Majors Celebrate the 60th Anniversary of the 45 Single With “Digital 45” Campaign

In what seems to be a gobsmackingly obvious move, the major labels in conjunction with digital music retailers like Zune Store, Amazon, Rhapsody and iTunes have announced “Digital 45s” on the 60th anniversary of the 7″ 45 record.

The big announcements are really in conjunction with Apple’s iTunes Store that they are calling “D45” and use that nifty logo pictured on the left. Digging through the press-releases shows that Warner Music Group is represented by Rhino which should represent the full compliment of WMG labels which includes Atlantic/Atco, Elektra/Asylum, Warner Brothers, Reprise and Sire– so this should bring a very wide and deep catalog and the first releases are already showing some promise.

EMI stepped up with a press-release as well although they don’t have a site dedicated to their Digital 45 initiative. EMI stable of labels include EMI, Apple, Capitol, Virgin, Blue Note, Manhattan– and interestingly, Caroline, Mute, Definitive Jux, and Astralwerks making for some potentially interesting releases.

The Concord Music group has titles released as well, but no press release. According to the Wikipedia article on  Concord, UMG handles the physical distribution of Concord, but I don’t think that would apply here. Concord includes Fantasy’s labels– Fantasy, Stax/Volt and a number of jazz labels (Riverside, Prestige). There is a Sam & Dave Digital 45 of “Soul Man,” I hope this means we see some interesting Creedence Clearwater Revival releases– they were on Fantasy. There has been a long-standing Stax/Volt Singles box set with b-sides, but these Digital 45s would allow someone to pick and choose if they released the whole Stax catalog.

SonyBMG have brought some Digital 45’s as well, but I couldn’t find a press release on it. SonyBMG is a significant collection of labels as well with Sony, Epic, Columbia, RCA, Arista and all of their associated spinoff labels. One of the first Digital 45’s is a Michael Jackson single for “Billie Jean” b/w “Can’t Get Out of the Rain.”

A quick review of the online retailers shows a pretty impressive participation– iTunes,, Zune Music Marketplace, Rhapsody mp3 store, but eMusic seems to be the lone holdout– or shut out. Sony just signed an agreement with eMusic to be able to sell older titles, but apparently this doesn’t extend to Digital 45s, yet.

Comparing the offerings between the retailers shows that mostly everyone is adopting the $1.49 for 2 tracks, with the individual tracks at standard pricing of $0.99. Zune Marketplace has the 2 tracks at $1.69, with individual tracks at $0.99. The Sony titles seem to be priced differently– “Billie Jean” 2-track is $1.99 with “Billie Jean” at $1.29 and the b-side at $0.99. Right now it looks like iTunes is the only retailer who has the SonyBMG titles. I’m not sure what the future holds about this situation, since all of the retailers have other SonyBMG titles.

All of that detail aside, there are some pretty cool titles available already and based on an interview with Rhino Marketing Veep David Dorn by Billboard, they will be releasing “bundles” of Digital 45’s monthly, so there will be many more to come!

Some releases of interest to me:

Prince and the Revolution- “Kiss” b/w “Love or Money” (Warner Brothers) This is a single I own in 7″. Interestingly this was a B-Side left off of the 1993 3 CD compilation The Hits/The B-Sides, so its existence here is welcomed.

INXS – “What You Need” b/w “Sweet As Sin” (ATCO) During their heyday, INXS used their b-sides to provide songs that were a bit more experimental. “Sweet As Sin” is a two-steppish country tune. Not a bad track, but certainly didn’t fit on Listen Like Thieves. One of my favorite b-sides from INXS from this period is the jazzy instrumental “Begotten” and the really out-there “I’m Coming (Home)” from the “I Need You Tonight” single.

Erasure – “A Little Respect” b/w “Like Zsa Zsa Zsa Gabor” (Warner Brothers) Another great bubbly dance track from Erasure. Could have easily been on  The Innocents, really.

The Cure – “Just Like Heaven” b/w “Breathe” (Elektra) The Cure is a veritable treasure trove of b-sides. This is most evidenced by the amazing 2004 Rhino/Fiction box set Join the Dots : B-sides and Rarities, 1978-2001. I had this on cassette single. According to one of the reviewers on iTunes, the “Just Like Heaven” mix is the mix by Bob Clearmountain used in the video.

Steve Martin and the Toot Uncommons – “King Tut” b/w “Hoedown At Alice’s” (Warner Brothers) I have this 7″– in fact you can see it in the header picture on this blog. With Martin’s new 5-string banjo album The Crow out, it makes sense for this b-side to show up as it is a banjo workout by Martin.

The Cars – “Let’s Go” b/w “That’s It” (Elektra) The lead single from Candy-O in 1979 had the non-LP track “That’s It” with Benjamin Orr on lead. This track was included in the 1995 Just What I Needed : Cars Anthology.

What I would like to see for singles (which is really about the b-sides)

INXS – “Listen Like Thieves” b/w “Begotten” (Elektra) I mentioned this one above.

Terence Trent D’Arby – “Sign Your Name” b/w “Greasy Chicken (Sony) My brother Steve was a big fan of TTD when Introducing the Hardline came out. He had the cassette single to “Sign Your Name” with the really funky workout “Greasy Chicken” as the b-side.

Bruce Springsteen – “One Step Up” b/w “Roulette” (Columbia) The Boss is pretty famous for having some really great songs “in the can” that eventually showed up as b-sides to singles or elsewhere. “Roulette” is a great example of this. Recorded in the Spring of 1980, it is a galloping song about nuclear holocost that just never made it to an album. This song eventually showed up on the very cool Tracks boxset. In fact, you can download it now from and other places.

Men At Work – “Who Can It Be Now” b/w “Anyone For Tennis” (Columbia) Another favorite around the house. My brother had this 7″ and played the b-side all the time. For some reason Sony Legacy omitted this song from the bonus b-sides appended to their 2003 remaster. “Anyone For Tennis” is a quick-tempo slightly ska-ish track demonstrates how much Men at Work owed the Police.

The Rolling Stones – “It’s Only Rock ‘N Roll (But I Like It)” b/w “Through The Lonely Nights” (Rolling Stones Records) When you’re a kid and your mom picks up records for you– you play the crap out of them. In my mind the flip side of the rocker “It’s Only Rock N’ Roll” is as notable as the A side. “Through The Lonely Nights” is a slinky, almost funky country rocker. Mick does his best American drawl. An absolutely gorgeous classic and largely ignored. This song was resurrected in a 2005 remaster done for a Starbucks compilation that is now out-of-print called Rarities 1971-2003. Really, I think that a box set of singles similar to the Singles Collection : London Years should be done for the post 1971 period.

Prince – All of the Warner singles! While it’s true that the 3 CD version of The Hits/The B-Sides is relatively available, they don’t seem to be available for digital download! So, this would be an inventive way to remedy this! Plus, there are still songs that didn’t make that 3rd disc– “Alexa de Paris” for one. In fact, maybe it’s time to reissue the Prince protegee bands’ singles as well!

Click Here for Rhino Records’ Digital 45 Page

Click Here for the press release from EMI which lists the initial singles they will be releasing.

The Curious Case of the 1993 Cure Live Releases

The Cure ShowI don’t know if the Cure does this on purpose, but it can be very difficult to be a Cure collector. It seems that they give their fans lots of releases to collect, but the overlap that sometimes occurs is grating.

I was reading my regular diet of music blogs this morning where I found this post from Don at Timedoor about a recent used CD find of the OOP Cure live album of their July 1989 show at Wembley titled Entreat. Entreat was another odd Cure release in that it was a collection and expansion of some live b-sides that they released on the Disintegration single “Pictures of You.” I vaguely remembered this release as it kind of annoyed me at the time since I was a collector of Cure releases and this forced me to purchase a release just to get four more songs. (I picked up all four of the singles “Fascination Street,” “Pictures of You,” “Lovesong,” and “Lullabye” in a box set with a poster called Integration.) Don includes three tracks as mp3’s. There seems to be used copies of this release available.

This reminded me of the fact that the Cure pulled something similar to this in 1993 around their “Show” concert film. This film and the corresponding album was based on the Cure’s two-day stop at The Palace in Auburn, MI during the behemoth Wish Tour on July 18th and 19th. I saw the Cure at the World Music Theater in Tinley Park that same tour on July 15, 1992. I still have vague recollections of sitting on the grassy hill watching the band on the big Jumbotrons with my friend Jenny.

The US release of Show on CD was a 1-CD affair, while the UK release was 2-CD. To make up for this the liner notes of Show helpfully point out that you could purchase the Sideshow maxi-single to pick up the missing five tracks. So, to recreate the entire Show 2 CD version it would look like this with the source in parenthesis:

Disc: 1
1. Tape (Sideshow)
2. Open (Show)
3. High (Show)
4. Pictures Of You (Show)
5. Lullaby (Show)
6. Just Like Heaven (Sideshow)
7. Fascination Street (Sideshow)
8. A Night Like This (Show)
9. Trust (Show)

Disc: 2
1. Doing The Unstuck (Show)
2. The Walk (Sideshow)
3. Lets Go To Bed (Sideshow)
4. Friday I’m In Love (Show)
5. Inbetween Days (Show)
6. From The Edge Of The Deep Green Sea (Show)
7. Never Enough (Show)
8. Cut (Show)
9. End (Show)

So, with the help of Amazon, you can recreate this show for $6.99 for Sideshow used, and $11.99 for Show new. Note: For some reason sellers think that Sideshow is worth over $50 new! The problem with assembling this for yourself would be splicing those tracks back in. I don’t own Sideshow, so I don’t know how those edits work. The recording is made up of songs from both nights, so if all of the excerpted songs were from where edits had to happen it might work. Of course, Amazon has copies of the 2-CD import available as well for less than the cost to build it if you don’t already have Show or Sideshow.

Which brings us to the third live release from the Cure based on the Wish tour (well, fifth if you include the film for Show and the import 2-CD version) titled simply Paris. As the title implies this is a live record based on their three-night stint at Le Zenith in Paris in October, 1992. Looking at the setlists for October 19, 20, and 21 it appears that the songs are from all three nights. I remember picking this release up at a truckstop sometime after I moved to Minnesota in 1995 in a bin full of “discount” CD’s. In fact, my copy of Show seems to be a cutout as well, so I think I bought it about the same time thinking this was part of the same show. According to the official Cure discography the video for Show and Paris were released on the same day (10/26/93), and– in the US– the CD catalog numbers are sequential [Show is Elektra 61551, Paris is Elektra 61552]. The CD for Show was released before the video on the previous Tuesday 10/19/93. The packaging for Paris is a lot simpler than Show as it is only a once-folded insert and no clear disc tray. It’s pretty clear that they considered this an extra release. Apparently 50% of the royalties payable to the Cure went to the Red Cross.

The tracklist for Paris (with which dates the song was performed):

1. The Figurehead (10/20/92)
2. One Hundred Years (10/19/92, 10/21/92)
3. At Night (10/19/92)
4. Play For Today (10/19/92)
5. Apart (10/21/92)
6. In Your House (10/20/92)
7. Lovesong (10/20/92)
8. Catch (10/19/92, 10/21/92)
9. A Letter to Elise (10/21/92)
10. Dressing Up (10/19/92)
11. Charlotte Sometimes (10/20/92)
12. Close to Me (10/20/92, 10/21,92)

Paris is a pretty interesting release from the perspective that it doesn’t duplicate any of the songs from the Show/Sideshow releases. The French crowd seems very excited to be at the show– at one point even singing along with the main synthesizer part in “One Hundred Days!” I guess this is why the Cure filmed the “In Orange” concert film in France. The song selection is interesting in that while Show focuses on Wish and more popular Cure songs, Paris includes some rarer songs like “Dressing Up” from 1984’s The Top and “In Your House” from their 1980 release Seventeen Seconds.

All of the live releases from 1993 capture the Cure at the top of their game and a product of the Cure as a touring machines. The live albums stand up well against the rest of the Cure catalog. As I was writing this piece, I was listening to Wish and Paris and I really enjoyed them. It’s probably time for me to revisit the Cure catalog in my daily commute.

In retrospect, as a fan of the Cure, it was astounding to watch the meteoric ascent of the Cure from Kiss Me, Kiss Me, Kiss Me (“Just Like Heaven”) to Disintegration (“Lovesong,” “Lullabye”) to Wish (“Friday I’m In Love”). In 1993 the band in some form or another had been around for over twelve years. In 2009– provided Robert Smith doesn’t retire again– the Cure has been around for 30 years. This puts the Cure as contemporaries of U2, who formed in 1978, and R.E.M. who formed in 1980.