B-Sides in the Bins #54 – Half-Price Books, Bloomingdale, IL 3/13/11

Posted on March 20, 2011 by mike

Sherry and I were back in Chicago last weekend for her yearly America’s Beauty Show conference at McCormick Place. My goal was to spend some time working on some writing and possibly do some record shopping. We were also planning to see The Right Now open for L.A. R&B band Orgone at Schuba’s.

Because I was concentrating on some writing, I primarily stayed holed up in our hotel room in Oak Park, but I ventured out on Sunday morning after dropping Sherry off at the show. I had been meaning to hit the Half-Price Books up in Bloomingdale and the hotel was relatively close to there. As far as Half-Price Books stores are concerned, this one is a pretty well-stocked one. The vinyl section was very large and had a very good selection of titles. The rule of thumb for pricing vinyl at HPB in Cedar Rapids is to use the Goldmine Vinyl Pricing Guide and charge 50% of that. So, when Neil Young’s Harvest shows up in the guide for $10, you can count on it being $5 or $6. In my opinion, the Bloomingdale prices seemed on average a little higher than I’d see in Cedar Rapids, but not oppressively so. I ended up getting some collection fillers– Led Zeppelin and Pink Floyd which was cool. Those titles tend to be kind of rare in Cedar Rapids, so I want to snag them when I see them. I also got some odd college rock releases, too.

Led Zeppelin – Coda (LP, Swan Song/Atlantic 90051-1, 1982) ($9.98) Coda was the 9th and final LP from Led Zeppelin, post John “Bonzo” Bonham’s death. Assembled by Jimmy Page of studio and soundcheck outtakes recorded between 1970 and 1978. The album is largely dismissed by most as a non-essential Led Zeppelin release. At my house Coda was actually played quite a bit. We became fans of Led Zeppelin around the time I was a freshman in high school and bought all of the albums on cassette. My brother Steve is a drummer and was a big fan of Bonzo at the time. I think out of all of the tracks we played the drum instrumental “Bonzo’s Montreux” the most which we saw as the sequel to “Moby Dick” from Led Zeppelin II. In fact, the first big CD boxset of Led Zeppelin included a medley of both “Moby Dick” and “Bonzo’s Montreux.” The sleeve for this LP is a nice embossed 2-pocket gatefold. The LP fits in one pocket, but I don’t have anything in the second pocket– am I missing something?

Pink Floyd – The Wall (2 LP, Columbia 36183, 1979) ($14.98) This was a bit on the pricey side, but the sleeve was in excellent condition as was the vinyl. Essential for any Pink Floyd collection– I’m still building my vinyl collection so I’m keeping an eye out for these releases. My dad bought this on cassette when it came out and I didn’t really pay any attention to it aside from “Another Brick in the Wall (part 2)” which was a #1 single in 1979. It wasn’t until the summer between my 8th Grade and Freshman year of High School in 1983– almost four years after the album came out– that I would really embrace The Wall. My first girlfriend (more of a summer fling, I suppose), coincidentally with the last name of “Watters” wanted me to copy the tape for her. I wasn’t a fan, but she insisted that it was an amazing album. Back in these days one would have to sit through the dub process– I had two individual cassette decks– not even the dubbing cassette deck that I have today. Press play on one and record on the other and wait. On this particular night I laid in bed with the headphones on listening to it as it copied. It was at that point that I understood what the fuss was about and it opened my eyes to the utter majesty of The Wall and at that point caused me to be a fan of Pink Floyd. Considering that I was pretty much raised on a steady diet of the Beatles, The Moody Blues and Fleetwood Mac, The Wall was revolutionary. That Christmas I asked for Animals and Dark Side of the Moon for gifts. As was usually the case around the house, whenever I would start getting heavy into a particular band the rest of the family would follow suit and it seemed like we were listening to The Wall in the car all the time usually singing along with songs like “Mother” as disturbing as that seems in retrospect. Our family had planned on seeing one of the rock laser shows at Five Flags as was the rage at the time, and they regularly did one for Dark Side of the Moon. In a last-minute decision we decided to buy a Betamax tape of The Wall Movie under the idea that it would cost about the same as the admission to the laser show was about the same price as the movie. I remember inviting the art teacher from my high school, Dave Eischeid over to watch it one afternoon. It was kind of a big deal at the time and people hadn’t really even seen the movie.

Pink Floyd – The Final Cut (LP, Columbia QC 38243, 1983) ($9.98) While not generally regarded as their best effort with Waters, the copy was in such good shape I thought I should pick it up. Really, though, people probably didn’t play The Final Cut as much as any of their previous releases, so I suspect that most of the copies in the used bins are in good shape. The Final Cut was as much a reaction to the events surrounding The Wall as it was kind of a sequel to it. The only single from the album was “Not Now John” which seems to me also very related to “Young Lust” from The Wall. I had “Not Now John” on a mix tape I used to listen to a lot in my car in high school and it still stands as a great track in my opinion and the only one on the album to feature David Gilmour’s vocals, but he shares vocal duties with Waters.

Paul Simon – Graceland (LP, Warner Bros., 25447-1, 1986) ($4.98) Finally a copy of Graceland that was in really great shape! Lots of copies of Paul Simon’s brilliant return to the top of the music charts and winner of two GRAMMYS. Graceland was an early CD purchase for me– I got my first CD player in the early 90’s and it was part of the first ten or so CD’s I bought. I don’t have a lot to say about the album that hasn’t been covered. It’s one of the all-time great albums as far as I’m concerned.

Camper Van Beethoven – Telephone Free Landslide Victory (LP, Independent Project/Rough Trade IP016, 1985) ($7.98) WOW! Big find! I was really happy to find this one languishing in the bins! CVB’s debut record which would establish the band with it’s best-known song, “Take The Skinheads Bowling” (best known next to their cover of “Pictures of Matchstick Men” anyway). Wonderful blend of ska/Eastern Bloc instrumentals and relatively straightforward “college rock.” A very welcome addition to my collection indeed, and the beginning of my vinyl collection of CVB.

The dB’s – Like This (LP, Bearsville/Warner Bros. 25146-1, 1984)($9.98) Another great college rock find! I saw the dB’s open for R.E.M. during their Document tour on October 31st, 1987 in Davenport, IA. What little I remember about their performance includes a pretty great version of “Amplifier” which was on Like This and their previous album. Like This is a great album even though it is missing Chris Stamey. Produced by Chris Butler of the Waitresses and the dB’s. The LP credits and the deadwax show the LP was mastered at Sterling Sound by Greg Calbi.

Janet Jackson – Janet Jackson’s Rhythm Nation 1814 (LP, A&M Records SP 3920, 1989)($2.98) While I never owned this on CD or cassette, it was a record I had a lot of respect for when it came out. The easiest way to create a funk masterpiece is to bring the Minneapolis sound– Jam & Lewis. Seven singles in the Top Five is a record that has yet to be topped. Great record and I’m happy to have this in my collection– especially in this condition. Slight ringwear on the sleeve, but the record itself is pristine.

Full Fathom Five – Smoke Screen EP (12″ Link Records 021, 1989)($2.98) A red vinyl pressing for the “Smoke Screen” single from the Iowa City band Full Fathom Five’s major label debut 4 A.M. on Link Records. I picked up the vinyl version of this at Cheapo’s in Minneapolis back in 2009. This HPB tried to get $9.98 for this back in June of 2009 according to the layered price stickers, and then dropped the price to $4.98 in October of 2010, and then dropped the price again in February of this year to $2.98. A pretty cool piece and a nice companion to my 4 A.M. vinyl. “Smokescreen” is on side 1 and side 2 has two non-album tracks, “What We are Missing” and “Take It To the Station.”

B-Sides in the Bins #53 – Rubber Soul Restoration

Posted on February 22, 2011 by mike

Over Christmas I took on a project– the restoration of a Mono Beatles Rubber Soul.

A couple of years ago, my sister-in-law Sarah gave me a stack of LP’s that she picked up at a thrift store in the Twin Cities. The stack was a colorful collection of 60’s, 70’s and 80’s pop, tropicalia, hair metal and Phil Collins. I pulled out the records that I thought I’d want to keep and got ready to carry the lot of discards to Half-Price Books. Thankfully, I looked closer at the Firefall sleeve in the pile as it had The Beatles Rubber Soul on rainbow Capitol label in it! As happy as I was to find this treasure, I was saddened that it was missing its jacket. I found a paper sleeve and put it in a crate with other records that I don’t store with my main collection.

In December I was doing some work in the room where we have our furnace and storage and happened to notice the record. I picked it up and looked closer at it and realized that it was not just a 60’s Capitol Beatles release, but it was also a MONO!

The reason why the monaural release is desirable, is that it is generally accepted in the collector’s circles that the Capitol monaural versions of the Beatles catalog are superior to the stereo releases. To explain why, there is some history to cover.

The Beatles had kind of a shaky start in the US as far as record labels were concerned. They were signed to EMI/Parlophone in the UK and when EMI’s US counterpart Capitol was initially approached to release the Beatles albums, they declined– thinking that the US teenagers were more interested in the clean-cut portrait of The Beach Boys (on Capitol) than they would be with the shaggy snapshot of the Beatles. The center of the mess was a man named Dave Dexter, Jr. who is quite possibly the most controversial person in the history of the Beatles recorded output. Dexter’s job was managing EMI’s releases in the US for Capitol and was the guy who was in charge of screening the releases, and ultimately made decisions about everything from cover art, to production and mastering to what tracks were included on a given release.

Incidently, Dexter was also the guy who made the decision that initially squashed releasing the Beatles on Capitol. This is why the first Beatles album released in the US was handled by a typically R&B label out of Chicago called Vee-Jay (which is a whole other story). Eventually, Capitol couldn’t ignore the force of the Beatles and signed them in November, 1963.

Capitol and Dexter felt that the way EMI was releasing the albums in the UK was not what their customers wanted and changed almost every packaging of Beatles material up until Sgt. Pepper’s when the Beatles renewed their contract and blocked this practice. Capitol changed track lists, generated new “greatest hits” collections and the most egregious aspect of all was the remixing of the music that George Martin and his engineers so masterfully recorded at Abbey Road. EMI/Parlophone would release singles and LP’s in the UK and then tapes would be shipped to the US for packaging and release by Capitol.

When the Beatles would finally make it to compact disc in 1987, it established that the standard for their catalog would be the UK EMI/Parlophone/Apple versions. Well, and stereo for those releases that were in stereo.

Rubber Soul ends up being the poster child for Capitol’s changes to the Beatles releases with a dramatically different track listing than the UK version in sequence and in content!

The “proper” UK version of Rubber Soul tracklisting (from Wikipedia):

No.	Title	Length
1.	“Drive My Car“	2:25
2.	“Norwegian Wood (This Bird Has Flown)“	2:01
3.	“You Won’t See Me“	3:18
4.	“Nowhere Man“	2:40
5.	“Think for Yourself” (George Harrison)	2:16
6.	“The Word“	2:41
7.	“Michelle“	2:40

Side two
No.	Title	Length
1.	“What Goes On” (Lennon/McCartney/Starkey)	2:47
2.	“Girl“	2:30
3.	“I’m Looking Through You“	2:23
4.	“In My Life“	2:24
5.	“Wait“	2:12
6.	“If I Needed Someone” (George Harrison)	2:20
7.	“Run for Your Life“	2:18

So, this brings us to my copy of Rubber Soul, which as I stated, is a Capitol mono original pressing from 1965 (Catalog number T-2442).

Side one
No.	Title	Length
1.	“I’ve Just Seen a Face“	2:07
2.	“Norwegian Wood (This Bird Has Flown)“	2:05
3.	“You Won’t See Me“	3:22
4.	“Think for Yourself” (George Harrison)	2:19
5.	“The Word“	2:43
6.	“Michelle“	2:42

Side two
No.	Title	Length
1.	“It’s Only Love“	1:55
2.	“Girl“	2:33
3.	“I’m Looking Through You“	2:31
4.	“In My Life“	2:27
5.	“Wait“	2:16
6.	“Run for Your Life“	2:18

You can see from these two track listings that the UK and US releases are substantially different! According to sources, the US release was deliberately resequenced to make Rubber Soul more of a “folk rock” album in hopes of cashing in on the emerging genre which included popular releases from bands like the Byrds and Dylan which were both having an effect on the Beatles new– and I think– more mature writing style. As a result, the more upbeat, and likely representative of the “Rubber Soul” moniker– songs were removed from the track listing and would be released on the following US-only compilation Yesterday… and Today. These songs “Drive My Car” and “Nowhere Man” which are considered notable songs in the Beatles canon, as well as “What Goes On” and “If I Needed Someone.” These songs were replaced with two songs removed from the UK version of Help! (the US version of Help! was also different in the US where it served more as a soundtrack to the movie and included score music)– “I’ve Just Seen a Face” and “It’s Only Love.” The result drops the album to just under 30 minutes in total.

There is a debate that continues over whether the Capitol changes actually improve the album. One side of the argument is that it does. The replacement of the pumping piano kickoff of “Drive My Car” on the UK version with the acoustic guitar-driven immediacy of “I’ve Just Seen a Face” is a vote for a more balanced release. The counter-argument is that it varies too much from the UK release in favor of an album that seems to clumsily try to pander to the US market. For me, the differences are more of an interesting curiosity. My first exposure to Rubber Soul was with the 1987 CD releases, so my experience is a stereo UK version for all intents and purposes.

After I stumbled across the lone sleeveless copy of Rubber Soul in my basement and realized what it was, I thought that it would be nice to find a cover for it. It was a gift, and it was in pretty good shape for a 44-year old record– some slight scuffing, but otherwise the vinyl had a really nice black luster to it. On play, it has some slight crackle, but the recording itself is loud enough to hide it.

It was as if the universe wanted this record to have a new jacket. The first search I made for a Capitol Rubber Soul jacket turned up ONE eBay auction from a seller in Arizona whose ID was “scampy”– it was for a mono, too! It was a Buy-it-Now for $39.95 plus $4 shipping. It was kind of expensive, but if the condition was good, then it would be worth it because the record plus the jacket would have a greater value than either alone. The seller and I exchanged a couple of messages and he pointed out that mono sleeves were rare and that this sleeve was in very good shape. I was sold, but I also wanted a period-correct inner paper sleeve. On a whim, I asked him if he had a correct inner sleeve. He responded that he thought he did. He quickly responded that he had one!

“I found the correct one, it lists albums up through the #2355. It is in real nice shape except a small split at the bottom that is hardly noticeable, it also has the pitch to upgrade your old albums to the new stereo discs that was only put on the mono ones. I will include it at no charge.”

Wow! That was a lucky coincidence! He quickly shipped the package to me and I had it in my hands within the week– it was in amazing shape with very little ringwear. I was able to assemble the record, sleeve and jacket to a set that I was very happy with!

It is noted in the Wiki article on Rubber Soul, that the sleeve colors in the US were a variation on the UK sleeves due to some color saturation differences, resulting in the title logo being more of a brown or gold than the UK orange logo. I like the color of the sleeve I got a lot– maybe more than an orange one.

According to the Spitzer book on the Beatles on Capitol, the “5” in the lower right indicates that the record sleeve was printed by Modern Album in Terre Haute, IN.

Overall, this was a very satisfying project for me. Maybe the word “restoration” overstates the effort, but that is what is really is, I think. I have a small vinyl Beatles collection that was started for me by my aunts back in the early 80’s– on purple Capitol label but didn’t include Rubber Soul, so this sits proudly next to those releases, but a mono Yesterday… and Today I picked up on Black Friday last year.

B-Sides in the Bins #52 – Half-Price Books Cedar Rapids 1/22/11

Posted on January 23, 2011 by mike

I was out running a bunch of errands today and ended up at Half-Price Books. When I arrived I didn’t find anything in the used vinyl bins that I absolutely needed– they had a couple of new Donna’s LP’s which was interesting, but I’m not familiar with their music enough for me to jump in. I was just about out the door when Claire– the girl who is the most knowledgeable about the vinyl– happened to be bringing a pile of newly-priced records to the bins to put away. Thankfully I stayed! I found the King Crimson LP from the pile she brought over and the Queen LP– she brought some other interesting pieces, but most of them were in pretty ratty condition– the first Doors record (stereo), a 13, The Who’s Tommy on Decca, Katy Lied by Steely Dan. She said that she had a Dark Side of the Moon behind the counter she was going to put out and asked if I wanted to see it. I don’t really need another Dark Side, but I know enough people who need one that I always look.

I didn’t end up picking up the Dark Side of the Moon, but I ended up picking up some other really great pieces!

Pink Floyd – Atom Heart Mother (LP, Harvest/Capitol SKAO 382, 1970) ($7.00) According to the matrix information this is a second issue done in Jacksonville, IL. The vinyl is in really great shape, but the cover got wet– hence the cheaper price. This is an album that I’ve never listened to– I tend to favor Wish You Were Here, Animals and Dark Side of the Moon. The “Atom Heart Mother” Suite which takes up side one is listenable, but still emblematic of the psych snobbery that I was glad they moved away from. I really like side 2 though. “Fat Old Sun” is a great song. I may keep an eye out for a new cover for this one since the vinyl is so clean.

New York Dolls (LP, Mercury SRM.1.675, 1973)($10.00) The landmark first album from New York Dolls– produced by then-guitarist for The Nazz Todd Rundgren! After watching the documentary about the reunion of the New York Dolls in 2006 called New York Doll, I had a new interest in this seminal proto-punk/glam band. The vinyl is in really great shape although it has a slight warp. The cover is clean, but has a spit at the bottom. The inner sleeve is intact and features a pencil sketch of a girl bent at the waist in a skirt with her behind pointing at the viewer. The album is great! I’m really happy to have this in my collection. A note: Ryan Adams quotes the opening of “Looking For A Kiss” on “Beautiful Sorta”: “When I say L-U-V, you best believe me L-U-V.” Apparently the New York Dolls are quoting The Shangri-La’s, but I’m sure Adams is quoting the Dolls.

King Crimson – Red (LP, Atlantic SD 18110, 1974)($2.98) This is my absolutely favorite King Crimson album. My foray into King Crimson started with the 1980’s releases Beat, Three of a Perfect Pair and Discipline that featured Adrian Belew on guitars and vocals based on a co-worker’s advice. I started digging into the catalog of King Crimson, and the next albums would be Lark’s Tongues in Aspic, Starless and Bible Black, and Red. Red is the final release from the King Crimson lineup that would include Bill Bruford (from Yes) and John Wetton (from Asia). According to the Wiki article on the album, Red was released after the band was disbanded by leader Robert Fripp. The album ends up being a compilation of the band’s studio work as well as their live improvisational abilities. The title track and “One More Red Nightmare” are both really heavy tracks especially for 1973-1974 and are cited as influential by many musicians (surprisingly including Kurt Cobain). The track “Providence” is an edit of an extended live improvisation. The copy at HPB had a water-damaged cover that was separating, but the vinyl was in really good condition, so I picked it up. I think it sounds very good.

Queen – A Night At The Opera (LP, Elektra 7E-1053, 1975)($5.00) When the HPB lady put this out, I knew I had to buy this as it is an album that is very influential in my wife Sherry’s life. Rock music was not allowed at her strict Baptist household, so she would get her dose of Rock music from her best friend when she visited. Queen was the first rock music she was exposed to and continues to be a favorite of hers to this day. I was familiar with a few of the songs on Opera, but had never listened to the whole thing before. It’s a classic for good reason– a really balanced album with writing done by the whole band. My second vinyl LP from Queen and a good start to a collection.

Jefferson Airplane – Surrealistic Pillow (LP, RCA AYL1-3738, 1967)($5.00) This is a “Best Buy Series” budget release of the album done sometime in the early 1980’s. The Best Buy Series are generally derided by most collectors and in almost every case RCA chose to make dramatic changes to the packaging and in some cases the track listings to achieve this budget line. In the case of this particular release, there is an ugly “Best Buy Series” logo on the cover art, but it is the normal track listing. Surrealistic Pillow was the Airplane’s second album, but their best known as it has three of their biggest hits on it: “Somebody To Love,” “White Rabbit,” and “Today.” Growing up, we had a cassette of The Worst of Jefferson Airplane the 1971 compilation that had four tracks from Surrealistic Pillow, so I was very familiar with this album as I listened to that a lot. Dave Donovan, who taught Spanish at my high school let me borrow his LP of Surrealistic Pillow as well as his copy of The Beatles White Album, which I thought was pretty cool at the time. There is a lot of debate about the various pressings of Surrealistic Pillow online, but from what I can tell almost every stereo pressing is considered to be thin-sounding, and I would judge this particular pressing the same. Interestingly, the matrix information on my pressing has “AYL1 3738 A 29” stamped on side A, and “AFL1 -3766B-2” scratched out and “AYL1 3738B” hand written on side 2. AFL1 3766 is the late 70’s (maybe 1978?) reissue catalog number. This correction on side 2 would indicate that the plates for this pressing were probably cut from the master tapes used for the late 70’s pressing. It doesn’t make it particularly notable, but provides an interesting view into how labels deal with cutting plates.

All-in-all a really good trip to Half Price Books! Since I spent over $25, they gave me an HPB calendar with the 5% coupons, and they used the first coupon on this order so I actually paid less than the prices listed above. On my way home I called my friend Andrew and told him about the Dark Side of the Moon I saw. He called and had them hold it– it was $7!

Upcoming Show: Rob Mazurek’s Starlicker Coming to Monk’s in Dubuque- New Album Plans

Posted on January 17, 2011 by mike

Starlicker photo by Alessandro Carpentieri

It is said that for most people, the music that defines them tends to be based on the music that they listened to in their teens and twenties. I’m not immune to this either– when I talk about about bands I really like, it is framed with a reference of 80’s New Wave, Punk, and College Rock (U2, R.E.M., The Cure…). This is possible, in my opinion, because most bands in the Indie or Alternative space are really building on or working from the same language of melody and structure that was in place in that time.

For most pop and rock music anyway, nothing is ever really new under the sun– to paraphrase Ecclesiastes 1:9.

When I was first introduced to Chicago instrumental band Tortoise in 1998 I heard something that– for me– was wholly new. Tortoise’s influences were clearly the great film soundtrack music of the past, but also a mix of jazz and krautrock and electronic music. It was exciting to hear what I felt to be new music and in typical fashion I dove headlong into Tortoise and bands related to Tortoise.

The jumping-off points for related Tortoise projects are many. Every member of Tortoise has other solo and band projects and quite a few of them in common. But, it is through guitarist Jeff Parker that I started exploring the very rich history of Chicago’s improvisational and free jazz scene. I’m still very much a novice in this space, and I come to it with almost no frame of reference which is both frightening and exciting. I did not listen to jazz in my teens and twenties and it is not music that was played around the house, so it is music that I have had to explore on my own, building a path one stone at a time.

From the stone of Jeff Parker, my next steps were Isotope 217 and Chicago Underground— both bands with cornetist Rob Mazurek. Rob is a very prolific artist whose catalog seems to grow by three or four releases every year. In 2009 Rob released sound is for seminal Chicago Jazz and Blues label Delmark. For sound is, Mazurek pulled together a quintet that was made up of his core collaborators: John Herndon of Tortoise, Matt Lux of Isotope 217, Josh Abrams of Town and Country, and Jason Adasiewicz of Loose Assembly. For me the album recalls a bit of the structured approach of Isotope 217 and some of the looser wanderings of Chicago Underground to great results as this is still an album I listen to with some frequency.

Starlicker is a new trio assembled by Mazurek which includes a subset of the Quintet– John Herndon on drums and Jason Adasiewicz on vibes. In November they did a quick run of dates in Spain, and are now in the middle of a quick tour of Midwestern shows that will wrap up on 1/26 at The Hideout in Chicago. They will take the band fresh from the tour to the studio where they will record sessions for an album that will likely come out on Delmark. This will be followed by a show on Friday, February 4th at Transistor.

Starlicker will be performing at Monk’s Kaffee Pub in Dubuque, IA (373 Bluff St., 563-585-0919) tomorrow night (Tuesday, January 18th). There is no cover and starts at 9PM, and it is suggested that you get there early to be guaranteed a spot.

Here is some video shot of Starlicker from their November 11, 2010 appearance at Teatro Caja Blanca, Malaga Spain.

Starlicker Tourdates (from robmazurek.com)

Saturday January 15th at 8:00pm -1:00am
Al’s Loft Society, 119 Calhoun St. Cincinnati Ohio

Sunday January 16th at 10pm-1am
The Hungry Brain, Chicago

Tuesday January 18th, 9p.m.
Monk’s Kaffee Pub, Dubuque

Thursday January 20th, 8:30pm
Sugar Maple
441 East Lincoln Avenue
53207
Milwaukee, WI, US

Friday and Saturday January 21 and 22, 9pm – 1pm
Cliff Bell’s
2030 Park Ave.
Detroit Michigan

Wednesday January 26th, 10 pm – 1pm
Hideout Chicago

Friday February 4
Transistor
5045 N. Clark St. Chicago 8pm – 11pm

(Review) Pieta Brown – This Land Is Your Music II: First Night – 12/4/2010

Posted on December 10, 2010 by mike

Pieta Brown’s second songwriter-in-residency called “This Land Is Your Music” at The Mill Restaurant kicked off on Saturday 12/4 right on the heels of a six-day mini-tour of Australia which wrapped up the previous Saturday. I had been looking forward to seeing these two shows. Last year’s three consecutive Thursday night shows in November (read my reviews for 11/5/09, 11/12/09, 11/19/09) were truly magical, intimate shows. Pieta considers The Mill her home venue– she got her start playing The Mill, so she was happy to bring these shows to that stage. The combination of music and art is a way for Pieta to give back to the community that spawned her career.

The opening band was the folk trio The Vagabonds which includes Sam Blickhan from The Mayflies. Sam is also in The Wandering Bears with Sarah Mannix of the Vagabonds. Their set was very good, pretty three-part-harmonies of original songs with the occasional cover– one of which was a Be Good Tanyas song. I really liked their original songs and am looking forward to being able to see them again.

Like last year, set and light design was done by Stan Crocker. Last year the stage was lit like a small living room with umbrellas and lamps– this year Stan washed the stage in dramatic blue light.

Pieta’s set was a solo acoustic set and included primarily songs from her new album One and All, the Shimmer EP and Remember the Sun, but she also added some new songs. “Be With You” had only been played one other time according to Pieta. The song “No Words Now” was described as being influenced by meeting Mark Knopfler (whom she toured with this year) and JJ Cale, who are both heroes of Pieta’s (as is Tom Petty— the subject of “Faller”).

Not content to be the only performer, Pieta invited her sister Constie on stage to sing duet on “The Other Way Around” from One and All. Constie provides harmony vocals on the new album, as well. For the finale of Pieta’s set she invited the Vagabonds to join her on stage for a gospel track which drew some comments by Iris DeMent who was in the crowd and soon joined the crew onstage for a rousing version of the Reverend Gary Davis song “Morning Train.”

As with the first This Land Is Your Music shows, there was an artist gallery. Lighting designer Stan Crocker had a really cool installation of light boxes in the green room. Each of the parts of the display had its own light source and illuminated individual subjects.

Watch the video for a walkthrough I did of the installation while The Vagabonds play “Ransom”:

The entryway of the Mill had photos from regional photographer Sonya Naumann. Here is a set from her series titled “Dunce”.

The This Land is Your Music shows are something anyone who is a fan of Pieta Brown or the Eastern Iowa music scene in general should really get out to see. I’m really happy that Pieta was able to pull this off again this year and am looking forward to seeing tomorrow night’s show. Pieta will be playing in a trio with Bo Ramsey and a drummer and the opening act will be Alexis Stevens. The gallery will be provided by Jamie Hudrlik.

The tickets are $10 in advance and $12 at the door and the proceeds will again be donated to Friends of Hickory Hills and Iowa Public Radio. Pieta’s sister Zoe designed teeshirts for the event as well as the poster seen above and both will be available at the show along with Pieta’s new vinyl for One and All!

Click Here for the Mill Restaurant Website for more details.

Pieta Brown Setlist:

1. Be With You *
2. West Monroe
3. No Words Now *
4. Hey Run
5. Out of the Blue
6. Are You Free?
7. You’re My Lover Now
8. In My Mind I Was Talking To Loretta
9. El Guero
10. Other Way Around (w/Constie Brown)
11. Faller
12. I’m Gone *
13. Closin’ Time *
14. Calling All Angels
15. Over Your
16. Morning Train (Rev. Gary Davis) (w/The Vagabonds and Iris DeMent)

* new songs!

A slideshow of the pictures I took:

Handicapping the Next Dawes Album

Posted on November 5, 2010 by mike

Disclaimer: This blog does not condone the use of the information contained in this obviously well-researched article in wagering or betting– anyway, you’d probably have better odds going to the casino and not waste your hard-earned money betting on the track listing of a Dawes album. COME ON! Jeez.

September 28th, 2010 marked the day that Dawes and its management finally caved in to the demands of the taper who goes mostly by Morst to allow their shows to be uploaded to The Audio Archive at The Internet Archive (archive.org). This was a conversation that started back during the October 2009 Daytrotter.com Barnstormer shows where he taped their stop at Treinen Farm. I also recorded three of the shows that I saw on that mini-tour (Maquoketa, Green Island and West Liberty). I had been meaning to do the final editing of this recording which was done by placing my Tascam DR-07 handheld recorder in slightly precarious locations, but only got around to using some of the audio with a video I shot with my iPhone in Maquoketa.

The creation of the repository of Dawes shows pushed me to go back through my recordings and get them ready for posting, so I put four shows up that I taped– the three from Barnstormer and a show from February at Rock Island Brewing Company.

Since Dawes is still touring in support of their debut album North Hills, it isn’t surprising that these shows tend to focus on songs from that album– the anthemic “When My Time Comes,” the epic jam of “Peace in the Valley,” “Bedside Manner,” “Western Skyline”– all classic songs this early in their career! However, even shows around June 30th– the release date of the CD included songs that didn’t make it to their debut– whether outtakes from it or new songs they were working on.

Looking at the setlists of the growing collection on archive.org, we get a pretty good list of songs that are candidates for the next album, which doesn’t have a release date, yet, but I believe the band is already recording. Here is the list of these songs with links to performances so you can listen to them for yourself.

Note: Since I don’t have any direct confirmation of any of these songs, none of them can be 100% certain.

My Way Back Home – 06/30/2009, 10/09/09, 10/10/09, 10/11/09, 10/12/09, 10/24/09 During the Barnstormer shows, Dawes was calling this a “new song.” The song has a subtle build with the really great harmonies at the end and a very powerful lead vocal by Taylor. It looks like they kind of dropped it out of their regular setlists. It does show up on the band’s second Daytrotter session. Since I don’t have a 2010 performance on the LMA, I’m going to say that there is a 25% chance that it makes the next Dawes album.

How Far We’ve Come – 09/12/2009, 10/09/09, 02/13/10, 02/15/10, 06/27/10, 07/03/10, 07/04/10 (Early), 07/18/10, 08/09/10, 05/14/10, 10/24/09, 10/12/09, This song has shown up on more setlists than any other. Has a really great vocal duet between the brothers Goldsmith. Really, this is probably the band’s own theme song (even though “When My Time Comes” is the huge song). This song shows up on the second Daytrotter session. I don’t have any confirmation, but I’d say there is a 98% chance it makes the next Dawes album.

If I Wanted Someone – 02/13/10, 02/15/10, 05/14/10, 06/27/10 Also announced as a new song this year. This song is kind of the younger brother of “A Man Needs A Maid” by Neil Young and “Breakdown” by Tom Petty. This song is dark and angry and better be on the new album. My favorite. Check the 6/27 version and the smoking guitar solo! I think there is a 99% chance it makes the next Dawes album.

Time Spent in Los Angeles – 02/13/10, 02/15/10, 05/14/10 Another song that shows up in 2010. I think this song is related a bit to “Western Skyline” from North Hills. In that song, Taylor follows his heart and a girl to Birmingham only to find out the relationship doesn’t last the move and, we know that he moved back to North Hills.. In “Time Spent in Los Angeles” he says that the time spent in Los Angeles makes him want to wrap the subject of the song in his arms. It’s interesting that on the 2/13 show he follows “Time” with “Western”… What are you telling us Taylor? This song didn’t make the June/July run of shows. I think there is still a good chance this song makes it– I say 85% chance it makes the album.

Fire Away – 06/27/10, 07/03/10, 07/04/10 (Early), 07/18/10, 08/09/10, New song– shows up for the first time this year. I think that the Jackson Browne-ish feeling of this song and it’s recent inclusion in sets makes this a better than average bet — 95% chance that it makes the next Dawes album.

So Well – 02/15/10, 07/04/10 (Early), 08/09/10, 05/14/10, That February show at RIBCO brought a bunch of new tunes to the table, “So Well” being one of them. The vocal harmonies on this song shows why Dawes is such an incredible live act. The guitar solo in this one has potential to become a show centerpiece like “Piece in the Valley” has become. We got this one in August, so I bet it makes the new album. 99% Chance.

I’ve Got A Feeling (It’s Gonna Be Alright) – 10/10/09 As much as I love this song, with its one verse, I’m pretty sure that this one wouldn’t translate to a studio album. Maybe a live album… 1% Chance it makes it to the next Dawes album.

All My Failures – 10/12/09, This song only shows up once in the LMA. A pretty waltzy song with the line, “I haven’t let my failures get me yet.” This song shows up on the band’s second Daytrotter session, though, which would definitely weigh in its favor (well, which was recorded around the same day as this show). 25% chance it makes it to the next Dawes album.

Moon in the Water – 02/15/10 This song only shows up once, but the way Taylor talks about it, it must be a song that had been around for a while since he says he doesn’t get to sing it very often because it is one that requires an intimate show. Certainly it works really well as a solo song. But, is it a Dawes song? Maybe not. 20% chance it makes it to the next Dawes.

Well, any way you look at it, Dawes is a band worth betting your next record purchase or live music dollars on. Dawes music isn’t edgy or groundbreaking but damn, they continually write great timeless songs with hooks that stick around. I’m really looking forward to the next album and what new songs the future tours will bring.

(Upcoming Release) Snowblink Reissues “Long Live” on Fire Records

Posted on November 5, 2010 by mike

One of the vivid memories I have of Daniela Gesundheit of Snowblink is of her standing on the Grand Old Opry-style stage in Green Island, IA during the first Barnstormer tour framed by twinkling strings of Christmas-tree lights– the small crowd armed with small brass bells to ring on cue. Her mellow ambient set was a departure from the mostly-rocking lineup of those shows, but her otherworldly naive charm seemed to dislodge even the most jaded PBR-fueled hipster from their folded arm vantage point. Her music was dew clinging to the small plants on the forest floor. The kind of stuff that faeries would be streaming from their Pandora accounts whilst updating their Facebook statuses.

Daniela and her small band were performing songs from her at-the-time self-released CD Long Live. Songs like “Rut and Nuzzle,” “Ambergris,” and “Stand Where a Fruit Tree Drops the Things It Doesn’t Need” from this album were standout songs I waited anxiously to hear these songs at each of the stops during the Barnstormer tours.

She announced yesterday that Long Live would be re-issued on Fire Records in Europe on November 8th on CD, MP3 and vinyl (yay!) in conjunction with a tour of Europe. Fire will release in the US and Canada in February. The new reissue gets new cover art, too and features the little boy from the “Ambergris” video (below). Long Live is an album I’ve enjoyed for over a year and its one that I always felt should get more exposure, so I hope that Fire can put some promotional support behind it. I plan on picking up the vinyl when it’s available.

Track Listing for Long Live:

1. Rut & Nuzzle
2. Ambergris
3. The Tired Bees
4. Stand Where A Fruit Tree Drops The Things It Doesn’t Need
5. Membrillo
6. Green to Gone
7. Bulb, For Later
8. Divining Rod
9. Sea Change
10. None
11. Heckling The Afterglow
12. This Is This
13. Go Deep (Fon Frank)
14. The Fish of Little Thoughts
15. The Haunt

Click Here to listen to “Rut and Nuzzle” from Long Live (with lyrics!)
Click Here to listen to “Green to Gone” from Long Live (with lyrics!)

Click Here for Snowblink’s Website

Click Here for Snowblink’s Facebook Fanpage

Click Here for Snowblink’s MySpace Page

Click Here to follow Snowblink on Twitter

Click Here for the Long Live page at Fire Records.

Snowblink’s First Daytrotter Session (3/27/2008)
Snowblink’s Second Daytrotter Session (10/22/2008)
Snowblink’s Third Daytrotter Session – Michael Jackson Covers (3/12/2010)

(Upcoming Release) Hiss Golden Messenger’s Bad Debt Collected on November 17th

Posted on October 14, 2010 by mike

Back in May I was exchanging e-mails with MC Taylor– erstwhile of The Court & Spark and alter-ego Jai Lil Diamond of Hiss Golden Messenger— about his last release Root Work which was a re-imagining of some tracks from Country Hai East Cotton. (BTW: Root Work is available in digital and vinyl formats. The vinyl version was limited to 100 and is not sold out yet– go get it!!) In the volley that ensued he let it drop that he was already planning a release for this fall. “It’s a gospel record–” he said, “or at least some serious philosophical music– recorded with just me and an acoustic guitar into a classroom tape recorder at the kitchen table this past winter. It’s very crude-sounding, but I think it’s compelling and deserving of its own release.”

He attached an mp3 of “Jesus Shot Me in the Head” which upon the first listen had me transfixed, and frankly even now as I listen to it, I’m forced to do nothing else until its tale is told. As MC points out, it has a very low-fidelity esthetic, but the starkness pulls the listener in. My first thought upon hearing the song and its different personality from previous recordings by HGM or the Court & Spark was that it was like the “Luke the Drifter” personae that Hank Williams Sr., adopted to deliver his religious songs.

He sent me three other songs to listen to and they all were obviously cut from the same cloth. “Straw Man Red Sun River Gold,” “The Serpent Is Kind (Compared to Man), and what would end up being the title track– “Bad Debt.”

Over the summer I got small glimpses of the upcoming release– I hang in some Internet circles that MC and some of his musician friends do and they were talking about it. In late June, Anthony Puglisi– who did the mastering for Root Work— posted that he was listening to “Balthazar” from an upcoming album Bad Debt. This prompted me to search for this album title and I found via last.fm that a couple of people were listening to an album called Bad Debt! It was coming!

In August, MC updated the Facebook Fan Page for Hiss Golden Messenger that John Mulvey had included Bad Debt on a playlist in Uncut Magazine. It listed the record label as Blackmaps (under construction at the moment). Some quick searching turned up that Blackmaps is a book publisher and record label headquartered in London and Tokyo. In fact, MC mentioned Blackmaps in a post to the website for his record label Heaven and Earth Magic.

This last week it occurred to me that I should look to see if any more crumbs of Bad Debt had shown up on the Internet table– and they had! For one thing, I found this really great Bandcamp player of the ENTIRE RECORD! The player also informs us that the release date is November 17th, 2010!

The little bit of PR provided by the label informs us also that there will be another release before a full album in Summer, 2011! I sent a note off to MC to see if he can provide us any additional information. In the meantime, I present to you Bad Debt…

Hiss Golden Messenger ‘Bad Debt’ by blackmaps

Update: Taylor sent me an e-mail yesterday with the correct cover art (the artwork on the Bandcamp player will be the art for the CD itself). Pretty cool– reminds me of the Jerry Garcia handprint. He also said that some time after the CD release of Bad Debt, he would do a very limited run of vinyl (100 copies, like he did with Root Work) on his label Heaven and Earth Magic! We’ll keep you posted on that!

Death Ships – Maybe Arkansas EP Released – Upcoming Show at The Mill 9/17

Posted on September 11, 2010 by mike

Last February I reported about former Iowa City band Death Ships– a show at the Mill and a new EP that he was going to release on iTunes. Titled Maybe Arkansas, it was a 4-track EP of some really great guitar rock. I said that it was, “a flat-out charmer– hook-filled and standing out in my mind as a testament to the great music that comes from the Midwest. These guitar pop songs draw easy and complimentary comparisons to other Midwest greats like The Jayhawks, The Honeydogs and, yes, Wilco. Each of these songs stick in my head with earworm intensity.”

Over half-year later, I still feel this same way about the EP. Since Dan sent me the songs in order for me to review it, I was one of the fortunate few to get to hear it. Well, except for some tracks he gave to some blogs to post and all of the people to which I excitedly played it.

Last week the EP made it to iTunes and you can download it for $3.96 or Amazon for $3.56. On a post frontman Dan Maloney made to his MySpace page, he announced the EP going to iTunes and also said that there will be a limited CD run of the EP. He also announced that they were going to start recording a new album next month.

Dan is bringing his Death Ships back to the Mill on Friday, September 17th opening for Ha Ha Tonka. In an e-mail to me this week, Dan said that they had a bunch of new jams he was excited to try out at this show.

I saw Ha Ha Tonka back in September of 2008 opening for Backyard Tire Fire and the then-Picador in Iowa City. They put on a really great show. You can see the pictures here. Since I saw Ha Ha Tonka, they have been signed to Bloodshot Records and released a new album in 2009 called Novel Sounds of the Nouveau South.

Also opening is Iowa City musician Brian Johannesen who performs as Grand Tetons.

Click to buy Maybe Arkansas by Death Ships on iTunes

Click Here to download “I Like It A Lot” from Maybe Arkansas.

Click Here for the Death Ships MySpace Page which has some of the tracks from Maybe Arkansas streaming.

Click Here for the Death Ships Daytrotter Session

Click Here for the Jay Bennett Daytrotter Session with Death Ships as his band

Click Here for the Splice interview with Dan Maloney from 2009 that has some unreleased tracks and a couple from the upcoming EP

New Diplomats of Solid Sound Album What Goes Around Comes Around on 10/11

Posted on September 10, 2010 by mike

I’m really happy about the number of great new releases coming out this fall! One release that I’ve been waiting on for I think two years, is the new album from Iowa City’s own Diplomats of Solid Sound! I first heard songs that would make up What Goes Around Comes Around (Record Kicks, October 28) back in August 2008 when they performed at KCCK’s Jazz Under the Stars. In fact, I’m pretty sure I remember the title song from that show. In the shows I’ve seen since then, I’ve heard most of these songs so I feel like I’m already familiar with the album!

The line up for The Diplomats has changed since their 2008 release The Diplomats of Solid Sound Featuring The Diplomettes which was released on Italian Boogaloo-loving label Record Kicks and domestically on Pravda. The Diplomettes was a trio before Abbie Sawyer moved to New Zealand for a year leaving Sarah Cram and Kathy Ruestow to handle the vocal duties as a duo. Original drummer Jim Viner departed at the end of 2008 and is these days behind the skins for Brother Trucker. Viner was replaced by Paul Kresowik.

Like their 2008 release, What Goes Around Comes Around was mixed and edited by Adam Gibbons aka Lack of Afro. Just listening to the track “Give Me One More Chance” which you can hear below on their Soundcloud link (below) I can hear an evolution in their sound. While still firmly planted in classic Ameican soul and R&B– it seems a little more evolved to me. The strings on this track are a fantastic flourish to the song. On the song “What Goes Around Comes Around” they have developed a hot buttered jazz funk that I’d like to hear more of.

What Goes Around Comes Around is due to release on October 11th and will be available from the band, on Amazon and other places like Dusty Groove (likely) in LP and CD and digital download. Prior to the release of the album there will be a 7″ of “Back Off” and “B-O-O-G-A-L-O-O” the center label will look like this:

Record Kicks has made this single available before its release date of 9/27 as a digital download from their site. You can get both sides of the single in 320Kbps mp3’s for £ 0.79 apiece. After PayPal fees and currency conversion, I got both tracks for $2.77 US.

Click Here to visit the Record Kicks page for the “Back Off” b/w “B-O-O-G-A-L-O-O” single to order your mp3’s or to purchase the 7″ single. You can listen to the tracks here, too.

Tracklisting for What Goes Around Comes Around:
1. B-O-O-G-A-L-O-O
2. Back Off
3. Promise Of A Brand New Day
4. Gimme One More Chance
5. No Man
6. Fascination
7. Bailout!
8. Jealous
9. What Goes Around Comes Around
10. I Can’t Wait For Your Love (Pistol Allen)
11. Get Out Of The Way (So I Can Get Back To My Life)

THE DIPLOMATS OF SOLID SOUND – Give Me One More Chance by Record Kicks

Time to play b-sides

Mike Roeder muses over things musical

Category Archives: Personal History