It’s Time to Play B-Sides Top 20 Albums of 2010

Posted on December 22, 2010 by mike

Welcome to the first Top List for It’s Time to Play B-Sides. I’ve considered doing one of these lists every year since 2006, but never before have I had a year filled with as many really great albums that have compelled me to compile a year-end list. 2010 has been a pretty busy year for me as far as music has been concerned. Some fantastic concerts and events and some really interesting local (Eastern Iowa) releases have come out. This list represents releases that spent the most time on my playlist– in some cases I have had direct working relationships with the bands and that certainly was a factor in their appearance in the list, but nothing appears on this list that I didn’t feel very strongly about and in almost every case these were releases I was recommending to others either verbally or in print whether it was here at Play B-Sides or at Radio Free Chicago, or The Little Village.

One thing I’d like to point out is the number of strong releases from Iowa artists this year– this list doesn’t include a comprehensive list of Iowa releases, but I’m proud to include some music from my back yard.

This list is roughly in order of rank– rather than reverse order, I’m listing top to bottom. Truthfully, though narrowing this list to 20 was a tough act, and I left some albums off that I really enjoyed, but these are the albums that I think really struck me this year.

1. Tired Pony – The Place We Ran From – No album this year has moved me as much as this one has. Brilliant work by Peter Buck and Gary Lightbody who are the core members of Tired Pony. Sounds the way I hope the new R.E.M. album will. “Dead American Writers” is easily one of my favorite songs from this year as well (even if it has a confoundingly bland video). Here is my review at Radio Free Chicago on The Place We Ran From.

2. Hiss Golden Messenger – Bad Debt – MC Taylor released what is the second album for Hiss Golden Messenger this year. Titled Bad Debt, it is a collection of “spirituals” in as much as it deals with the matters of faith. It was recorded during the dead of last winter in his kitchen to a cassette recorder– just Taylor and his acoustic. The results are a stark and chilling introspection and really one of my favorite albums this year. The simple approach of this recording lays bare the amazing singer and songwriter that Taylor is. Here is my article on Bad Debt.

3. Death Ships – Maybe Arkansas EP – Although I’m convinced that Dan Maloney– constant frontman for former Iowa City band Death Ships— doesn’t like the songs on this EP based on the fact that he didn’t play any of them the last two times I saw him perform live at The Mill– this is still one of the strongest releases from this year. It’s a little unfair to call this a 2010 release for a number of reasons– first the songs were recorded some time back in 2006, I think and have kind of lingered in Dan’s archives until last year when he was planning to release an EP of them. The EP was finally released this year. To be fair, I guess Dan has moved on to writing songs for the followup to his last full album, so I’m sure he’s less excited about these songs than the prospect of newer songs. Still, this is a fantastic collection of songs and it would be a shame to let these songs die without people hearing them, in my opinion. Read my review of Maybe Arkansas.

4. Arcade Fire – The Suburbs – I’ll come right out and say it– I was not really a fan of Arcade Fire’s first album Funeral. I have friends who really loved it, but it didn’t really move me. Neon Bible was interesting to me mostly because Calexico covered “Ocean of Noise” on an import 7″ and I really liked “Keep the Car Running.” When the buzz started around The Suburbs, I wasn’t sure what to expect. The first “leaked” track was “Month of May” which showed a distinctive change in sound for the band, but I was still skeptical. In what proved to be a genius move by the band and the label, they made the album $3.99 at amazon.com the day of release– so I downloaded it. It quickly took over my playlist and even today, I’ll listen to this album a couple of times a week. Significant holding power for me. On my short list for acquiring on vinyl.

5. Gayngs – Relayted – This is an example of an astonishingly great album that came out of leftfield. Almost any blogger whose opinion I value ranks this as one of the best releases of this year. Smooth, sexy 80’s influenced pop with electronic twiddling interludes by a supergroup of bands from Minneapolis and Eau Claire, WI. The honest-to-goodness legacy to the original Minneapolis sound started by Prince and his minions years ago. Here is an article I wrote about the release.

6. The Right Now – Carry Me Home – A bit of a disclaimer first– I’m the executive producer on the vinyl pressing of Carry Me Home by Chicago R&B band The Right Now, which came out in September. While this might disqualify me from being an unbiased perspective on the album, the fact of the matter is that I loved Carry Me Home from the first time I heard it on CD when it came out in March. I guess, much as Victor Kiam liked Remington razors so much he bought the company, I guess I liked the CD so much I invested in the vinyl! The Right Now is part of a what appears to be a pretty substantial revival in R&B music right now, but in my mind provides a unique spin on the genre in that it draws as much influence from the classic Motown, Stax and Bell sides as it does from more contemporary R&B and funk. In fact, the band might have more in common with The Roots than it does with Sharon Jones and the Dap-Kings even though all three bands could be considered to fit in this space. A great record from beginning to end and the band’s live shows are not to be missed. The band is planning to hit the studio in 2011 to start recording the follow up and the songs I’ve heard so far are great as well. Here is an article by the band about the vinyl…

7. Backyard Tire Fire – Good To Be – I loved BTF’s last album and their live shows are high-energy straightforward blues-leaning rock. Good To Be marked the move to a new record label for BTF and Ed Anderson’s blue-collar sensibilities and humor (and production by Steve Berlin of Los Lobos) makes for a great and rocking album from beginning to end. Here’s an article I wrote about the album.

8. Pezzettino – LubDub – Brooklyn-via-Milwaukee singer-songwriter and Accordion Girl Wonder Margaret Stutt, who performs as Pezzettino released her third album LubDub this year which was co-produced and created with Milwaukee HipHop producer Jerry Gruvis aka LMNtlyst. Much as her music and art influences before her, Pezzettino draws inspiration from her own life and each of her albums to date have been autobiographical in nature and LubDub is no different. Although we don’t know who the romantic suitors were in songs like “Cold Hard Chick,” “You and Your Headaches,” and “Only One” we know that they may have been star-crossed. The album, taken in whole, can be seen as a progression of sorts in one woman’s journey in love and loss of it. The album started as a tentative collaboration between Stutt and Gruvis who met at a show in Milwaukee last year. As the songs came together it became apparent that this was to be her follow on to Lion. The album is fun, funky and has a sense of humor along with the pain. LubDub was done as a Kickstarter-funded project to wild success which yielded a wonderful CD+vinyl package with the record itself a brilliant transparent yellow. Here is my article about LubDub.

9. Pieta Brown – One and All – The news of Pieta Brown moving to Red House Records was one that I felt was going to be the beginning of a fruitful relationship. Her one foray into major label land was 2007’s Remember the Sun on One Little Indian Records that ended after one release. None worse for the wear, she packed up her guitar and moved home– home being the record label her father Greg Brown was very instrumental in forming in 1983 and continues to be his label today. One and All is Pieta’s seventh release of her very distinctive lazy soprano floating on the Eastern Iowa sound started largely by constant partner Bo Ramsey– but it seems to me like she’s just getting started– maybe it feels like that to her, too. One and All just came out on 180g vinyl, too! Here is my review of One and All.

10. Cheyenne Marie Mize – Before Lately – Postitively lovely, ethereal album from Ms. Mize who is known for her collaboration EP with Bonnie Prince Billy which was her previous release. This album is stripped down to a minimalistic endeavor drawing to focus her longing vocals. Every time I listen to this album I crush on it all over again. She helpfully puts the entire record up on Bandcamp so you can listen to the whole thing. Check out her wonderful Daytrotter session, too. There needs to be vinyl of this release. Here is my article on Cheyenne Mize.

11. Gold Motel – Summer House – I had not heard of Gold Motel until they made an appearance at the August Codfish Hollow show. Chicago-based band has roots in lead singer Greta Morgan’s previous band The Hush Sound. The album is sunshine on CD– 60’s girl bands meets Debbie Harry. I meant to write a review about this album following the afterglow of this show but didn’t manage to– so, here is a review for Mezzic.com by Indie-Rock’s biggest fan, Ms. Amber Valentine.

12. John Legend and the Roots – Wake Up! – I’ve always respected John Legend although I wasn’t really a fan. The prospects of an album with his Philly brethren The Roots seemed like it could be magic. It was. I hope that this is not the last we’ll hear from this pairing. The 2 LP version of this album is the way it is supposed to be enjoyed.

13. Katharine Ruestow – self-titled EP – Katharine Ruestow ends up on my list twice– she’s also part of The Diplomats of Solid sound. This is her first solo effort– a collaboration with Matt Grundstad of Euforquestra. Jazzy, almost Trip Hop sounding pop. Totally worth your digital-download dollar. Click Here to read the review I wrote for Little Village Magazine.

14. The Wandering Bears – self-titled EP – This album came crashing onto my Top List in the last couple of weeks. I was doing research for my review of the Pieta Brown “This Land is Your Music” show. The opening act was a trio from Iowa City known as The Vagabonds. Two of the Vagabonds are also in The Wandering Bears which released an EP earlier this year that really took me by surprise! The sound comes off as a combination of maybe Rilo Kiley and Throwing Muses. Free download, so just go get it.

15. Beth Bombara – Wish I Were You – Around the same time that Pezzettino kicked off her Kickstarter campaign for LubDub, St. Louis musician Beth Bombara kicked off one for Wish I Were You. In fact, before I ever heard any songs for this album I offered up a video of me talking about why I love vinyl to help promote her campaign. I found out about Beth through Arial Hyatt’s publicity website– back when there were fewer artists on it and the odds of finding very talented artists was much greater (my opinion). Her CD Robotic Foundation, was a mainstay in my listening rotation for over a year. Robotic Foundation was an edgy indie rock. Wish I Were You has its edgy moments- particular “Lately”, but the album seems to explore a few different styles drifting between blues, folk and country. I love the album ending track “Don’t You Know” with it’s strings, banjo and harmony. Beth seemingly is part of like 16 bands in St. Louis, but she really shines as a solo artist here. Click Here to read my article about Beth.

16. Wolfgang Schaefer – self-titled EP – Wolfgang Schaefer is a relatively new musician on the scene and this is his first release. I met him during the tour this fall where he opened up for Pezzettino and both of them shared his very talented brother Ben on percussion and electronic wizardry. Margaret had been praising Wolfgang’s music, but I foolishly hadn’t followed up on it. Then I saw him perform live and was very impressed with his command of an audience. His music is VERY dynamic, so it’s a trick to keep your typical bar crowd in sway. Finger-picked acoustic guitars propel his hoarse vocals delivering pained recounts of love and loss. My friend Amber wrote a really great review of this EP.

17. The Diplomats of Solid Sound – What Goes Around Comes Around – The Diplomats are back with their second release on Italian soul label Record Kicks. Like last time, the Diplomats are fronted by the female vocals of the Diplomettes who have by name apparently been absorbed into the band since they are not singled out in credit. Name detail aside, the band came back with a really strong release filled with the sounds influenced by the 60’s R&B bands. I feel like the band has grown a bit in their songwriting with this release, too. Read my review at Little Village.

18. Drive By Truckers – The Big To Do – Love this album front to back– great party music with typical tongue-in-cheek lyricism from Patterson Hood and Co. It’s cool to see this band blowing up a bit. I finally got to see them live this year when they opened for Tom Petty in Chicago. “The Fourth Night of My Drinking,” “Birthday Boy,” “Drag the Lake Charlie,” “This F*cking Job,” and “After the Scene Dies” are all instant classics for me. I never got around to writing anything about this release, although I listened to this album a lot in 2010. Here is the fantastic Daytrotter session for Drive By Truckers.

19. Tom Petty and the Heartbreakers – Mojo – This might be some of my “old guy” coming out a bit. I have been a constant fan of Tom Petty since the 80’s. That said, his last two efforts– The Last DJ and Highway Companion (one a Heartbreakers release and one a solo release) were not as strong or consistent as some of his previous efforts in my opinion. When I started hearing the tracks that “leaked” via videos on line, Saturday Night Live appearances and his XM radio show “Buried Treasures” really started the interest in this release early. Petty stated that for this album they went to the studio loose and welcomed a more jamming approach and this, I feel, really makes for one of the most consistent albums from Petty in a long time. For an artist that could reasonably rest on his back catalog, it is great to see that he’s trying to push the creative envelope.

20. The Budos Band – III – Any release from Daptone Records is worthy of note, but I really love the Afro-Rhythms guitars and Farfisa organ of The Budos Band. The band said that they went into the studio trying to break new ground for the band by braving psychedelic rock and ended up recording an album that sounding like a Budos Band album. After four releases, I feel like this album really shows the band in its element and this album is darker, I feel than the previous releases. Some recent tweets from the band had them soliciting ideas for a new album of psychedelic rock covers for them to tackle which should be interesting. Here is an article I wrote about the album.

B-Sides in the Bins #51 – Chicago 11/19 & 20, 2010

Posted on December 20, 2010 by mike

I was in Chicago the weekend of 11/19 to see DJ Shadow with Pigeon John at Park West. My friend Erik came along. Before the show we hit Laurie’s Planet of Sound. We both walked out with some good finds. Here are mine:

The Moody Blues – Caught Live + 5 (2 LP, London Records, 2 PS 690/1, 1977)($2.99) Kind of a controversial album in the Moodies catalog in that it was released without the band’s permission. The “Live” part was a concert recorded in December, 1969 at The Royal Albert Hall during the To Our Childrens Childrens Children tour. The band felt that it wasn’t a good performance. In fact, the album wasn’t available on CD for a very long time (it finally came out officially on CD in 1997) and I had paid to have a CD made from a cassette in the early days before commonly-owned burners! The article on Wikipedia expresses the opinion that London/Decca released this as a way to drive interest in the band’s 1978 album Octave which marked the swansong for the the classic second lineup of Hayward, Lodge, Pinder, Thomas, & Edge. The “+5” part was five unreleased studio tracks. The five tracks were actually recorded in 1967 and 1968. The two tracks from 1967 were actually recorded before Days of Future Past. The deluxe release of Days includes all five of these tracks in addition to some demos. These five tracks were also included on the 1987 CD Prelude along with some other b-sides. I had been watching for a clean copy of this album for a while. Clean vinyl and a good cover although notched. The cover art was designed by infamous graphic arts house Hipgnosis, whose work with Pink Floyd you might be familiar.

Buffalo Springfield – Last Time Around (LP, Atco Records SD33-256, 1968)($7.99) Aside from some spine wear on the “unipak” sleeve, this record is in really great shape. The “unipak” sleeve is an interesting variation on the gatefold– the sleeve opens book-style like a gatefold, but the record pocket opens at the spine on the inside! Makes for a slightly difficult time re-sleeving the record, but interesting nonetheless. Last Time Around was the third and final release from Buffalo Springfield and was recorded after the band had effectively split up as a contract fulfillment. None of the tracks were recorded with the whole band present. All of that said, the album is still very good– not the consistent album that the 1966 self-titled release was, but still important if only for the Neil Young tracks, in my opinion. “I Am A Child” is still a great Young song.

New Order – Low-Life (LP, London/Factory R1 25289, 1985, 2009)($15.99) Still sealed in the used bin! This is the Rhino Records 180g reissue from 2009 of the classic third New Order album. Mastered by RTI. This is the first album from New Order I own on vinyl. I have a few 12″es, but never bought any full albums until this weekend. “The Perfect Kiss,” “Love Vigilantes,” and “Subculture” were the bigger songs from this release.

Dreams So Real – Rough Night in Jericho (LP, Arista Records AL-8555, 1988)($3.99) a radio station promo, apparently, based on the huge decal on the cover that has all of the press information. I bought this on CD when it came out based on the strength of the first single “Rough Night in Jericho” and the song they contributed to “Athens, GA Inside\Out” documentary, “Golden.” The album doesn’t sound like their Peter Buck-produced debut album or the song from the film– which had them sounding like a cross between R.E.M. and Echo and the Bunnymen. The producer of the album was bragging on the PR sticker that his goal was to have the album sound less like the regional sound of Athens, GA and more power pop. In fact, I think the album sounds a lot like The Outfield. The band had one more release on Arista before they were dropped from the label.

The Doors – 13 (LP, Elektra Records, EKS-74079, 1970)($5.99) In some respects this February 1970 compilation of The Doors has been on the back of my mind for a long time as one I wanted. This is the first Doors LP in my collection. 13 is the first of many compilations that would be released over the years by Electra of The Doors– arguably the cash cow of that catalog. It is an odd one in that it really isn’t much of a “Greatest Hits” for the band. It does include some of the bigger hit singles of the Doors– “Light My Fire,” “People Are Strange,” “Touch Me,” “Hello, I Love You,” “Love Me Two Times,” “Roadhouse Blues”, but also includes some other album tracks that the casual listener might not be familiar with. My dad borrowed this album from my mom’s sisters and taped it to reel-to-reel and played it a lot when I was growing up. The result of the familiarity with this compilation is that I had always been disappointed that tracks like “Wild Child,” “Land Ho,” and “You’re Lost Little Girl” were never included in the subsequent “Greatest Hits” compilations, including the first real Greatest Hits in 1980 that everyone seemed to own. The other interesting detail about this album is that it was released before the band’s last album, so it is incomplete from a hits perspective since it is missing “L.A. Woman,” “Love Her Madly,” and “Riders on the Storm.” Throwing this on the turntable will be a time warp for me.

The Call – Let the Day Begin (LP, MCA Records MCA-6303, 1989)($2.99) I picked this up for Sherry who is kind of a fan of The Call. She saw The Call in concert in the Twin Cities some time in the 80’s. When I find any Call in my digging, I try to pick them up. Prior to meeting Sherry, my only real exposure to The Call was through it’s singles and one cassette I picked up a long time ago, Into the Woods from 1987. Sadly, the Call’s catalog has been very neglected from a reissue standpoint and pretty much the entire catalog is out-of-print at this point. This album has the big single “Let the Day Begin” (“Here’s to the babies in the brand new world, heres to the beauty of the stars…”). It will be interesting to hear the rest of the record. Sadly, lead singer Michael Been passed away in August this year while on tour with his son and his band Black Rebel Motorcycle Club.

Don Dixon – Romeo at Julliard (LP, Enigma Records ST-73243-1, 1987)($0.99) This was really a pretty big find at a super deal at $0.99! Truth be told, this is likely the same copy that was in the bins back when I visited in March and they reduced the price since then. It’s been on my Amazon wish list on CD for a very long time, actually. I’m a fan of Dixon’s work whether it is as producer (R.E.M.‘s early albums, Game Theory, Let’s Active) or as musician and songwriter (“Praying Mantis the notable “big hit.”). I had been meaning to pick this up since 1989 or so, believe it or not. I bought the live CD Chi-Town Budget Show, which was a live show that WXRT put on that had his wife– a notable musician in her own right– Marti Jones on it. The live show included some songs from this album, the fantastic “Heart in a Box,” “Your Sister Told Me,” “February Inginue,” “Cat Out of the Bag,” “Borrowed Time.” It’s time to get re-acquainted to Don’s back catalog. He returned to recording in 2006 with The Entire Combustible World in One Small Room to critical praise. Don Dixon Fun Fact: Dixon wrote and performed (with Marti Jones and members of Let’s Active) the song “Teenage Suicide (Don’t Do It)” for the movie “Heathers.”

10,000 Maniacs – In My Tribe (LP, Elektra E1-60738, 1987)(FREE) I got this from my friend Erik who had three copies of this. While I’ve owned 10,000 Maniacs on CD, I’ve never had any on LP. While In My Tribe is not the major label debut of 10,000 Maniacs, it is the album that first gained them national exposure and has the first big singles for the band– “Like the Weather” and “What’s The Matter Here.” It also has “Peace Train” which was also a single for the band, but Natalie Merchant had the song removed from subsequent CD releases after Cat Stevens aka Yusuf Islam famously was interpreted to advocate the execution of Salmon Rushdie. This record also has Michael Stipe from R.E.M. on “A Campfire Song.”

I also picked up two of the DJ Shadow Handmade vinyl releases at the show that I’ll cover at a later time.

(Review) Pieta Brown – This Land Is Your Music II: First Night – 12/4/2010

Posted on December 10, 2010 by mike

Pieta Brown’s second songwriter-in-residency called “This Land Is Your Music” at The Mill Restaurant kicked off on Saturday 12/4 right on the heels of a six-day mini-tour of Australia which wrapped up the previous Saturday. I had been looking forward to seeing these two shows. Last year’s three consecutive Thursday night shows in November (read my reviews for 11/5/09, 11/12/09, 11/19/09) were truly magical, intimate shows. Pieta considers The Mill her home venue– she got her start playing The Mill, so she was happy to bring these shows to that stage. The combination of music and art is a way for Pieta to give back to the community that spawned her career.

The opening band was the folk trio The Vagabonds which includes Sam Blickhan from The Mayflies. Sam is also in The Wandering Bears with Sarah Mannix of the Vagabonds. Their set was very good, pretty three-part-harmonies of original songs with the occasional cover– one of which was a Be Good Tanyas song. I really liked their original songs and am looking forward to being able to see them again.

Like last year, set and light design was done by Stan Crocker. Last year the stage was lit like a small living room with umbrellas and lamps– this year Stan washed the stage in dramatic blue light.

Pieta’s set was a solo acoustic set and included primarily songs from her new album One and All, the Shimmer EP and Remember the Sun, but she also added some new songs. “Be With You” had only been played one other time according to Pieta. The song “No Words Now” was described as being influenced by meeting Mark Knopfler (whom she toured with this year) and JJ Cale, who are both heroes of Pieta’s (as is Tom Petty— the subject of “Faller”).

Not content to be the only performer, Pieta invited her sister Constie on stage to sing duet on “The Other Way Around” from One and All. Constie provides harmony vocals on the new album, as well. For the finale of Pieta’s set she invited the Vagabonds to join her on stage for a gospel track which drew some comments by Iris DeMent who was in the crowd and soon joined the crew onstage for a rousing version of the Reverend Gary Davis song “Morning Train.”

As with the first This Land Is Your Music shows, there was an artist gallery. Lighting designer Stan Crocker had a really cool installation of light boxes in the green room. Each of the parts of the display had its own light source and illuminated individual subjects.

Watch the video for a walkthrough I did of the installation while The Vagabonds play “Ransom”:

The entryway of the Mill had photos from regional photographer Sonya Naumann. Here is a set from her series titled “Dunce”.

The This Land is Your Music shows are something anyone who is a fan of Pieta Brown or the Eastern Iowa music scene in general should really get out to see. I’m really happy that Pieta was able to pull this off again this year and am looking forward to seeing tomorrow night’s show. Pieta will be playing in a trio with Bo Ramsey and a drummer and the opening act will be Alexis Stevens. The gallery will be provided by Jamie Hudrlik.

The tickets are $10 in advance and $12 at the door and the proceeds will again be donated to Friends of Hickory Hills and Iowa Public Radio. Pieta’s sister Zoe designed teeshirts for the event as well as the poster seen above and both will be available at the show along with Pieta’s new vinyl for One and All!

Click Here for the Mill Restaurant Website for more details.

Pieta Brown Setlist:

1. Be With You *
2. West Monroe
3. No Words Now *
4. Hey Run
5. Out of the Blue
6. Are You Free?
7. You’re My Lover Now
8. In My Mind I Was Talking To Loretta
9. El Guero
10. Other Way Around (w/Constie Brown)
11. Faller
12. I’m Gone *
13. Closin’ Time *
14. Calling All Angels
15. Over Your
16. Morning Train (Rev. Gary Davis) (w/The Vagabonds and Iris DeMent)

* new songs!

A slideshow of the pictures I took:

(Upcoming Shows) Pieta Brown & Friends – This Land is Your Music Residency at The Mill 12/4 & 12/11

Posted on November 29, 2010 by mike

It’s hard to believe that it already has been over a year since Pieta Brown hosted her first artist-in-residence at The Mill Restaurant. That show was three Thursday night shows in November last year (see my reviews for: 11/5, 11/12, 11/19). Next to the Daytrotter Barnstormer shows, these were some of my favorite shows of 2009– very intimate and special. The stage lighting and design by Stan Crocker was a great touch– an eclectic little living room. Pieta was using these shows to try out some live band configurations– solo, duo and full band. To help bring some awareness to the art scene in the area, she set aside the room normally reserved as the green room as a gallery which was really cool, too. The only disappointing thing to me about these shows was the lack of audience on a couple of the shows. By the 11/19 show, it seemed like word had gotten out about these gigs. But, mid-week shows are always hit-or-miss in Iowa City, even when school is in session.

Pieta is bringing This Land Is Your Music back to the Mill for two shows in December– Saturday 12/4 and Saturday 12/11. The tickets are $10 in advance and $12 at the door and the proceeds will again be donated to Friends of Hickory Hills and Iowa Public Radio. Doors will be at 7PM Here are the details:

Saturday, December 4. Pieta Brown performs a solo set. Her special guest will be Iowa City trio The Vagabonds. The art in the gallery will be done by Stan Crocker and Sonya Naumann. Sonya Naumann has a really interesting photography project called “Thousand Dollar Dress” that maybe we’ll get to see some of in the gallery.

Saturday, December 11. Pieta Brown & Terraplane headlines. We don’t know exactly who is in the band, but Bo Ramsey lists this show in the tour section of his site. Alexis Stevens will open. The gallery will have works by Jamie Hudrlik (who happens to be the very talented daughter of Iowa City photographer Sandy Dyas who showed photographs last year).

I suspect that Pieta will have some of her wonderful new 180g vinyl pressings of One and All with her, too. (I got my copy this week!).

Click Here for Pieta Brown’s website

Click Here for The Mill Restaurant website.

Click Here to visit midwestix.com to pre-order tickets to This Land Is Your Music II.

Here are my reviews for last year’s shows: 11/5, 11/12, 11/19

Handicapping the Next Dawes Album

Posted on November 5, 2010 by mike

Disclaimer: This blog does not condone the use of the information contained in this obviously well-researched article in wagering or betting– anyway, you’d probably have better odds going to the casino and not waste your hard-earned money betting on the track listing of a Dawes album. COME ON! Jeez.

September 28th, 2010 marked the day that Dawes and its management finally caved in to the demands of the taper who goes mostly by Morst to allow their shows to be uploaded to The Audio Archive at The Internet Archive (archive.org). This was a conversation that started back during the October 2009 Daytrotter.com Barnstormer shows where he taped their stop at Treinen Farm. I also recorded three of the shows that I saw on that mini-tour (Maquoketa, Green Island and West Liberty). I had been meaning to do the final editing of this recording which was done by placing my Tascam DR-07 handheld recorder in slightly precarious locations, but only got around to using some of the audio with a video I shot with my iPhone in Maquoketa.

The creation of the repository of Dawes shows pushed me to go back through my recordings and get them ready for posting, so I put four shows up that I taped– the three from Barnstormer and a show from February at Rock Island Brewing Company.

Since Dawes is still touring in support of their debut album North Hills, it isn’t surprising that these shows tend to focus on songs from that album– the anthemic “When My Time Comes,” the epic jam of “Peace in the Valley,” “Bedside Manner,” “Western Skyline”– all classic songs this early in their career! However, even shows around June 30th– the release date of the CD included songs that didn’t make it to their debut– whether outtakes from it or new songs they were working on.

Looking at the setlists of the growing collection on archive.org, we get a pretty good list of songs that are candidates for the next album, which doesn’t have a release date, yet, but I believe the band is already recording. Here is the list of these songs with links to performances so you can listen to them for yourself.

Note: Since I don’t have any direct confirmation of any of these songs, none of them can be 100% certain.

My Way Back Home – 06/30/2009, 10/09/09, 10/10/09, 10/11/09, 10/12/09, 10/24/09 During the Barnstormer shows, Dawes was calling this a “new song.” The song has a subtle build with the really great harmonies at the end and a very powerful lead vocal by Taylor. It looks like they kind of dropped it out of their regular setlists. It does show up on the band’s second Daytrotter session. Since I don’t have a 2010 performance on the LMA, I’m going to say that there is a 25% chance that it makes the next Dawes album.

How Far We’ve Come – 09/12/2009, 10/09/09, 02/13/10, 02/15/10, 06/27/10, 07/03/10, 07/04/10 (Early), 07/18/10, 08/09/10, 05/14/10, 10/24/09, 10/12/09, This song has shown up on more setlists than any other. Has a really great vocal duet between the brothers Goldsmith. Really, this is probably the band’s own theme song (even though “When My Time Comes” is the huge song). This song shows up on the second Daytrotter session. I don’t have any confirmation, but I’d say there is a 98% chance it makes the next Dawes album.

If I Wanted Someone – 02/13/10, 02/15/10, 05/14/10, 06/27/10 Also announced as a new song this year. This song is kind of the younger brother of “A Man Needs A Maid” by Neil Young and “Breakdown” by Tom Petty. This song is dark and angry and better be on the new album. My favorite. Check the 6/27 version and the smoking guitar solo! I think there is a 99% chance it makes the next Dawes album.

Time Spent in Los Angeles – 02/13/10, 02/15/10, 05/14/10 Another song that shows up in 2010. I think this song is related a bit to “Western Skyline” from North Hills. In that song, Taylor follows his heart and a girl to Birmingham only to find out the relationship doesn’t last the move and, we know that he moved back to North Hills.. In “Time Spent in Los Angeles” he says that the time spent in Los Angeles makes him want to wrap the subject of the song in his arms. It’s interesting that on the 2/13 show he follows “Time” with “Western”… What are you telling us Taylor? This song didn’t make the June/July run of shows. I think there is still a good chance this song makes it– I say 85% chance it makes the album.

Fire Away – 06/27/10, 07/03/10, 07/04/10 (Early), 07/18/10, 08/09/10, New song– shows up for the first time this year. I think that the Jackson Browne-ish feeling of this song and it’s recent inclusion in sets makes this a better than average bet — 95% chance that it makes the next Dawes album.

So Well – 02/15/10, 07/04/10 (Early), 08/09/10, 05/14/10, That February show at RIBCO brought a bunch of new tunes to the table, “So Well” being one of them. The vocal harmonies on this song shows why Dawes is such an incredible live act. The guitar solo in this one has potential to become a show centerpiece like “Piece in the Valley” has become. We got this one in August, so I bet it makes the new album. 99% Chance.

I’ve Got A Feeling (It’s Gonna Be Alright) – 10/10/09 As much as I love this song, with its one verse, I’m pretty sure that this one wouldn’t translate to a studio album. Maybe a live album… 1% Chance it makes it to the next Dawes album.

All My Failures – 10/12/09, This song only shows up once in the LMA. A pretty waltzy song with the line, “I haven’t let my failures get me yet.” This song shows up on the band’s second Daytrotter session, though, which would definitely weigh in its favor (well, which was recorded around the same day as this show). 25% chance it makes it to the next Dawes album.

Moon in the Water – 02/15/10 This song only shows up once, but the way Taylor talks about it, it must be a song that had been around for a while since he says he doesn’t get to sing it very often because it is one that requires an intimate show. Certainly it works really well as a solo song. But, is it a Dawes song? Maybe not. 20% chance it makes it to the next Dawes.

Well, any way you look at it, Dawes is a band worth betting your next record purchase or live music dollars on. Dawes music isn’t edgy or groundbreaking but damn, they continually write great timeless songs with hooks that stick around. I’m really looking forward to the next album and what new songs the future tours will bring.

(Upcoming Release) Snowblink Reissues “Long Live” on Fire Records

Posted on November 5, 2010 by mike

One of the vivid memories I have of Daniela Gesundheit of Snowblink is of her standing on the Grand Old Opry-style stage in Green Island, IA during the first Barnstormer tour framed by twinkling strings of Christmas-tree lights– the small crowd armed with small brass bells to ring on cue. Her mellow ambient set was a departure from the mostly-rocking lineup of those shows, but her otherworldly naive charm seemed to dislodge even the most jaded PBR-fueled hipster from their folded arm vantage point. Her music was dew clinging to the small plants on the forest floor. The kind of stuff that faeries would be streaming from their Pandora accounts whilst updating their Facebook statuses.

Daniela and her small band were performing songs from her at-the-time self-released CD Long Live. Songs like “Rut and Nuzzle,” “Ambergris,” and “Stand Where a Fruit Tree Drops the Things It Doesn’t Need” from this album were standout songs I waited anxiously to hear these songs at each of the stops during the Barnstormer tours.

She announced yesterday that Long Live would be re-issued on Fire Records in Europe on November 8th on CD, MP3 and vinyl (yay!) in conjunction with a tour of Europe. Fire will release in the US and Canada in February. The new reissue gets new cover art, too and features the little boy from the “Ambergris” video (below). Long Live is an album I’ve enjoyed for over a year and its one that I always felt should get more exposure, so I hope that Fire can put some promotional support behind it. I plan on picking up the vinyl when it’s available.

Track Listing for Long Live:

1. Rut & Nuzzle
2. Ambergris
3. The Tired Bees
4. Stand Where A Fruit Tree Drops The Things It Doesn’t Need
5. Membrillo
6. Green to Gone
7. Bulb, For Later
8. Divining Rod
9. Sea Change
10. None
11. Heckling The Afterglow
12. This Is This
13. Go Deep (Fon Frank)
14. The Fish of Little Thoughts
15. The Haunt

Click Here to listen to “Rut and Nuzzle” from Long Live (with lyrics!)
Click Here to listen to “Green to Gone” from Long Live (with lyrics!)

Click Here for Snowblink’s Website

Click Here for Snowblink’s Facebook Fanpage

Click Here for Snowblink’s MySpace Page

Click Here to follow Snowblink on Twitter

Click Here for the Long Live page at Fire Records.

Snowblink’s First Daytrotter Session (3/27/2008)
Snowblink’s Second Daytrotter Session (10/22/2008)
Snowblink’s Third Daytrotter Session – Michael Jackson Covers (3/12/2010)

Upcoming Show: Cassie Morgan and Beth Bombara Make a Quick Run Through Iowa and Wisconsin

Posted on October 2, 2010 by mike

Right on the heels of a successful Kickstarter campaign to raise money to release her new album Wish I Were You on vinyl, St. Louis musician Beth Bombara is setting out to do a quick run through Wisconsin and Iowa to play some shows with her frequent partner-in-musical crime Cassie Morgan. This tour could technically be considered a Cassie Morgan and the Lonely Pine tour (a moniker under which they released Weathered Hands, Weary Eyes in April of this year) and certainly they will be playing together, but there will be some time to shine the spotlight on Beth singing lead as well debuting songs from her upcoming release.

The two of them load up in a car and head to Madison for a show tonight (October 2nd) at The Project Lodge (817 E. Johnson St.) opening for Anna Vogelzang who is having an EP release show. The cover is $6 and starts at 8:30PM. Anna is also starting a tour that will bring her to Dubuque and Iowa City at the middle of the month.

Following the Madison show, Cassie and Beth will be playing a show at Monk’s Kaffee Pub (373 Bluff St.) in Dubuque on October 3rd. The lineup of bands will start at 9PM and go until 11PM. While there is no cover charge, tips are always appreciated!

On Tuesday, October 5th Cassie and Beth hit The Mill Restaurant in Iowa City for a 9PM show which will also not have a cover charge. Opening for Cassie and Beth is local folk musician Seth Wenger.

Then the pair return home after the Iowa City show. Beth has a listening party of the new album scheduled at Foam in St. Louis on October 9th (Facebook Event) which will also have Union Tree Review and Penny Hill performing live.

Here is a recent show with Cassie and Beth performing a set of all Breeders covers. This one is of “Devine Hammer.”

(Upcoming Show) Cordero Brings Their Rock en Espanol to Landfall Music Festival in Cedar Rapids, IA 9/24/2010

Posted on September 21, 2010 by mike

picture by Cody Ranaldo

The Landfall Music Festival starts this week. The Landfall Music Festival is the Legion Arts’ World Music festival that has taken place since 2008. Like last year, the festival will take place at Greene Square Park in downtown Cedar Rapids. Boasting 16 bands from all around the globe, it will run from Wednesday, September 22 to Saturday, September 25. There will not be any performances at CSPS as it is under construction due to remodeling.

One of the bands I’m looking forward to see is Cordero from Brooklyn, NY. Cordero is a Rock/Latin Rock band fronted by Ani Cordero. Following a very busy run touring in a blur indie bands– including a stint as the drummer Tweety Tone for Man Or Astroman? all-girl “clone” band the Gamma Clones— she moved to Tucson for a brief time. With help from Tucson music scene regulars Howe Gelb of Giant Sand, Joey Burns of Calexico, Naim Amor of Amor Belhoum Duo she self-released her first album Deserter in 2000. Shortly on the heels of this she moved to Brooklyn to assemble what would become Cordero, the band. The band signed to Amy Ray of Indigo Girls record label Daemon Records where they released two albums: 2002’s Lamb Lost in the City and 2004’s Somos Cordero.

In 2006 Cordero signed with Bloodshot Records (home of Alejandro Escovedo, Neko Case, Split Lip Rayfield and Ha Ha Tonka among many others). They have released two albums here: 2006’s En Este Momento and 2008’s De Donde Eres. Up until De Donde Eres, the releases from Cordero have been largely bilingual– in an interview around the release of En Este Momento, Ani said that she is comfortable writing in either Spanish or English. To that end, she said that she doesn’t even plan which language she’s going to write a particular song in. With De Donde Eres the whole album was in Spanish. Ani found that writing this album in her native tongue a catharsis following a string of unfortunate events in her life and those around her. The result is a particularly moving album and possibly her most personal effort to date.

Ani reports from the Cordero Facebook page that they have finished recording the follow-up to De Donde Eres. Produced by Sergio Eres of the venerable Os Mutantes, Cordero has left some hints about the album in the wall feed. Back in March, Ani reported that she had just returned from Las Vegas with material recorded there as well as some field recordings from Puerto Rico– so we can expect some interesting texture to these recordings.

Cordero will be finishing up the Friday night lineup of the Landfall Music Festival starting at 7:30PM. The Landfall Music Festival does not have a cover charge– but graciously accepts donations.

Cordero, “Ruleta Rusa” from Bloodshot Records on Vimeo.

Click Here to visit Cordero’s Website

Click Here to visit Cordero’s MySpace page

Click Here to visit Cordero’s Facebook page

Click Here to listen to “Ruleta Rusa” from De Donde Eres.

The Landfall Music Festival Schedule is: (borrowed from the Legion Arts Website)

Wed Sep 22	Dragon Knights, various times
	Barbara Furtuna (France), 6-7:15 pm *
	Mahala Rai Banda (Romania), 7:15-8:45 pm
Thu Sep 23	Dragon Knights, various times
	Red Baraat (India / USA), 6-7:15 pm
	Barbara Furtuna (France), 6:45-8 pm *
	Cimmarón (Colombia), 7:30-8:45 pm
Fri Sept 24	Kenge Kenge (Kenya), 6-7:15 pm
	Portico Quartet (England), 6:45-8 pm *
	Cordero (Mexico / USA), 7:30-8:45 pm
Sat Sept 25	Turkana (Turkey / USA), 1:35-2:45 pm
	Salaam (Iraq / USA), 2-3:15 pm *
	Calle Sur (Colombia / Panama / USA), 4-5:15 pm
	Zedashe Ensemble (Georgia), 5:30-6:45 pm
	Salaam (Iraq / USA), 6:30-7:45 pm *
	Nation Beat (Brazil / USA), 7-8:15 pm
	The Sway Machinery (USA), 8:30-9:45 pm

	Performances marked take place in First Presbyterian Church. Artists and schedule subject to change. For the latest updates visit this Website.*

(Upcoming Show) The Sway Machinery at Landfall Music Festival- Cedar Rapids, IA, 9/25

Posted on September 19, 2010 by mike

The Landfall Music Festival starts this week. The Landfall Music Festival is the Legion Arts’ World Music festival that has taken place since 2008. Like last year, the festival will take place at Greene Square Park in downtown Cedar Rapids. There will not be any performances at CSPS as it is under construction due to remodeling.

Legion Arts announced via their CSPS Facebook Page that The Sway Machinery was going to be added to the Saturday lineup. Although I hadn’t heard of The Sway Machinery before, the connections to Balkan Beat Box, The Arcade Fire, Yeah Yeah Yeahs and Antibalas was enough for me to take a closer look at the band.

The Sway Machinery is the cross-cultural music project of Jeremiah Lockwood who has been the guitarist for the touring version of Balkan Beat Box. Lockwood saw a synergy between American folk-blues, African folk rhythms and his own Ashkenazic Jewish Cantoral heritage. Lockwood is the grandson of the legendary Cantor Jacob Konigsberg as well as the son of composer Larry Lockwood.

Jeremiah Lockwood appeared in the 2000 documentary “Hasidic Blues” directed by BBC veteran filmmaker Robert Mullan. In the documentary clip below Lockwood discusses how he arrived at the fusion of the seemingly disparate musical styles, “I was intentionally trying to do something new with [the Cantoral] music– trying to create a way of listening to the melody and the vocal style that would give it more context. I guess the emotional experience I’ve had listening to Cantoral music, other people can have that also, so it is important for me to find a way to communicate that.”

Lockwood started The Sway Machinery in 2006 as a collaboration with Israeli percussionist Tomer Tzur who stayed with the band until 2007. The band released its debut full length album on JDub Records (also the home of Balkan Beat Box) in 2009. Titled Hidden Melodies Revealed, it was based on a concert performed on Rosh HaShana (the Jewish new year) at Angel Orensanz Foundation in New York City in September of 2007. From the JDub website: “Hidden Melodies Revealed showcases pieces based on mystical texts taken directly from the Jewish High Holiday prayers and reconfigures them in a startlingly new musical landscape.”

In January of 2010, The Sway Machinery traveled to Mali to perform at the legendary Festival of the Desert. While in Africa, the group recorded a new album featuring collaborations with Malian artists, including Vieux Farka Toure and Khaira Arby. The resulting album is called The House of Friendly Ghosts, and will be coming out on JDub in 2011.

For me, The Sway Machinery is a compelling intersection of music between the recent insurgence of music influenced by African rhythms– The Budos Band, Antibalas, Extra Golden are all bands I listen to that claim these as their basis– and music from Jewish culture and tradition I am not familiar with. The Sway Machinery will make for a strong wrap up for the four-day festival, and is the show I’m most interested in seeing.

Click Here to visit The Sway Machinery’s MySpace Page.

Click Here to visit The Sway Machinery’s website.

The Landfall Music Festival Schedule is: (borrowed from the Legion Arts Website)

Wed Sep 22	Dragon Knights, various times
	Barbara Furtuna (France), 6-7:15 pm *
	Mahala Rai Banda (Romania), 7:15-8:45 pm
Thu Sep 23	Dragon Knights, various times
	Red Baraat (India / USA), 6-7:15 pm
	Barbara Furtuna (France), 6:45-8 pm *
	Cimmarón (Colombia), 7:30-8:45 pm
Fri Sept 24	Kenge Kenge (Kenya), 6-7:15 pm
	Portico Quartet (England), 6:45-8 pm *
	Cordero (Mexico / USA), 7:30-8:45 pm
Sat Sept 25	Turkana (Turkey / USA), 1:35-2:45 pm
	Salaam (Iraq / USA), 2-3:15 pm *
	Calle Sur (Colombia / Panama / USA), 4-5:15 pm
	Zedashe Ensemble (Georgia), 5:30-6:45 pm
	Salaam (Iraq / USA), 6:30-7:45 pm *
	Nation Beat (Brazil / USA), 7-8:15 pm
	The Sway Machinery (USA), 8:30-9:45 pm

	Performances marked take place in First Presbyterian Church. Artists and schedule subject to change. For the latest updates visit this Website.*

(Upcoming Show) Pezzettino at The Blue Moose Tap House 9/15

Posted on September 11, 2010 by mike

The last time Margaret Stutt who performs as Pezzettino was in Eastern Iowa was back in January as part of a quick jump through the Midwest on her way to some shows on the East Coast. Since then she’s effectively adopted Brooklyn as one of her homes (Milwaukee being the other).

Freshly energized from an over-achieved Kickstarter fund raiser for her new record LubDub which is going through the process to create candy-yellow vinyl (in addition to CD and download)– Ms. Pezz has decided to embody the fuller sound of the record (via production by Milwaukee beatsmith and producer LMNtylist) by bringing some additional musicians along with her– a percussionist and a guitarist! This isn’t the first time she’s performed with a band– she used to for local shows, but most of her touring to date has been a solo affair.

I’m really excited to hear the new songs and the old done with a full band! Pezzettino will be opening for Chicago act Mike Mangione & The Union at the Blue Moose Tap House in Iowa City on Wednesday, September 15th. It is an all-ages show that starts at 7PM. I don’t know what the cover will be.

Pezzettino’s guitarist for this tour is Wolfgang Schaefer and he will be doing a solo set as well.

And if that wasn’t enough, before the show at the Blue Moose, Pezzettino will be the in-studio guest for Little Village Live on KRUI in the 5-6PM slot Wednesday night!

Here is the Facebook Event for the show— RSVP!

Listen to LubDub Here:
PEZZETTINO prod. LMNtlyst LubDub by Pezzettino

Visit Pezzettino’s website
Visit Pezzettino’s MySpace Page
Visit Wolfgang Schaefer’s MySpace Page
Visit Mike Mangione’s Website

Time to play b-sides

Mike Roeder muses over things musical

Category Archives: Out and About