Bo Ramsey and Stranger Blues Live in Dubuque 10/14/06

“I can’t believe that you came all this way to hang out here and hear the band play– you’re likeable.”
“Likeable” by Bo Ramsey

I managed to see one of the rare shows Bo Ramsey performed to promote his new album Stranger Blues. The last night of the mini-tour was in Dubuque, IA which is where my brother and sister-in-law live, so I called them up. Back in the late Eighties and early Nineties we used to go see Bo pretty much wherever he was playing, so it would be like old times. The venue was an art space/gallery that opened in the Warehouse district of Dubuque called “Voices Warehouse Gallery” which is in the Wilmac Warehouse, which will eventually have office space and condos.

Joining Bo on this run was a group assembled appropriately under the name “Stranger Blues.” This group represents two generations of Iowa-bred musicians. On drums was longtime sidemen Steve Hayes and on bass was Rico Cicalo both of whom worked on Stranger Blues. On B3 was Nate “Count” Basinger from the Iowa City R&B band The Diplomats of Solid Sound. Joining Bo on stage as rhythm guitarist was Bo’s son Benson Ramsey who is in the Minneapolis band The Pines.

The Voices Warehouse has only been open since September and it’s already had a couple of notable shows: the Bo Ramsey show and Andrew Bird played there the previous weekend. It’s a big open space with paintings and photos on the walls split up by artist and some sculptures on the floor. There’s a stage on one wall with old-time movie theater seats apparently bolted to the floor in rows as well as randomly spaced groupings of chairs and sofas. There is a bar of sorts off to one side made of polished limestone that was manned by members of the Dubuque Rotary who were serving three kinds of Menage a Trois wine and import beers like Corona, Heineken, and Amstel Light. Sadly the Rotarians forgot to get limes for the Corona and had to run out and get some. My brother called a friend of his who was joining us there and asked him to stop to get limes on the way there. When he showed up, the table we were standing at got pretty popular!

Running sound that night was Dubuque mainstay George Rondinelli. George has been running a music store in Dubuque for a very long time. George rents out sound equipment, but also shows up to run sound in a pinch. I bought my first bass amplifier from George, and spent lots of time in his store back in high school and college. George has the reputation of being of the genuine “good guys” when it comes to the music scene in Eastern Iowa. On more than one occasion, George lent out gear for acts that played the area and some piece of gear blew up. He managed to have the room sound great– which is quite a feat considering the building is a warehouse. I didn’t even need to put my earplugs in.
Bo Ramsey and Benson Ramsey Live in Dubuque 10/14/2006
Bo played two sets and an encore. Most of the music as you might expect was from Stranger Blues. I had heard reports from friends who attended the Waterloo and Iowa City shows that the first set was mostly drawn from the new album and a lot of it was, but pretty early in the first set he played “In The Weeds” and “Sidetrack Lounge” from 1997’s In The Weeds. Unfortunately, I was having too good of a time to keep notes on the sets, so I’m going to have to rely on foggy memory. I really think I prefer seeing Bo in a bar setting. Due to the size of the place, you had people sitting in the theater chairs and people stacked over by the bar. The bar folks were not really paying attention, and the people sitting seemed to be having a good time, however I remember the packed shows at the Silver Dollar in Dubuque and the Corner Tap in Cascade and Bo had the whole place rocking. My sister-in-law got her wish when Bo played “Get Away”– she sang along with the words. It was pretty clear that Bo and his band had their chops worked out. All of the years of touring Bo did with Steve and Rico helped propel this band to a well-oiled machine, too. Towards the end of the first set a collection of brave dancers formed at the right of the stage. The first set seemed to end too soon. Bo announced they’d take a short break.

I spent a good part of the break and part of the second set hanging out Jim Viner from the Diplomats who was along apparently to help Nate carry his B3 Organ. Jim’s a pretty cool guy. He filled me in on what was coming up for his band. They are going to play a number of regional dates and then are going to head to Italy for some shows.

I brought a copy of the CD I made of the Pines radio show from KUNI’s Live From Studio One in February with me. I was supposed to send a copy to David Huckfelt a while ago, so I decided to bring it. I ran into Benson at the bar in line and introduced myself and handed him the CD. We talked for a bit. I asked him about the solo record that he was working on. He said that the solo record project is parked for now and they are working on a new Pines record that will be released on Red House Records! Red House is the folkie label out of Minneapolis that Greg Brown has been on for years. That’s pretty good news! So, we’ll need to keep an eye on that. I also took the opportunity to mention that it’s really great that Bo is playing solo again and that it would be great if there would be more shows. Benson said that Bo is considering it.

The second set was, in my opinion, a more energetic set than the first. The “dance floor” to the right of the stage filled up and people started dancing in front of the stage as well! We were treated to more nuggets in the second set including “Rockinitis” from the Sliders album of the same name– which excited quite a few “Boficianados.” I don’t even remember the last time I heard that song live. He also did “Long Long Time” with its classic opening line, “A bug-covered windshield and a three-day beard/runnin’ down the road away from somethin’ I feared.” It was at this point when I joined in the dancing. I read in an interview online that Bo was wondering whether after all this time as a sideman that he’d be able to do some of the older songs. From my perspective he was playing as well if not better than any other time I’d seen him. Did I want him to play longer? Yes. The show was over after 11PM, which I feel was a bit early. But considering that this is the first time he’s played his songs in a while, I suppose that was as many songs as they could get rehearsed. It still was a great show, and I’m looking foward to any future shows he may do.

Bo is back on the road in support of Greg Brown. Of note is the fact that these upcoming shows are listed on boramsey.com as “Opening For and Appearing With,” so it looks like this run which starts 10/19 in Eugene, Oregon and continuing through a two night stop in Denver on 12/15 and 12/16. Based on previous shows I’ve seen with Pieta and Greg, it will likely be just Bo and Greg, so I’d say it will be Bo solo, which would be interesting. I’m hoping for some bootlegs to show up.

Calexico and Oakley Hall Live in Iowa City 9/29/06

On Friday night my wife, Sherry, and I and our friends Andrew and Jennifer went to Iowa City to see Calexico and Oakley Hall at the Englert Theatre in Iowa City. This is the second time Andrew and I have seen Calexico this year. We saw Calexico in Philadelphia at the Trocadero Theatre on June 25th with Jason Collett.

This was the first time I’d been to the Englert since the late Eighties. The last time I was there I saw Michael Moore’s cinematic debut “Roger and Me.” Back in those days, they used to do Midnight showings of “The Rocky Horror Picture Show” as I recall. The Englert served as a movie theater for most of its 94 years. It closed in 1999 and was held in trust by the City of Iowa City until funds had been raised to restore the landmark. In 2004 it reopened. I don’t remember what it used to look like before the restoration, but they’ve done a good job of restoring it and making as nice a venue as we have around here. I think that we are pretty fortunate to have places like the Englert and the Paramount in Cedar Rapids. I understand that the Globe Theater in Cedar Rapids will be restored as well. These venues help draw acts that aren’t big enough to fill Carver-Hawkeye or the US Cellular Center, but are too big to play bars.

After parking at the Old Capital ramp and dinner at the Atlas World Grill, we walked over to the Englert arriving after the doors open at 7PM. I visited the table in the lobby where they were selling CDs, teeshirts and other things. I was happy to see that they had two of the tour-only CD releases I was missing. When Andrew and I saw Calexico in Philly, I picked up the tour exclusive CD The Book and the Canal that has been available since the tour they did with The Iron and Wine. This time they had that as well as Travelall, a collection of instrumental music, and 98-99 Road Map, which has some tracks used on an audio book plus a couple of extras. I got these for $15, so I saved a buck in shipping. All I need are the 2001 tour CD Aerocalexico and the 2002 tour CD Scraping. They also had the same three shirts as Philly, which are the green shirt with the red star and the bull, a tan shirt with an iguana on it, and a blue one.

After the purchases, we made our way to our excellent seats. Calexico uses Ducat King to pre-sell tickets to fans before they are generally available through the regular ticket outlets. From what I can tell, we got the first four tickets sold. So, we had the first four seats from the center aisle on the right. BTW: What a bargain these tickets were! We paid $16 apiece for them.

Oakley Hall opened very punctually at 8 PM. Interestingly, the house lights didn’t come down until the band hit the stage. I hadn’t heard of Oakley Hall until I saw that they were the opening act for Calexico. After I got the tickets, Daytrotter helpfully had a session with them, so I had a chance to hear them. They fall into the Americana genre as they pull some of their sound from country music, but they also have a distinct rock sound with influences from the Seventies. With their female singers and the electric fiddle, they remind me of early Jefferson Starship pre-Red Octopus, or any of the Bay Area related bands from that period like Hot Tuna. Rachel Cox has a very good voice, and she certainly becomes the center of attention when she sings, plays her yellow Tele, or just hippie dances. The other lead vocalist is Patrick Sullivan. When Rachel and Patrick harmonize it reminds me of the harmonies of Exene Cervenka and John Doe from the great L.A. band X.

While I think that Oakley Hall put on a good performance, I agree with my wife that they seem like a band better suited for a bar setting. I felt at times like they were a bit uncomfortable playing to a mostly seated audience. What little familiarity I had with their catalog came from the Daytrotter sessions and they played two of them that I recognized, “All the Way Down” and the very catchy “Lazy Susan.” I woke up this morning with “Lazy Susan” stuck in my head! On a couple of songs Paul Niehaus from Calexico played pedal steel, and on one song, the two trumpet players from Calexico– Martin Wenk and Jacob Valenzuela helped out.
Oakley Hall Live in Iowa City 9/29/06

After Oakley Hall was finished, they immediately started tearing their gear down to get ready for Calexico. The guys from Calexico helped out and they soon started setting their own equipment up. A couple of people from the audience went up to talk to Joey and Paul as they got their gear together.

The first song from Calexico was “Convict Pool” with only Joey and John. Then were joined on stage by the rest of the band for a song from Garden Ruin that I don’t recall. That was followed by “Across the Wire” and “Jesus and Tequila.”
It was pretty clear right from the start that Calexico was in good form and spirits. Joey’s between song banter was frequent and funny. The set had most of the regular songs from Garden Ruin including “Letter to Bowie Knife,” a rocking version of “Deep Down,” and an amazing “All Systems Red” which is quickly becoming one of my favorite songs to hear live. It is a soaring anthem of the doubt surrounding the loss of the presidential election that reminds me of the live passion that U2 used to have with “Bullet the Blue Sky. We also heard some of the standards from Feast of Wire, including “Not Even Stevie Nicks.”

Calexico Live in Iowa City 9/29/06

We were treated to some different songs from a regular Calexico show. Jacob Valenzuela sang on a song that Calexico did on the Los Super Seven album Heard it on the X called “Ojitos Traidores.”

At one point Joey suggests that it’s about time for a “Seventh Inning Stretch” and told everyone to stand up. It was certainly refreshing! I think that maybe this is something that most concerts need. I didn’t realize how uncomfortable the seats were until then. It was at this time that a couple of guys ran down to the floor in front of the first row. They stood around uncomfortably until a bunch of others joined him. From that point forward people started filling the aisles and moving to the floor in front of us. Unfortunately, blocking the view for anyone who didn’t feel like standing. We also got to experience people who felt it was necessary to demonstrate their poor dancing skills when it comes to Latin rhythm. This is the problem with theater shows– it really suggests that you’d sit for most of it, and really doesn’t have a floor to accommodate people who want to get close to the stage and stand. Sherry said that she thought it would be fun to see Calexico at a venue that had more of a floor to dance on– I can think of a couple venues like that, so maybe the next time we see them it will be at one of those.

We were treated to another surprise for the encore. Calexico brought out Oakley Hall to do a couple of songs. The first song was a Doug Sahm song that I think was called “The Song of Everything.” After that song, I noticed that Joey brought out a piece of paper with what appeared to be lyrics. I think that the members of Oakley Hall were surprised. They also do a Gillian Welch cover of “Look At Miss Ohio.” Joey and Patrick Sullivan trade verses. From where I was sitting I could hear Joey calling out chord changes.

Joey asked if we wanted to hear “Corona” or “Guero Canelo.” The crowd shouted out their favorites, and it was decided that they would do both, which was a nice surprise. During these songs, some of the members of Oakley Hall were doing dance lines behind John which was fun. I’m glad to see that they are having fun on tour. Then, the show was over and Joey wished Iowa City good luck with “Football, Soccer, Hockey, or whatever.” This was the big weekend for the Iowa Hawkeyes as they were playing Ohio State (I think… I’m not a sports fan).

Calexico With Oakley Hall Live in Iowa City 9/29/06
Calexico With Oakley Hall Live in Iowa City 9/29/06

Here is the Calexico Setlist (courtesy the Caliposa Setlist Database)

1. Convict Pool
2. Yours and Mine
3. Gypsy’s Curse
4. Across The Wire
5. Jesus and Tequila
6. Deep Down
7. Minas de Cobre
8. Roka
9. Not Even Stevie Nicks
10. Sunken Waltz
11. Alone Again Or
12. Sonic Wind
13. Smash
14. Senor
15. All Systems Red
16. Ojitos Traidores
17. Letter To Bowie Knife
18. Crystal Frontier

————————

19. Song of Everything *
20. Miss Ohio *
21. Guero Canelo

* = w/ members of Oakley Hall

Lyrics Born and Cut Chemist Tour

While this isn’t really new news as this was announced back in August, I thought it was worth mentioning as I’ve ordered tickets for it. The always entertaining Lyrics Born is on another leg of what appears to be three years of touring for Later That Day and the complimentary Same !@#$ Different Day. This time with Cut Chemist in tow. Last year LB toured with a full band reproducing the mix on the albums. I have an e-mail into LB’s agent to see if he will be touring with a band this time, or– hopefully– using Cut Chemist on the decks. Cut Chemist– formerly of Jurassic 5 and Ozomatli– is touring in support of his first album The Audience’s Listening, which in some respects should have been the album his partner in Brainfreeze crime DJ Shadow released recently instead of the very mixed bag that Outsider is.

My wife is a huge fan of the two Lyrics Born albums so we will be catching the show in Minneapolis at the Foundation. This location was the Rogue back in the day and one of the great clubs in Minneapolis. It closed in the late 90’s and abandoned for a long time. It was revived last year as the swanky Level. In July it was rechristened Foundation.

Also appearing on some of the dates is Pigeon John, who was signed to Quannum by Lyrics Born. His new album and his first on Quannum Pigeon John and His Summertime Pool Party was released recently. I haven’t had a chance to hear it, but I really liked his previous album Pigeon John Is Dating Your Sister.

19 October 2006
8:00PM
Los Angeles, CA
El Rey Theatre
$20.00
$20.00
http://www.theelrey.com
323-936-6400
5515 Wilshire Blvd.
Featured with Cut Chemist and Pigeon John

22 October 2006
8:00PM
Portland, OR
Crystal Ballroom
$20.00
$20.00
http://www.danceonair.com
503-225-0047
1332 Burnside Avenue
featured w/ Cut Chemist and Pigeon John

24 October 2006
9:00PM
Vancouver, BC
Richards on Richards
$25.00
$25.00
http://www.richardsonrichards.com
604-687-6794
1036 Richards St.
Featured with Cut Chemist and Pigeon John

25 October 2006
8:00PM
Seattle, WA
Neumos
$18.00
$20.00
http://www.neumos.com
206-709-9467
925 E Pike St.
Appearing with Pigeon John and Cut Chemist

26 October 2006
7:00PM
Boise, ID
Big Easy Concert House
$17.00
$19.00
http://bigeasyconcerts.com
208-367-1212
416 South 9th Street
Appearing with Cut Chemist

27 October 2006
8:00PM
Park City, UT
Suede
$18.00
$20.00
http://www.suedepc.com/
tickets@suedepc.com
435-658-COOL
1612 Ute. Blvd.
Get a FREE ride to and from Suede in the Suede Shuttle. Just call 435-640-8488 and they will come and pick you up!
Appearing with Cut Chemist and Pigeon John

28 October 2006
8:00PM
Aspen, CO
Belly Up
$25.00
$25.00
http://www.bellyupaspen.com
steve@bellyupaspen.com
970-544-8089 x5
450 South Glena
Appearing with Cut Chemist and Pigeon John

29 October 2006
8:00PM
Boulder, CO
Fox Theatre
$20.00
$22.50
http://www.foxtheatre.com/
(303) 443-3399
1135 13th Street
Ages: All Ages
Appearing with Cut Chemist and Pigeon John

2 November 2006
10:00PM
Minneapolis, MN
Foundation Nightclub
$15.00
$18.00
http://www.foundationmpls.com
mariesa@foundationmpls.com
612.532.0795
10 South 5th Street
Appearing with Cut Chemist and Pigeon John

3 November 2006
8:00PM
Milwaukee, WI
Eagles Club
$18.00
$18.00
2401 West Wisconsin Avenue
Ages: all ages
Appearing with Cut Chemist

4 November 2006
9:00PM
Chicago, IL
The Abbey Pub
$20.00
$20.00
http://www.abbeypub.com
773-478-4408
3420 West Grace
Ages: 18 and over

5 November 2006
9:00PM
Detroit, MI
Magic Stick
$15.00
$15.00
http://www.majesticdetroit.com/stick.asp
greg@majesticdetroit.com
313-833-9700 x200
4140 Woodward Avenue
Ages: all ages
Appearing with Cut Chemist

6 November 2006
8:00PM
Toronto, ON
Fox Theatre
$19.50
$19.50
http://foxtheatre.com
416-323-1896
410 Sherbourne
Ages: all ages
Appearing with Cut Chemist and Pigeon John

9 November 2006
9:00PM
Cambridge, MA
Middle East
$18.00
$20.00
http://www.mideastclub.com
617-864-3278
480 Massachusetts Avenue
Ages: all ages
Appearing with Cut Chemist

10 November 2006
7:00PM
New York, NY
Webster Hall
$20.00
$22.00
http://www.bowerypresents.com
212-260-4700
125 East 11th Street
Ages: all ages
Appearing with Cut Chemist

11 November 2006
9:00PM
Philadelphia, PA
Theater of Living Arts
$18.00
$18.00
http://www.theateroflivingarts.net
212-922-1011
334 South Street
Ages: all ages
Appearing with Cut Chemist

Trip to Philly / Spaceboy Music Closing

I was in Philadelphia last week for business and managed to take a rare trip downtown. It seems that although I’m in the Philly area frequently for work, I don’t seem to venture outside of King of Prussia enough. So, last week between the thunderstorms I went downtown with a couple of guys from work. I wanted to do some record shopping. We really wanted to see some live music, but there wasn’t much going on that we wanted to see.

I have been downtown a dozen times or so since 2002 for varying reasons– mostly to find some place to eat other than the restarants that are part of the King of Prussia Mall area. I’ve only been record shopping one other time and that was two or three years ago. My method for going downtown involves locating South Street and just parking some place and walking around. So, that was the method we used this time. We found a pretty cheap parking area off South around 4th Street for about $7 for the whole night. It was after 7PM by the time we got down there so we decided to hit some record shops before finding some place to eat.

The first place we stopped was Noise Pollution (619 South 4th Street). This is a typical small used record store with a good stock of vinyl and a particularly good selection of 45’s. On this trip I was looking for rare Calexico singles or vinyl, rare Tortoise singles or vinyl. That is really the approach that I recommend when you don’t have time to scour a store. I found a 12″ of Calexico’s Black Heart EP for $15, but that was more than I wanted to pay for it consideing the condition of the cover. This is still in print, anyway. The price sticker said it had been in their bins for a couple of years. The guy behind the counter was pretty helpful, but spent most of his time on the phone. One noteworthy thing I saw was a cardboard box near the front door full of VHS tapes that appeared to have live concerts or appearances taped from TV. I saw a Neil Young tape that looked pretty cool, but I wondered if they were dubs of another tape, which might have made the quality questionable. Somewhere around my house is a tape of Neil Young appearances from three Farm Aids, a couple of SNL appearances, MTV Music Awards with Pearl Jam doing Rockin’ in the Free World, and the live performance of “Philadelphia” from the Academy Awards.

The next place we went was Repo Records (538 South Street), which we saw online and looked promising and they have a basement dedicated to vinyl. We were very disappointed to find that the downstairs was closed temporarily. So, I flipped through the little bit of vinyl they had and we headed for Spaceboy Music up the street.

Spaceboy Music (704 South Street) is one of the stores I visted when I was shopping down here last time. I was impressed by it’s selection of music. Unfortunately, this time they are having a 20% off all inventory going out of business sale. Most of their vinyl was stacked in cardboard boxes in the middle of the room and was pretty well picked over. They still had a very good CD selection available and it looked like they had just received an order from one of their distributers judging by the pile of new CD’s behind the counter. I found a couple of interesting things in vinyl. One item was an REM fanclub 7″ of “Ghost Reindeer in the Sky” b/w the Gershwin classic “Summertime.” This was the Christmas single from 1990. They wanted $29 list, but that was more than I wanted to spend on that. I also found an opened “Freeze” 2 LP from DJ Shadow and Cut Chemist. Unfortunately, it was used and had quite a bit of surface scratches on it.

I hit the CD’s and found three CD’s I wanted. The first find was a promo for the re-release of the two Manitoba albums under the new Caribou moniker: Start Breaking My Heart and Up In Flames. The official releases are 2 CD affairs and the second disc includes singles and remixes released around the same time as the original albums. This is a single disc sampler of the four CDs. It’s pretty cool, and makes me want to go get those releases. $6.40.

The next CD I got was in their “discount used” section in the middle of the store. That section didn’t have much, but I picked up Thrill Jockey band Town and Country’s 2003 release 5. I hadn’t heard anything from Town and Country, so I picked that up. Upon first listen it is very mellow atmospheric acoustic music similar to some of Tortoise’s music, or a little like Pullman. $3.99

I also picked up Eleventh Dream Day’s new CD Zeroes and Ones. I had a chance to hear this at Tower Records in Chicago at one of their listening stations. This is also on Thrill Jockey, and includes Tortoise bass player Doug McCombs. I like this album, it reminds me of pre-Grunge period bands in the late 80’s early 90’s. Sounds a little like Sonic Youth.

While we were walking around we saw a couple of other record stores that seem interesting. One I want to visit next, and when I have some time is The Philadelphia Record Exchange. They seem to have a huge vinyl selection.

After Spaceboy, we ate at a wonderful Italian restaurant called La Fourno Trattoria. They have fantastic Pizzas.

So, it’s sad to see yet another music store going out of business. I’m not sure what is going to help these stores stick around. I think that used CD’s and vinyl is part of the equasion. There is more mark up in a used CD or record than there is in new, so that helps, I think. Earlier this year, Des Moines lost one of the big indie record stores in Iowa known as Peeples Music after 30 years in business. In an article in the Des Moines Register, owner Mike Enloe stated that he needed 25 customers per day just to keep the doors open. The value of an independent record retailer is hopefully the knowledge that the typically passionate people who work there have. A lot of the important purchases I have made over the years came from the advice of a trusted employee of one of these stores.

Black Eyed Peas Cancel Cedar Rapids Show

The Black Eyed Peas have canceled their Cedar Rapids show originally scheduled for September 26th due to “an unforseen scheduling conflict.” The Rapid City, SD show is impacted by this as well. According to the press release, the ticket sales were strong and it looked like this one might have been a sell-out. There is not a re-schedule for this show, and ticket refunds are available starting tomorrow, Friday, August 18. I guess I know what I’m doing over lunch tomorrow.

Bo Ramsey and Stranger Blues and Solo Live Dates

The much-anticipated (at least as far as I’m concerned) new Bo Ramsey album Stranger Blues has been out since July 18th and I ordered it as soon as the fine folks at CDBaby sent me an e-mail telling me it was available. I’ve been listening to it on and off since I got it. Stranger Blues is the mark of a seasoned performer– a consistent, balanced recording — a calling card showing why so many artists have asked Bo to contribute to their albums.

Bo’s last album In The Weeds was released in 1997, so it’s been nine years since we last heard him solo. It isn’t like Bo has been kickin back with his boots on the porch rail with his signature straw hat pushed down on his nose taking a nap, though. He spent this time in the studio contributing the signature Bo Ramsey sound for what looks like over twenty records for artists like Greg Brown, Lucinda Williams, Joan Baez and the Trailer Records regulars like The Pines, Kevin Gordon and Dave Zollo. He contributed to Pieta Brown’s last records and has spent most of the last two or three years touring with her.

My first live show at a bar was in the mid-Eighties at the bar at the then-newly-renovated Potter’s Mill in Bellevue, Iowa with Bo Ramsey and the Sliders which included Radoslav Lorkovic. I was hooked. Over the years I had seen Bo many times at all kinds of bars in Eastern Iowa– some still around, some not. The Corner Tap in Cascade, The Silver Dollar in Dubuque, Jimmy B’z in Dubuque, Fife’s in Maquoketa, Goose Island Tap, and in Cassville, Wisconsin opening for the remainders of the Ozark Mountain Daredevils (I think only the drummer was an original member).

When I moved back to the Eastern Iowa area in 1997 after over two years in the Twin Cities, one of the things I was looking forward to was seeing Bo play live. I managed to get about six or so shows in before he switched to primarily being a sideman for the Brown Family, including a couple of real barnburners– one of the last ones I saw was billed as “Bo Ramsey and the Body Electric” at the former Green Room (R.I.P.) in Iowa City. This was Bo fronting Dave Zollo’s band. I brought my wife’s aunt and uncle from Minneapolis down for that show and they loved it. Sometimes when the mood is right, Bo moves into this space and plays these blistering guitar solos and that night had couple of those great moments. The last Bo show I got in was at the Mill where he did a largely acoustic set in a three piece band that was completely different than I was used to. In retrospect, this show was the precursor to Stranger Blues as it was largely old blues covers, which is where Bo’s heart is.

Stranger Blues is an album of blues songs interpreted by Bo in his distinctive style. Most of the songs are delivered in a slow deliberate almost smokey way. Bo seems to be mellowing like fine scotch as the years go on. When I compare the songs on Blues with the songs on Bo’s 1988 more-rocking release Either Way you can hear the passing of time between the two releases– maybe wisdom or maybe reflection? This is a record, after all, of his influences that says “this is how I got here.” One of the things I find most interesting about this release is that while these are blues songs originally performed by such greats as Sonny Boy Williamson, Little Walter, Willie Dixon and Howling Wolf, he didn’t pick the obvious songs– these are deep catalog choices picked by someone who is well-educated in blues history.

How Bo manages to be so connected and respected by the music community and not become more widely known is beyond me. I know he prefers to stay out of the limelight and it seems his career is exactly how he wants it.

Here are some samples from Stranger Blues thanks to CDBaby (you can listen to more samples here):

Stranger Blues

Little Geneva

Freight Train

My favorite track from In The Weeds is Forget You cowritten by Greg Brown.

In the Weeds from In The Weeds

A great track from his Trailer Records release Live is Sidetrack Lounge

555 x 2 from Down to Bastrop

Bo will be doing some live shows in support of Stranger Blues. The first one will be on 9/22 at River Roots Live. Then, on 10/5 he will be doing a live show at the Reverb in Cedar Falls sponsored by KUNI. I don’t know if they will be broadcasting this– but it is conveniently taking place during the timeslot for “Down on the Corner” which is a show about regional music. This will be followed by a show at the Mill in Iowa City on 10/6. I sincerely hope we will get more solo dates! More news as I get it.

Update: I just heard back from KUNI and they said that they don’t currently have plans to broadcast the 10/5 show at the Reverb. If they do decide to tape it, it will be for later broadcast and not a live broadcast.

Black Eyed Peas to play at USCellular Center 9/26/06

Compass Events and USCellular Center in Cedar Rapids, IA announced on Monday that the Black Eyed Peas will be performing on Tuesday, September 26th with Rihanna opening. BEP is a particular favorite around our house, and we also dig Rihanna’s “S.O.S” with its extensive debt to “Tainted Love” and the funky grime of “Pon de Replay.” Tickets go on sale at 10AM this Friday from ticketmaster or at the USCellular ticket office for $35.50 and are General Admission as most shows are at the USCellular Center.

Update: This show has been cancelled due to scheduling conflicts. See update post.

Calexico Not In Line Up for River Roots Festival

According to The Air Strange, Calexico is no longer in the line-up for the River Roots Festival scheduled for September 22-23 in Davenport (see earlier posting). It looks like a scheduling conflict based on the fact that they will be playing Louisville and St. Louis on those dates. Calexico will be playing The Englert in Iowa City on the 29th. The tickets are available for pre-sale. Go to the Calexico site to get the link to DucatKing if you are interested. I ordered my tickets last weekend!

WXPN News – Y100 is Back (sort of)!

I was in Philly again this week for work. While I was there I listened to one of my favorite stations in the US, WXPN. A public radio station, they have the flexibilty to play whatever they want. It isn’t uncommon to hear everything from Jamband to Classic Rock to Alternative and Indie, which makes for an entertaining listen. WXPN announced this week that they are going to start two new features of the radio station in August. First, they are going to launch a partner website called XPoNential Music On Demand. This site will be a place to get all of the content from the libraries of WXPN including all of the World Cafe shows and lunchtime concerts– all on demand. This is meant to supplement the podcast content they have today.

As if that isn’t enough, XPN will add Y100Rocks.com’s programming and overall operations rebranding it as “Y-Rock on WXPN.” Y100/WPLY was Philadelphia’s Alternative Rock-format station until February 2005. It ceased operations after 12 years. Y100Rocks.com was started after the stations demise and is managed by the former manager of Y100. Y100Rocks will continue to run pretty much the same as it has since it started, but XPN will air Y100Rocks-based shows three nights a week, which means that they will have more alternative content available to them.

So, that is pretty good news for the Alternative-starved Philadelphians. I’m looking forward to tuning in on line and when I’m out there again.

River Roots Live Festival Lineup Announced : Calexico, Escovedo, Ramsey and more

As reported in The Air Strange the River Roots Live Festival has announced their first round of acts to play in their yearly festival which takes place September 22-23, 2006 at LeClaire Park in Davenport, IA. River Roots Live is one of a number of events put on by the River Music Experience which is one of seven components of Davenport, Iowa’s, River Renaissance, which is in partnership with Iowa’s “Vision Iowa” program. Typically, Vision Iowa monies are used to rebuild areas of Iowa cities and build attractions like casinos and museums. I have to admit that this is a unique and cool use of those monies. The inital lineup for this year’s festival is very impressive and includes (so far):

The Black Crowes

Susan Tedeschi

Umphrey’s McGee

Martin Sexton

CalexicoCancelled
Scott Biram

GirlyMan

Alejandro Escovedo

Bo Ramsey

Hackensaw Boys

Junior Brown

The Gourds

All of this for only $35! Your Iowa Tax Dollars at work! This will be the second time I’ve seen Calexico this year (review to come). I love the Alejandro Escovedo album, and his live shows are typically great. Although, I’m just about as excited to see Bo Ramsey solo as anything else! He’s been playing a supporting role with Greg Brown and Pieta Brown for the last couple of years in addition to his production work. He’ll be playing songs from his upcoming “Stranger Blues” album, likely. More news as I get it on this show.