Upcoming Shows: Fitz and the Tantrums Hit the Midwest!

 

In addition to having a pretty cute band name, Fitz and the Tantrums seem to have really taken the scene by storm in their relatively short existence. The story goes that frontman Michael “Fitz” Fitzpatrick rescued a vintage keyboard from someone who needed to leave town quickly. The keyboard was the inspriation that Fitz needed to start writing the keyboard-fueled R&B that is the signature of Fitz and the Tantrums. A chance hearing by Maroon 5 frontman Adam Levine gained them a gig opening for his band on tour. Another opportunity performing on Daryl Hall’s “Live From Daryl’s House” online video series, a spot on Carson Daily and some choice placement of songs on a couple of TV shows and you have a formula for a band that is enjoying a meteoric rise. Having a shit-hot single and stylish video in “Moneygrabber” doesn’t hurt any either!

As luck would have it, the L.A. band is going to be visiting the tundra-like Midwest at the beginning of February with some Play B-Sides connections in the mix.

On Saturday, February 5th Fitz and Co. will be headlining a gig in Chicago at The Metro with JC Brooks and the Uptown Sound and Play B-Sides extended family The Right Now! That is a powerhouse lineup of Soul and R&B and my pick for a not-to-be-missed show on the Windy City’s calendar. This is a rare show for a while for The Right Now as they are holed up in their secret hideaway writing songs for their sophomore release. The few songs they’ve already trotted out on tour last year show promise for a suitable follow-up to Carry Me Home— a Play B-Sides Top 20 of 2010.

On the following Monday they will make the trip to Iowa, and play a gig at the Redstone Room with opening act Bermuda Report which features the vocals of former Diplomette Abby Sawyer. Bermuda Report snagged a spot in my Top 10 releases I’m looking forward to in 2011 with their upcoming full-length due this year.

If that wasn’t enough, they are going to do an all-ages show in Iowa City on Tuesday, 2/3 at The Blue Moose Tap House for a measley $3! WTF? FTW!

So, with all of these opportunities to see Fitz and the Tantrums, get out to see them! Then you can say you “saw them when!”

Here is the video for the fantastic “Moneygrabber”

Check out their whole album with this player:

Fitz and the Tantrums Tour Dates (from Dangerbird Records)
Tuesday January 18, 2011 – Philadelphia, PA @ World Cafe Live
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Wednesday January 19, 2011 – New York, NY @ Bowery Ballroom
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Thursday January 20, 2011 – Allston, MA @ Brighton Music Hall
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Friday January 21, 2011 – Clifton Park, NY @ Northern Lights
w/ Michael Franti & Spearhead

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Saturday January 22, 2011 – Northampton, MA @ Iron Horse Music Hall
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Monday January 24, 2011 – Portland, ME @ Port City Music Hall
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Tuesday January 25, 2011 – Montreal, QC @ Petit Campus
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Wednesday January 26, 2011 – Toronto, ON @ Mod Club
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Friday January 28, 2011 – Cleveland, OH @ Grog Shop
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Saturday January 29, 2011 – Milwaukee, WI @ Turner Hall Ballroom
Pablove Foundation benefit show w/ Silversun Pickups (acoustic performance), Maritime, and more
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Sunday January 30, 2011 – Madison, WI @ High Noon Saloon
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Monday January 31, 2011 – Columbus, OH @ The Basement
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Thursday February 3, 2011 – Pittsburgh, PA @ Club Cafe
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Saturday February 5, 2011 – Chicago, IL @ Metro
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Monday February 7, 2011 – Davenport, IA @ Redstone Room
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Tuesday February 8, 2011 – Iowa City, IA @ Blue Moose Tap House
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Thursday February 10, 2011 – Minneapolis, MN @ Bunkers
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Sunday February 13, 2011 – Nashville, TN @ 3rd & Lindsley
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B-Sides in the Bins #52 – Half-Price Books Cedar Rapids 1/22/11

I was out running a bunch of errands today and ended up at Half-Price Books. When I arrived I didn’t find anything in the used vinyl bins that I absolutely needed– they had a couple of new Donna’s LP’s which was interesting, but I’m not familiar with their music enough for me to jump in. I was just about out the door when Claire– the girl who is the most knowledgeable about the vinyl– happened to be bringing a pile of newly-priced records to the bins to put away. Thankfully I stayed! I found the King Crimson LP from the pile she brought over and the Queen LP– she brought some other interesting pieces, but most of them were in pretty ratty condition– the first Doors record (stereo), a 13, The Who’s Tommy on Decca, Katy Lied by Steely Dan. She said that she had a Dark Side of the Moon behind the counter she was going to put out and asked if I wanted to see it. I don’t really need another Dark Side, but I know enough people who need one that I always look.

I didn’t end up picking up the Dark Side of the Moon, but I ended up picking up some other really great pieces!

Pink Floyd – Atom Heart Mother (LP, Harvest/Capitol SKAO 382, 1970) ($7.00) According to the matrix information this is a second issue done in Jacksonville, IL. The vinyl is in really great shape, but the cover got wet– hence the cheaper price. This is an album that I’ve never listened to– I tend to favor Wish You Were Here, Animals and Dark Side of the Moon. The “Atom Heart Mother” Suite which takes up side one is listenable, but still emblematic of the psych snobbery that I was glad they moved away from. I really like side 2 though. “Fat Old Sun” is a great song. I may keep an eye out for a new cover for this one since the vinyl is so clean.

New York Dolls (LP, Mercury SRM.1.675, 1973)($10.00) The landmark first album from New York Dolls– produced by then-guitarist for The Nazz Todd Rundgren! After watching the documentary about the reunion of the New York Dolls in 2006 called New York Doll, I had a new interest in this seminal proto-punk/glam band. The vinyl is in really great shape although it has a slight warp. The cover is clean, but has a spit at the bottom. The inner sleeve is intact and features a pencil sketch of a girl bent at the waist in a skirt with her behind pointing at the viewer. The album is great! I’m really happy to have this in my collection. A note: Ryan Adams quotes the opening of “Looking For A Kiss” on “Beautiful Sorta”: “When I say L-U-V, you best believe me L-U-V.” Apparently the New York Dolls are quoting The Shangri-La’s, but I’m sure Adams is quoting the Dolls.

King Crimson – Red (LP, Atlantic SD 18110, 1974)($2.98) This is my absolutely favorite King Crimson album. My foray into King Crimson started with the 1980’s releases Beat, Three of a Perfect Pair and Discipline that featured Adrian Belew on guitars and vocals based on a co-worker’s advice. I started digging into the catalog of King Crimson, and the next albums would be Lark’s Tongues in Aspic, Starless and Bible Black, and Red. Red is the final release from the King Crimson lineup that would include Bill Bruford (from Yes) and John Wetton (from Asia). According to the Wiki article on the album, Red was released after the band was disbanded by leader Robert Fripp. The album ends up being a compilation of the band’s studio work as well as their live improvisational abilities. The title track and “One More Red Nightmare” are both really heavy tracks especially for 1973-1974 and are cited as influential by many musicians (surprisingly including Kurt Cobain). The track “Providence” is an edit of an extended live improvisation. The copy at HPB had a water-damaged cover that was separating, but the vinyl was in really good condition, so I picked it up. I think it sounds very good.

Queen – A Night At The Opera (LP, Elektra 7E-1053, 1975)($5.00) When the HPB lady put this out, I knew I had to buy this as it is an album that is very influential in my wife Sherry’s life. Rock music was not allowed at her strict Baptist household, so she would get her dose of Rock music from her best friend when she visited. Queen was the first rock music she was exposed to and continues to be a favorite of hers to this day. I was familiar with a few of the songs on Opera, but had never listened to the whole thing before. It’s a classic for good reason– a really balanced album with writing done by the whole band. My second vinyl LP from Queen and a good start to a collection.

Jefferson Airplane – Surrealistic Pillow (LP, RCA AYL1-3738, 1967)($5.00) This is a “Best Buy Series” budget release of the album done sometime in the early 1980’s. The Best Buy Series are generally derided by most collectors and in almost every case RCA chose to make dramatic changes to the packaging and in some cases the track listings to achieve this budget line. In the case of this particular release, there is an ugly “Best Buy Series” logo on the cover art, but it is the normal track listing. Surrealistic Pillow was the Airplane’s second album, but their best known as it has three of their biggest hits on it: “Somebody To Love,” “White Rabbit,” and “Today.” Growing up, we had a cassette of The Worst of Jefferson Airplane the 1971 compilation that had four tracks from Surrealistic Pillow, so I was very familiar with this album as I listened to that a lot. Dave Donovan, who taught Spanish at my high school let me borrow his LP of Surrealistic Pillow as well as his copy of The Beatles White Album, which I thought was pretty cool at the time. There is a lot of debate about the various pressings of Surrealistic Pillow online, but from what I can tell almost every stereo pressing is considered to be thin-sounding, and I would judge this particular pressing the same. Interestingly, the matrix information on my pressing has “AYL1 3738 A 29” stamped on side A, and “AFL1 -3766B-2” scratched out and “AYL1 3738B” hand written on side 2. AFL1 3766 is the late 70’s (maybe 1978?) reissue catalog number. This correction on side 2 would indicate that the plates for this pressing were probably cut from the master tapes used for the late 70’s pressing. It doesn’t make it particularly notable, but provides an interesting view into how labels deal with cutting plates.

All-in-all a really good trip to Half Price Books! Since I spent over $25, they gave me an HPB calendar with the 5% coupons, and they used the first coupon on this order so I actually paid less than the prices listed above. On my way home I called my friend Andrew and told him about the Dark Side of the Moon I saw. He called and had them hold it– it was $7!

Upcoming Show: Rob Mazurek’s Starlicker Coming to Monk’s in Dubuque- New Album Plans

Starlicker photo by Alessandro Carpentieri

It is said that for most people, the music that defines them tends to be based on the music that they listened to in their teens and twenties. I’m not immune to this either– when I talk about about bands I really like, it is framed with a reference of 80’s New Wave, Punk, and College Rock (U2, R.E.M., The Cure…). This is possible, in my opinion, because most bands in the Indie or Alternative space are really building on or working from the same language of melody and structure that was in place in that time.

For most pop and rock music anyway, nothing is ever really new under the sun– to paraphrase Ecclesiastes 1:9.

When I was first introduced to Chicago instrumental band Tortoise in 1998 I heard something that– for me– was wholly new. Tortoise’s influences were clearly the great film soundtrack music of the past, but also a mix of jazz and krautrock and electronic music. It was exciting to hear what I felt to be new music and in typical fashion I dove headlong into Tortoise and bands related to Tortoise.

The jumping-off points for related Tortoise projects are many. Every member of Tortoise has other solo and band projects and quite a few of them in common. But, it is through guitarist Jeff Parker that I started exploring the very rich history of Chicago’s improvisational and free jazz scene. I’m still very much a novice in this space, and I come to it with almost no frame of reference which is both frightening and exciting. I did not listen to jazz in my teens and twenties and it is not music that was played around the house, so it is music that I have had to explore on my own, building a path one stone at a time.

From the stone of Jeff Parker, my next steps were Isotope 217 and Chicago Underground— both bands with cornetist Rob Mazurek. Rob is a very prolific artist whose catalog seems to grow by three or four releases every year. In 2009 Rob released sound is for seminal Chicago Jazz and Blues label Delmark. For sound is, Mazurek pulled together a quintet that was made up of his core collaborators: John Herndon of Tortoise, Matt Lux of Isotope 217, Josh Abrams of Town and Country, and Jason Adasiewicz of Loose Assembly. For me the album recalls a bit of the structured approach of Isotope 217 and some of the looser wanderings of Chicago Underground to great results as this is still an album I listen to with some frequency.

Starlicker is a new trio assembled by Mazurek which includes a subset of the Quintet– John Herndon on drums and Jason Adasiewicz on vibes. In November they did a quick run of dates in Spain, and are now in the middle of a quick tour of Midwestern shows that will wrap up on 1/26 at The Hideout in Chicago. They will take the band fresh from the tour to the studio where they will record sessions for an album that will likely come out on Delmark. This will be followed by a show on Friday, February 4th at Transistor.

Starlicker will be performing at Monk’s Kaffee Pub in Dubuque, IA (373 Bluff St., 563-585-0919)  tomorrow night (Tuesday, January 18th). There is no cover and starts at 9PM, and it is suggested that you get there early to be guaranteed a spot.

Here is some video shot of Starlicker from their November 11, 2010 appearance at Teatro Caja Blanca, Malaga Spain.

Starlicker Tourdates (from robmazurek.com)

Saturday January 15th at 8:00pm -1:00am
Al’s Loft Society, 119 Calhoun St. Cincinnati Ohio

Sunday January 16th at 10pm-1am
The Hungry Brain, Chicago

Tuesday January 18th, 9p.m.
Monk’s Kaffee Pub, Dubuque

Thursday January 20th, 8:30pm
Sugar Maple
441 East Lincoln Avenue
53207
Milwaukee, WI, US

Friday and Saturday January 21 and 22, 9pm – 1pm
Cliff Bell’s
2030 Park Ave.
Detroit Michigan

Wednesday January 26th, 10 pm – 1pm
Hideout Chicago

Friday February 4
Transistor
5045 N. Clark St. Chicago 8pm – 11pm

10 Releases I’m Looking Forward to in 2011

Since I just finished my Top 20 of 2010, it has me looking towards 2011 and the releases that are rumored, speculated or actually announced. Here are some releases I’m looking forward to (in no particular order).

The Second Dawes Album (May 2011) – I wrote an article about this release and speculation about what tracks are going to be on it. The first Dawes album- North Hills was released in 2009 and has had pretty strong legs as far as carrying the band to national recognition. The songs that Dawes is playing on the road are as good as the ones on their debut, in my opinion. The album is already recorded and ready for release, but won’t see release until May of 2011, as it is waiting on…

The Middle Brother Album (3/1/2011) I wrote about this “supergroup” made up of members of Deer Tick, Delta Spirit and Dawes here. For Christmas, the band made the track “Me Me Me” available as a free download if you signed up for their mailing list. Middle Brother are planning a tour with all three bands in the spring which should be one of the big indie tours of the year. I have already pre-ordered the vinyl, which will come with a bonus 10″ record with four songs from the sessions that didn’t make the final LP.

Chicago Odense Ensemble – (Spring 2011)Chicago Odense Ensemble is another “supergroup” with members of Tortoise, Chicago Underground Collective and Causa Sui. The basis of this record was recorded when the members of Causa Sui were in Chicago in 2008.  The sessions, which were largely improvisational in nature, were recorded and brought back to Odense by Causa Sui member Jonas Munk and edited into the resulting tracks on the album. I’ve had a chance to listen to a pre-release of this, and agree with the early reviews and press about the album in the references to late-60’s Miles Davis In A Silent Way era work.

Arbouretum – The Gathering – (2/15/2011)Arbouretum is one of the many projects that David Heumann performs and records under. I’ve mentioned the Thrill Jockey 15th Anniversary Shows from 2007 where I was first exposed to Arbouretum and made me an instant fan. The Gathering is the fifth studio release for Arbouretum (which includes a split LP with labelmates Pontiak). The first track from the album available as free download is “Destroying to Save” which showcases the signature sea of fuzzy distortion that Arbouretum is known for with Heumann’s epic poetry.

Eleventh Dream Day – Riot Now – (3/15/2011) – When Doug McCombs played The Blue Moose in March of 2010 with David Daniell, I got a chance to talk to Doug about what was coming up for him. At that time he mentioned that Eleventh Dream Day was going to do a residency at the Hideout in May where the band was going to work out new songs for an upcoming release. Well, they did the residency, and their first new album since 2006 titled Riot Now is coming out on 3/15!

Kelly Pardekooper – untitled as yet – Former Iowan, currently Californian, Kelly has announced that he is going to start working with Bo Ramsey on his next album, which would be his first since 2007’s Brand New Bag, which is still one of my all-time favorite Iowa-related releases.

Ryan Adams – Blackhole – Another album in the extensive archives for Ryan Adams. Blackhole was started before he left Lost Highway (over Christmas 2005) and except for “Tomorrowland” and “Disco Queen” which came out as the third release of his aborted Digital Singles series in 2009, these are all songs that have not been leaked elsewhere. Based on posts on Facebook, Blackhole is actually completed–  he did some recording with Jamie Candiloro earlier this year, and if we are to believe a picture he posted of him holding a record, also mastered for vinyl. Those posts were done before the May release of his metal album Orion. December brought another vault release Cardinals III/IV, which was distributed by Orchard/TVT which gave the release much more widespread availability than his own PaxAm website would. He posted to Facebook that Blackhole is “basically Love is Hell Part 3” with “lots of shimmery guitar love.” Certainly the two tracks already available sound a lot like his Smiths-leanings than his Grateful Dead-leanings and I welcome more rock from Ryan. Posts from this week on the archive have people freaking out that PaxAm’s online store is down and there was a now-deleted comment on Facebook that he was sick of dealing with customer service issues with the online store. I’d say there is a very good chance that we see Blackhole released this year since it seems to be mastered already, and it will probably get the same distribution as III/IV.

DJ Shadow – untitled as yet (Spring 2011?) The long-awaited follow up to DJ Shadow’s 2006 Hyphy-influenced release The Outsider is likely to be completed before Shadow ventures out for another tour in May, per comments made on a video about the “Live from the Shadowsphere” tour. Based on the live performances of “I Gotta Rock” and the blink-and-you’ll-miss-it vinyl single release of “Def Surrounds Us” and “I’ve Been Trying” we see a sort of return to form for Shadow. He stated in an interview that this release would not be as focused on collaborations as The Outsider was.

Lady Gaga – Born This Way – (5/23/2011) – I make it no secret that I’m a fan of Gaga, The Fame and The Fame Monster were both really strong releases. I’m not going to debate that it wasn’t territory that had been covered before in pop music. The leadoff single of “Born This Way” will be released on 2/13. Based on what I’ve seen so far of new songs on her current tour, we’re seeing some of her rock leaning material. The song “You and I” is constantly compared to Elton John and it is clear he is an influence. Notably, the new tour will have The Scissor Sisters as supporting act– they worked with John on a track on their last album.

Bermuda Report – untitled as yet (date TBA)Bermuda Report is a new band from Abbie Sawyer formerly of The Diplomats of Solid Sound. She and her band jreleased a freely-downloadable EP of songs worth checking out in December– jazzy and bluesy. You can read my review with The Little Village. Abbie says that they will be heading back into the studio soon for a full album release this year.