A New R&B Holiday Classic – Kelly Finnigan – A Joyful Sound on Colemine Records – A Deeper Dive (into the snowbank)

As a fan of Christmas and holiday music, like many, I tend to stick with the classics. “White Christmas” from Bing Crosby, “Rudolf The Red-Nosed Reindeer” by Gene Autry, “The Christmas Song” from Nat King Cole. That said, what is considered “classic” today at one time was a new holiday song. For example, “Wonderful Christmastime” by Paul McCartney, which by any account is a classic Christmas song came out in 1979. A Charlie Brown Christmas album by The Vince Guaraldi Trio originally came out in 1965. George Winston’s December came out in 1982.

My point is that new Christmas music comes out each year, and aside from very well-done covers of the classics (“Santa Claus is Comin’ To Town” by Springsteen, Stevie Nicks’s version of “Silent Night”) attempts at new Christmas songs are generally tricky propositions. A good Christmas song is more than just holiday adjacent lyrics with some sleigh bells slapped on it for good measure, though scads of this seem to be the norm.

So, when Colemine Records, my favorite R&B label out of central Ohio announced that Kelly Finnigan was releasing a record of Christmas and Holiday songs, I was really interested to hear it. The legacy of Colemine Records stems from acts influenced by all of the big R&B labels: Motown, Stax/Volt, Atlantic, Philadelphia International, Philles, Chess, and the list goes on. Most of these labels put out Christmas records at some point (Phil Spector’s A Christmas Gift For You and Altlantic Records Soul Christmas, being two legendary examples), so it stands to reason that Colemine would know what the bar would be for a great record.

Kelly Finnigan is a bit of a secret weapon for Colemine Records. The Bay Area musician, songwriter and producer is a recent addition to the amazing Monophonics on keys and vocals and whose 2020 album It’s Only Us is start to finish a brilliant record with a huge lush sound. His solo album The Tales People Tell from 2019 was a strong debut with Finnigan playing most of the instruments on the record, which took over two years to complete. I recently noticed that he’s a co-writer on one of my favorite Colemine singles “Next To You” by Gene Washington & The Ironsides.

You’d think that with a strong 2019 solo release and the new Monophonics record that would be enough new music, but he is closing 2020 out with a Christmas record– A Joyful Sound which came out on Tuesday digitally with the general vinyl and CD releases coming out on December 11th.

For this album, Finnigan wrote or co-wrote most of the songs. In a couple of cases, he retooled some R&B chestnuts to be Christmas songs.

He took the gospel song “Somebody Watching You” by Indianapolis group Sacred Four and made “Santa’s Watching You” maintaining the fantastic driving James Brown heel shuffling rhythm.

The other track is from a really obscure Detroit R&B record “To Be Young” recorded by The Magic Tones. The re-boot as “To Be Young At Christmas” is a tastefully polished track, and unless you knew the original track, you wouldn’t think this wasn’t a Christmas song from the start.

My favorite song on the album, though is the heart-wrenching “No Time To Be Sad” which was the first song I heard from the album and pushed me to pre-order it instantly. That french horn, FTW. Holy crap.

I got in on the pre-order, which was a red and white swirled vinyl and came with a slipmat matching the tartan pattern of the record as well as a CD. I got the wonderful news that these pre-orders have shipped! The regular releases will come out on 12/11 and include a regular black vinyl version as well as an indie record store Christmas tree green pressing.

With so many fantastic releases coming out of Colemine, it isn’t surprising that they’d have a strong holiday release like A Joyful Sound. This is an essential release for R&B fans and Christmas music fans alike.

(Upcoming Release) Aimee Mann – Bachelor No. 2 : 20th Anniversary Edition for Black Friday RSD – A Deeper Dive

Cover Art for the 20th Anniversary Reissue of Aimee Mann’s Bachelor No. 2

I’m a sucker for earnest songs about heartbreak. Clearly.

When I watched Paul Thomas Anderson’s film Magnolia, I was struck by the songs from Aimee Mann. Like many, I was familiar with her band, the MTV darlings Til Tuesday, but I hadn’t really kept up. Though, there wasn’t much to keep up with. The classic yarn of a band breakup followed by a couple of brilliant solo albums that her label didn’t know what to do with caused her to crash land in 1999 with no label and a record in the can that wouldn’t be released.

As the story goes, Paul Thomas Anderson was moved enough by the demos of this album to craft Magnolia around it and get some more songs from her. He connected to Mann through her husband Michael Penn who scored Anderson’s first two films. She got an Oscar nom for “Save Me” (a song that was written for the film).

I rewatched Magnolia recently. A horrific storm called a “derecho” blew 130+ MPH winds across Iowa, removing over 65% of the tree cover of Cedar Rapids and knocking power out for days and cell service and internet for weeks. Once power was restored, my wife and I still didn’t have internet and cell service was spotty, so we took to digging through our sadly-neglected collection of DVD’s and Blu-Rays for stuff to watch. We hadn’t seen it probably since I bought the DVD when it came out in 2000. The film’s three hours is not an easy watch, and twenty years later the heavy-handedness of the story arc and plot devices seems almost dated. Considering this was Anderson’s carte blanche film following the breakout success of Boogie Nights, it’s apparent he was pulling out all of his directorial tools for this. The soundtrack and score of the film end up being an essential part of the narrative with songs belonging to the characters, the culmination of which is when the film pauses for the characters to sing “Wise Up.”

This part of the film was a real lump-in-the-throat moment for me and how I became a fan of this soundtrack and Bachelor No. 2. I wrote an article back in 2008 proposing a mix people could make of the two CD’s to make a perfect version of the album.

Bachelor No. 2 was released in May 2000 on Mann’s own record label Super-Ego Records. It included “How Am I Different,” “Deathly,” and “You Do” from Magnolia. “Nothing Is Good Enough” appears on the soundtrack as an instrumental. Interestingly, “Wise Up” was originally intended for the film Jerry McGuire. A really great article breaking down the soundtrack by A/VClub by Alex McLevy makes the observation that in a literal sense the song says that the film “is not going to stop” until the characters wise up. Certainly the scene in the film where the characters sing “Wise Up” is a point of inflection.

According to the Wikipedia article on Bachelor No. 2, Mann secured a distribution deal after selling the album from her website and Soundscan data as of 2008 showed that 230,000 copies had been sold.

In 2006, Mobile Fidelity Soundlab corrected sin of this album not existing on vinyl by pressing a limited run of 200g half-speed mastered LP’s based on the original US CD (which means it doesn’t have “Save Me” on it in place of “Driving Sideways” as the UK version did). These days copies of this are running around $200 and I was keeping an eye out to see if any might show up for a deal.

Thankfully, Aimee Mann is reissuing Bachelor No. 2 for its 20th anniversary for Black Friday Record Store Day as a 2 LP expanded version taking the original album and adding the Magnolia songs at the end. (this approach makes sense since it is a reissue of Bachelor No 2 primarily, but I think my mix is more fun) as well as a re-recorded version of “Wise Up.” Looking at Amoeba’s website, it will be priced at a reasonable $34.98. This is being touted as an “RSD First” which means that it will be generally available after RSD, though it’s hard to tell if the 4000 copies they’re showing is the total of all of the pressings or just what is available for RSD.

It will be interesting to hear that new version of “Wise Up.” If I had to guess, it probably removes the drum machine. In the press release she mentions that she “used a lot of drum loops” and nowhere is it more apparent than on “Wise Up.” Though for me, that works great.

The Super Ego Records twitter account posted the packaging:

The packaging is really nice with what appears to be a version of the cover art that looks like someone practicing calligraphy over it. The green vinyl and labels are gorgeous.

Here is the track listing from The Vinyl District (which had it by sides).:

Side A

  1. How Am I Different
  2. Nothing Is Good Enough
  3. Red Vines
  4. Optimist

Side B

  1. Deathly
  2. Ghost World
  3. Calling It Quits
  4. Satellite

Side C

  1. Save Me
  2. Driving Sideways
  3. Just Like Anyone
  4. Susan
  5. It Takes All Kinds

Side D

  1. One
  2. Wise Up Re-record
  3. Momentum
  4. Build That Wall
  5. You Do