At the time of his sixth solo album The Seeds We Sow in 2011, Lindsey Buckingham is able to frame his life as a musician and family man in the context of his journey thus far. He attributes his peace to two things. The first is his personal life, “To finally meet someone and to have the family thing happen, that’s been a real gift,” he says. The other is musical. “If there is a level of contentedness that I’ve arrived at, part of it is because I think in the last three or four years what I experienced during the solo albums and then what I experienced on the last Fleetwood Mac tour I felt like I had come to a point where there was so much foundation that I had built for myself making incremental steps forward as a musician and as an artist.”
Certainly, the last few years have been very productive for Buckingham, starting with an out-of-the-blue solo album in 2006, a derailed follow up that morphed into a new studio album for a re-ignited Fleetwood Mac, a re-imagining of the derailed follow up in 2008, a live album and then The Seeds We Sow in 2011.
The Seeds We Sow represents Buckingham taking full control over his career handling all of the recording, production and also releasing himself. The album is a very up-close-and-personal perspective of Buckingham at times sounding like a really well-produced home demo, which I suppose it really is.
I consider Lindsey Buckingham to be a personal musical hero. His distinct sound and contribution to the canon of rock music with his solo work as well as his years in Fleetwood Mac have impacted me at a level that might be chromosomal. I started listening to music on my own around the time of Rumours and his music has been with me ever since. I have been fortunate to see him with the Mighty Mac three times in my life but never solo, so the news that he will be performing at the wonderful Englert Theatre in Iowa City on Labor Day Weekend is exciting news! He will be performing at 8PM on Sunday, September 2rd.
The presale for the show started on Tuesday for Friends of the Englert, and general sale for the show starts on Friday, June 22nd at 1PM. Tickets are $55 for Tier One Tickets and $45 for Tier Two.
Click Here for more information about Lindsey Buckingham at The Englert in Iowa City, including how to order tickets.
Click Here to find out about how you can be a Friend of the Englert and get in on great pre-sale deals and other perks.
Last weekend Sherry attended America’s Beauty Show for the third year running and I got the opportunity to have some quality time with Chicago’s record stores. Friday night we went down to a bar called This Must Be The Place in Lemont, IL to see Chicago R&B phenom The Right Now. We got into town late, so we needed to scoot to try and get there in time to get something to eat. Thankfully the folks there were very accommodating and the food was excellent!
The show was a lot of fun– it was the first time I’d seen the band since they played Mahoney’s in Cedar Rapids in 2008 as Eli Jones. The band has come a long way in their stage show. Now the guys in the band all wear matching suits and Steph looked great in a sequined dress and heels. This was the first time the band had played This Must Be The Place and there was a pretty low turnout. Some of the dinner crowd stuck around through the first set but by the second set the audience was made up of Sherry and I and the employees of the bar. The band followed a setlist for the first set, but after the break they decided to loosen up a bit and played some older songs like “Candlelight and Satin Sheets” and “Disco Smooth” and a couple of newly-written songs.
I talked to the soundguy at the break a bit, and he said that the owner of the bar is trying to establish This Must Be The Place as a place for musicians to meet– sort of like The Green Mill or the Empty Bottle downtown. It is a lofty goal for sure as Lemont is about 45 minutes south of the Loop on I-55, and I think that getting the bands to come out of the Loop is a tough proposition. That said, the Metra runs down there so it isn’t an impossibility. It is a really nice venue with a great soundsystem and stage and the food and drinks are good. I’d come back if there was a good band there.
We got to hang out and talk to the band after the show– I was happy that Sherry got to meet them, and we talked a bit about the upcoming Iowa shows the weekend of 4/16 (Iowa City, Davenport and Cedar Rapids).
On Saturday, Sherry attended the first day of the conference at McCormick which started around Noon and I parked in the first floor lobby and worked on blog stuff. On Sunday she went to the second day of the conference and I decided I wanted to hit a Half-Price Books as I had the 50% Off One Item coupon. There are a few Half-Price Books in the Chicagoland area, but all of them are way out in the burbs. The closest one to McCormick Place was down in Countryside, IL off I-55 (pretty close to Lemont, really). So, I dropped Sherry off and hit I-55– it’s exit is right near McCormick Place.
The Countryside HPB has a pretty substantial collection of vinyl as it turns out– and a decent selection of obscure and Chicago-local bands. Unfortunately, I didn’t find a lot of stuff I was looking for. They had a Japanese pressing of the Blind Faithalbum for $30 that I was really interested in. It had the alternate cover featuring the band instead of the topless underaged-girl photo. It had a pretty deep scratch on it otherwise I would have bought it with my 50% coupon. They had two copies of Dave Brubeck’s Time Out— both appeared to be original pressings and one of them was a very worn Mono. I almost bought the Mono, but the wear and the seam-split cover had me passing on it. Plus, I have a very mint Stereo Columbia 6-eye I cherish, so I don’t need another copy, really. They also had Marti Jones’s second album Match Game on LP. Match Game was produced by Marti’s husband Don “Praying Mantis” Dixon. I have this on cassette, and would have liked to have this on vinyl, but it was missing an inner sleeve and was pretty worn. Here’s what I picked up:
Men At Work – Business As Usual (LP, CBS Records, FC 37978, 1982)($0.50) This was clearance-priced, and has a VG cover and vinyl. Fairly quiet on the turntable after I cleaned it. I listened to this and Cargoa lot in junior high school. Three pretty big singles in “Who Can It Be Now?”, “Down Under,” and “Be Good Johnny.” It was their appearance at the US Festival on “New Wave Day” that really helped establish the band and make them the MTV darlings. This album is strong all the way through– the singles are scattered throughout the record and serve as familiar landmarks through the rest of the songs. Men at Work were often considered a band that copied The Police– and quite a bit of this album with it’s bouncy ska rhythms and jazz influences certainly supports that idea. One of my favorite non-single tracks is “Helpless Automation” which recalls a new-wavy Devo. I included this song in a mixtape that I played all the time in High School. I need to get Cargo, next.
The Time – Ice Cream Castles (LP, Warner Bros. Records, 25109-1, 1984)($2.98) This is a title I don’t see very often (though, coincidentally would see again on Monday…). The story goes that Prince was trying to transition from the pop-funk sound that he established leading up to Controversyand apparently had a lot of music he still wanted to release in that vein. He puts his childhood friend Morris Day in front of a Minneapolis funk band called Flyte Time and creates The Time– on record, at least was mostly Prince and Day. By the time Ice Cream Castles is released in 1984, Terry Lewis and Jimmy Jam had been fired by Prince for missing a show and Morris Day quit to pursue an acting career propelled by his appearance in Purple Rain. Although the album cover shows the post-Lewis and Jam version of the band– which has a shockingly-young St. Paul Peterson on the cover. If his birthdate in October of 1964 is correct, St. Paul was 18 when he played in the Time. He wasn’t on the album, however and only apparently played two live gigs in the Twin Cities and he appears in the movie Purple Rain. After Morris Day leaves The Time, Prince gathers the remaining members and his then-girlfriend Susannah Melvoin and creates The Family. The Family are re-united as F Deluxe (Prince denies them the use of the name The Family– apparently still bitter about St. Paul leaving the group). Ice Cream Castles has what amounts to the biggest songs from The Time– “The Bird” and “Jungleland” which are both featured prominently in the Purple Rain movie. The production is credited to “The Starr Company” which is effectively Prince, who sometimes used the alias “Jamie Starr.” The original album inner sleeve is black plastic, interestingly.
My plan was to hit another Half Price Books and spend my 50% coupon, but the next closest one was another 35 miles away. I did a quick Google Maps search for nearby record stores and found one called The Record Dugout(6055 West 63rd Street, Chicago, IL 60638-4317). The Record Dugout is technically in Chicago– although really far south in Chicago. It’s a moderately-sized store that specializes in vinyl LP’s dating up to the 80’s, comic books and sports cards. The day I was there, the guy who handles the vinyl part of the store was working. His name is Bob Miner and he hosts an acapella radio show on The University of Chicago radio station WHPK which airs on Sunday evenings and is called “From the Subway to the Streetcorner.” The store was literally packed with vinyl. There was one row of sorted Rock in record bins, another shorter row for Jazz and folk/country, another “discount bin” with $1-$2 records, and a meticulously-organized bin with 7″ records– the majority of which was R&B from the 50’s/60’s/70’s. Other areas included a “Wall of Shame” as Bob called it, which showcased the more expensive records– rare 7″es with sleeves, etc., a table which had unsorted piles of cheap records in varying degrees of shape– most of which had damaged sleeves, but had serviceable records in them, and two areas on the floor which had $1 and $2 records piled up.
I found most of the haul below in the sorted bins, but the ones for $1 and $2 I found by digging. Bob buys whole collections of records from people looking to get rid of them, so if he hasn’t gotten through them, the good stuff might not be in the bins. Everything seemed to have prices, however. It’s important to note that The Record Dugout only takes cash and the nearest ATMs charge fees, so bring cash. Also, if you buy a lot of stuff, Bob will work with you on price. I spent about three hours here, and probably could have spent more time. I’ll certainly come back!
R.E.M. – Lifes Rich Pageant(LP, IRS Records, IRS-5783, 1986) ($4.00) I might have paid a bit too much for this one. The sleeve was not split, but kind of rough on the corners and the paper sleeve was replaced with another sleeve. The record is pretty clean, and after I gave it a thorough wipe with 91% Isopropyl Alcohol to get it cleaned, it sounds really good– the surface is a bit hazy, however. R.E.M. is tough to find in the bins, so I’ll pick these up when I find them. Lifes Rich Pageant was the follow-up to Fables of the Reconstruction, which was the album that pretty much changed my music listening. R.E.M. called this their “John Cougar Mellencamp album” because it was produced by Don Gehman at Mellencamp’s studio in Indiana. Classic R.E.M. sound on this one– “Begin the Begin,” “Hyena,” “Fall on Me,” “Superman,” “I Believe” are all strong tracks in the R.E.M. canon. The song “Just a Touch” was a song resurrected from the early days of the band and a number of bootleg recordings from the early 80’s have this song.
Bob Seger & the Silver Bullet Band – Nine Tonight(2 LP, Capitol Records, STBK-12182, 1981)($2.00) I found this one in one of the piles on the floor– hence its $2 price. Fabulously clean cover and LP’s! My dad bought this cassette when it was new and we used to listen to this a lot riding around in the car. A live album comprised of songs recorded in Detroit and Boston in 1980. All of his classic tracks are here– “Hollywood Nights,” “Tryin’ to Live My Life Without You,” “Night Moves,” “You’ll Accomp’ny Me,” “Old Time Rock ‘n’ Roll,” “Mainstreet,” “Fire Lake,” “Fire Down Below.” Probably the only album of Bob’s I would care to own, although I’d need Live Bullet to get “Turn the Page.”
Various – The Breakfast Club– The Original Motion Picture Soundtrack(LP, A&M Records, SP 5045, 1985)($2.00) Another one from the floor. Cover is in good condition and the record looks decent, but there seems to be a lot of groove wear on this one– particularly on “(Don’t You) Forget About Me” by Simple Minds. This was a soundtrack that my brother Steve and I listened to a lot– in fact, I think the cassette was actually his. My band in high school with Steve used to cover “(Don’t You) Forget About Me.” Fantastic drum beat in that song, which is why it is so timeless. It’s a kind of well-known story that Simple Minds didn’t write the song– it was penned by Keith Forsey who also wrote “Flashdance… What a Feeling” for Irene Kara. After being turned down by Billy Idol, Bryan Ferry and Simple Minds– it was encouraged by A&M that Simple Minds record the song. It becomes their biggest hit which help propel their career for a couple of albums. This soundtrack always struck me in how different it was to other John Hughes soundtracks in that while it had a huge single in “(Don’t You) Forget About Me,” it was really lacking in every other respect. I became familiar with the other songs by Wang Chung, E.G. Daily, Jesse Johnson, and Karla DeVito but aside from “Fire in the Twilight” from Wang Chung, which frankly sounds like an outtake from Points on the Curve, everything else seems like bargain-basement licensing– particularly if you compare it to the powerhouse soundtrack to Pretty in Pink, for example. The instrumentals by Forsey, while largely forgettable, work really well in the context of the movie.
In the 80’s it really seemed like you couldn’t have a soundtrack to a teen movie that didn’t include songs by E.G. Daily. She contributed her unique vocals to movies like Better off Dead — where she performs her two songs in the movie, Summer School, Thief of Hearts as well as The Breakfast Club. She’s a pretty talented lady, and is a regular for voiceovers. It is she who voices Tommy Pickles in Rugrats, for example.
Talking Heads – Speaking In Tongues (LP, Sire Records, 23883-1, 1983) ($2.00) Another one from the floor piles. The cover and inner sleeve are in tact, if a bit beat up. I have no Talking Heads on vinyl– well except for a bootleg called humorously enough Gimme Heads which has some studio outtakes and live tracks on it and a 12″ to “Blind.” After cleaning this one up, it plays pretty well, but I’ll be on the lookout for better copies. Last year’s Record Store Day had a Rhino reissue for 77— so I was hoping for some other reissues on vinyl. The Dugout also had True Stories on vinyl, but it was in pretty rough shape so I passed on it. Speaking In Tongues is pretty much the Talking Heads pinnacle release with the massive “Burning Down The House” single as well as secondary hits of “Girlfriend is Better,” and “Naive Melody.” Of course, these songs would show up in a bunch of movie soundtracks. I remember “Naive Melody” standing out in the soundtrack to Wall Street, and “Swamp” shows up in Risky Business. These tracks are featured prominently in the Talking Heads concert movie Stop Making Sensewhich was directed by Jonathan Demme.
Fleetwood Mac – Mirage (LP, Warner Bros. Records, W1 23607, 1982)($3.00) Very clean vinyl– cover has a suspicious wear spot, like someone used water to take adhesive off the cover. Also a Columbia House pressing. Clearly I didn’t look very closely at this one. I don’t like to take Columbia House pressings normally due to the uncertain nature of what they used for masters. That said, it is very clean and plays well, and is one of the better copies of Mirage I’ve seen, even with those flaws. The Mac tries to come back from the Titanic expensive failure that was Tusk (still my favorite, however). I really like Mirage— the band comes back to the style and sound of Rumours. The album had six singles released worldwide, but the biggest singles were “Hold Me” and “Gypsy.” The album makes it to #1 on the US charts, so it is clear that their audience wanted another album, but in the canon of Fleetwood Mac, Mirage is not one that people remember.
My first Fleetwood Mac concert was for the Miragetour in 1982. My family saw them in Cedar Falls with Glenn Frey of the Eagles opening on his first solo tour. I’ve seen Fleetwood Mac three more times since then– once during the very sad Time tour with Dave Mason and Bekka Bramlett on guitars and vocals in Dubuque, once for The Dance tour and once for the Say You Will Tour.
Bruce Springsteen & The E Street Band – Live/1975-85(5 LP, Columbia Records 40558 LP, 1986)($15.00) This one was a cool find. I bought this new on cassette back in 1986– and still have it. I’ve seen it on CD over the years used, but never on LP. A great collection of Bruce live goodness from what most people would consider the high-point of his career. I think that they should do an official release of the legendary Winterland 1978 show. The version of “Santa Claus is Comin’ to Town” heard at Christmas time is from that show. This box set does, however, include the version of “Fire” from that show. The Winterland 1978 show had been bootlegged many times over the years– since it was aired live on the radio, lots of folks taped it. Wolfgang’s Vault helpfully has the show in their archives, but it is not one that is purchasable. Listen here.
The vinyl on this box is pretty much pristine, even if the box itself isn’t. One I’ll want to kick back and listen to with a glass of wine some night.
Booker T. & The MG’s – “Hip Hug-Her” b/w “Summertime”(7″ Stax 45-211, 1965)($4.00) I hadn’t really planned to pick up any 45’s, but they had a dedicated section just for Stax! So, I flipped through it and they had a few Booker T. & The MG’s singles. I picked this one because it was on the massively cool light blue Stax label. The record is in great shape for being 45 years old!
Wilson Pickett – “Funky Broadway” b/w “I’m Sorry About That” (7″, Atlantic Records, 45-2430, 1967)($3.00) This one is one of the singles I really dig from Wilson Pickett– on the red Atlantic label. Super-clean and in an Atlantic paper sleeve.
The Dangtrippers – “The Masquerade” b/w “Lover’s Again”(7″, Dog Gone Records, DOG 0005-7″, 1989)($3.50) Why is it that if I want to find rare Iowa bands in the bins I need to leave Iowa? The Dangtrippers were Doug Roberson of The Diplomats of Solid Sound’s 90’s band. I still remember seeing The Dangtrippers playing the Loras College gym when I went to school there. The band got signed to Dog Gone records which was the record label started by Jefferson Holt who was the manager for R.E.M. This is the single to the only album released for The Dangtrippers on Dog Gone before it went under (see below). “Lover’s Again” is a non-album b-side!
Prince and the Revolution – Around the World in a Day(LP, Paisley Park W1-25286, 1985)($3.00) A Columbia House pressing, but in superb shape! I’ve never seen this on LP before! I have this in this crazy longbox trifold CD I picked up at a Discount Records in the early 90’s in Chicago. The LP cover is sort of a trifold with a short flap that folds over. The cover art is a painted scene which has in it representations of each of the songs– a tambourine, a ladder, an American flag, a raspberry beret– the ones I found anyway… A pretty progressive album– lots of psychedelica and strangeness– Prince at his most experimental. “Pop Life” and “Raspberry Beret” were the big singles off this album, but I think that most people ignore this album. I liked it back when it came out, but admittedly haven’t listened to it much since the 80’s. Giving it a spin the other night, I’m struck by some of the songs. In fact, I like all of the album other than the track “Temptation.”
The next day I dropped Sherry off at the conference again and I headed up to Lincoln Square to hit Laurie’s Planet of Sound, which I had hit back in October of 2007. The store was pretty quiet when I got there. They changed the parking meters to be able to take credit cards, which is convenient, but still really expensive. I blew $3 to get a couple of hours of parking. Laurie’s has a new arrivals section for their CD’s and LP’s and has a section dedicated to new vinyl as well. Their vinyl prices are higher than places like the dugout, but comparable to places like HPB which is attempting to charge market prices for some.
Ben Harper and the Innocent Criminals – Burn to Shine(2 LP, Virgin Records America, 7243 8 48151 1 0, 1999)($9.99) This was in the new arrivals section and appears to be a cutout of sorts as the barcode is crossed out. Probably a promo or a giveaway, but is in great shape. I hadn’t really paid much attention to Ben Harper until I saw him as part of that 3D concert movie “Larger Than Life” back in December. I was impressed enough to pick up Harper’s new record White Lies for Dark Times on vinyl. Burn to Shine is considered to be one of his good releases so I thought it might be a good gamble. I gave it a spin when I got home, and it’s a good one for the collection.
Bumps (2 LP, Stones Throw Records, STH2157, 2007)($12.99) This was a new purchase. Bumps is the side project of the Tortoise rhythm section of Bitney, McEntire & Herndon. This is a record of beats, essentially. This is a really cool 2 LP version that was price cut from $15.99 to $12.99. This is mostly as a completion for my Tortoise vinyl collection, I don’t see myself playing this often.
Cougar – Law (LP, Layered Music/Play It Again Sam, LR013, 2007/2008)($4.99) Although it isn’t really listed anywhere on the artwork and the LP itself only lists 4 tracks, this appears to be the full Lawalbum that was released in 2007 in the UK by Layered Music. Madison, WI band Cougar is classified as “emergency” music although I think they fit under the “post rock” area. Having your debut album mixed by John McEntire of Tortoise doesn’t hurt this classification either.
The Dangtrippers – Days Between Stations (LP, Dog Gone, DOG 0005, 1989)($2.99) Wow! Another Dangtrippers find? The cover is a bit trashed on this one, but I didn’t know that this was even available on LP! I see on eBay there are a couple of LPs– one for $14.99 and one for $19.99, so $2.99 is a good deal. The vinyl is very clean. As I stated above, The Dangtrippers were a band from Iowa City from the 80’s and early 90’s that got signed to Dog Gone Records. They had this album out on Dog Gone before the label went under. Their second album Transparent Blue Illusionwhich came out in 1991 was only available on the Australian label Zero Hour. The Dangtrippers had a 60’s jangly rock sound that owed a lot to bands like The dB’s. In fact, the song “Talk About Love” on Days Between Stations sounds a lot like The dB’s and it’s pretty much my favorite track on the album.
That song reminds me of a very bad trip to Florida in the early 90’s with my then-girlfriend to visit some friends of hers. The trip started out okay– it was Florida in late December and her friends had a gorgeous house with a pool and a Porsche 928 that was ours for the borrowing. We visited a mall that had a discount book store or something and I found Days Between Stations on CD there in the bins!
The trip took a turn for the worst as she started giving me the silent treatment and wouldn’t talk about why she was upset. So, I was stuck in Florida with someone who clearly didn’t want to be there with me. We had a painful trip to Disney World followed by a really uncomfortable New Year’s Eve get together. By the time we flew back to Chicago to drive back to Dubuque I had enough of this ridiculous situation where she wasn’t talking to me about why she was upset. So, she was rewarded with four hours of “Talk About Love” on repeat in full volume. The relationship didn’t last much longer– she didn’t like not being the center of attention with her friends and I apparently drew some attention from her. I still dig the frustrated energy of that song.
Click Here to hear “Talk About Love” from Days Between Stationsby The Dangtrippers.
Love Tractor – Around the Bend (LP, DB Recs, DB67, 1983)($4.99) This was another very cool find! Of course, this is where I’ll alienate some of the readers. I found out about Love Tractor due to the documentary Athens, GA Inside/Outabout the music scene in Athens leading up to 1987– R.E.M. is just getting to be a big deal in college rock– it was released before Document with “The One I Love” on it– so the movie happens at an opportune time. Included in the movie is Love Tractor who perform a live version of “Pretty” from Around the Bend. The album is largely instrumental with some sparse vocals. I had Around the Bend on a double-cassette which included their debut self-titled album and the follow-up Until the Cows Come Home. I find their unique style to be pretty similar to Athens contemporaries Pylon.
I actually owned the soundtrack for Athens, GA Inside/Outfor a long time before I ever saw the movie. The soundtrack included two acoustic tracks from R.E.M. “Swan Swan H” and a cover of the Everly Brothers song “All I Have To Do is Dream” so I had to get it. By the time the movie came out on VHS, I was very familiar with a lot of the songs in it, including “Pretty.”
Click Here to listen to “Pretty” from Around the Bend by Love Tractor.
I also bought a bag of 100 mylar LP bags for $20. I never seem to have enough of those. I could get these cheaper online from Bags Unlimited, but since I was thinking of it, I thought I’d buy them.
As I was walking back to my car I happened to catch someone out of the corner of my eye– it was Chris Corsale from The Right Now sitting in a window of a sandwich shop playing acoustic guitar and singing! He was suprised to see me as well! So, I moved my car to a side street– which is free and doesn’t require a permit after 11AM. Then I came back to the restaurant and ate lunch hanging out with him in between sets. It was pretty cool– Chris has a pretty wide selection of covers he does and made for good lunchtime entertainment. A great coincidence that sort of made for a good wrap-up of the weekend.
After lunch I made my way back to McCormick Place to pick Sherry up and head home.
Sherry wanted to make a stop at GNC to pick up some gluten-free food, so I took the opportunity to visit Half-Price Books. The last time I stopped in the vinyl was very picked over from the Christmas rush and the following sales. This time the vinyl was starting to get replenished and I found some pretty nice vinyl in there. I only picked up a couple of records this trip– both of them on my “list” to buy. There was a disappointingly large amount of BMG/Columbia House pressings in the bins. I tend to stay away from these on vinyl because I’m not sure how the mastering happened. If I had to guess, they get a set of tapes from the non BMG labels (Warner Brothers, for example) and they made their mastering copies from that. So, the pressings shouldn’t be much different than the original label release, but I don’t know that for a fact. There was a pristine copy of Caught Live + 5 by the Moody Blues that was a Columbia House pressing. I would love to have this on vinyl, but I’m willing to wait until I get an actual Threshold Records release.
Rumours – Fleetwood Mac (LP, Warner Bros. Records BSK-3010, 1977 ) ($2.99) What is there really to say about this album that hasn’t been said? I grew up with this album and have owned many copies of it in various forms. I heard this first on 8-track which would later be replaced by cassette. When I bought my first CD player in the late 80’s Rumours was one of the first CD’s I bought. That copy stayed with the family when I moved out, and I bought other copies on CD over the years that were lost in relationship breakups. How’s that for irony? The album that was created during relationship turmoil represents the CD I lost in relationship breakups. This is my first vinyl version. Most copies in the bins are played to death and the covers tend to be shot. This one has a great cover– has an orange-peel texture to it. It has “mastered by Capitol” stamped in the dead wax, so it likely isn’t a first pressing. Although I don’t mind the addition of “Silver Springs” to the later CD versions of this album, there is a certain comfort to the original track sequence. According to Wikipedia, the RIAA certified Rumours 19 times platnum! As of 2007 it has sold over 40 Million copies! Some of this is related to the re-releases as people “upgrade.” Considering that I’ve probably owned five copies of this in my life…
Born to Run – Bruce Springsteen (LP, Columbia JC 33795. 1975) ($5.99) This is one of the better copies I’ve seen of this in my travails. Arguably Springsteen’s meisterwerk. Another album that I feel pretty much everything that can be said has been. The box set I picked up at HPB prior to this with its documentary renewed my appreciation of this album. I still prefer Darkness on the Edge of Town and The River over this release, but no Springsteen collection should be without this. Gorgeous gatefold and iconic red Columbia Records label. ’nuff said.
2008 was the year of new vinyl for me. Between my 40th birthday and Christmas I ended up with some cool pieces for the collection. Likely, my family is breathing a collective sigh of relief as I think I was a bit difficult to buy for when someone would get my name from the gift exchange drawing. Since I don’t really buy that much new vinyl for myself– I tend to stick to used– pretty much any title that they would like, I would probably like, too. I got a couple of CD’s as well. I keep my Amazon wish list up-to-date which is pretty helpful for gift selection as well.
Jurassic 5 – J5 Deluxe Re-Issue (2 CD, 1 DVD, Decon DCN65, 2008) (gift) My daughter got me this from my Amazon Wish List. I totally forgot about this release, so this was a nice surprise! The J5 Deluxe Re-Issue is a reissue of the first Jurassic 5 album from 1997. The original album was released on Interscope and had apparently been out-of-print since 2004 and held up due to contractural disputes. The original album is here along with a second CD full of hard-to-find and previously unreleased stuff. The DVD has a movie from J5’s first world tour, some concert footage from Brixton Academy and the “Concrete Schoolyard” music video. Nice to get back to this– I stopped listening to J5 after Cut Chemist left and they released Feedback, which was not great. When the hell is 2na going to release his solo joint?
Vince Guaraldi – A Charlie Brown Christmas (3 CD Collector’s Edition Tin, Madacy Entertainment TC2 53161) (gift) This was a stocking-stuffer. A festive metal tin holding two Fantasy CD’s– The 2006 remaster of A Charlie Brown Christmas with the bonus tracks, and Charlie Brown’s Holiday Hits which has some of the songs from Christmas, but has songs from A Boy Named Charlie Brown, the wonderful “Thanksgiving Theme” from the Charlie Brown Thanksgiving special, “Great Pumpkin Waltz” from “It’s The Great Pumpkin,” and others. The third disc is the David Benoit Jazz tribute 40 Years – A Charlie Brown Christmas with some notable assistance from The Rippingtons, Chaka Khan, Dave Koz, Brian McKnight, Toni Braxton and Vanessa Williams. A neat collection in a tin that shares the artwork with the 2006 Christmas release, which used the original 1965 artwork. Unfortunately, the liner notes for Holiday Hits don’t do a good job of explaining where the songs that aren’t from Christmas and A Boy Named Charlie Brown came from. A little digging turned some information up. Special thanks to Vince Guaraldi’s Peanuts Song Library at fivecentsplease.org which is the insanely comprehensive Peanuts site.
Tracklisting for Charlie Brown’s Holiday Hits:
1. Joe Cool (2:03) apparently not the version from “He’s Your Dog Charlie Brown.”
2. Surfin’ Snoopy (1:09) from “A Charlie Brown Christmas” where Snoopy is decorating his doghouse (1965)
3. Heartburn Waltz (2:36) from “Be My Valentine Charlie Brown” (1975)
4. Track Meet (2:37) from ? (this song and the next one don’t seem to be in the TV cue list but seem to have been recorded at the same time.)
5. Camptown Races (2:22) from ?
6. Oh, Good Grief (1:56) actually “Schroeder” with Lee Mendelson’s son Glenn’s sixth-grade class singing.
7. Charlie Brown Theme (4:19) on A Boy Named Charlie Brown, but included in a bunch of the specials.
8. Schroeder (1:50) on A Boy Named Charlie Brown
9. Charlie’s Blues (1:20) from “A Charlie Brown Thanksgiving” (1973)
10. Great Pumpkin Waltz (2:26) from “It’s The Great Pumpkin, Charlie Brown” (1966)
11. Thanksgiving Theme (1:59) from “A Charlie Brown Thanksgiving” (1973)
12. Linus and Lucy (3:03) from A Charlie Brown Christmas
13. Christmas Time Is Here (vocal) from A Charlie Brown Christmas
14. Christmas Time Is Here (inst.) from A Charlie Brown Christmas
Mudcrutch – Extended Play Live! (12″ EP & CD, Reprise 516850, 2008) (gift) In a similar fashion to the Mudcrutch LP, this EP came with a “full dynamic range” CD. This means that the CD isn’t suffering from the compression that a lot of releases have today. Mudcrutch was the band that Petty along with Heartbreakers Tom Leadon, Benmont Tench and Mike Campbell were in before Tom formed the Heartbreakers in 1976. Rather than succumb to fans requests for releasing Mudcrutch’s “lost album” Tom brought the band back together and recorded a new album which used some of the original tracks recorded for Shelter records. This live EP is made up of songs recorded over three shows in April and May of 2008. I need to go get the Mudcrutch album, too.
Various artists – Music from the Motion Picture Pulp Fiction (LP, MCA 0008811110314, 1994) (gift) This is the first of the new “Back to Black” pressings I have– at least the first with that identified on it. Looking at the Back to Black website, it would appear that the new Police Live album is a Back to Black as well. 180g vinyl in the original packaging– which doesn’t mean a lot since it wasn’t a gatefold cover or anything exciting like that. I wasn’t aware that this soundtrack had been on vinyl originally. One of my favorite movies and certainly soundtrack with its fun blend of surf tunes and 60’s songs. Mastered by Steve Hau at Future Disc Systems.
Stevie Nicks – Crystal Visions… the Very Best of Stevie Nicks (2 LP, Reprise 100363-2, 2007) (gift) All I can say about this is… “wow!” Everything about this release is an audiophile’s dream: 2 180g LP’s in lined paper sleeves housed in a gatefold with beautiful artwork and very flattering photos of Stevie at various points in her career. In addition, there is a 1-page sheet with the credits that is in the pocket with the first LP which also includes Stevie’s notes on each song! The compilation draws mostly from her very successful solo career, but also has some choice Fleetwood Mac tracks. Again we get “Silver Springs” which was rescued from certain obscurity during the Dance tour and album and has been restored to every pressing of Rumours since. We get a recent live version of “Rhiannon” and the 2005 clubby remix of “Dreams” (which apparently has new vocals). We get a couple of live tracks performed with the Melbourne Symphony including “Landslide” and a nine-minute “Edge of Seventeen.” The album is bookended by two versions of “Seventeen”– it opens with the original album version from Bella Donna, and closes with the live version. Although the live version is longer and involves the symphony, it really isn’t dramatically different than the orignal song since it has drums and electric guitars. Half-Speed Mastered by Stan Ricker, Plating and Pressing at R.T.I.
Right on the heels of Lindsey Buckingham’s announcement of his new solo album due in September we get the announcement that while Fleetwood Mac will tour in early 2009, they will do it without Sheryl Crow as previously and extensively reported.
In Billboard today Lindsey was quoted saying that the reports of Sheryl Crow as a member of Fleetwood Mac “kinda got out of hand.” There were original discussions with Crow, but the group decided that although they had previously felt there was “too much testosterone on the stage” during their last tour in 2003, the most appropriate direction was to focus as the core foursome.
The plans are to tour after rehearsals in January as a means to warm up to working in the studio– “maybe even sowing some seeds musically that would get us more prepared to go in the studio rather than just going in cold,” said Buckingham.
I saw Fleetwood Mac in 2003 in Madison, WI during the Say You Will tour and was very impressed with how the band carried the live show without Christine McVie. I will certainly be seeing them in 2009.
The “more rock” follow-up to Lindsey Buckingham’s 2006 Under the Skin was announced today. Given the title of the aborted solo album Gift of Screws which was supposed to be released before the last Fleetwood Mac album Say You Will to which it donated five tracks. The original Gift of Screws donated three tracks to Under the Skin. The new Gift of Screws only shares its title track with the original version, but two songs were reworked. “Shuffle Riff” became “Wait For You” and “Twist of Fate” became “The Right Place to Fade.”
So, what we have now according to a news item from Billboard today is a mostly new Gift of Screws to be released September 16th on Reprise that also has the rhythm section of McVie and Fleetwood from Fleetwood Mac on a number of songs.
The new track listing for Gift of Screws:
“Time Precious Time”
“Did You Miss Me”
“Wait For You”
“Love Runs Deeper”
“Bel Air Rain”
“The Right Place to Fade”
“Gift of Screws”
Click here for my 2006 article comparing the aborted version of Gift of Screws to Under the Skin.
The plan is for Buckingham to tour in support of Screws this Fall and for a possibly-augmented Fleetwood Mac to tour in early-’09.
Lindsey Buckingham’s website is streaming a preview of five tracks from his new album Under The Skin which is first his official solo album since 1992’s Out of the Cradle due out October 3rd. Here is the tracklisting for Under The Skin:
1. Not Too Late
2. Show You How
3. Under The Skin
4. I Am Waiting
5. It Was You
6. Try For The Sun
7. Cast Away Dreams
8. Shut Us Down
9. Down on Rodeo
10. Someone’s Gotta Change Your Mind
Under the Skin includes three tracks from Gift of Screws that Lindsey aborted in favor of Fleetwood Mac’s 2003 album Say You Will. Say You Will also benefited from his work in turn by getting a number of tracks from Gift of Screws. Under the Skin also includes the track “Shut Us Down” which was used in the soundtrack to the movie Elizabethtown. If you have heard the Gift of Screws tracks, then there are really only four new songs, here. Not that I’m complaining, however. I welcome any new release from Lindsey whether it is solo or as Fleetwood Mac.
At one point there was a leaked copy of what was purported to be the final version of Gift of Screws out on the Internet. This was a lossless copy of the CD that evidently was submitted to the label. Here is the tracklist with my annotation of where each song was released:
1. Someone’s Gotta Change Your Mind (Under the Skin)
2. Miranda (Say You Will)
3. Steal Your Heart Away (Best Buy presents Fleetwood Mac Tour ’97 2 CD set you could get with a coupon during the Dance Tour)
4. Red Rover (Say You Will)
5. She Smiled Sweetly (unreleased)
6. Come (Say You Will)
7. Down On Rodeo (Under The Skin)
8. Gotta Get Away (unreleased)
9. Try For The Sun (Under The Skin)
10. Shuffle Riff (updated 11/8/08: becomes “Wait For you” on 2008 Gift of Screws)
11. Murrow (Say You Will)
12. Gift of Screws (updated 11/8/08: Title track on 2008 Gift of Screws)
13. Bleed To Love Her (The Dance as a live track)
14. Twist of Fate (updated 11/8/08: Becomes “The Right Place to Fade” on 2008 Gift of Screws)
15. Go Insane (this was a live version of the song from Go Insane)
16. Say Goodbye (Say You Will)
17. The Singer Not The Song (unreleased)
The songs that aren’t released, yet are really good ones. I’d be interested to see if he will use them as b-sides or bonus tracks in the future.
He has also announced tour dates starting in October. If you pre-order his CD from Ticketmaster you can get pre-sale tickets for upcoming shows, which might be worth doing.
10/06/06 8:30PM Variety Playhouse – Atlanta, GA
10/07/06 8:00PM Ryman Auditorium – Nashville, TN
10/09/06 8:30PM State Theatre – Falls Church, VA
10/10/06 8:00PM Town Hall – New York, NY
10/13/06 7:30PM Orpheum Theatre – Boston – Boston, MA
10/14/06 9:00PM Foxwoods Casino – Mashantucket, CT
10/15/06 9:00PM The Borgata Hotel Casino & Spa Event Center – Atlantic City, NJ
10/17/06 8:00PM The Pabst Theater – Milwaukee, WI
10/20/06 TBA Lakewood Civic Auditorium – Lakewood, OH
10/22/06 TBA Emerald Theatre – Mt. Clemens, MI
10/24/06 7:30PM Park West – Chicago, IL
11/01/06 8:00AM Celebrity Theatre – Phoenix, AZ
11/02/06 8:00PM Viejas Casino – Alpine, CA
11/03/06 8:00PM The Grove of Anaheim – Anaheim, CA
11/06/06 8:00PM Palace of Fine Arts – San Francisco, CA
11/10/06 TBA The Wiltern LG – Los Angeles, CA