(Upcoming Release) What’s In A Name? Members of fDeluxe Announce First Album in 26 Years Together- “Gaslight” to Release in September

Photo credit: Steve Parke

There is a lot that can be said about Prince, and at this stage in his life and career he has firmly established himself as one of the Rock and Pop greats and the sellout tour that he is currently undertaking is a statement made about his career to date– every night is a different lineup of songs from his extensive and prolific career and he is inviting guests to perform with him from his past and current notable artists. In this post-Elvis, post-James Brown, post-Michael Jackson time, we are lucky to have His Purple Majesty walking among us.

One thing is certain, though, when Prince chooses to surround himself with other musicians, they are usually some of the best in the business– The Revolution, New Power Generation, The Time, Sheila E., –the list goes on. One band of musicians that would have probably continued to exist as a footnote in the Wikipedia article that is Prince’s life was The Family. And, it appears that Prince would have preferred it stay that way.

The story about The Family is kind of a notorious one amongst the Prince faithful. Following the massive success of the “Purple Rain” movie and the extensive two years of subsequent touring, took its toll on The Time– who was in the movie and was supporting band on the tour– and ultimately caused key members to quit– namely Morris Day, Jimmy Jam and Terry Lewis. Prince collected the remaining members of the Time proposing a reboot including his then-fiancee Susannah Melvoin, twin sister of Revolution guitarist Wendy Melvoin– starting the trend of his svengali-like tendencies of producing albums of his romantic interests. In addition to Susannah, Prince proposed Paul “St. Paul” Peterson as the other lead vocalist and added Eric Leeds on Sax and keyboards.

The resulting self-titled album in 1985 was comprised mostly of Prince compositions and was performed completely by him except for the vocals and sax parts. The band was short-lived, however as St. Paul left the band, forcing the end of the group, but by this time Prince had moved on to other projects including Sheila E.’s Romance 1600 and the next two albums of Prince and the Revolution as well as the feature film “Under The Cherry Moon.” Prince was not happy with Peterson’s departure, and it seems like he might still hold a bit of a grudge 23 years later.

The story of this band would have stopped here if it wasn’t for a reunion of one of ?uestlove’s favorite Paisley Park-era bands as part of one of The Roots Pre-Grammy parties in 2007. (Athough, I think the genesis for this reunion might have really started with the band Edith Funker who ?uestlove was part of with Susannah and Wendy) It was around this time that Paul Peterson announced the reunion of the members of The Family and that they were working on a new record!

This was over three years ago! A project like this one takes a lot of time and resources and is a good example about how the Internet can facilitate. With members split geographically between California and Minnesota and having careers and lives outside of this project they slowly recorded the album supported in some cases by frequent flier and car rental miles donated by fans eager to see this project get off the ground. Periodically the band would come out of hiding streaming internet video of recording sessions and taking fans questions and posting the occasional raw unmastered track for fans to hear the progress.

The Family 2.0 Live in Minneapolis

The first real fruits of the reunion of the band came in the form of a live performance at The Cabooze in Minneapolis in June of 2009 as part of the “Prince Family Reunion.” The reunited band calling themselves “The Family 2.0” of St. Paul, Susannah,  Jellybean and Eric Leeds plus members of Mint Condition put on a short-but-amazing set which included songs from the first record as well as newly-written songs. The crowd was excited and the band put on a high-energy set.

Since that show the band has struggled with a certain artist who has been blocking the group’s use of the name “The Family” as well as any PR that even implies their past relationship with him. The first change the band made was their name– they became “fDELUXE” last year. As awkward as that name might be, it really serves to point out that while the core of the band acknowledges a past together in a previous band, this new incarnation is much more than vocals added to tracks recorded by one man.

This week, band manager Neil Richards of Square One Entertainment announced via the fDeluxe Facebook page that the long-time-coming reunion album is going to be titled Gaslight after one of the album tracks and not The Family as they had originally planned, and will come out September 12th.

Ringing in at 11 tracks, Gaslight has the expected two-lead vocalists of Susannah and St. Paul along with the core members of Jellybean and Eric Leeds, but they also bring in an extended “family”-  if you will- of  Wendy Melvoin, Lisa Coleman, guitarist extraordinaire and husband of Susannah, Doyle Bramhall II, JP DeLaire, Oliver Leiber co-writing and performing…  as well as members of The Hornheads, Ricky Peterson, Charlie Drayton and more helping out during the recording. fDELUXE, indeed!

The band has announced a record-release show in Minneapolis as well on September 16th at the Loring Theater. Ticket information to come as well as other tour dates!

In the meantime, you should sign up for their e-mail list to stay on top of things fDELUXE, and get a free download of “Over the Canyon.” CLICK HERE to visit the band’s website and to sign up.



Click Here for the fDELUXE Facebook Page and become a FAN!

Click Here to follow fDELUXE on Twitter

Click Here for the fDELUXE Website

Here are the pictures I shot at the June 2009 show of the band:

 

Upcoming Release: Mazurek’s Starlicker Trio Brings “Double Demon” on 5/17/11 and Tour

On a snowy night in January I had an opportunity to see Rob Mazurek’s newest band in an incredibly intimate setting at Monk’s Kaffee Pub in Dubuque, IA of all places. Starlicker is a trio made up of cornet player Mazurek, Jason Adasiewicz on vibes and John Herndon on drums. The trio played a dynamic set of improvised jazz punctuated by frenetic and muscular solos by each. I had my appetite whetted for their eventual release titled Double Demon, which is due out on 5/17 on seminal jazz and blues label Delmark.

Starlicker Live at Monk's Koffee Pub

Double Demon represents another title in Delmark’s recent re-entry into the world of vinyl– Mazurek’s last release with his band Exploding Star Orchestra (of which Adasiewicz and Herndon are also members) Stars Have Shapes was part of Delmark’s first two releases, so it’s clear that they want to take advantage of Mazurek’s following, who may know of him from his Thrill Jockey releases as Chicago Underground and Isotope 217.

In conjunction with the release, the trio is heading out for a few dates in the Midwest and East Coast in May, with another stop in Dubuque on May 20th for Dubuquefest– a free arts festival.

Double Demon Tracklisting:
1. Double Demon (6:13)
2. Vodou Cinque (6:22)
3. Orange Blossom (4:07)
4. Andromeda (5:40)
5. Triple Hex (9:22)
6. Skull Cave (6:33)

Here is some video I shot at Monk’s of an unreleased (or possibly renamed?) track called “Horseshoes”

I also recorded the full show with my handheld recorder and Rob gave me permission to post a track. This is an mp3 of “Triple Hex” live at Monk’s Kaffee Pub, January 18, 2011.

Triple Hex Live at Monk’s Kaffee Pub 1-18-11


A Vote for Official Mother’s Day Anthem – “Before I Know Your Name”

Stefanie Berecz of the Right Now sings to her daughter in "Before I Know Your Name"

In my opinion some of the best songwriting produces songs that can work on multiple levels or interpretation. Today, in recognition of Mother’s Day and mothers everywhere, I propose that the “Official Mother’s Day Anthem” (if I don’t end up in some legal dispute with Hallmark Cards who may own the trademark on Mother’s Day) is “Before I Know Your Name” by Chicago R&B band The Right Now from their 2010 album Carry Me Home.
I’ve mentioned this song before when I wrote about the band. The song is typically interpreted by the casual listener as being sung by someone pining for a future love that she hasn’t met yet– the real meaning of this is still true, but that future love is Stefanie’s daughter! Lyrics like “I can feel you in me all the time” and “You’re the reason it’s so hard to sleep” take on such a clever turn of phrase, even the cynics in the crowd can’t help but smile.

Before I Know Your Name (written by Berecz/O’Connell)

Part of me pictured you this whole time
Never could believe that you could be mine
Saw a new life in your eyes
It never felt so real, it all feels different this time

You’re the truth behind what lies in me
You’re the reason it’s been so hard to sleep

I can feel you with me all the time
In the smallest ways and subtle signs
You give me feelings that I can’t deny
I feel us growing and it’s only time
Before I know your name

Child I must be glowing from head to toe
But if they only knew you’re the star of my show
I can’t wait ’til I can see you again
I’m counting down the days, so much inside my head

You’re the truth behind what lies in me
You’re the reason it’s been so hard to sleep

I can feel you with me all the time
In the smallest ways and subtle signs
You give me feelings that I can’t deny
I feel us growing and it’s only time
Before I know your name

So, Happy Mother’s Day to all mothers and future mothers. We’re all here because of them. Play this song in tribute!

Upcoming Release: Dawes – “Nothing Is Wrong” on 6/7/11 – Build Your Own!

The much-anticipated sophomore release from North Hills, CA band Dawes was announced yesterday to much joy (at least around here…). The album called Nothing Is Wrong with the artwork above will come out on ATO Records which was the home of North Hills— the band’s first release. Following the astonishing success of their first album and in particular the amazing “When My Time Comes” which ended up in a Chevrolet trucks commercial– Nothing Is Wrong is a tough act to follow. Thankfully, the band has been playing songs from the new album for over a year, so we already know that there are some contenders on this album as well. Looking at the tracklist below, we see that “Million Dollar Bill” which was also a Middle Brother track makes an appearance as well.

The original North Hills album came out on 2 LP 45 RPM 180g vinyl. I confirmed with Taylor Goldsmith that there will indeed be a vinyl version of Nothing Is Wrong as well!

To start the buzz, Dawes has made the track “If I Wanted Someone” a free download in exchange of your e-mail address.

Here is the tracklist for Nothing Is Wrong, and I’m providing links to live performances of the songs from archive.org:

1. Time Spent in Los Angeles 2-13-10 2-15-10 5-14-10

2. If I Wanted Someone 2-13-10 2-15-10 5-14-10 6-27-10 11-13-10

3. My Way Back Home 11-13-10

4. Coming Back to a Man 1-23-11

5. So Well 7-4-10

6. How Far We’ve Come 9-12-09 10-09-09 10-12-09 10-24-09 2-15-10 5-14-10 11-20-10

7. Fire Away 5-14-10 6-17-10 11-20-10

8. Moon in the Water 2-15-10 11-13-10

9. Million Dollar Bill

10. The You Laugh 1-23-11

11. A Little Bit of Everything 11-13-10

Here are the upcoming Dawes shows (from the Dawes website):

May
05 – Houston, TX – Fitzgeralds
06 – Austin, TX – La Zona Rosa 

07 – Dallas, TX – Granada Theatre
09 – Orlando, FL – Beacham Theater
10 – Ft. Lauderdale, FL – Culture Room
11 – Tampa, FL – State Theatre
12 – St Augustine, FL – Cafe 11
13 – Atlanta, GA – Variety Playhouse
14 – Birmingham, AL – Secret Stages Music Festival (2PM)
14 – Nashville, TN – Cannery Ballroom
15 – Asheville, NC – Orange Peel
17 – Charlotte, NC – Visulite Theatre
18 – Carborro, NC – Cat’s Cradle
19 – Athens, GA – Melting Point
20 – Chattanooga, TN – Nightfall Series (Free Show)
23 – New Haven, CT – Toad’s
24 – Portland, ME – State Theatre
25 – Northampton, MA – Iron Horse
26 – Burlington, VT – Higher Ground
27 – Montreal, OC – Le National
28 – Toronto, ON – Opera House
29 – Detroit, MI – St. Andrew’s Hall 

June
01 – Louisville, KY – Headliners
02 – Indianapolis, IN – The Vogue

03 – Chicago, IL – The Vic Theatre
05 – Hunter, NY – Mountain Jam (1:30PM Set)
06 – St. Louis, MO – The Pageant 

07 – Louisville, KY – Iroquois Ampitheatrer
08 – Columbus, OH – LC Ampitheatre
09 – Pittsburgh, PA – Stage AE – Indoors
10 – Philadelphia, PA – Mann Center for Performing Arts
11 – Vienna, VA – Filene Center at Wolf Trap
13 – Vancouver, BC – Vogue Theatre
14 – Seattle, WA – Moore Theatre
15 – Portland, OR – Crystal Ballroom
16 – Bend, OR – Athletic Club of Bend
17 – Chico, CA – El Rey Theatre
18 – Los Angeles, CA – Orpheum Theatre
20– San Diego, CA – House of Blues
21 – Tucson, AZ – Rialto Theatre
22 – Phoenix, AZ – Marquee Theatre
23 – Las Vegas, NV – Silverton Casino
24 – Reno, NV – Knitting Factory
25 – Oakland, CA – Fox Theatre
July
02 – Emeryville, CA – High Sierra Music Festival
07 – Winnipeg, MB – Winnipeg Folk Festival
08 – Winnipeg, MB – Winnipeg Folk Festival

Upcoming Release : Booker T. Takes “The Road From Memphis” with The Roots and Daptone’s Gabriel Roth on May 10.

Following up 2009’s GRAMMY-winning Potato Hole should have been tough for Booker T. Jones to follow. In fact, who would have blamed him if he took a break, resting on the achievement– which was a tribute as much as an updating of the Southern Fried B-3 fueled sound he effectively served on dozens of sides on Stax Records with his band The MG’s. Backing Booker T. on Potato Hole was an Überband of Neil Young and The Drive-By Truckers and produced by main Trucker Patterson Hood which delivered its Hammond barbeque with a side of Gibson distortion.

The formula for following up Potato Hole was to enlist go-to backing band from Philly THE ROOTS! Titled The Road From Memphis the album also features vocals from Sharon Jones, Lou Reed, Yim Yames from My Morning Jacket, and Matt Berninger from The National. Jones himself steps up for a rare vocal as does his daughter Liv. The album is produced by ?uestlove of The Roots and is engineered by Gabe Roth of Daptone Records.

Frankly, this album has GRAMMY written all over it.

Anti- Records released Potato Hole on 2 LP 180g that sounded pretty damn amazing. For The Road From Memphis according to Amazon, it will be 1 LP. No word on weight, but I’d have to believe it will be 180g again.

Here is some footage of Booker T. and the Roots taking on Lauren Hill‘s “Everything is Everything”:

 

Full track listing for ‘The Road from Memphis:

Walking Papers
Crazy
Progress (feat. Yim Yames of My Morning Jacket)
The Hive
Down In Memphis
Everything Is Everything
Rent Party
Representing Memphis (feat. Matt Berninger & Sharon Jones)
(On April 4th, you’ll be able to download this mp3 for $0.99 from Amazon).
The Vamp
Harlem House
The Bronx (feat. Lou Reed)

Click Here for the Anti- Records Page on The Road From Memphis

Click Here for Booker T. Jones’ website

Click Here for The Booker T. Facebook Fanpage



B-Sides in the Bins #54 – Half-Price Books, Bloomingdale, IL 3/13/11

Sherry and I were back in Chicago last weekend for her yearly America’s Beauty Show conference at McCormick Place. My goal was to spend some time working on some writing and possibly do some record shopping. We were also planning to see The Right Now open for L.A. R&B band Orgone at Schuba’s.

Because I was concentrating on some writing, I primarily stayed holed up in our hotel room in Oak Park, but I ventured out on Sunday morning after dropping Sherry off at the show. I had been meaning to hit the Half-Price Books up in Bloomingdale and the hotel was relatively close to there. As far as Half-Price Books stores are concerned, this one is a pretty well-stocked one. The vinyl section was very large and had a very good selection of titles. The rule of thumb for pricing vinyl at HPB in Cedar Rapids is to use the Goldmine Vinyl Pricing Guide and charge 50% of that. So, when Neil Young’s Harvest shows up in the guide for $10, you can count on it being $5 or $6.  In my opinion, the Bloomingdale prices seemed on average a little higher than I’d see in Cedar Rapids, but not oppressively so. I ended up getting some collection fillers– Led Zeppelin and Pink Floyd which was cool. Those titles tend to be kind of rare in Cedar Rapids, so I want to snag them when I see them. I also got some odd college rock releases, too.

Led Zeppelin – Coda (LP, Swan Song/Atlantic 90051-1, 1982) ($9.98) Coda was the 9th and final LP from Led Zeppelin, post John “Bonzo” Bonham’s death. Assembled by Jimmy Page of studio and soundcheck outtakes recorded between 1970 and 1978. The album is largely dismissed by most as a non-essential Led Zeppelin release. At my house Coda was actually played quite a bit. We became fans of Led Zeppelin around the time I was a freshman in high school and bought all of the albums on cassette. My brother Steve is a drummer and was a big fan of Bonzo at the time. I think out of all of the tracks we played the drum instrumental “Bonzo’s Montreux” the most which we saw as the sequel to “Moby Dick” from Led Zeppelin II. In fact, the first big CD boxset of Led Zeppelin included a medley of both “Moby Dick” and “Bonzo’s Montreux.” The sleeve for this LP is a nice embossed 2-pocket gatefold. The LP fits in one pocket, but I don’t have anything in the second pocket– am I missing something?

Pink Floyd – The Wall (2 LP, Columbia 36183, 1979) ($14.98) This was a bit on the pricey side, but the sleeve was in excellent condition as was the vinyl. Essential for any Pink Floyd collection– I’m still building my vinyl collection so I’m keeping an eye out for these releases. My dad bought this on cassette when it came out and I didn’t really pay any attention to it aside from “Another Brick in the Wall (part 2)” which was a #1 single in 1979. It wasn’t until the summer between my 8th Grade and Freshman year of High School in 1983– almost four years after the album came out– that I would really embrace The Wall. My first girlfriend (more of a summer fling, I suppose), coincidentally with the last name of “Watters” wanted me to copy the tape for her. I wasn’t a fan, but she insisted that it was an amazing album.  Back in these days one would have to sit through the dub process– I had two individual cassette decks– not even the dubbing cassette deck that I have today. Press play on one and record on the other and wait. On this particular night I laid in bed with the headphones on listening to it as it copied. It was at that point that I understood what the fuss was about and it opened my eyes to the utter majesty of The Wall and at that point caused me to be a fan of Pink Floyd. Considering that I was pretty much raised on a steady diet of the Beatles, The Moody Blues and Fleetwood Mac, The Wall was revolutionary.  That Christmas I asked for Animals and Dark Side of the Moon for gifts. As was usually the case around the house, whenever I would start getting heavy into a particular band the rest of the family would follow suit and it seemed like we were listening to The Wall in the car all the time usually singing along with songs like “Mother” as disturbing as that seems in retrospect. Our family had planned on seeing one of  the rock laser shows at Five Flags as was the rage at the time, and they regularly did one for Dark Side of the Moon. In a last-minute decision we decided to buy a Betamax tape of The Wall Movie under the idea that it would cost about the same as the admission to the laser show was about the same price as the movie. I remember inviting the art teacher from my high school, Dave Eischeid over to watch it one afternoon. It was kind of a big deal at the time and people hadn’t really even seen the movie.

Pink Floyd – The Final Cut (LP, Columbia QC 38243, 1983) ($9.98) While not generally regarded as their best effort with Waters, the copy was in such good shape I thought I should pick it up. Really, though, people probably didn’t play The Final Cut as much as any of their previous releases, so I suspect that most of the copies in the used bins are in good shape. The Final Cut was as much a reaction to the events surrounding The Wall as it was kind of a sequel to it. The only single from the album was “Not Now John” which seems to me also very related to “Young Lust” from The Wall. I had “Not Now John” on a mix tape I used to listen to a lot in my car in high school and it still stands as a great track in my opinion and the only one on the album to feature David Gilmour’s vocals, but he shares vocal duties with Waters.

Paul Simon – Graceland (LP, Warner Bros., 25447-1, 1986) ($4.98) Finally a copy of Graceland that was in really great shape! Lots of copies of Paul Simon’s brilliant return to the top of the music charts and winner of two GRAMMYS. Graceland was an early CD purchase for me– I got my first CD player in the early 90’s and it was part of the first ten or so CD’s I bought. I don’t have a lot to say about the album that hasn’t been covered. It’s one of the all-time great albums as far as I’m concerned.

Camper Van Beethoven – Telephone Free Landslide Victory (LP, Independent Project/Rough Trade IP016, 1985) ($7.98) WOW! Big find! I was really happy to find this one languishing in the bins! CVB’s debut record which would establish the band with it’s best-known song, “Take The Skinheads Bowling” (best known next to their cover of “Pictures of Matchstick Men” anyway). Wonderful blend of ska/Eastern Bloc instrumentals and relatively straightforward “college rock.” A very welcome addition to my collection indeed, and the beginning of my vinyl collection of CVB.

The dB’s – Like This (LP, Bearsville/Warner Bros. 25146-1, 1984)($9.98) Another great college rock find! I saw the dB’s open for R.E.M. during their Document tour on October 31st, 1987 in Davenport, IA. What little I remember about their performance includes a pretty great version of “Amplifier” which was on Like This and their previous album. Like This is a great album even though it is missing Chris Stamey. Produced by Chris Butler of the Waitresses and the dB’s. The LP credits and the deadwax show the LP was mastered at Sterling Sound by Greg Calbi.

Janet Jackson – Janet Jackson’s Rhythm Nation 1814 (LP, A&M Records SP 3920, 1989)($2.98) While I never owned this on CD or cassette, it was a record I had a lot of respect for when it came out. The easiest way to create a funk masterpiece is to bring the Minneapolis sound– Jam & Lewis. Seven singles in the Top Five is a record that has yet to be topped. Great record and I’m happy to have this in my collection– especially in this condition. Slight ringwear on the sleeve, but the record itself is pristine.

Full Fathom Five – Smoke Screen EP (12″ Link Records 021, 1989)($2.98) A red vinyl pressing for the “Smoke Screen” single from the Iowa City band Full Fathom Five’s major label debut 4 A.M. on Link Records. I picked up the vinyl version of this at Cheapo’s in Minneapolis back in 2009. This HPB tried to get $9.98 for this back in June of 2009 according to the layered price stickers, and then dropped the price to $4.98 in October of 2010, and then dropped the price again in February of this year to $2.98. A pretty cool piece and a nice companion to my 4 A.M. vinyl. “Smokescreen” is on side 1 and side 2 has two non-album tracks, “What We are Missing” and “Take It To the Station.”

Ryan Adams Emerges from Self-Imposed Exile, Looks Around Suspiciously, Announces Stuff

We’re just past the Ides of March and although he has historically exclaimed “Et Tu, Internets?” this month has brought us a bunch of new Ryan Adams news. The last time we heard from our hero, he had fired up his PaxAm imprint and released two albums that had been hiding in his archives– his Metal Space Opera Orion and Cardinals III/IV which was two albums worth of Easy Tiger-Era recordings with The Cardinals.

To accomplish his desired DIY apprach, he assembled a staff to handle the shipping and orders that were done via the PaxAm website. In the case of Orion things went pretty well, but apparently folks were having issues with delivery of the III/IV album that were placed on the PaxAm site and went to the internet boards to bitch about it. The fact of the matter is that there was an accident involving the guy who was handling the orders and things got delayed and people complained loudly and frequently as is the manner of some.

Fed up, Ryan responded on the boards:

All future Pax-Am releases are cancelled and I don’t have any plans to continue anymore merch. Maybe I will sell the rights to someone else and let them make this stuff. All I know is I am not going to do it. I don’t believe we did a bad job…. The truth is both releases cost a boat load to manufacture and so many good people who I enjoy working with are involved in a hands-on way, all the way down to the manufacturing, that I seriously doubt the vinyl made any money back. It was about the tunes and doing it right and making quality vinyl. We took time to do it right.
Clearly I was 100 percent wrong that this was a good idea and I am really glad I tried but am totally done. Sorry if that sounds passive aggressive or something but I am just being real. I over it and over blogging and I had to borrow this very computer to even write this crap. Blah.

And with that he went into radio silence, but clearly this wasn’t the end of the story as we have now heard about a Record Store Day 4-song, 2 colored vinyl 7″ single EP of Cardinology-era previously-unreleased tracks called Class Mythology that will be a limited edition of 2500 copies with a picture sleeve, poster and sticker and will be on PaxAm Records! It is confirmed from his Facebook page with a mock-up of a single. The distributor for this record is going to be Junketboy who has a history of doing small-run releases like this. So, it would appear that he is delivering on the idea of letting someone else press the records. Hopefully he is getting his say on the quality of the records as his desire to get the mastering right had delayed releases in the past. In the same post where he bows out of pressing records, he also comments on the Lost Highway vinyl and in particular the new 10th Anniversary clear vinyl releases:

I was simply signed to Universal/ Lost Highway as an artist and had no say in the quality of the product. I was appalled they ever released ANY of my albums on vinyl since NONE were mastered for vinyl including the clear GOLD thing. I still have the original ones and they sound like ass. THAT is my personal opinion and I don’t care. Sorry. I like mastered vinyl.

I picked up the 2 LP clear vinyl version of Gold recently, and I don’t think it sounds “like ass” but there are a couple of spots where there are some clicks present, so there is a bit of a QC problem. I was particularly interested in this release as it included the “Side 4” bonus tracks that were only available on the first 150,000 CD pressings of Gold. This release fixes that sin.

So, with this RSD release, there is some hope for the future of other archive releases– in particular, folks are really anxious to get to hear Blackhole, which is another release that apparently did not leak to bootlegging. There is photographic evidence around the time he was working on the III/IV ramp-up that it had been mastered to vinyl, so perhaps we are close to this actually coming out if he’s working with a distributor.

On top of this great news, it was announced in an e-mail from the PaxAm site that Ryan is working with legendary producer Glyn Johns on his first album of new material since 2008. Johns is credited with some of Rock’s great albums including Who’s Next, The Stones Sticky Fingers, and Clapton’s Slowhand.  Clearly keeping the trust in the family,  Johns’ son Ethan produced Heartbreaker, Gold and 24 for Adams.

The question would be how he’s going to release this album– he is not on a label at the moment other than PaxAm– and he used TVT/The Orchard to distribute III/IV to stores and online. So, potentially, the new album could still be on PaxAm. Really, the only issues were the orders placed on the PaxAm website, so that is probably solved by not doing preorders by himself.

While we ponder the always-unpredictable career of Ryan Adams, on Monday he announced a tour of Europe starting in June that will be just him with an acoustic guitar playing new songs he wrote over the winter. “I’d like to play them for whoever wants to hear them,” he posted to Facebook, “Please don’t yell at me,” These are the songs that evidently moved his wife Mandy Moore to tweet, “been listening to my hubby write insanely beautiful music over the past few weeks. blows my mind at how easy he makes it look. the nerve! :)”

This will be the first organized tour since Adams announced in early 2009 that he was leaving the Cardinals following a very extensive tour in support of Cardinology. This announcement was for a few reasons, but likely primarily related to his affliction with Ménière’s disease that caused severe vertigo among other afflictions. He’s clearly easing back into touring since this tour will be solo acoustic. I’m not alone in hoping that he brings this tour to the US.

Here are the European tour dates (from his Facebook post):

Friday, June 10, 2011 Stockholm, Sweden Cirkus
Saturday, June 11, 2011 Oslo, Norway Folketeatret
Monday, June 13, 2011 Malmö, Sweden The Consert House
Tuesday, June 14, 2011 Copenhagen, Denmark Koncerhauset
Thursday, June 16, 2011 Lisbon, Portugal Aula Magna
Friday, June 17, 2011 Porto, Portugal Teatro Sa Da Bandeira
Monday, June 20, 2011 London, UK Barbican
Wednesday, June 22, 2011 Brighton, UK Dome
Thursday, June 23, 2011 Manchester, UK Bridgewater Hall
Saturday, June 25, 2011 Glasgow, UK Academy
Sunday, June 26, 2011 Oxford, UK Oxford New Theatre
Tuesday, June 28, 2011 Amsterdam, Holland Concertgebouw

(Free Download) Pieta Brown Encore Daytrotter Session

Today Daytrotter posted a session I’ve been waiting over a year-and-a-half to hear– Pieta Brown‘s encore session!

The session was recorded Thursday, June 11, 2009 using a short-lived band lineup called “Dream #9” with Jim Viner on drums, Jon Penner on bass and Bo Ramsey on guitar. They performed only two shows in this configuration. June 11th at The Redstone Room in Davenport and then on June 12th at The Mill in Iowa City, which I reviewed.

Here is a picture of that band lineup from The Mill Show:

Pieta Brown and Dream #9 at The Mill

Pieta’s first Daytrotter session was recorded in March of 2008. Between these two sessions recorded less than a year apart, Pieta would go from being on a semi-major label to being “in limbo” with no label. A situation which was remedied by September 2009. Nevertheless, Pieta had self-released an EP titled Flight Time in October 2008 and both sessions include songs from Flight Time as well as her Shimmer EP— produced by Don Was and her debut release on Red House Records.

The session is a nice cross-section of Pieta’s career:

1. “#807” is from her 2005 release In The Cool, which was released on Valley Entertainment and apparently is still in print!

2. “Going Away Blues” is a Frank Stokes cover that Pieta also recorded for her self-released 2003 EP I Never Told which is impossibly out-of-print. I managed to get one of these when Pieta discovered a box last year.

3. “4th of July” also on In The Cool.

4. “Sunrise Highway #44” is from her self-released EP Flight Time which is still available on CDBaby.

5. “You’re My Lover Now” is from her debut Shimmer EP on Red House Records. This version differs from the EP version by having some nice subtle brushwork from Jim Viner.

Pieta Brown Daytrotter Encore Session: The Faint Light of All Lungs and Hearts

Pieta  Brown has tour dates coming up (from her website) with a show at the Mill Restaurant on April 9th:

Date Time Location
Sat Mar 19 Bluegrass & Roots Festival, River Falls, WI more info
Sat Apr 09 The Mill, Iowa City, IA more info
Sat Apr 16 Stoughton Opera House, Stoughton, Wisconsin more info
Thu May 26 SPACE, Evanston, IL more info
Sat May 28 Crossings At Carnegie, Zumbrota, MN more info
Fri Jun 03 Mountain Jam Music Festival, Hunter, NY more info
Sat Jun 04 Iron Horse Music Hall, Northampton, MA more info
Sun Jun 05 Club Passim, Cambridge, MA more info
Sat Aug 06 Edmonton Folk Festival, Edmonton, Alberta, CANADA more info
Sun Aug 07 Edmonton Folk Festival, Edmonton, Alberta, CANADA more info

 

(Show Preview) SCOPE Presents The Roots at IMU Main Lounge – 3/9

2010 was–by anyone’s estimation–a triumphant year for Philadelphia-native soul/hip-hop band The Roots.

It was their second year as the house band for Late Night With Jimmy Fallon, each night providing interstitial music as well as stepping in as the band for guests as varied as Bruce Springsteen, Paul Simon, Todd Rundgren, Mos Def and Justin Timberlake (with Fallon doing an amazing “History of Hip Hop”).

In June, The Roots released their ninth album How I Got Over. It earned an 8.1 on Pitchfork, “…one of their most lyrically straightforward, and a work of strong stylistic cohesion.” As a casual follower of The Roots dating back to Illadelph Halflife (1996), I agree with Pitchfork on this point. Every Roots album to date has had standout tracks, but How I Got Over is for me their most satisfying effort beginning-to-end. Possibly this has to do with the fact that the album draws its inspiration as a collective sigh of relief with the election of President Obama. How I Got Over is itself a “reaching across the aisle,” if you will, featuring collaborations with indie darlings Monsters of Folk on “Dear God 2.0″ (a re-engineering of the MoF single), harp-wrangler and Van Dyke Parks BFF Joanna Newsom on “Right On,” and members of The Dirty Projectors on the opening acapella track “A Piece of Light.”

Read the rest of the article at The Little Village Website

(Upcoming Show) Charlie Mars with Griffin House at The Mill 3/5/11

This Saturday, March 5th brings to the Mill Restaurant in Iowa City former V2 Records singer-songwriter Charlie Mars. Charlie is wrapping up a run of dates that started at the beginning of February of East Coast and Midwest dates in support of his latest album Like A Bird, Like A Plane which came out in 2009. The bio on Mars’s site says that Like A Bird, Like A Plane is almost a “new debut.” While this album is his 5th release dating back to his 1996 album Broken Arrow.

The path to his major label release in 2004 on V2 Records (now folded– once home to The White Stripes and Moby) was an uneven one. The 150-dates-per-year touring over three years took a toll on him resulting in needing to enter rehab for substance abuse. Following that he split for Sweden choosing to recluse himself in obscurity. But, it was this move that allowed him to watershed the material that would become his self-titield major label debut in 2004. The major label backing gave his career the necessary re-launching. “I had no manager, no band, I hadn’t toured for about two years – I thought my career was done,” he says.

V2 gave him the radio exposure,  backing and critical praise. That ride ended in 2006 when V2 shuttered forcing Mars to reassess his career and start the daunting prospect of a follow up to what was his most successful release. He headed to Austin to assemble a band to record Like A Bird, Like A Plane.

The release has been out for over a year at this point and Mars spent most of 2010 touring in support of it. As I listen to the release, it strikes me as a solidly written and composed album. The album has a stripped down, acoustic approach with an almost Dub-like dissasembled percussion. The album is scattered with studio chatter and starts and stops that give the album a feel of immediacy and live performance. This is substantiated by the fact that Mars says that they tended to use the first takes and left in the “happy accidents” generated as they worked through the recordings.

The standout track for me is the slightly tongue-in-cheek “Listen to the Darkside” with its double entendre use of “darkside” to mean both the classic Pink Floyd record and possibly the advice of the narrator in the middle of a relationship. The song was featured in an episode of the made-for-Showtime series “Weeds” and benefits from a music video that features”Weeds” star Mary Louise Parker.

Charlie Mars will be performing at The Mill Restaurant in Iowa City on Saturday, March 5th at 9PM tickets are $12 in advance and $15 at the door. Charlie House opens.

You can order tickets from MidwesTIX.

Click Here to listen to “Listen to the Darkside” from Like A Bird, Like A Plane

Here is the video to “Listen to the Darkside”