minty condition! Brilliant collection even if it is generally accepted that Reprise was a bad custodian of Hendrix’s catalog. I remember borrowing a copy of this in 6th grade from Mr. Latham and taping it and playing it all the time. All the big hits are on here: “Purple Haze,” “The Wind Cries Mary,” “Hey Joe,” “Foxy Lady,” “All Along the Watchtower.” Interesting writeup about Smash Hits at Wikipedia.

Wake of the Flood – Grateful Dead (LP, Grateful Dead Records GD-01, 1973) ($8.50) Labeled as “good” condition. It is a notched copy with the bottom left cover cut off. There was a lot of Grateful Dead in the bins that day including Live From the Mars Hotel, but this was in the nicest shape. Wake of the Flood represented a lot of firsts for the band–  first release after their contract with Warner Brothers ended, first release on their own Grateful Dead Records, first studio release after 1970’s American Beauty and first after the death of Ron “Pig Pen” McKernan. Wake was recorded during what some fans consider to be the Dead’s most transcendent touring period and all of these songs had the benefit of being worked out for six months on the road before the band hit the studio. The band sounds better on this album than they did on others, maybe all the firsts that this album represents gave the band a feeling of starting fresh. “Stella Blue” is a classic piece of Garcia music that would stay in the Dead’s concert sets for the rest of their career.

Robbie Robertson – (self titled) (LP, Geffen GHS 24160, 1987) ($3.60)  This is a Columbia House pressing which I would normally avoid, but I hadn’t seen this in the bins before. I’ll upgrade if I see it in the future in a non-Columbia House pressing. Robertson’s debut release 11 years after the breakup of The Band! He chose to leave the rootsy country influences of The Band behind and focused instead on the U2-ish sounds of Daniel Lanois’s production. When this came out, I bought it because U2 and the Bo Deans were on it, it ended up being one of my favorite releases for at the end of 80’s. Listening to it now, the two tracks with U2 sound like U2 outtakes, really. Not that it is a bad thing, but it would be expected if you use them as your band like he did on “Testimony” and “Sweet Fire of Love.” In fact, the release does sound pretty dated, but still a favorite release for me next to Storyville– the 1991 follow up.

Gone to Earth- David Sylvian (2 LP, Virgin Records VDL1, 1986) ($6.30) I wouldn’t start listening to David Sylvian until his 1987 follow-up Secrets of the Beehive. I heard this album when it was included in the beautiful Weatherbox Sylvian boxed set. This was an ambitious release as a 2 LP, and that was probably why the subsequent CD release was only a single disc chopping out about half of the tracks. The first LP was vocal tracks and the second LP was instrumentals. The CD picked and chose from both records. In the Weatherbox, they restored the 2 CD’s. This release is notable as the first time Sylvian would collaborate with Robert Fripp from King Crimson. A typically lush and melancholy release– just the way I like my Sylvian. “Taking the Veil” is still one of my all-time favorite Sylvian tracks. Sherry and I had tickets to see David in Minneapolis a long time ago– ironically while he was living there– and he cancelled the show. I’ve been disappointed ever since. I want to see him perform live one day.

Real Nighttime – Game Theory (LP, Enigma Records 70722-1, 1985) ($4.20) Well, I don’t really know what to say about or where to start about this release. I should probably write a whole article about Scott Miller’s bands Game Theory and Loud Family. My fascination with things Scott Miller started with the epic Lolita Nation which I first heard played on KUNI (the song “One More for Saint Michael”) while I was in college. Real Nighttime is the final record by the original lineup of Game Theory that started in 1981. That said, it includes some of the most notated songs by that version of the group with “Here Comes Everybody,” “24,” Rayon Drive,” and “Curse of the Frontierland.” These songs would stay in the live sets of Game Theory until their breakup following Two Steps From the Middle Ages in 1988. Real Nighttime also marks the beginning of the production relationship with Mitch Easter. I have all of the Game Theory releases on CD, and have most of them on LP at this point.

Treat Her Right – (self titled) (LP, RCA 6884-1-R, 1988) ($3.97) Still sealed! Treat Her Right is notable as the precursor to Mark Sandman’s group Morphine. This album was the debut release on their signing with RCA. It is in fact a reissue of their self-released first album. It did pretty well on college radio, but their second release did not fair as well and they were dropped from RCA. While the band is a slightly different lineup than Morphine, the distinctive sound is similar. The standout tracks are “I Think She Likes Me,” “I Got A Gun,” and “Jesus Everyday.”

Cypress – Let’s Active (LP, I.R.S. SP70648, 1984) (3.60) Let’s Active was producer Mitch Easter’s band. The story goes that he did such a great job producing the early R.E.M. records that I.R.S. gave him a shot making his own records. The EP Afoot was released first in 1983 and did well enough that I.R.S. let him record three more records, Cypress in 1984, Big Plans for Everybody in 1986 and Every Dog Has His Day in 1988. His particular high-pitch vocal tone makes for an acquired taste, but Let’s Active is still one of my all-time favorite 80’s acts. It looks like the entire catalog is back in print on CD through Collector’s Choice with new liner notes and bonus tracks! It looks like I need to make some purchases! I love this whole album, perfect pop.

4 A.M – Full Fathom Five (LP, Link 019, 1988) ($3.60) You may have read my B-Sides in the Bins article recounting my trip to Bill’s Records in Dallas back in October 2007 (or maybe you didn’t!). Bill had a collection of still-sealed Link Records releases including most of the Full Fathom Five releases. Full Fathom Five was an Iowa City band back in the 80’s that I was a fan of– KUNI played their music frequently. When Head Candy was signed to Link as a result of a battle of the bands it seemed that Full Fathom Five made it there as well. I have 4 A.M. on cassette and it was a regular-rotation album for me when it came out. So, when I saw it in the bins I had to buy it. Brings back memories of college. Back when I thought– as many did– that Iowa City would become the next Athens, GA for a music scene. Recorded at Catamount Studios in Cedar Falls by Tom Tatman.

Doug – The Coolies (LP, DB Recs DB 88, 1988) ($3.99) Oh boy, more hits from my formitive college years! A still-sealed hole-punch cutout of the Rock Opera Doug by Georgia crazy band The Coolies. I had this on CD and cassette. Apparently I love this album, LOL. From Trouser Press,

“a trenchant “rock opera” about a skinhead who murders a transvestite short- order cook, gets rich by publishing his victim’s recipes, falls into paranoia and substance abuse and ends up in the gutter. The sad tale is related through ingenious knockoffs of the Who (“Cook Book”), John Lennon (“Poverty”), the Replacements (“Coke Light Ice”), rap (“Pussy Cook”) and metal (“The Last Supper”), and in a comic book — not included with the cassette or CD, alas — designed by Jack Logan, of Pete Buck Comics fame. A quantum leap from its predecessor’s one-dimensional silliness, Doug is a work of demented genius.”

I never got around to sending in for my free comic book, so now I have it. I never realized that Jack Logan was the artist for it! Very cool! Someone needs to reissue this album. “It’s a hot night, and I’m wound tight, and the crack pipe– is burning my hand!”

And last, but not least!

V-Notes – The Verandas (EP, Graphic Records NR 16382-1, unknown year) ($1.90) LOL. This one was the big find– Cedar Rapids college rock band The Verandas. Scored for a paltry $1.90. Unfortunately, this is not the album I know from them. They were on the Blue Band’s record label Hot Fudge for an album I think was called American Tradition. That is the name of a song on here. It was recorded at the infamous Catamount Studios in Cedar Falls by Tom Tatman. I had a cassette dub of their other album which had a great song called “Get Out of My Car (You Drive Like Shit)” that I’d like to find again. I haven’t put needle to vinyl on this one yet. I should see if I can put together a band history of this group– I don’t know much about them, but they were kind of notorious around here.

Tortoise Picks Favorite Instrumental Tracks for Time Out New York

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From a twitter by Thrill Jockey, I found out about this article at the New York Edition of Time Out where John McEntire, Jeff Parker and Doug McCombs of Tortoise provide a playlist of their all-time favorite instrumental tracks. The five tracks picked as you might expect provide a peek into the influences of the band. While it’s cool that Time Out collected these tracks and provide a streaming player for us to sample the tracks, it doesn’t explain who the artists are or maybe the significance of the tracks.

1. Sonny Sharrock – “Who Does She Hope to Be” from 1991’s Ask The Ages album on Axiom Records. This was picked by McEntire, and I’d never heard of Sharrock before this. The track ends up being a mini-class on post-bop jazz. The beautiful and meloncholy track is a short and sweet track featuring the guitar work of Sharrock, which at times sounds a lot like Santana. We also get some amazing horn work from Pharoah Sanders whom Sonny worked with early in his career. Charnett Moffett provides some beautiful double bass as well. Also in the combo is noted Coltrane sideman drummer Elvin Jones. The song at 4:42 is the most direct and concise track on the album, and frankly one of the most hauntingly beautiful songs I’ve heard. Sharrock died in 1994 at a young 53 years old, but established himself as an influential guitarist in the free jazz space. As a side note, Sharrock was the composer for the Space Ghost Coast-to-Coast TV show. I keep playing this song over-and-over. Amazing song.

2.  Latin Playboys – “Viva la Raza” from 1994’s self-titled release on Slash/Warner. Chosen by McCombs, this is the opening track from the Los Lobos side-project Latin Playboys. An interesting choice. Latin Playboys is made up of Los Lobos members David Hidalgo and Louis Perez along with noted producer and engineer combo Mitchell Froom and Tchad Blake. Froom and Blake are responsible for a bunch of amazing albums over the years, but in the context of the Latin Playboys, they produced the “experimental trilogy” of Los Lobos albums Kiko (1992), Colossal Head (1998) and This Time (1999).  So, it isn’t surprising that during this very fruitful period in the band’s history that Latin Playboys– itself a bit experimental– would form. The second and last Latin Playboys release Dose was released in 1999– also during this period. In my opinon if you listen to the Latin Playboys along with the trilogy, it doesn’t sound like anything other than part of the Los Lobos catalog. According to the Wikipedia article on Latin Playboys, Hidalgo brought some demos he recorded at home to Froom who suggested that they be used in a new band rather than their intended recipient Los Lobos.

3.  Art Ensemble of Chicago – “Rock Out” from the 1969 album Message To Our Folks. Chosen by Jeff Parker. Not really very surprising, since he spends nearly all of his non-Tortoise time gigging constantly in jazz combos. I suspect that he is very influenced by the long-standing tradition that the Art Ensemble has become in its 42-year existence in all of its variations. Early pioneers in the avante-garde jazz arena. This band’s history alone could keep me tied up for weeks digging into their catalog.

4. Link Wray – “Rumble” – Chosen by Doug McCombs, Link Wray and the Ray Men’s 1958 hit “Rumble” originally on the Cadence label is the precursor to a number of music genres– surf, punk, metal. According to the allmusic article on Link Wray, he single-handedly invented the power chord. “Rumble” continues to be a familar tune as it was used pretty prominently in Pulp Fiction. Paved the way for every instrumental band since, and I guess that would include Tortoise!

5. Ennio Morricone – “A Fist Full of Dollars” Morricone more than anyone else I think influenced the Tortoise sound the most. Even on the upcoming Beacons of Ancestorship, there is a track called “The Fall of Seven Diamonds Plus One” with its arpeggiated guitar (likely the Bass VI played by Doug who picked this song) as well as the bag full of metal percussion is certainly recalls a spaghetti western soundtrack. Instead of trying to hire Morricone to score his upcoming movie Inglorious Basterds maybe Tarantino should have called up Tortoise.

An entertaining mix– I just wish it had more songs on it. A comment I made on the article with the mix was that I was surprised that Doug hadn’t picked “The Lonely Surfer” by Jack Nitzsche. When I saw Tortoise in Madison last year I had a chance to talk to Doug about his favorite topic, the Fender Bass VI. He told me the greatest example of a Bass VI song was “The Lonely Surfer,” and that he’d tried to convince Tortoise to cover this song.

Click Here to visit the Time Out New York Exclusive Playlist from Tortoise. Update: The player doesn’t work anymore, sadly, so I’ve updated the above list to include YouTube Links.

Joe Henry’s Blood From Stars Due Out August 18th

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Ever since I heard Joe Henry’s Short Man’s Room which was backed by the Jayhawks in 1993, I have been a constant fan of his very wry songwriting and organic approach to his music. His last two albums, 2003’s Tiny Voices and 2007’s Civilians really established a sound for Henry that he carried to his production work for artists like Bettye LaVette and Solomon Burke to great effect.

On August 18, Anti- Records will be releasing Henry’s 11th album titled Blood From Stars. Blood From Stars is a departure of that sound he established for his last two albums, and is, according to Henry, a more “emotionally available, certainly less mannered… much more electric, in the literal and also the emotional sense of the word. It is raw with many loose threads hanging.”

He said that the tone and sound of the album is a result of the collection of musicians he has assembled to record Blood From Stars, including legendary sideman Marc Ribot, saying “Partly, I just loved what happened when this particular group of musicians heard a song and had to respond to it in a very immediate way… if you limit them to your own imagination, then you’re just cutting yourself off from the richest resource you have.”

Track listing for Blood From Stars:

  • Prelude: Light No Lamp When The Sun Comes Down
  • The Man I Keep Hid
  • Channel
  • This Is My Favorite Cage
  • Death To The Storm
  • All Blues Hail Mary
  • Bellwether
  • Progress of Love (Dark Ground)
  • Over Her Shoulder
  • Suit On A Frame
  • Truce
  • Stars
  • Coda: Light No Lamp When The Sun Comes Down

Click Here to visit Joe Henry’s Website

Click Here to visit Joe’s page at Anti- Records.

Get Your Tortoise On… Beacons of Ancestorship is coming

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Tortoise - Photo by Jim Newberry

Tortoise - Photo by Jim Newberry

As previously mentioned, Chicago Post Rock stalwarts Tortoise’s first new album since 2004’s It’s All Around You will be released on June 23rd on Thrill Jockey. Titled Beacons of Ancestorship, it is, in my opinion certainly very distinctively Tortoise but compared to Around You, it seems to be more straightforward and pared back from some of the layered sound of that effort.

Thrill Jockey has started the promotion of Beacons early by allowing blogs to host a couple of mp3’s for download. The entire album is currently streaming from the Tortoise website on a splash page as well. I recommend you give it a listen!

If all of that weren’t enough, there is a video for “Prepare Your Coffin” that seems rather Tortoise-like. Matching the high-tempo (for Tortoise, anyway) pace of the song we see a guy running around taking interesting pictures of architecture that seem to echo the cover art for the album.

Click Here to visit the Beacons of Ancestorship album page at Thrill Jockey which is where you will be able to pre-order the album (no date, yet).

Click Here to download “High Class Slim Came Floatin’ In”

Click Here to download “Prepare Your Coffin”

Click Here to visit the trts.com page with the stream of Beacons of Ancestorship

Click Here to visit Tortoise’s MySpace page

Watch the video for “Prepare Your Coffin”

Tortoise – Prepare Your Coffin from Thrill Jockey Records on Vimeo.

Upcoming Show: Eilen Jewell at CSPS in Cedar Rapids 6/1/09

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Eilen Jewell’s music has been compared to Lucinda Williams, Dusty in Memphis and Peggy Lee. Certainly her fusion of rockabilly, 60’s twangy folk rock and vintage country swing draws those comparison’s quickly. To my ears she draws a favorable female comparison of Chris Isaak’s Silvertone years, or Reclines-era k.d. lang.

In addition to Eilen’s satisfyingly bluesy vocals, it’s the timewarp guitars on Eilen’s new album Sea of Tears provided by Jerry Miller that completes it’s classic sound. From beginning to end I’m reminded of the music that my parents loved– Roy Orbison, the Everly Brothers and Ricky Nelson– all acts that influenced my love of Chris Isaak, I.R.S.-years R.E.M., Tom Petty and pretty much any band that runs clean electric guitars through a Fender Twin.

Eilen’s and her band are bringing the twang and reverb to  Cedar Rapids on Monday, June 1st at CSPS. I can’t think of a better venue with the big stage that should give the appropriate room for those guitar chords to ring out. You don’t want to miss an opportunity to hear this band and at $10 it’s a deal ($12 at the door).

Click Here to visit Eilen Jewell’s website

Click Here to visit Eilen Jewell’s MySpace Page

Click Here to download “Rain Roll In” from Eilen Jewell’s new album Sea of Tears.

Click Here to visit the LegionArts page on the show and how to get tickets

Here is the title track “Sea of Tears” live

Upcoming Show: Anna Laube at The Picador in Iowa City 5-27-09

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Anna Laube (crop)
Anna Laube will be back in Iowa City next Wednesday night, May 27th at The Picador playing a late second show. On this trip she will be bringing along her frequent musical sidekick Brendan O’Connell from Chicago soul machine The Right Now. If all works out, she will be bringing bass and drums as well!

I had a chance to hear Anna’a set at The Java House back in January, when she was also recorded for the Java Blend show on IPR. The show I saw had Jon Eric sitting in with Anna on banjo which was neat. She played a couple of short sets for the night coffee crowd filled mostly with song from her two albums: her 2006 album Outta My Head and her new album Pool All The Love * Pool Al The Knowledge with its infectious and personal favorite track “Hippie Boyfriend.” She threw in a cover of an obscurish Bob Dylan track “Wallflowers” and the Rolling Stones classic she played the night before with Dave Zollo at the Mill “Dead Flowers.” It was great to see her in such a warm and intimate setting. I’d love to see her in a band configuration, though.

Because it is the second show that night, her show sharing the bill with Patrick Bloom and Ghosts of Radio doesn’t start until 10:45PM, doors will be at 10PM. Cover is a budget-friendly $5 and is a 21-and-over show.

Click Here for Anna’s website with samples of songs

Click Here for Anna’s MySpace page

Click Here to download “Hippie Boyfriend” from Pool All The Love * Pool All The Knowledge

B-Sides in the Bin #45 – Half-Price Books, Cedar Rapids 1/11/09

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Sherry wanted to make a stop at GNC to pick up some gluten-free food, so I took the opportunity to visit Half-Price Books. The last time I stopped in the vinyl was very picked over from the Christmas rush and the following sales. This time the vinyl was starting to get replenished and I found some pretty nice vinyl in there. I only picked up a couple of records this trip– both of them on my “list” to buy. There was a disappointingly large amount of BMG/Columbia House pressings in the bins. I tend to stay away from these on vinyl because I’m not sure how the mastering happened. If I had to guess, they get a set of tapes from the non BMG labels (Warner Brothers, for example) and they made their mastering copies from that. So, the pressings shouldn’t be much different than the original label release, but I don’t know that for a fact. There was a pristine copy of Caught Live + 5 by the Moody Blues that was a Columbia House pressing. I would love to have this on vinyl, but I’m willing to wait until I get an actual Threshold Records release.

Rumours – Fleetwood Mac (LP, Warner Bros. Records BSK-3010, 1977 ) ($2.99) What is there really to say about this album that hasn’t been said? I grew up with this album and have owned many copies of it in various forms. I heard this first on 8-track which would later be replaced by cassette. When I bought my first CD player in the late 80’s Rumours was one of the first CD’s I bought. That copy stayed with the family when I moved out, and I bought other copies on CD over the years that were lost in relationship breakups. How’s that for irony? The album that was created during relationship turmoil represents the CD I lost in relationship breakups. This is my first vinyl version. Most copies in the bins are played to death and the covers tend to be shot. This one has a great cover– has an orange-peel texture to it. It has “mastered by Capitol” stamped in the dead wax, so it likely isn’t a first pressing. Although I don’t mind the addition of “Silver Springs” to the later CD versions of this album, there is a certain comfort to the original track sequence. According to Wikipedia, the RIAA certified Rumours 19 times platnum! As of 2007 it has sold over 40 Million copies! Some of this is related to the re-releases as people “upgrade.” Considering that I’ve probably owned five copies of this in my life…

Born to Run – Bruce Springsteen (LP, Columbia JC 33795. 1975) ($5.99) This is one of the better copies I’ve seen of this in my travails. Arguably Springsteen’s meisterwerk. Another album that I feel pretty much everything that can be said has been. The box set I picked up at HPB prior to this with its documentary renewed my appreciation of this album. I still prefer Darkness on the Edge of Town and The River over this release, but no Springsteen collection should be without this. Gorgeous gatefold and iconic red Columbia Records label. ’nuff said.

Upcoming Show: The Prince Family Reunion at Cabooze in MPLS June 5th, 2009

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3rd Annual Prince Family Reunion Poster

During his heyday in the 80’s as the reigning Purple King of Minneapolis, Prince built an astonishing music empire. His creative output could not be contained it seemed and the king surrounded himself with a funky court of many talented artists and musicians who either were backing him in his many bands over the years, or would benefit from his seemingly-endless supply of songs in their bands and projects.

Most of these musicians would move on to non-Prince projects whether it was due to Prince’s short-attention for a given project or frustration over Prince’s princely ways.

Last year on the eve of Prince’s 50th birthday, a collection of his former sidemen and friends gathered at the legendarily cramped Cabooze bar in the West Bank area of Minneapolis to celebrate with an all-star jam. While a cryptic “Jamie Starr” was listed on the marquee, the man of honor didn’t make an appearance, the show was a greatest hits of his catalog as well as the associated acts like The Time and The Family. This is apparently the third annual Prince Family Reunion, and this year we see that “Alexander Nevermind” is listed on the bill!

This year’s show will take place Friday June 5th and tickets are $20, $25 at the door. There is also a very limited number of $50 V.I.P. passes which will gain the holder a meet-and-greet as well as access to the V.I.P. area. Doors are at 8:30PM and the show should start at 9:30. From the Cabooze calendar:

Prince Family Reunion featuring (Click on the links for more information):
St. Paul Peterson (The Time, The Family, The Truth)
Susannah Melvoin (The Revolution, The Family)
Michael Bland (New Power Generation, Soul Asylum)
Kirk Johnson (New Power Generation, The Truth)
Dez Dickerson (The Revolution)
Ta Mara/Margie Cox (Prince, Ta Mara & The Seen)
Dr. Fink (The Revolution)
Bobby Z (The Revolution)
Stokley (Mint Condition)
Jellybean Johnson (The Time, The Family)
Chance Howard (Prince, The Time, The Truth)
Mike Scott (New Power Generation, Justin Timberlake)
Eric Leeds (Prince, New Power Generation, The Revolution, Madhouse, The Truth)
O’Dell (Mint Condition, The Truth)
Kip Blackshire (New Power Generation)
G Sharp (Jimmy Vaughn, Dr. Mambo’s Combo)
Tyka Nelson (Prince’s sister)
Donnie LaMarca (The Truth, Bobby Caldwell)
Brian Gallagher (Prince, Greazy Meal)
Jerry Hubbard (The Time, Jesse Johnson Revue, Ta Mara & The Seen, The Truth)
Pepe Willie (Prince, 94 East)
Alexander Nevermind (ummm, right)
& a very special MAZERATI Reunion featuring all the original members!

In addition to that list from the press release, Paul “St. Paul” Peterson posted on the Family 2.0 Facebook page confirmed that he would be at the show along with Susannah Melvoin. Since Jellybean and Eric Leeds will be there this likely means that we will be treated to a “Family” reunion! It would be cool if they could coax Wendy and Lisa to make the trip west…

Based on the list of players above it sort of seems like this event would be difficult to pull off considering how some members wouldn’t have worked together in any of Prince’s projects or otherwise. The key to this seems to be the band listed as “The Truth” which shows up on a number of the members’ lists of bands.

The Truth was an all-star lineup of former Prince-related sidemen who performed regularly in the Twin Cities in 2006 and 2007, and released a CD of one of their performances in 2008. The band consisted of “St. Paul” Peterson on bass, vocals, guitar and keyboards, Jellybean Johnson on guitars, O’Dell on guitar and vocals, Jerry Hubbard on bass, guitar, keyboards and vocals, Chance Howard on bass guitar, bass synth, and vocals, Kirk Johnson on drums and vocals, Eric Leeds, on saxophone, keyboards and vocals, and Donnie LaMarca on keyboards.

The Truth was managed by Jeff Taube of Mid-America Talent, which is also putting this show on, so it all ties neatly together. The press release also mentions other “Very Special Suprise Guests” so it will be interesting to see who else shows up. Aside from Alexander Nevermind himself, Wendy & Lisa would be cool, and maybe Morris Day?

As with any project like this one, you end up with some folks who were notable in Prince’s camp (St. Paul, Susannah, Jellybean, Eric Leeds, Bobby Z., Dr. Fink, Dez) and you end up with some sort of questionable relations– Ta Mara was really more notable as Jessie Johnson’s protege, however, Prince did sign her to Paisley Park and recorded an album, but never released it– hiding in a vault somewhere in Chanhassen, I suppose. Mint Condition was a band discovered by Jimmy Jam and Terry Lewis of The Time fame, but since they are managed by Mid-America Talent and are part of The Truth, they get to be here.  Tyka Nelson is Prince’s sister, and not really part of his direct musical career. G-Sharp toured with Prince during the Diamonds and Pearls World Tour– his band backed Carmen Electra who was the opening act.

Pepe Willie is an interesting part of Prince’s history (and a VERY IMPORTANT ONE according to his website), but unless this group was going to play 94 East or Grand Central songs (both early Prince Bands), I don’t think his addition to the lineup is essential.

The Mazarati reunion is pretty interesting. The story of Mazarati is similar to the Margie Cox story in that it is one of a Prince relation casualty. Mazarati was founded in part by Brown Mark of The Revolution. After some local buzz surrounding a demo of “Stroke” that was played at First Avenue by a DJ, Prince took an interest in the band and signed them to Paisley Park. Prince wrote their biggest single “100 MPH,” but the most noted story surrounds what would become one of Prince’s biggest singles “Kiss.” Prince gave them “Kiss” as a rough demo. After spending the day rebuilding the song from the ground up, Prince took the song back and added his own vocals and some production touches. He didn’t even bother to remove the background vocals that were done by Mazarati! So, maybe Mazarati will do “Kiss” at the show? You can hear their demo of “Kiss” at their MySpace page.

It turns out that I have a family thing to go to in the Twin Cities that day, so my wife and I are talking about going to this. I’ll provide a show review and pictures here!

Click Here to visit the Facebook Event for the Prince Family Reunion

Click Here to read the  interview I did with Wendy & Lisa about their new album!