B-Sides in the Bins #54 – Half-Price Books, Bloomingdale, IL 3/13/11

Sherry and I were back in Chicago last weekend for her yearly America’s Beauty Show conference at McCormick Place. My goal was to spend some time working on some writing and possibly do some record shopping. We were also planning to see The Right Now open for L.A. R&B band Orgone at Schuba’s.

Because I was concentrating on some writing, I primarily stayed holed up in our hotel room in Oak Park, but I ventured out on Sunday morning after dropping Sherry off at the show. I had been meaning to hit the Half-Price Books up in Bloomingdale and the hotel was relatively close to there. As far as Half-Price Books stores are concerned, this one is a pretty well-stocked one. The vinyl section was very large and had a very good selection of titles. The rule of thumb for pricing vinyl at HPB in Cedar Rapids is to use the Goldmine Vinyl Pricing Guide and charge 50% of that. So, when Neil Young’s Harvest shows up in the guide for $10, you can count on it being $5 or $6.  In my opinion, the Bloomingdale prices seemed on average a little higher than I’d see in Cedar Rapids, but not oppressively so. I ended up getting some collection fillers– Led Zeppelin and Pink Floyd which was cool. Those titles tend to be kind of rare in Cedar Rapids, so I want to snag them when I see them. I also got some odd college rock releases, too.

Led Zeppelin – Coda (LP, Swan Song/Atlantic 90051-1, 1982) ($9.98) Coda was the 9th and final LP from Led Zeppelin, post John “Bonzo” Bonham’s death. Assembled by Jimmy Page of studio and soundcheck outtakes recorded between 1970 and 1978. The album is largely dismissed by most as a non-essential Led Zeppelin release. At my house Coda was actually played quite a bit. We became fans of Led Zeppelin around the time I was a freshman in high school and bought all of the albums on cassette. My brother Steve is a drummer and was a big fan of Bonzo at the time. I think out of all of the tracks we played the drum instrumental “Bonzo’s Montreux” the most which we saw as the sequel to “Moby Dick” from Led Zeppelin II. In fact, the first big CD boxset of Led Zeppelin included a medley of both “Moby Dick” and “Bonzo’s Montreux.” The sleeve for this LP is a nice embossed 2-pocket gatefold. The LP fits in one pocket, but I don’t have anything in the second pocket– am I missing something?

Pink Floyd – The Wall (2 LP, Columbia 36183, 1979) ($14.98) This was a bit on the pricey side, but the sleeve was in excellent condition as was the vinyl. Essential for any Pink Floyd collection– I’m still building my vinyl collection so I’m keeping an eye out for these releases. My dad bought this on cassette when it came out and I didn’t really pay any attention to it aside from “Another Brick in the Wall (part 2)” which was a #1 single in 1979. It wasn’t until the summer between my 8th Grade and Freshman year of High School in 1983– almost four years after the album came out– that I would really embrace The Wall. My first girlfriend (more of a summer fling, I suppose), coincidentally with the last name of “Watters” wanted me to copy the tape for her. I wasn’t a fan, but she insisted that it was an amazing album.  Back in these days one would have to sit through the dub process– I had two individual cassette decks– not even the dubbing cassette deck that I have today. Press play on one and record on the other and wait. On this particular night I laid in bed with the headphones on listening to it as it copied. It was at that point that I understood what the fuss was about and it opened my eyes to the utter majesty of The Wall and at that point caused me to be a fan of Pink Floyd. Considering that I was pretty much raised on a steady diet of the Beatles, The Moody Blues and Fleetwood Mac, The Wall was revolutionary.  That Christmas I asked for Animals and Dark Side of the Moon for gifts. As was usually the case around the house, whenever I would start getting heavy into a particular band the rest of the family would follow suit and it seemed like we were listening to The Wall in the car all the time usually singing along with songs like “Mother” as disturbing as that seems in retrospect. Our family had planned on seeing one of  the rock laser shows at Five Flags as was the rage at the time, and they regularly did one for Dark Side of the Moon. In a last-minute decision we decided to buy a Betamax tape of The Wall Movie under the idea that it would cost about the same as the admission to the laser show was about the same price as the movie. I remember inviting the art teacher from my high school, Dave Eischeid over to watch it one afternoon. It was kind of a big deal at the time and people hadn’t really even seen the movie.

Pink Floyd – The Final Cut (LP, Columbia QC 38243, 1983) ($9.98) While not generally regarded as their best effort with Waters, the copy was in such good shape I thought I should pick it up. Really, though, people probably didn’t play The Final Cut as much as any of their previous releases, so I suspect that most of the copies in the used bins are in good shape. The Final Cut was as much a reaction to the events surrounding The Wall as it was kind of a sequel to it. The only single from the album was “Not Now John” which seems to me also very related to “Young Lust” from The Wall. I had “Not Now John” on a mix tape I used to listen to a lot in my car in high school and it still stands as a great track in my opinion and the only one on the album to feature David Gilmour’s vocals, but he shares vocal duties with Waters.

Paul Simon – Graceland (LP, Warner Bros., 25447-1, 1986) ($4.98) Finally a copy of Graceland that was in really great shape! Lots of copies of Paul Simon’s brilliant return to the top of the music charts and winner of two GRAMMYS. Graceland was an early CD purchase for me– I got my first CD player in the early 90’s and it was part of the first ten or so CD’s I bought. I don’t have a lot to say about the album that hasn’t been covered. It’s one of the all-time great albums as far as I’m concerned.

Camper Van Beethoven – Telephone Free Landslide Victory (LP, Independent Project/Rough Trade IP016, 1985) ($7.98) WOW! Big find! I was really happy to find this one languishing in the bins! CVB’s debut record which would establish the band with it’s best-known song, “Take The Skinheads Bowling” (best known next to their cover of “Pictures of Matchstick Men” anyway). Wonderful blend of ska/Eastern Bloc instrumentals and relatively straightforward “college rock.” A very welcome addition to my collection indeed, and the beginning of my vinyl collection of CVB.

The dB’s – Like This (LP, Bearsville/Warner Bros. 25146-1, 1984)($9.98) Another great college rock find! I saw the dB’s open for R.E.M. during their Document tour on October 31st, 1987 in Davenport, IA. What little I remember about their performance includes a pretty great version of “Amplifier” which was on Like This and their previous album. Like This is a great album even though it is missing Chris Stamey. Produced by Chris Butler of the Waitresses and the dB’s. The LP credits and the deadwax show the LP was mastered at Sterling Sound by Greg Calbi.

Janet Jackson – Janet Jackson’s Rhythm Nation 1814 (LP, A&M Records SP 3920, 1989)($2.98) While I never owned this on CD or cassette, it was a record I had a lot of respect for when it came out. The easiest way to create a funk masterpiece is to bring the Minneapolis sound– Jam & Lewis. Seven singles in the Top Five is a record that has yet to be topped. Great record and I’m happy to have this in my collection– especially in this condition. Slight ringwear on the sleeve, but the record itself is pristine.

Full Fathom Five – Smoke Screen EP (12″ Link Records 021, 1989)($2.98) A red vinyl pressing for the “Smoke Screen” single from the Iowa City band Full Fathom Five’s major label debut 4 A.M. on Link Records. I picked up the vinyl version of this at Cheapo’s in Minneapolis back in 2009. This HPB tried to get $9.98 for this back in June of 2009 according to the layered price stickers, and then dropped the price to $4.98 in October of 2010, and then dropped the price again in February of this year to $2.98. A pretty cool piece and a nice companion to my 4 A.M. vinyl. “Smokescreen” is on side 1 and side 2 has two non-album tracks, “What We are Missing” and “Take It To the Station.”

Ryan Adams Emerges from Self-Imposed Exile, Looks Around Suspiciously, Announces Stuff

We’re just past the Ides of March and although he has historically exclaimed “Et Tu, Internets?” this month has brought us a bunch of new Ryan Adams news. The last time we heard from our hero, he had fired up his PaxAm imprint and released two albums that had been hiding in his archives– his Metal Space Opera Orion and Cardinals III/IV which was two albums worth of Easy Tiger-Era recordings with The Cardinals.

To accomplish his desired DIY apprach, he assembled a staff to handle the shipping and orders that were done via the PaxAm website. In the case of Orion things went pretty well, but apparently folks were having issues with delivery of the III/IV album that were placed on the PaxAm site and went to the internet boards to bitch about it. The fact of the matter is that there was an accident involving the guy who was handling the orders and things got delayed and people complained loudly and frequently as is the manner of some.

Fed up, Ryan responded on the boards:

All future Pax-Am releases are cancelled and I don’t have any plans to continue anymore merch. Maybe I will sell the rights to someone else and let them make this stuff. All I know is I am not going to do it. I don’t believe we did a bad job…. The truth is both releases cost a boat load to manufacture and so many good people who I enjoy working with are involved in a hands-on way, all the way down to the manufacturing, that I seriously doubt the vinyl made any money back. It was about the tunes and doing it right and making quality vinyl. We took time to do it right.
Clearly I was 100 percent wrong that this was a good idea and I am really glad I tried but am totally done. Sorry if that sounds passive aggressive or something but I am just being real. I over it and over blogging and I had to borrow this very computer to even write this crap. Blah.

And with that he went into radio silence, but clearly this wasn’t the end of the story as we have now heard about a Record Store Day 4-song, 2 colored vinyl 7″ single EP of Cardinology-era previously-unreleased tracks called Class Mythology that will be a limited edition of 2500 copies with a picture sleeve, poster and sticker and will be on PaxAm Records! It is confirmed from his Facebook page with a mock-up of a single. The distributor for this record is going to be Junketboy who has a history of doing small-run releases like this. So, it would appear that he is delivering on the idea of letting someone else press the records. Hopefully he is getting his say on the quality of the records as his desire to get the mastering right had delayed releases in the past. In the same post where he bows out of pressing records, he also comments on the Lost Highway vinyl and in particular the new 10th Anniversary clear vinyl releases:

I was simply signed to Universal/ Lost Highway as an artist and had no say in the quality of the product. I was appalled they ever released ANY of my albums on vinyl since NONE were mastered for vinyl including the clear GOLD thing. I still have the original ones and they sound like ass. THAT is my personal opinion and I don’t care. Sorry. I like mastered vinyl.

I picked up the 2 LP clear vinyl version of Gold recently, and I don’t think it sounds “like ass” but there are a couple of spots where there are some clicks present, so there is a bit of a QC problem. I was particularly interested in this release as it included the “Side 4” bonus tracks that were only available on the first 150,000 CD pressings of Gold. This release fixes that sin.

So, with this RSD release, there is some hope for the future of other archive releases– in particular, folks are really anxious to get to hear Blackhole, which is another release that apparently did not leak to bootlegging. There is photographic evidence around the time he was working on the III/IV ramp-up that it had been mastered to vinyl, so perhaps we are close to this actually coming out if he’s working with a distributor.

On top of this great news, it was announced in an e-mail from the PaxAm site that Ryan is working with legendary producer Glyn Johns on his first album of new material since 2008. Johns is credited with some of Rock’s great albums including Who’s Next, The Stones Sticky Fingers, and Clapton’s Slowhand.  Clearly keeping the trust in the family,  Johns’ son Ethan produced Heartbreaker, Gold and 24 for Adams.

The question would be how he’s going to release this album– he is not on a label at the moment other than PaxAm– and he used TVT/The Orchard to distribute III/IV to stores and online. So, potentially, the new album could still be on PaxAm. Really, the only issues were the orders placed on the PaxAm website, so that is probably solved by not doing preorders by himself.

While we ponder the always-unpredictable career of Ryan Adams, on Monday he announced a tour of Europe starting in June that will be just him with an acoustic guitar playing new songs he wrote over the winter. “I’d like to play them for whoever wants to hear them,” he posted to Facebook, “Please don’t yell at me,” These are the songs that evidently moved his wife Mandy Moore to tweet, “been listening to my hubby write insanely beautiful music over the past few weeks. blows my mind at how easy he makes it look. the nerve! :)”

This will be the first organized tour since Adams announced in early 2009 that he was leaving the Cardinals following a very extensive tour in support of Cardinology. This announcement was for a few reasons, but likely primarily related to his affliction with Ménière’s disease that caused severe vertigo among other afflictions. He’s clearly easing back into touring since this tour will be solo acoustic. I’m not alone in hoping that he brings this tour to the US.

Here are the European tour dates (from his Facebook post):

Friday, June 10, 2011 Stockholm, Sweden Cirkus
Saturday, June 11, 2011 Oslo, Norway Folketeatret
Monday, June 13, 2011 Malmö, Sweden The Consert House
Tuesday, June 14, 2011 Copenhagen, Denmark Koncerhauset
Thursday, June 16, 2011 Lisbon, Portugal Aula Magna
Friday, June 17, 2011 Porto, Portugal Teatro Sa Da Bandeira
Monday, June 20, 2011 London, UK Barbican
Wednesday, June 22, 2011 Brighton, UK Dome
Thursday, June 23, 2011 Manchester, UK Bridgewater Hall
Saturday, June 25, 2011 Glasgow, UK Academy
Sunday, June 26, 2011 Oxford, UK Oxford New Theatre
Tuesday, June 28, 2011 Amsterdam, Holland Concertgebouw

(Free Download) Pieta Brown Encore Daytrotter Session

Today Daytrotter posted a session I’ve been waiting over a year-and-a-half to hear– Pieta Brown‘s encore session!

The session was recorded Thursday, June 11, 2009 using a short-lived band lineup called “Dream #9” with Jim Viner on drums, Jon Penner on bass and Bo Ramsey on guitar. They performed only two shows in this configuration. June 11th at The Redstone Room in Davenport and then on June 12th at The Mill in Iowa City, which I reviewed.

Here is a picture of that band lineup from The Mill Show:

Pieta Brown and Dream #9 at The Mill

Pieta’s first Daytrotter session was recorded in March of 2008. Between these two sessions recorded less than a year apart, Pieta would go from being on a semi-major label to being “in limbo” with no label. A situation which was remedied by September 2009. Nevertheless, Pieta had self-released an EP titled Flight Time in October 2008 and both sessions include songs from Flight Time as well as her Shimmer EP— produced by Don Was and her debut release on Red House Records.

The session is a nice cross-section of Pieta’s career:

1. “#807” is from her 2005 release In The Cool, which was released on Valley Entertainment and apparently is still in print!

2. “Going Away Blues” is a Frank Stokes cover that Pieta also recorded for her self-released 2003 EP I Never Told which is impossibly out-of-print. I managed to get one of these when Pieta discovered a box last year.

3. “4th of July” also on In The Cool.

4. “Sunrise Highway #44” is from her self-released EP Flight Time which is still available on CDBaby.

5. “You’re My Lover Now” is from her debut Shimmer EP on Red House Records. This version differs from the EP version by having some nice subtle brushwork from Jim Viner.

Pieta Brown Daytrotter Encore Session: The Faint Light of All Lungs and Hearts

Pieta  Brown has tour dates coming up (from her website) with a show at the Mill Restaurant on April 9th:

Date Time Location
Sat Mar 19 Bluegrass & Roots Festival, River Falls, WI more info
Sat Apr 09 The Mill, Iowa City, IA more info
Sat Apr 16 Stoughton Opera House, Stoughton, Wisconsin more info
Thu May 26 SPACE, Evanston, IL more info
Sat May 28 Crossings At Carnegie, Zumbrota, MN more info
Fri Jun 03 Mountain Jam Music Festival, Hunter, NY more info
Sat Jun 04 Iron Horse Music Hall, Northampton, MA more info
Sun Jun 05 Club Passim, Cambridge, MA more info
Sat Aug 06 Edmonton Folk Festival, Edmonton, Alberta, CANADA more info
Sun Aug 07 Edmonton Folk Festival, Edmonton, Alberta, CANADA more info

 

(Show Preview) SCOPE Presents The Roots at IMU Main Lounge – 3/9

2010 was–by anyone’s estimation–a triumphant year for Philadelphia-native soul/hip-hop band The Roots.

It was their second year as the house band for Late Night With Jimmy Fallon, each night providing interstitial music as well as stepping in as the band for guests as varied as Bruce Springsteen, Paul Simon, Todd Rundgren, Mos Def and Justin Timberlake (with Fallon doing an amazing “History of Hip Hop”).

In June, The Roots released their ninth album How I Got Over. It earned an 8.1 on Pitchfork, “…one of their most lyrically straightforward, and a work of strong stylistic cohesion.” As a casual follower of The Roots dating back to Illadelph Halflife (1996), I agree with Pitchfork on this point. Every Roots album to date has had standout tracks, but How I Got Over is for me their most satisfying effort beginning-to-end. Possibly this has to do with the fact that the album draws its inspiration as a collective sigh of relief with the election of President Obama. How I Got Over is itself a “reaching across the aisle,” if you will, featuring collaborations with indie darlings Monsters of Folk on “Dear God 2.0″ (a re-engineering of the MoF single), harp-wrangler and Van Dyke Parks BFF Joanna Newsom on “Right On,” and members of The Dirty Projectors on the opening acapella track “A Piece of Light.”

Read the rest of the article at The Little Village Website

(Upcoming Show) Charlie Mars with Griffin House at The Mill 3/5/11

This Saturday, March 5th brings to the Mill Restaurant in Iowa City former V2 Records singer-songwriter Charlie Mars. Charlie is wrapping up a run of dates that started at the beginning of February of East Coast and Midwest dates in support of his latest album Like A Bird, Like A Plane which came out in 2009. The bio on Mars’s site says that Like A Bird, Like A Plane is almost a “new debut.” While this album is his 5th release dating back to his 1996 album Broken Arrow.

The path to his major label release in 2004 on V2 Records (now folded– once home to The White Stripes and Moby) was an uneven one. The 150-dates-per-year touring over three years took a toll on him resulting in needing to enter rehab for substance abuse. Following that he split for Sweden choosing to recluse himself in obscurity. But, it was this move that allowed him to watershed the material that would become his self-titield major label debut in 2004. The major label backing gave his career the necessary re-launching. “I had no manager, no band, I hadn’t toured for about two years – I thought my career was done,” he says.

V2 gave him the radio exposure,  backing and critical praise. That ride ended in 2006 when V2 shuttered forcing Mars to reassess his career and start the daunting prospect of a follow up to what was his most successful release. He headed to Austin to assemble a band to record Like A Bird, Like A Plane.

The release has been out for over a year at this point and Mars spent most of 2010 touring in support of it. As I listen to the release, it strikes me as a solidly written and composed album. The album has a stripped down, acoustic approach with an almost Dub-like dissasembled percussion. The album is scattered with studio chatter and starts and stops that give the album a feel of immediacy and live performance. This is substantiated by the fact that Mars says that they tended to use the first takes and left in the “happy accidents” generated as they worked through the recordings.

The standout track for me is the slightly tongue-in-cheek “Listen to the Darkside” with its double entendre use of “darkside” to mean both the classic Pink Floyd record and possibly the advice of the narrator in the middle of a relationship. The song was featured in an episode of the made-for-Showtime series “Weeds” and benefits from a music video that features”Weeds” star Mary Louise Parker.

Charlie Mars will be performing at The Mill Restaurant in Iowa City on Saturday, March 5th at 9PM tickets are $12 in advance and $15 at the door. Charlie House opens.

You can order tickets from MidwesTIX.

Click Here to listen to “Listen to the Darkside” from Like A Bird, Like A Plane

Here is the video to “Listen to the Darkside”

Upcoming Show : The Play B-Sides Guide to the Gayngs Affiliyated Showcase

The super-mega-conglomerate quinvicatet known as Gayngs released their debut record in 2010. Titled Relayted, it was quickly praised by critics and fans and made quite a few year-end best-of lists. A seemingly impossible feat for an album with– by anyone’s estimation– having way too many cooks in the kitchen and a formula based on 70’s and 80’s soft rock.

Nonetheless, it is a great album and it works due to the singular vision of Ryan Olson: the court jester, band leader, and love train conductor. He is both the “Space Cowboy” and “Maurice” and capably speaks of the pompatus of love.

As if pulling off an album with 25 members wasn’t enough– Ryan gathered all of them for a pair of shows at First Avenue on the Friday following the album release that thematically was “The Last Prom on Earth” complete with limousines, balloons, prom formals and prom portraits. By all accounts it was one of the great live experiences last year. There were no promises that the band was going to ever do another show.

But, it was announced last Fall that a much smaller touring version of the band (a mere ten members) was going to do a quick nine-date run of the East Coast and Midwest culminating with a high-visibility shows in Austin for the Austin City Limits Festival. That tour was received well with a stop on Jimmy Fallon as well as a quick Daytrotter session. Unfortunately, there was some kind of mixup with the tour bus company which caused the band’s gear to end up in Nashville the night before their big ACL appearance and caused the band to cancel. But, it looks like Gayngs will be making up for their missed appearance by making it back to Austin in March for a few gigs at SXSW. The band will head out in the spring and summer for some other festivals and West Coast dates in June.

Gayngs is going to perform a “warmup” gig of sorts for SXSW next Sunday by completely taking over First Avenue Mainroom, The 7th Street Entry and The Record Bar with a lineup of “Affiliyated” bands starting at 6:30PM. In other words, this event will be a festival of 15 or so bands that have a connection with the members of Gayngs!

What we get is a kind of who’s who of the current Minneapolis music scene. I wasn’t familiar with all of these bands, so I did some research, and here is a kind of Guide to the Gayngs Affiliate Showcase.

The first observation I have is that while this might not be the 25-member lineup of Gayngs that played The Last Prom on Earth in May 2010, we should get a bigger version of Gayngs than the 10-person one that toured last fall!

Bands Playing The Mainroom:

Gayngs : Duh. Supergroup that is headlining the showcase. MySpace Facebook Website Twitter Vimeo Daytrotter Session

Doomtree Collective : Minneapolis’s premier hiphop collective with members that contributed to Relayted including P.O.S. and Dessa. Looking forward to hearing the other MC’s– especially SIMS, whose Lazerbeak-produced album Bad Time Zoo has been getting a lot of spin for me. There will be individual sets performed at The Record Bar as well (see below). Website Facebook MySpace Twitter

Solid Gold : It’s safe to say that the core of Gayngs is really Solid Gold since it was the initial collaboration of Ryan Olson and Zach Coulter and Adam Hurlburt of Solid Gold that started the project and they are the core part of the Relayted band. If you listen to Solid Gold’s music, you hear the shared DNA of both bands– Solid Gold has a penchant for 80’s rock and synths– just check out their slowed-down take of the Kenny Loggins Top Gun smash “Danger Zone” on their Synchronize EP. Website Facebook MySpace Twitter Daytrotter Session Daytrotter Session with Naughty By Nature(!!!!)

Megafaun : The first recruits into the Gayngs Army were North Carolina-meets-Eau Claire group Megafaun– the obvious connection being Joe Westerlund who is the one from Ryan Olson’s Wisconsin home town. I’m really loving their latest EP Heretofore– kind of a glitchy atmospheric, vocal harmony Americana. Website Facebook MySpace Twitter Daytrotter Session

Leisure Birds : The garage-psych band Leisure Birds contributed two members to Gayngs- Jake Luck and Nick Ryan. Leisure Birds released their debut album Copper Scroll for the label Totally Gross National Product in October 2010. MySpace Facebook

Alpha Consumer : Alpha Consumer seems to be known more for backing other musicians (Dosh, Andrew Bird) than for their own music– although they have released three albums. Michael Lewis from Alpha Consumer provided saxophone for Relayted. MySpace Facebook Twitter

Mystery Palace :   Mystery Palace is one of Ryan Olcott’s (formerly of 12 Rods) projects that center around his circuit bent music. Mystery Palace records for Totally Gross National Product. MySpace Facebook

Bands Playing the 7th Street Entry:

The Entry ends up being a showcase of bands on Ryan Olson’s record label Totally Gross National Product.

Har Mar Superstar : Wow– well, this should be interesting. I didn’t have an opportunity to see Har Mar Superstar when he was living in Minneapolis– he has moved from being an oddity to being completely embraced for his utter distorted personal view. I love his distinctly 80’s sounding Minneapolis funky sound, though. He recorded a cover of the George Michael classic “One More Try” with Gayngs last year. Click Here to download this from Stereogum. Website Facebook MySpace

Slapping Purses : Slapping Purses is the one-man electronic noise + electro beat of Jason Power. Promises to be loud and abrasive. If you’re into electronic glitchiness and beats, this is the act for you. Also on Totally Gross National Product. MySpace Facebook

Marijuana Deathsquads : Marijuana Deathsquads is Gayngs head honcho Ryan Olson’s other going music project. Marijuana Deathsquads started as a backing band for P.O.S. At the core of the group is essentially Minneapolis hardcore punk band Building Better Bombs also fronted by P.O.S. The lineup of Marijuana Deathsquads changes as they bring outside artists to collaborate with them. I guess you could think of MD as an early template for Gayngs. Records for Totally Gross National Product as well. Currently doing an in-residence with Har Mar Superstar in L.A. at Spaceland. Website Facebook MySpace

Spyder Baybie Raw Dog : Another act from the Totally Gross National Product stable. A spaced-out M.C. I guess you might say. MySpace

Moonstone Continuum : Progressive electronic music. Sounds like 70’s bands like Tangerine Dream or Kraftwerk to me. I liked the couple of songs I sampled on their MySpace page. On Totally Gross National Product. Their self-titled release comes as a 150g vinyl LP with digital download and a 23-page book of works by their “Lunarian Minister” M. Mikah Mackert. A really out-there release to be sure. MySpace Facebook

Albert : Analog synth music by Minneapolis musician Albert Elmore. Elmore has been releasing music via his website bbpwc.com since 2004 and encourages reuse and sampling through Creative Commons Share Alike Licensing, which is great. He also performs under a few aliases including Jon Jacob 3, Never Say DJ Fred Equipment and James St. Murder Laden Mitten Wonder among many others. His new album – a compilation of works dating back to 2004– will be released on vinyl on March 15th on Totally Gross National Product. Website Twitter Interview with MPLS.TV

Radical Cemetery : I couldn’t find much information about this band other than they had a DIY 90-minute cassette release last June in a limited run of 100 titled Stoned Minors.

Performances at The Record Room:

DJ Sets and Doomtree Solos : I think this has the potential to be a really interesting set of performances. I’m really digging the MC’s and producers in this collective. Sims, Dessa, P.O.S., Mike Mictlan, Paper Tiger, Lazerbeak.

The Gayngs Affiliyated Showcase is presented by the City Pages blog Gimme Noise. Tickets are $20 and Doors are at 6:30 PM on Sunday, March 6th. This is an 18+ show.

Click Here for the First Avenue page on this show with information on how to purchase tickets.

Gayngs 2011 Tour Dates (from Consequence of Sound):
03/06 – Minneapolis, MN @ First Avenue
03/11 – Austin, TX @ Stubbs
03/13 – Denton, TX @ 35 Confederate Festival
03/17 – Austin, TX @ SXSW / Mohawk
03/18 – Austin, TX @ SXSW /Lustre Pearle/ Dickies Party
04/15-17 – Indio, CA @ Coachella
05/28 – Portland, OR @ Doug Fir Lounge
05/29 – Quincy, WA @ Sasquatch Music Festival
06/01 – San Francisco, CA @ The Independent
06/04 –  San Diego, CA @ The Casbah

(Show Preview) Chicago Sextet Canasta at The Mill 2/4/11

Most of the press that surrounds the Chicago sextet Canasta is wrong.

Maybe I should be more clear. Upon my first listens of Canasta’s fantastic 2010 release The Fakeout, the Tease and the Breather I was immediately whisked back to my halcyon days of college in the early Nineties, when I had more hair on my head, less hair on my face and the dew of optimism had yet to be wiped from my eyes.

This hot tub time machine was made possible by very strong–and I use this non-ironically–Beatlesque Britpop influence. The soft tenor style of vocalist Matt Priest to me recalls singers like Ian McColloch from Echo & the Bunnymen, Nick Heyward from Haircut One-Hundred, and Kurt Ralske (aka Ultra Vivid Scene). The fact that Canasta is a six-piece helps them deliver beautiful, complicated, nearly-orchestral pop. Clean ringing guitars and gorgeous vocal harmonies floating over strings and keys draws easy comparisons to The Smiths.

Read the rest of the article at The Little Village website.

Upcoming Shows: Fitz and the Tantrums Hit the Midwest!

 

In addition to having a pretty cute band name, Fitz and the Tantrums seem to have really taken the scene by storm in their relatively short existence. The story goes that frontman Michael “Fitz” Fitzpatrick rescued a vintage keyboard from someone who needed to leave town quickly. The keyboard was the inspriation that Fitz needed to start writing the keyboard-fueled R&B that is the signature of Fitz and the Tantrums. A chance hearing by Maroon 5 frontman Adam Levine gained them a gig opening for his band on tour. Another opportunity performing on Daryl Hall’s “Live From Daryl’s House” online video series, a spot on Carson Daily and some choice placement of songs on a couple of TV shows and you have a formula for a band that is enjoying a meteoric rise. Having a shit-hot single and stylish video in “Moneygrabber” doesn’t hurt any either!

As luck would have it, the L.A. band is going to be visiting the tundra-like Midwest at the beginning of February with some Play B-Sides connections in the mix.

On Saturday, February 5th Fitz and Co. will be headlining a gig in Chicago at The Metro with JC Brooks and the Uptown Sound and Play B-Sides extended family The Right Now! That is a powerhouse lineup of Soul and R&B and my pick for a not-to-be-missed show on the Windy City’s calendar. This is a rare show for a while for The Right Now as they are holed up in their secret hideaway writing songs for their sophomore release. The few songs they’ve already trotted out on tour last year show promise for a suitable follow-up to Carry Me Home— a Play B-Sides Top 20 of 2010.

On the following Monday they will make the trip to Iowa, and play a gig at the Redstone Room with opening act Bermuda Report which features the vocals of former Diplomette Abby Sawyer. Bermuda Report snagged a spot in my Top 10 releases I’m looking forward to in 2011 with their upcoming full-length due this year.

If that wasn’t enough, they are going to do an all-ages show in Iowa City on Tuesday, 2/3 at The Blue Moose Tap House for a measley $3! WTF? FTW!

So, with all of these opportunities to see Fitz and the Tantrums, get out to see them! Then you can say you “saw them when!”

Here is the video for the fantastic “Moneygrabber”

Check out their whole album with this player:

Fitz and the Tantrums Tour Dates (from Dangerbird Records)
Tuesday January 18, 2011 – Philadelphia, PA @ World Cafe Live
Buy Tickets

Wednesday January 19, 2011 – New York, NY @ Bowery Ballroom
Buy Tickets

Thursday January 20, 2011 – Allston, MA @ Brighton Music Hall
Buy Tickets

Friday January 21, 2011 – Clifton Park, NY @ Northern Lights
w/ Michael Franti & Spearhead

Buy Tickets

Saturday January 22, 2011 – Northampton, MA @ Iron Horse Music Hall
Buy Tickets

Monday January 24, 2011 – Portland, ME @ Port City Music Hall
Buy Tickets

Tuesday January 25, 2011 – Montreal, QC @ Petit Campus
Buy Tickets

Wednesday January 26, 2011 – Toronto, ON @ Mod Club
Buy Tickets

Friday January 28, 2011 – Cleveland, OH @ Grog Shop
Buy Tickets

Saturday January 29, 2011 – Milwaukee, WI @ Turner Hall Ballroom
Pablove Foundation benefit show w/ Silversun Pickups (acoustic performance), Maritime, and more
Buy Tickets

Sunday January 30, 2011 – Madison, WI @ High Noon Saloon
Buy Tickets

Monday January 31, 2011 – Columbus, OH @ The Basement
Buy Tickets

Thursday February 3, 2011 – Pittsburgh, PA @ Club Cafe
Buy Tickets

Saturday February 5, 2011 – Chicago, IL @ Metro
Buy Tickets

Monday February 7, 2011 – Davenport, IA @ Redstone Room
Buy Tickets

Tuesday February 8, 2011 – Iowa City, IA @ Blue Moose Tap House
Buy Tickets

Thursday February 10, 2011 – Minneapolis, MN @ Bunkers
Buy Tickets

Sunday February 13, 2011 – Nashville, TN @ 3rd & Lindsley
Buy Tickets

B-Sides in the Bins #52 – Half-Price Books Cedar Rapids 1/22/11

I was out running a bunch of errands today and ended up at Half-Price Books. When I arrived I didn’t find anything in the used vinyl bins that I absolutely needed– they had a couple of new Donna’s LP’s which was interesting, but I’m not familiar with their music enough for me to jump in. I was just about out the door when Claire– the girl who is the most knowledgeable about the vinyl– happened to be bringing a pile of newly-priced records to the bins to put away. Thankfully I stayed! I found the King Crimson LP from the pile she brought over and the Queen LP– she brought some other interesting pieces, but most of them were in pretty ratty condition– the first Doors record (stereo), a 13, The Who’s Tommy on Decca, Katy Lied by Steely Dan. She said that she had a Dark Side of the Moon behind the counter she was going to put out and asked if I wanted to see it. I don’t really need another Dark Side, but I know enough people who need one that I always look.

I didn’t end up picking up the Dark Side of the Moon, but I ended up picking up some other really great pieces!

Pink Floyd – Atom Heart Mother (LP, Harvest/Capitol SKAO 382, 1970) ($7.00) According to the matrix information this is a second issue done in Jacksonville, IL. The vinyl is in really great shape, but the cover got wet– hence the cheaper price. This is an album that I’ve never listened to– I tend to favor Wish You Were Here, Animals and Dark Side of the Moon. The “Atom Heart Mother” Suite which takes up side one is listenable, but still emblematic of the psych snobbery that I was glad they moved away from. I really like side 2 though. “Fat Old Sun” is a great song. I may keep an eye out for a new cover for this one since the vinyl is so clean.

New York Dolls (LP, Mercury SRM.1.675, 1973)($10.00) The landmark first album from New York Dolls– produced by then-guitarist for The Nazz Todd Rundgren! After watching the documentary about the reunion of the New York Dolls in 2006 called New York Doll, I had a new interest in this seminal proto-punk/glam band. The vinyl is in really great shape although it has a slight warp. The cover is clean, but has a spit at the bottom. The inner sleeve is intact and features a pencil sketch of a girl bent at the waist in a skirt with her behind pointing at the viewer. The album is great! I’m really happy to have this in my collection. A note: Ryan Adams quotes the opening of “Looking For A Kiss” on “Beautiful Sorta”: “When I say L-U-V, you best believe me L-U-V.” Apparently the New York Dolls are quoting The Shangri-La’s, but I’m sure Adams is quoting the Dolls.

King Crimson – Red (LP, Atlantic SD 18110, 1974)($2.98) This is my absolutely favorite King Crimson album. My foray into King Crimson started with the 1980’s releases Beat, Three of a Perfect Pair and Discipline that featured Adrian Belew on guitars and vocals based on a co-worker’s advice. I started digging into the catalog of King Crimson, and the next albums would be Lark’s Tongues in Aspic, Starless and Bible Black, and Red. Red is the final release from the King Crimson lineup that would include Bill Bruford (from Yes) and John Wetton (from Asia). According to the Wiki article on the album, Red was released after the band was disbanded by leader Robert Fripp. The album ends up being a compilation of the band’s studio work as well as their live improvisational abilities. The title track and “One More Red Nightmare” are both really heavy tracks especially for 1973-1974 and are cited as influential by many musicians (surprisingly including Kurt Cobain). The track “Providence” is an edit of an extended live improvisation. The copy at HPB had a water-damaged cover that was separating, but the vinyl was in really good condition, so I picked it up. I think it sounds very good.

Queen – A Night At The Opera (LP, Elektra 7E-1053, 1975)($5.00) When the HPB lady put this out, I knew I had to buy this as it is an album that is very influential in my wife Sherry’s life. Rock music was not allowed at her strict Baptist household, so she would get her dose of Rock music from her best friend when she visited. Queen was the first rock music she was exposed to and continues to be a favorite of hers to this day. I was familiar with a few of the songs on Opera, but had never listened to the whole thing before. It’s a classic for good reason– a really balanced album with writing done by the whole band. My second vinyl LP from Queen and a good start to a collection.

Jefferson Airplane – Surrealistic Pillow (LP, RCA AYL1-3738, 1967)($5.00) This is a “Best Buy Series” budget release of the album done sometime in the early 1980’s. The Best Buy Series are generally derided by most collectors and in almost every case RCA chose to make dramatic changes to the packaging and in some cases the track listings to achieve this budget line. In the case of this particular release, there is an ugly “Best Buy Series” logo on the cover art, but it is the normal track listing. Surrealistic Pillow was the Airplane’s second album, but their best known as it has three of their biggest hits on it: “Somebody To Love,” “White Rabbit,” and “Today.” Growing up, we had a cassette of The Worst of Jefferson Airplane the 1971 compilation that had four tracks from Surrealistic Pillow, so I was very familiar with this album as I listened to that a lot. Dave Donovan, who taught Spanish at my high school let me borrow his LP of Surrealistic Pillow as well as his copy of The Beatles White Album, which I thought was pretty cool at the time. There is a lot of debate about the various pressings of Surrealistic Pillow online, but from what I can tell almost every stereo pressing is considered to be thin-sounding, and I would judge this particular pressing the same. Interestingly, the matrix information on my pressing has “AYL1 3738 A 29” stamped on side A, and “AFL1 -3766B-2” scratched out and “AYL1 3738B” hand written on side 2. AFL1 3766 is the late 70’s (maybe 1978?) reissue catalog number. This correction on side 2 would indicate that the plates for this pressing were probably cut from the master tapes used for the late 70’s pressing. It doesn’t make it particularly notable, but provides an interesting view into how labels deal with cutting plates.

All-in-all a really good trip to Half Price Books! Since I spent over $25, they gave me an HPB calendar with the 5% coupons, and they used the first coupon on this order so I actually paid less than the prices listed above. On my way home I called my friend Andrew and told him about the Dark Side of the Moon I saw. He called and had them hold it– it was $7!

Upcoming Show: Rob Mazurek’s Starlicker Coming to Monk’s in Dubuque- New Album Plans

Starlicker photo by Alessandro Carpentieri

It is said that for most people, the music that defines them tends to be based on the music that they listened to in their teens and twenties. I’m not immune to this either– when I talk about about bands I really like, it is framed with a reference of 80’s New Wave, Punk, and College Rock (U2, R.E.M., The Cure…). This is possible, in my opinion, because most bands in the Indie or Alternative space are really building on or working from the same language of melody and structure that was in place in that time.

For most pop and rock music anyway, nothing is ever really new under the sun– to paraphrase Ecclesiastes 1:9.

When I was first introduced to Chicago instrumental band Tortoise in 1998 I heard something that– for me– was wholly new. Tortoise’s influences were clearly the great film soundtrack music of the past, but also a mix of jazz and krautrock and electronic music. It was exciting to hear what I felt to be new music and in typical fashion I dove headlong into Tortoise and bands related to Tortoise.

The jumping-off points for related Tortoise projects are many. Every member of Tortoise has other solo and band projects and quite a few of them in common. But, it is through guitarist Jeff Parker that I started exploring the very rich history of Chicago’s improvisational and free jazz scene. I’m still very much a novice in this space, and I come to it with almost no frame of reference which is both frightening and exciting. I did not listen to jazz in my teens and twenties and it is not music that was played around the house, so it is music that I have had to explore on my own, building a path one stone at a time.

From the stone of Jeff Parker, my next steps were Isotope 217 and Chicago Underground— both bands with cornetist Rob Mazurek. Rob is a very prolific artist whose catalog seems to grow by three or four releases every year. In 2009 Rob released sound is for seminal Chicago Jazz and Blues label Delmark. For sound is, Mazurek pulled together a quintet that was made up of his core collaborators: John Herndon of Tortoise, Matt Lux of Isotope 217, Josh Abrams of Town and Country, and Jason Adasiewicz of Loose Assembly. For me the album recalls a bit of the structured approach of Isotope 217 and some of the looser wanderings of Chicago Underground to great results as this is still an album I listen to with some frequency.

Starlicker is a new trio assembled by Mazurek which includes a subset of the Quintet– John Herndon on drums and Jason Adasiewicz on vibes. In November they did a quick run of dates in Spain, and are now in the middle of a quick tour of Midwestern shows that will wrap up on 1/26 at The Hideout in Chicago. They will take the band fresh from the tour to the studio where they will record sessions for an album that will likely come out on Delmark. This will be followed by a show on Friday, February 4th at Transistor.

Starlicker will be performing at Monk’s Kaffee Pub in Dubuque, IA (373 Bluff St., 563-585-0919)  tomorrow night (Tuesday, January 18th). There is no cover and starts at 9PM, and it is suggested that you get there early to be guaranteed a spot.

Here is some video shot of Starlicker from their November 11, 2010 appearance at Teatro Caja Blanca, Malaga Spain.

Starlicker Tourdates (from robmazurek.com)

Saturday January 15th at 8:00pm -1:00am
Al’s Loft Society, 119 Calhoun St. Cincinnati Ohio

Sunday January 16th at 10pm-1am
The Hungry Brain, Chicago

Tuesday January 18th, 9p.m.
Monk’s Kaffee Pub, Dubuque

Thursday January 20th, 8:30pm
Sugar Maple
441 East Lincoln Avenue
53207
Milwaukee, WI, US

Friday and Saturday January 21 and 22, 9pm – 1pm
Cliff Bell’s
2030 Park Ave.
Detroit Michigan

Wednesday January 26th, 10 pm – 1pm
Hideout Chicago

Friday February 4
Transistor
5045 N. Clark St. Chicago 8pm – 11pm