We’re treated to yet another “lost” album from the jazz archives, this time from the extensive Blue Note Records archives. On April 24th Blue Note will be releasing an originally rejected release titled Just Coolin’ from a March 8, 1959 session recorded at Rudy Van Gelder’s studio in Hackensack, NJ. This session was dropped due to the fact that four of the six tracks recorded overlapped with At The Jazz Corner of the World (not to be confused with the 1960 2 LP Meet Me At The Jazz Corner of the World with Wayne Shorter) album recorded by Alfred Lion at Birdland in NYC just over a month later on April 15th, 1959. Split over two volumes, the first was released in 1959, and the second in 1960.
Drummer Art Blakey’s legendary Jazz Messengers band had a lot of lineup changes during its 35 year run. The period from 1958-1964 is generally regarded as the most notable run for the band. Blakey pulled together a band of Philly natives: Lee Morgan (trumpet), Benny Golson (tenor sax), Bobby Timmons (piano), and Jymie Merritt (bass). This is the band that Blakey had on his Blue Note Records debut Moanin’ (Blue Note 4003), recorded in October of 1958 and released in January of 1959. Following the sessions for Moanin’, the band hit the road for an extensive tour of Europe producing the live albums 1958 – Jazz Olympia (on Fontana) and Art Blakey et les Jazz-Messengers au club St. Germain (on French RCA) among other later releases (mostly unofficial) that came out in the 1970’s to capitalize on Blakey’s departure from releasing albums as changing tastes in modern music turned away from his music.
By the time Blakey returned to the studio with Alfred Lion in March 1959, Benny Golson left the band for Art Farmer’s sextet, which included Bill Evans on keys (check out Modern Art for the results of that). Golson was replaced by Hank Mobley who had been a member of the first Jazz Messengers from 1954-1956. Mobley stayed with the Messengers during this third iteration of the band long enough to get this session and Jazz Corner of the World recorded before he was arrested in 1958 for possession of narcotics and spent the rest of the year in prison (only the first of stints he would do, unfortunately). Mobley was replaced by Wayne Shorter, who was hired after Lee Morgan ran into him at The Toronto Jazz Festival in July of 1959.
Ultimately, the replacement of Mobley with Wayne Shorter resulted in two of my favorite albums in the Jazz Messenger catalog: the 1961 release A Night In Tunisia, and the very-underappreciated (in my opinion) 1962 album Mosaic.
Mobley spent a brief stint in Miles Davis’s band as a replacement for the departed John Coltrane starting in 1961. But that pairing never really resulted in the partnership that Davis was missing with Coltrane. He appears on the studio album Someday My Prince Will Come (which somewhat awkwardly also features Coltrane) and two live albums : Friday and Saturday Nights Miles Davis In Person at the Blackhawk, San Francisco and Miles Davis at Carnegie Hall.
Just Coolin’ is an album that documents a brief interval in the changing lineups of The Jazz Messengers, but an important one nonetheless. Hank Mobley wrote three of the songs for the album, and they also appear on Jazz Corner of the World: “Hipsippy Blues,” “M&M,” and “Just Coolin’.” The early reviews suggest that the studio takes lack the energy and possibly the polish of the live versions, but the inclusion of two previously unheard songs pique the interest of fans and present a kind of “what if” scenario with Mobley had he been able to continue with the band.
The first track we get to hear is the previously unheard Bobby Timmons composition “Quick Trick.”
Here is the track listing for Just Coolin’ with YouTube links to the four versions from At The Jazz Corner of the World fso you can get an idea of what the other songs will sound like.
Hipsippy Blues (Hank Mobley) Live version
Close Your Eyes (Bernice Petkere) Live version
Quick Trick (Bobby Timmons)
M&M (Hank Mobley) Live version
Just Coolin’ (Hank Mobley) Live version