Adam Franklin – Bolts of Melody (review)

Bolts of Melody Adam Franklin is the former frontman for shoegazer/psychedelic group Swervedriver that existed from 1991-1999. Swervedriver recorded five albums before breaking up. Their first album Raise was on Creation Records in the UK which was also the home of My Bloody Valentine. Their first single “Son of Mustang Ford” which was a tribute of sorts to T-Rex gained them enough recognition that they were signed to A&M in the US. I saw the video for “Son” on MTV’s 120 Minutes and was moved to buy that album and the companion EP Reel to Real.

The story goes that Creation Records nearly went broke due to the obsessively-recorded Loveless by My Bloody Valentine so the record label was not able to spend any money promoting Swervedriver or their following albums Mezcal Head and Ejector Seat Reservation. Swervedriver was subsequently dropped from A&M after Raise and fell off the U.S. radar until they were picked up by Zero Hour in 1998 and they released their last album 99th Dream.

Since Swervedriver’s breakup in 1999, frontman Adam Franklin has been busying himself recording six releases under the name Toshack Highway.

Adam’s seventh release– and first under his name– is Bolts of Melody and will come out on June 26th on Hi-Speed Soul.

I feel the album picks up nicely where Swervedriver left off. It incorporates the many-layered chorus of guitars swirling around the melodies sustained by Adam’s distinct laid-back vocal styles. There is a more 60’s guitar pop feel with Adam wearing influences from garage bands and psychedelia groups. I’ve been listening to this regularly since I received the promo and it has been a good soundtrack for the Spring that I’m sure will continue through the Summer weeks.

Bolts includes some previously-released tracks from Toshack Highway including the two versions of “Birdsong” and “Theme from LSD” from the Birdsong EP and “Syd’s Eyes” from the single of the same name. I think that the Birdsong tracks fit on the album pretty well, but “Syd’s Eyes” seems to stick out a bit more than I like from a production and song style.

Adam will be touring in support of Bolts of Melody with a barrage of West Coast dates through the middle of July. I hope he’ll extend this run though the Midwest! I think a stop at the Picador may be in order. He is also working on a collaboration with Sam Fogarino from Interpol they are calling The Setting Suns. The Setting Suns album is planned for release this Fall.

Be sure to visit Swervedriver.com as they have a bunch of rare mp3’s from Swervedriver and Toshack Highway worth downloading.

Listen to “Sieze the Day” from Bolts of Melody.

Purchase Bolts of Melody from Amazon.

Adam Franklin Live Dates

07/02 New York, NY Mercury Lounge (Album release show)
07/13 Seattle, WA KEXP (In-studio)
07/14 Seattle, WA The Crocodile Cafe
07/14 Seattle, WA Sonic Boom Records (In-store)
07/15 Portland, OR The Doug Fir
07/15 Portland, OR Jackpot Records (In-store)
07/16 San Francisco, CA Cafe du Nord
07/17 Los Angeles, CA The Echo
07/18 San Diego, CA The Casbah
07/18 M-Theory Music (In-store)

Free Buck 65 EP

Following a Hype Machine Link of blogs referring to the band Tortoise from Largeheartedboy I found a post from a music blog called Nialler9 about the free Buck 65 EP that he has at his website. (How is that for citing my sources??). The EP was posted to his site October of last year and is called Dirty Work.

I heard about Buck 65 in 2005 due to the fact that members of Tortoise played on his brilliant Secret House Against the World album. Unfortunately, this album was never released in the US, so I had to get it through Amazon.

I guess technically Buck 65 is a hip hop MC of sorts, but he really sounds more like a bluesy folk guy reminding me a lot of 16 Horsepower with the banjos and acoustic guitars. At times he reminds me of Johnny Cash.

Buck 65 will have a new album out in September called Situation.

Listen to “Indestructable Sam” from Dirty Work.

TV On The Radio iTunes Exclusive Live EP

TV on the Radio iTunes EPTV on the Radio has released an exclusive Live EP with iTunes. This five-track release has versions of three songs from Return to Cookie Mountain— “Playhouses,” “Province,” and “Tonight” and “Satellite” from an earlier EP, and a new track “Dry Drunk Emperor.”  I guess that they are done plugging my wife’s favorite song “Wolf Like Me.”

In my opinion a nice underproduced set of songs from one of the more interesting groups out of the indie scene.

 

 

 

TV On the Radio - Live Session (iTunes Exclusive) - EP Click Here to purchase the Live EP.

Recording Sound Levels Typically Artificially Enhanced for Loudness

From Slashdot— an article from the UK Times Online about how recordings are typically compressed with Peak Limiting in the interest of making the songs have more impact in comparison to other “competing” songs.

I had heard about this before, but it wasn’t until I was listening to Rob Galgano’s radio show All Over The Place that I had paid attention to it. He was playing a track off of Pleased to Meet Me by the Replacements– their 1987 album. He said that he needed to adjust the signal level of the broadcast because it was so much quieter than the other songs he was playing off of newer releases.

They state in the article that Peak Limiting was used in the past to prevent needle jump on vinyl records due to loud sound. Does this mean that the LP releases might not have this effect? I know that when I was talking to Tim Green from the Fucking Champs at the Picador show, he said that the mastering on the vinyl version of their new album was better than the CD version.

B-Sides in the Bins #12 – Cedar Rapids 5/24/07

I had a couple of trips to Half Price Books in Cedar Rapids that yielded a couple of interesting things.

Laughing Stock – Talk Talk (CD Polydor 847 717-2, 1991)($3.00) This is a CD that has been on my “if I ever see one” list. Laughing Stock was the last formal release from Talk Talk and commercially their biggest flop. Talk Talk started their career in the synth-pop arena with bands like Duran Duran, Depeche Mode, Communards, and Japan. The soulful vocals of Mark Hollis catapulted singles like “It’s My Life” (later covered by No Doubt) and “Talk Talk” into the top of the world’s singles charts. Following the success of their 1986 album Colour of Spring Hollis changed the direction and sound of the band into a more Jazzy, improvized sound that sparked the end of the band. Laughing Stock and its predecessor Spirit of Eden are in retrospect considered “Post Rock” and the earliest examples of this sound. After the split-up of Talk Talk Hollis would record a solo album that is a continuation of the sound established by the last two records. I really enjoy this album and am happy to have it in my collection. I’m not sure that I think this album fits in the “post rock” genre, but it has the same melancholy acoustic feel as David Sylvian‘s Secrets of the Beehive which is my favorite of his catalog.

Can’t Stop Won’t Stop – A History of the Hip-Hop Generation – Jeff Chang (Hardback Book St. Martin’s Press ISBN 0-312-30143-X, 2005)($7.98)(MSRP $27.95) This is a heck of a deal! I love finding stuff like this at HalfPrice. This is probably the best book on the history of Hip-Hop. I’ve just started reading this, but already it has been an eye-opener. I can see that this will be a reference for me later. If you get a chance to pick one of these up at HalfPrice I recommend it.

New Arcade Fire 7″ to Include Calexico Cover of “Ocean of Noise”

From the Casadecalexico newsgroup on Yahoo, the new single from Arcade Fire’s Neon Bible “Intervention” includes a studio version of Calexico covering Arcade Fire’s “Ocean of Noise” that I posted about earlier. I’ve been collecting the City Slang import singles from Calexico and this is one of those, but apparently Merge will have a US release of this single as well which is slated to be released July 10th.

Click here to hear a sample of the studio version (from boomcat).

Click here to hear the live version.

The Pines Release Sparrows in the Bell and Tour

Photo of the Pines by Jim Herrington

Last weekend my wife Sherry and I were in the Twin Cities for a wedding. On Sunday we visited the Sculpture Garden and hit The Wedge in Uptown, which is our favorite grocery store in the Cities and is only a couple of blocks from my wife’s sister. My wife and I have some food allergies and sensitivities so we buy foods that aren’t always readily available in regular stores.

So, we racked up a pretty sizable bill for what should have been a quick run. The checkout person suggested that we join the Co-Op by buying a share as we would get a discount on this purchase as well as future ones. We are going to be back up here at least two more times this summer and thought it might be nice to not need to pack a bag with just food. So, we joined. While we were talking to a guy in customer service it came up that we were from Cedar Rapids/Iowa City. He said that he was from Iowa City, too! It turned out that our customer service guy was Benson Ramsey from the Pines! He remembered me from the Bo Ramsey show in Dubuque where I gave him a copy of the KUNI radio show from last year. Benson said that Dave Huckfelt also works at the Wedge

We talked for a bit and he said that the new Pines release Sparrows in the Bell on Red House Records— home of other Iowa folksters Greg Brown and Dave Moore– would be June 12th. There are three record release performances: a “Live from Studio One” on KUNI on June 4th, Thursday, June 7th at the Cedar Cultural Center in Minneapolis (where I’m seeing Tortoise at the end of June), and Friday, June 8th at the Mill in Iowa City. They will be playing the Busted Lift in Dubuque on the 9th as well. We said that we’d try to make the Mill show, which is a great place to see a low-key performance like the Pines. Benson said that they’d have a full band for those shows.

Listen to “Don’t Let Me Go” from Sparrows in the Bell performed on KUNI last year.

Listen to “Bound to Fall” from the Pines debut CD.

The Pines Tour Dates

Free Live EP From The Black Keys

The utterly Lo-Fi-tacular Black Keys have made available for download a four-track EP of live tracks from their Fall 2006 tour on their MySpace Page. The tracks are “No Trust” (from Magic Potion), “Girl Is On My Mind” (from Rubber Factory), “10am Automatic” (from Rubber Factory), and “Elevator” (from Thickfreakness). Very very nice. Go get it! Go to the MySpace page and choose “download” under each of the songs. You get messed up filenames but the ID3 tags are good.

The Sea and Cake Release new iTunes-only EP Anybody

Anybody EPOne of my favorite releases from this Spring has been Everybody by the Sea and Cake. I listen to it at least once a week on the iPod. Thrill Jockey announced yesterday in their e-mail newsletter that there is an iTunes only three-track EP titled Anybody with songs that were recorded during the sessions for Everybody.

The cover art for Anybody was done by guitarist Archer Prewitt. Thrill Jockey will have a nifty record bag with this cover art on it.

The songs are “All In Throws,” “Breathless,” and the instrumental “Mis.”

 The Sea and Cake - Anybody - EP Click here to purchase the Anybody EP for US$2.97.