Tag Archive for 'Tortoise'

12 Releases I’m Looking Forward to in 2012

The month of January was named after the Roman goddess Janus who had two faces.  Like the goddess, January is the month of the year when we both look back on the previous year that is over as well as ahead to the year coming up. I just posted my favorite releases for 2011— here is a list of releases that I’m looking forward to in 2012.

The Right Now – sophomore release (April 21st) – The Chicago R&B group The Right Now has had a pretty great run since their first album Carry Me Home came out in 2010 (which I was the Executive Producer on). They’ve played some pretty great headlining shows as well as opening for many of the bigger R&B acts touring. They flew out to L.A. in 2011 to work with Sergio Rios of Orgone at his studio for their 2nd album. Most of songs for this album have had their fair share of live workout and it shows– as someone who has seen the band a lot over the last year, the new songs have already become standards. The album will be released on Record Store Day.

Jeff Parker – Bright Light In Winter (February 2012) – The guitar-slinger for post rock fountainhead Tortoise is releasing his third solo album on Chicago Blues/Jazz label Delmark. Jeff Parker’s first solo record Like Coping was released on Delmark, with his second solo record The Relatives on Thrill Jockey. Credited as the Jeff Parker Trio, the album will feature Chris Lopes on bass and Chad Taylor on drums.

BTW: Don’t get me wrong– I’m a Thrill Jockey fanboy of the first order, but when was the last Jazz release from Thrill Jockey? (It was Chicago Underground Duo…) Thank goodness for Delmark, or we wouldn’t get these crucial releases from Chicago’s Jazz scene!

Garbage – title TBD (March or April 2012) – I reported on this previously. The new fifth album from Garbage is apparently in the can and mastered. There have been reports of an extensive tour in 2012 as well.

Snow Patrol – Fallen Empires (January 10) – After developing a big crush on the Tired Pony record, I was waiting expectantly for this album as it was produced by Jacknife Lee who also produced R.E.M.’s album Collapse Into Now, and with all of the ties to R.E.M.– Pete Buck was in Tired Pony, Michael Stipe helped Gary Lightbody get through some writer’s block– I was hoping for something great. The first song from Fallen Empires was “Called Out in the Dark” which has an unstoppable beat and build to it. I think that the promise of Tired Pony delivers on Fallen Empires.

Poliça – Give You The Ghost (February 14) – Technically, this album is already out as it is available as digital download from iTunes and Amazon. But, the debut album from GAYNGS lead vocalist Channy Leaneagh’s (formerly Channy Moon Casselle) new band Poliça will be officially released on CD and vinyl on producer Ryan Olson’s record label Totally Gross National Product on Valentine’s Day 2012, complete with sold-out shows at First Avenue. If you are a fan of the vocoder-laiden production of GAYNGS and Bon Iver (Mike Noyce from Bon Iver helps out on vocals on a couple of tracks, too), then you’ll love this album as much as I do! The lineup of two drummers, bass, vocals and keyboards gives the band a very unique sound, but also pretty reminiscent of 90’s trip hop from bands like Morcheeba, Sneaker Pimps and Portishead.

The Pines – Dark So Gold – (January 31) – The third album from The Pines on Red House Records find principal members Benson Ramsey and David Huckfelt living in two different cities. This doesn’t prevent them from turning out their best collaboration, yet. I caught three of their shows back in May and their stop at CSPS in September and got to hear songs destined for Dark So Gold, so I was already looking forward to hearing the studio versions of “Cry Cry Crow” and “If By Morning.” Produced again by Benson’s dad, Bo Ramsey. The Pines are kicking off a tour at the beginning of February in support of the new album and will be making stops at CSPS again as well as The Cedar Cultural Center in Minneapolis.

Cheyenne Marie Mize – We Don’t Need EP – (January 24) – What started out as a release on My Old Kentucky Blog’s label Roaring Colonel has been picked up by Cheyenne Marie Mize’s new label home YepRoc. I loved her last album Before Lately and managed to catch her at The Mill where she performed the percussion-plus-vocals “Wishing Well” which Consequence of Sound is debuting. You can also check out her Daytrotter session to listen to “Keep It” which is also on the 6-track EP available on 10″ vinyl and digital download.

Jacob Jones – Good Timin’ in Waynestown – (August?) – Jacob Jones is someone my wife and I met in Nashville during an overnight stop on a Monday night with Brendan of The Right Now. We were on a marathon road trip getting the mastering done and dropped off for the vinyl version of Carry Me Home. Brendan insisted we needed to hit this local-yokel  bar called the 5 Spot where they have this over-the-top dance party on Monday nights. This dance party called “Keep on Movin'” is hosted by Jacob Jones and his label partner Reno Bo and consists of mostly 50’s and 60’s country, R&B, garage rock and blues– typically spun on a turntable (though sometimes from a MacBook). The drinks are cheap, the folks are friendly and the floor is packed. Suffice it to say, it was one of the most memorable events we’ve been to, and certainly one of the high-points of the trip.

In addition to purveying this party, Jacob is also a singer/songwriter with a couple of pretty great Americana records under his belt. I introduced blogger Amber Valentine to his music and she wrote this really great review of his last release, which is a free download. When I was pinging folks for releases I reached out to Jacob and he told me about his 2012 release, Good Timin’ in Waynestown which is inspired by the 5 Spot Monday nights! “Good Timin’ In Waynetown” is about the good times. plain and simple,” Jacob told me in a recent conversation, “The songs are for dancing. drop the needle and get to work. The songs are filled with huge sounds of New Orleans and Nashville, Memphis and Mussel Sholes. They are about the finer things in this world like love and having good friends, that’s it, plain and simple.” Indeed, based on the couple of rough mixes he sent, this album has a big sound somewhere between Ray Charles, Chris Isaak, and Lyle Lovett. This release is going to come out on vinyl, too, so that is really exciting! A sure bet for my best of 2012.

The Diplomats of Solid Sound – TBD – I don’t have any details about the third release of Iowa City-Chicago-Austin band The Diplomats of Solid Sound with the Diplomettes other than it was recorded in Iowa City in 2011 and that they played some of the new songs at their gigs leading up to and on New Year’s Eve. I loved their last two albums, so there should be no reason to believe I won’t love this one, too!

Camper Van Beethoven – TBD – News of this release– their follow-up to 2004’s New Roman Times— was delivered with a run of tour dates starting this week. No other details other than this run of winter dates will include some of the songs from the forthcoming record.

Hiss Golden Messenger – TBD – As if  releasing the amazing 1-2 punch of Bad Debt and Poor Moon over the last two years wasn’t enough, M.C. Taylor is planning to come back in 2012 with another album! As part of one of the Poor Moon pre-order bundle he included a bonus digital EP called Lord I Love The Rain that included outtakes and demos, but also had early versions of tracks that will be on the next album. Though we’ll see if this is the next album or maybe another project he hinted at in a recent conversation!

The Horses Ha -TBD – In a recent conversation with Janet Beveridge Bean she told me that James Elkington and she were done recording the follow-up to the debut Horses Ha release The Cathmawr Yards which came out in 2009. I absolutely loved the jazzy folk harmonies from The Horses Ha. You can read my review of The Cathmawr Yards here. Watch my site for updates as I get them!

 

It’s Time to Play B-Sides Top 10 Albums of 2011

Here we are in the final month of 2011 and it is time for the Top lists. I started this last year for the first time, and I think it was a pretty good exercise. 2011 for me personally was a time of change– I was laid off from a job I had for over 13 years and spent most of 2011 unemployed. As I write this, I’m happily employed, though I’m having to deal with the fallout of being unemployed for so long.

If it wasn’t for the friends and contacts I made through this blog, the time I spent unemployed would have been unbearable. As people found out about my family’s situation, they reached out with concern, help and well-wishes. Frankly, writing for this blog and the other places I sometimes contribute gave me a much-needed distraction as I experienced first-hand the employment conditions and lack of hiring in the U.S. It seems like things are turning around, but we are far from recovery, I’m afraid.

So, I look at this list of albums as being kind of a soundtrack for my unemployment– sometimes expressing hope, sometimes expressing despair, but 2011 was a good year for music. As 2012 brings new hope and opportunity for me, I look forward to bringing my music blog into its sixth year.

While there were a lot of notable releases in 2011, these are the ones that spent the most time in rotation for me– had more staying power.

1. Hiss Golden Messenger – Poor Moon – M.C. Taylor’s post Court & Spark band makes my list for the second year running– Poor Moon is a full-band companion-piece to last year’s Bad Debt in that they share a few songs. You can read my summary and review here. Mike’s in the running for 2012, too, as he has started work on his next album already!

2. Bon Iver – Bon Iver – Like last year’s The Suburbs from Arcade Fire, this is an album that will make a lot of 2011 “Top” lists. Already the album has been nominated for a few Grammys. I was not a fan of the first album from Justin Vernon, but this album quickly has found a seat in my regular rotation and gets played often at my house. The fact that it shares common DNA with the brilliant album from Eau Claire-Minneapolis supergroup GAYNGS helps, too.

3. Pieta Brown – Mercury – With a boost of moral support from her new label home Red House Records and continued support from her musical family and friends, Pieta Brown has created what is her best recorded statement to date. I wrote a review of Mercury for Little Village here.

4. Ryan Adams – Ashes & Fire – In some regards this album can be heralded as the triumphant return for Ryan Adams whose last new studio effort was 2008’s swansong for Lost Highway as a label and The Cardinals as a band, Cardinology. Life has changed pretty dramatically for Ryan who seems to have embraced his life and career with new perspective. Ashes & Fire is a return to the simpler sound of Easy Tiger— arguably a sound he has refined and polished. For a guy whose love of metal and punk are public record, he has the ability to make some of the most beautiful folk-rock-country songs this side of Neil Young. He is on a sold-out solo acoustic tour at the moment as he re-familiarizes himself with his legacy and live performing in general. I hope he gets the itch to bring a band on the road with him in the near future.

5. Dawes – Nothing Is WrongDawes is back and their sophomore release is even more confident than their first album, Taylor Goldsmith is embracing his role as lead guitarist and this album features some very polished guitarwork. In 2011 we saw more of the indie space contributing videos to VH1’s Top 20 and Dawes spent a week or two with “Time Spent in Los Angeles.” I think that the almost-universal embrace of Dawes’ own spin on 70’s singer-songwriter classic rock is showing that people are looking for strong melodies and honesty in the face of mostly manufactured pop music. The songs for Nothing Is Wrong got a lot of mileage on the road, many songs were familiar to dedicated fans like me, it will be interesting to see what the next songs will be like. I don’t expect any dramatic change in the band, but I would like to see some envelope pushing– maybe a change in production.

6. Kelly Pardekooper – YonderKelly cut his songwriting teeth here in Eastern Iowa writing and recording his first five albums while he lived here. A brief jump to Wisconsin and a permanent displacement to the yonder of L.A. seemed to silence the songwriter, but after some recognition by the new tastemakers that assemble soundtracks for TV shows he was kickstarted to record his most Iowa-sounding release to date with Bo Ramsey and a band of Backslider regulars. Relased in the fourth quarter of 2011, I’m hoping the album gets some legs in 2012 before returning to the lockers.

7. Canasta – The Fakeout The Tease and the Breather – Technically this release from Chicago band Canasta came out late in 2010, but I heard it in February when they made a stop in Iowa City.  This quote from my article for Little Village says it all, “There nestled in the extensive list of influences is what appears to be the nearly 30 years of my record collection. While this list seems impossibly diverse on paper, the thing that unifies all of these artists is a strong knack for melody and composition that Canasta brings in spades.” Watch their great video for “Mexico City” here.

8. Chicago Odense Ensemble – self-titled – This album– a meeting of members of Tortoise and Isotope 217 and Causa Sui– had been announced for months before it was eventually released this year by French label AdLuna. A sliced and diced approach to assembling a record from hours of improvisational recording by the group a la In A Silent Way resulted in a beautiful record with gorgeous packaging to match. You can read my article about the release here.

9. Kerosene Circuit – self titled EP – This was an EP that really reached out of the stereo and shook me. Rockin’, diesel-powered bar chords. You can read my review for Little Village here.

10. The 4onthefloor – 4×4 – Minneapolis stompin’ bar-blues band The 4onthefloor may seem on paper to be tied to a schtick with each member of the band playing a kickdrum on stage, but the formula of 4/4 time heavy blues is one that works. Lead singer Gabe Douglas transforms to the on-stage personae of the possessed while riding the chugging rhythm provided by the rest of the band. The album captures a lot of this live energy, but catch them live if you can.

(Upcoming Release) Calexico Maps Alternate History in “Road Atlas” Vinyl Box Set Out 11/22/11

 

The dusty desert highway of Tuscon-native band Calexico’s 15-year career is dotted with a notable collection of passionate Latin infused Americana (for lack of another general category to place them). While the band may not be familiar to most, their music shows up in many places– from interstitial music in NPR to movie soundtracks and in their many collaborations (including one fantastic album with The Iron and Wine). If only for these works, Calexico will stand as one of the important and influential American bands.

Along this same highway of releases are the roadside attractions of Calexico’s self-released albums. These generally “tour-only” albums were released under Calexico’s own imprint Our Soil, Our Strength and served sometimes as a clearing house of studio demos and projects that didn’t make it to other albums, live albums or other experiments. Ironically, maybe, it was through one of these albums that I was first exposed to Calexico. Someone posted the instrumental collection Travelall as mp3’s on the internet newsgroup alt.binaries.sounds.mp3 which left me initially of the opinion that Calexico was an instrumental post-rock similar to Tortoise. (I didn’t know it at the time, but Travelall has Thrill Jockey artists Rob Mazurek (Isotope 217, Chicago Underground), Doug McCombs (Tortoise, Brokeback, etc.), and Noel Kupersmith (Brokeback, Chicago Underground Quartet) on it which lends some weight to that idea).

This misconception was quickly dismissed with the 2006 release of Garden Ruin which quickly made me a fan of the band and motivated me to get all of their albums, including the tour-only releases which were all limited releases and quickly fell out of print, so I had to resort to Amazon and eBay to track the ones down I couldn’t get from the band’s website and from the band during the Garden Ruin tour. All of these releases are essential to the fan of Calexico, as they provide valuable insight to the band’s creative workouts. Not forced into an album format that would have appeal to a more casual listener, we are treated to a much richer view into the true heart of the band which include an audio treasure trove of atmospheric instrumentals, audio experiments, home demos, live performances, one-off collaborations and outtakes.

After the announcement of Touch and Go/Quarterstick records– Calexico’s US label– in early 2009 that they would stop distribution of albums for a while I was concerned about the future of the band’s releases. The label managed to squeak the brilliant Carried to Dust in 2008, but that wasn’t the last release from the band– they put out the live album Live at Ancienne Belgique in 2009 on their own label, and produced the soundtracks to the documentary Circo, and the soundtrack to Don Cheadle-Brendan Gleeson Irish crime flick The Guard.

So, you can imagine my excitement hearing that Calexico is releasing a vinyl box set titled Road Atlas 1998-2011. Encased in a cloth hardbound box and limited to 1,100 hand-numbered sets, Road Atlas 1998-2011 collects the tour-only releases, plus the aforementioned live release and the Circo soundtrack as well as a 40-page book by music journalist Fred Mills. In addition to the 12-LP’s, the box will include mp3-downloads of all the tracks, PLUS BONUS other unreleased music not found on the LP’s or the band’s regular releases! Here is the breakdown:

ROAD ATLAS 1998-2011
Limited Edition Hand Numbered 12 LP vinyl boxset of Calexico’s tour only CDs
Includes:
98-99 Road Map LP (originally released on CD 1999)
Travelall LP (originally released on CD 2000)
Aerocalexico 2xLP (originally released on CD 2001)
Scraping 2xLP (originally released on CD 2002)
The Book And The Canal 2xLP (originally released on CD 2005)
Toolbox LP (originally released on CD 2007)
Ancienne Belgique-Live in Brussels 2008 2xLP (originally released on CD 2008)
Circo- A Soundtrack By Calexico LP (originally released on CD 2010)
MP3 download codes for all the albums
MP3 download code for previously unreleased Calexico tracks
A 40-page perfect bound book of photos, handwritten notes, and extensive liner notes
A heavy duty, linen wrapped, screen-printed slip case to house it all!

Priced at around $130, the box will be available via the band’s website, Touch and Go, Amazon and Insound.com. For those that don’t want to drop that kind of cash, there is also a great compilation CD of tracks from the box available as well.

I created a special 32-minute mix of tracks from the box to get you in the mood including these tracks:

“Hushabye” from Aerocalexico
“Ghost Writer” from The Book and the Canal
“Waitomo” from Toolbox
“Escrito En La Piedra” from Circo
“Two Silver Trees” from Anceinne Belgique – Live in Brussels 2008
“Dona Lupe” from Circo
“Chachaca” from Travelall
“Griptape” from The Book and the Canal
“Wind Up Bird” from Scraping
“Glowing Heart of the World” from 98-99 Road Map

CLICK HERE TO DOWNLOAD ROAD ATLAS MIX – A MIX BY PLAYBSIDES.COM

(Review) Chicago Odense Ensemble

Chicago Odense Ensemble Vinyl Jacket and Sleeves
In the last year or so it seems that a few groups that I follow have chosen as a template for their recent albums the genre-defining and game-changing 1969 Miles Davis album In A Silent Way. In the Davis oeuvre, In A Silent Way represents his first full-step into electric fusion jazz and the precursor to Bitches Brew. The album itself is two compositions– on the LP, one per side– which are made up of edits of a much longer recording session by legendary recording engineer Teo Macero.

In 2008  musicians gathered in Chicago to collaborate on a new work. The group consisted of Rob Mazurek of Isotope 217 and Chicago Underground, Jeff Parker of Tortoise and Isotope 217, Dan Bitney of Tortoise and Isotope 217, Matt Lux of Isotope 217, Brian Keigher, Jonas Munk of Causa Sui and Manual and Jakob Skott of Causa Sui. A joining of bands from Chicago and Odense, Denmark named Chicago Odense Ensemble.

In Spring of 2010, I started hearing about this album from the folks at the boutique French record label AdLuna. AdLuna makes very-small-run releases with gorgeous packaging– all labors of love. The label had releases by Thrill Jockey alumni, including Rob Mazurek’s solo work Abstractions on Robert d’Abrissel, and Jeff Parker (on Doug Scharin’s Activities of Dust project) and now Chicago Odense Ensemble. The ambitions of the label for the release matched the promise of the recording. This album was going to represent AdLuna’s first venture into vinyl– a media befitting the importance of the album, and would give them the ability to stretch their packaging chops with the larger canvas.

Chicago Odense Ensemble on the Turntable

An undertaking of a project this size was going to be a stress on the small label, so they reached out to the fans with a pre-order campaign in June. By November, the packaging and other details of the release were ready and they were only going to press 250 180g LPs and 500 CD’s making this a very limited release and very desirable for collectors. Today, out-of-print Thrill Jockey titles can fetch around $40, and those are usually limited to 1000 LPs per pressing. I can only imagine the future value of this release!

In April 2011, the album was finally completed and ready to ship the pre-orders. The folks at AdLuna felt especially generous and decided to give away six sets of the test pressings to some lucky fans who pre-ordered the release. These six sets required some special packaging and shipping materials, so the winners had their releases shipped a bit later. As it turned out, I was one of the lucky six! The package included the LPs as expected and also included the test pressings which were wrapped in very special paper and were personalized with a letter of ownership as well as each of the records having the owner’s name written on them. As I write this, I’m still astonished by the effort and personal touch put forth for this!

Chicago Odense Ensemble Test Pressing Wrapped

The test-pressings were wrapped in a special Himalayan paper called lokta paper made from the bark of the lokta bush or Daphne bush. The included letter says this:

The lokta paper has been made in the Himalayan region for over 1200 years. Handcrafted, the paper is made from the inner bark of the bush which grows at a high altitude of 6500 to 9500 feet. It is very strong and is an incredible eco-friendly choice. The Nepalese claim that the lokta paper lasts for 1,000 years if protected from sunlight.

 

Chicago Odense Ensemble Test Pressing Unwrapped

The Chicago Odense Ensemble album is the result of a coming-together of two camps of musicians from seemingly different genres. The album is more about the exploration of groove and improvisation than it is about strict composition. In fact, this album is partially inspired by the aforementioned work done by Miles Davis, if not the resulting proto jazz fusion that followed. In a similar way to the Davis albums Chicago Odense Ensemble was created by marathon recording sessions followed by Monk taking the recordings back to his studio and editing and massaging the recordings into the resulting tracks.

Taken in whole, Chicago Odense Ensemble is an impressively cohesive work, no doubt supported by the very fruitful original sessions recorded in 2008. Considering the improvisational nature of the original tracks, the editing brings these tracks into individual compositions with unique moods and movement.

Here are my listening notes for each of the songs:

1. Parallel Motions (9:50) – dual improv of cornet and guitar  over repeating and building bass, guitar and percussion.

2. Emanuelle (9:23) – almost a dub track with the rolling echo. In the last two minutes of the song it switches to a more organized finish with brushes on the eights and chiming clean guitar chords underneath a trumpet melody.

3. Spirals (1:36) – Melancholy little interlude. Arpeggio clean guitar and coronet with a bell mute.

4. Glide Path (4:30) Bongos and atmospheric guitars. Lots of Isotope 217 and Tortoise influence on this track. Pretty, if a bit incidental

5. Soup (6:19) First song previewed from album. Starts with a marching snare and circular guitars builds in a circular fashion adding in frenetic cornet runs and guitar to the end.

6. Spine Dots (3:20)  Ominous and unstructured, atmospheric and swelling fragments of instruments a lead-in to “Delivery.”

7. Delivery (11:59)  African rhythms – shakers and guitar and bass playing same notes. halfway though the rhythm becomes more loose/more jammy. Becomes more frenzied in last two minutes and cacophonous

8. Pretty Nice (6:35) Appropriately described by the song title which is in-turn inspired by the studio chatter included at the end. Nice bright track. mellow percussion. nice way to wrap up the album.

At the time of this writing there are less than 100 of the LPs remaining. Visit the Chicago Odense Ensemble website for ordering information. You can order the CD here as well. For any order, they have immediate digital download, too.

 

Chicago Odense Ensemble “Soup” by Adluna Records

Upcoming Show: Rob Mazurek’s Starlicker Coming to Monk’s in Dubuque- New Album Plans

Starlicker photo by Alessandro Carpentieri

It is said that for most people, the music that defines them tends to be based on the music that they listened to in their teens and twenties. I’m not immune to this either– when I talk about about bands I really like, it is framed with a reference of 80’s New Wave, Punk, and College Rock (U2, R.E.M., The Cure…). This is possible, in my opinion, because most bands in the Indie or Alternative space are really building on or working from the same language of melody and structure that was in place in that time.

For most pop and rock music anyway, nothing is ever really new under the sun– to paraphrase Ecclesiastes 1:9.

When I was first introduced to Chicago instrumental band Tortoise in 1998 I heard something that– for me– was wholly new. Tortoise’s influences were clearly the great film soundtrack music of the past, but also a mix of jazz and krautrock and electronic music. It was exciting to hear what I felt to be new music and in typical fashion I dove headlong into Tortoise and bands related to Tortoise.

The jumping-off points for related Tortoise projects are many. Every member of Tortoise has other solo and band projects and quite a few of them in common. But, it is through guitarist Jeff Parker that I started exploring the very rich history of Chicago’s improvisational and free jazz scene. I’m still very much a novice in this space, and I come to it with almost no frame of reference which is both frightening and exciting. I did not listen to jazz in my teens and twenties and it is not music that was played around the house, so it is music that I have had to explore on my own, building a path one stone at a time.

From the stone of Jeff Parker, my next steps were Isotope 217 and Chicago Underground— both bands with cornetist Rob Mazurek. Rob is a very prolific artist whose catalog seems to grow by three or four releases every year. In 2009 Rob released sound is for seminal Chicago Jazz and Blues label Delmark. For sound is, Mazurek pulled together a quintet that was made up of his core collaborators: John Herndon of Tortoise, Matt Lux of Isotope 217, Josh Abrams of Town and Country, and Jason Adasiewicz of Loose Assembly. For me the album recalls a bit of the structured approach of Isotope 217 and some of the looser wanderings of Chicago Underground to great results as this is still an album I listen to with some frequency.

Starlicker is a new trio assembled by Mazurek which includes a subset of the Quintet– John Herndon on drums and Jason Adasiewicz on vibes. In November they did a quick run of dates in Spain, and are now in the middle of a quick tour of Midwestern shows that will wrap up on 1/26 at The Hideout in Chicago. They will take the band fresh from the tour to the studio where they will record sessions for an album that will likely come out on Delmark. This will be followed by a show on Friday, February 4th at Transistor.

Starlicker will be performing at Monk’s Kaffee Pub in Dubuque, IA (373 Bluff St., 563-585-0919)  tomorrow night (Tuesday, January 18th). There is no cover and starts at 9PM, and it is suggested that you get there early to be guaranteed a spot.

Here is some video shot of Starlicker from their November 11, 2010 appearance at Teatro Caja Blanca, Malaga Spain.

Starlicker Tourdates (from robmazurek.com)

Saturday January 15th at 8:00pm -1:00am
Al’s Loft Society, 119 Calhoun St. Cincinnati Ohio

Sunday January 16th at 10pm-1am
The Hungry Brain, Chicago

Tuesday January 18th, 9p.m.
Monk’s Kaffee Pub, Dubuque

Thursday January 20th, 8:30pm
Sugar Maple
441 East Lincoln Avenue
53207
Milwaukee, WI, US

Friday and Saturday January 21 and 22, 9pm – 1pm
Cliff Bell’s
2030 Park Ave.
Detroit Michigan

Wednesday January 26th, 10 pm – 1pm
Hideout Chicago

Friday February 4
Transistor
5045 N. Clark St. Chicago 8pm – 11pm

10 Releases I’m Looking Forward to in 2011

Since I just finished my Top 20 of 2010, it has me looking towards 2011 and the releases that are rumored, speculated or actually announced. Here are some releases I’m looking forward to (in no particular order).

The Second Dawes Album (May 2011) – I wrote an article about this release and speculation about what tracks are going to be on it. The first Dawes album- North Hills was released in 2009 and has had pretty strong legs as far as carrying the band to national recognition. The songs that Dawes is playing on the road are as good as the ones on their debut, in my opinion. The album is already recorded and ready for release, but won’t see release until May of 2011, as it is waiting on…

The Middle Brother Album (3/1/2011) I wrote about this “supergroup” made up of members of Deer Tick, Delta Spirit and Dawes here. For Christmas, the band made the track “Me Me Me” available as a free download if you signed up for their mailing list. Middle Brother are planning a tour with all three bands in the spring which should be one of the big indie tours of the year. I have already pre-ordered the vinyl, which will come with a bonus 10″ record with four songs from the sessions that didn’t make the final LP.

Chicago Odense Ensemble – (Spring 2011)Chicago Odense Ensemble is another “supergroup” with members of Tortoise, Chicago Underground Collective and Causa Sui. The basis of this record was recorded when the members of Causa Sui were in Chicago in 2008.  The sessions, which were largely improvisational in nature, were recorded and brought back to Odense by Causa Sui member Jonas Munk and edited into the resulting tracks on the album. I’ve had a chance to listen to a pre-release of this, and agree with the early reviews and press about the album in the references to late-60’s Miles Davis In A Silent Way era work.

Arbouretum – The Gathering – (2/15/2011)Arbouretum is one of the many projects that David Heumann performs and records under. I’ve mentioned the Thrill Jockey 15th Anniversary Shows from 2007 where I was first exposed to Arbouretum and made me an instant fan. The Gathering is the fifth studio release for Arbouretum (which includes a split LP with labelmates Pontiak). The first track from the album available as free download is “Destroying to Save” which showcases the signature sea of fuzzy distortion that Arbouretum is known for with Heumann’s epic poetry.

Eleventh Dream Day – Riot Now – (3/15/2011) – When Doug McCombs played The Blue Moose in March of 2010 with David Daniell, I got a chance to talk to Doug about what was coming up for him. At that time he mentioned that Eleventh Dream Day was going to do a residency at the Hideout in May where the band was going to work out new songs for an upcoming release. Well, they did the residency, and their first new album since 2006 titled Riot Now is coming out on 3/15!

Kelly Pardekooper – untitled as yet – Former Iowan, currently Californian, Kelly has announced that he is going to start working with Bo Ramsey on his next album, which would be his first since 2007’s Brand New Bag, which is still one of my all-time favorite Iowa-related releases.

Ryan Adams – Blackhole – Another album in the extensive archives for Ryan Adams. Blackhole was started before he left Lost Highway (over Christmas 2005) and except for “Tomorrowland” and “Disco Queen” which came out as the third release of his aborted Digital Singles series in 2009, these are all songs that have not been leaked elsewhere. Based on posts on Facebook, Blackhole is actually completed–  he did some recording with Jamie Candiloro earlier this year, and if we are to believe a picture he posted of him holding a record, also mastered for vinyl. Those posts were done before the May release of his metal album Orion. December brought another vault release Cardinals III/IV, which was distributed by Orchard/TVT which gave the release much more widespread availability than his own PaxAm website would. He posted to Facebook that Blackhole is “basically Love is Hell Part 3” with “lots of shimmery guitar love.” Certainly the two tracks already available sound a lot like his Smiths-leanings than his Grateful Dead-leanings and I welcome more rock from Ryan. Posts from this week on the archive have people freaking out that PaxAm’s online store is down and there was a now-deleted comment on Facebook that he was sick of dealing with customer service issues with the online store. I’d say there is a very good chance that we see Blackhole released this year since it seems to be mastered already, and it will probably get the same distribution as III/IV.

DJ Shadow – untitled as yet (Spring 2011?) The long-awaited follow up to DJ Shadow’s 2006 Hyphy-influenced release The Outsider is likely to be completed before Shadow ventures out for another tour in May, per comments made on a video about the “Live from the Shadowsphere” tour. Based on the live performances of “I Gotta Rock” and the blink-and-you’ll-miss-it vinyl single release of “Def Surrounds Us” and “I’ve Been Trying” we see a sort of return to form for Shadow. He stated in an interview that this release would not be as focused on collaborations as The Outsider was.

Lady Gaga – Born This Way – (5/23/2011) – I make it no secret that I’m a fan of Gaga, The Fame and The Fame Monster were both really strong releases. I’m not going to debate that it wasn’t territory that had been covered before in pop music. The leadoff single of “Born This Way” will be released on 2/13. Based on what I’ve seen so far of new songs on her current tour, we’re seeing some of her rock leaning material. The song “You and I” is constantly compared to Elton John and it is clear he is an influence. Notably, the new tour will have The Scissor Sisters as supporting act– they worked with John on a track on their last album.

Bermuda Report – untitled as yet (date TBA)Bermuda Report is a new band from Abbie Sawyer formerly of The Diplomats of Solid Sound. She and her band jreleased a freely-downloadable EP of songs worth checking out in December– jazzy and bluesy. You can read my review with The Little Village. Abbie says that they will be heading back into the studio soon for a full album release this year.

(Upcoming Release) Antibalas – Who Is This America? Reissued on 8/17

I became aware of Antibalas around the time that I was working on a review of the very cool Scion Daptone Records Remixed compilation where I mentioned that Ticklah who is credited with the remix of “How Long Do I Have to Wait” by Sharon Jones and the Dap-Kings, is David Axelrod who, among other things, has been a member of the Brooklyn, NY Afrobeat and funk ensemble since 1999.

Antibalas was formed in 1998 and modeled after Fela Kuti’s Africa 70 band and continues to maintain connections with members of Fela’s bands. In 2008 the band was involved in the off-Broadway and on-Broadway musical of Fela’s life titled Fela! The musical is based on the events of his life and particularly his politically motivated music career and oppression from the Nigerian government.

Antibalas’s influence from Fela Kuti extends further than just their afrobeat style, they also choose to make their music the platform for sharing their political views. No where is this more evident than their third album Who Is This America? which was released in 2004 on Ropeadope records. The band and label felt that their political and social statements on the album are as relevant today as they were during the Bush-era, post 9/11 period they were conceived in.

The re-issue of Who Is This America? will be on CD and digital download with a new bonus track “Money Talks” and with an iTunes-only track “Paz.” Notably, Ropadope is choosing not to release this album on vinyl. As luck would have it, Daptone Records released a vinyl version back in 2004 that seems to still be available on their site for $20 and has the “running man” cover artwork. Daptone also has Antibalas’s 2007 Anti- Records release Security on vinyl as well. Security was produced by John McEntire of Tortoise, incidentally. Ropeadope will have a special edition package that includes the CD, a download and a reprint of the “Running Man” teeshirt ($27.99). You can get just the teeshirt, too.

Click Here to download “Big Man” from Who Is This America?

Click Here to pre-order Who Is This America? from Ropadope.

Click Here to order the original (no bonus tracks) Who Is This America? 2 LP from Daptone.

Click Here for the Antibalas website.

Click Here for the Antibalas MySpace Page

Click Here for the Antibalas Facebook Fan Page

Tortoise Beacons Bonus Track “Ice Ice Gravy” – Why Waste Time? Import Information

Yesterday Thrill Jockey announced that they are making the Tortoise track “Ice Ice Gravy” available for download for $1.00 from Fina– their online download service. To date, “Ice Ice Gravy” was only available in the U.S. as part of the iTunes version of Beacons of Ancestorship. Outside the U.S. it is available as a bonus track on the Japanese pressing of Beacons of Ancestorship as well as what appears to be a Japanese tour EP release in May titled Why Waste Time?

According to Dan Bitney in this interview with popmatters.com he track “Ice Ice Gravy” is a 13-minute pastiche of some improvisational work Tortoise did to get  inspiration while starting the recordings for what would become Beacons. From the interview at popmatters:

“It was more like experimenting,” he explains, “And we really didn’t get anything out of it. We were doing a lot of improv, just kind of set up a roomful of stuff. It wasn’t focused at all. We weren’t necessarily bringing in song ideas, we were just doing what I would describe as improv experiments. So we started out doing something like that and then we’d say, ‘Oh gee, what the hell are we doing? Is this going to work?’”

According to the article, some of these sessions are in “Ice Ice Gravy.” Ultimately, these sessions were scrapped in favor of the songs that would become Beacons. But, don’t dismiss “Ice Ice Gravy” as a mere toss-away track. It is an interesting view into the creative process that Tortoise works to make their albums.

While I was looking for the interview with Bitney where he talked about “Ice Ice Gravy” I stumbled upon a new Tortoise release titled Why Waste Time?! This is a Japan-only EP released on Commmons Records, which is a label started by Ryuichi Sakamoto. Judging by the little bit of English on the website it appears that Commmons has a relationship with Thrill Jockey to do the Japanese releases of their catalog.

Why Waste Time? contributes the cover art to the download of “Ice Ice Gravy” shown above and is a pretty cool release as it has three tracks not on the U.S. Beacons release (including “Ice Ice Gravy”), one of the Remixes from the recent Beacons Remixes 12″ and has some video content as well! Here is the tracklist:

1. Ruba’iyat
2. Passerine
3. Gigantes Version – Mark Ernestus
4. Ice Ice Gravy

CD Extra Video Content:

1. Charteroak Foundation (Live in Japan, 2009)
2. Seneca (Live in Japan, 2009)
3. Prepare Your Coffin (Music Video)

Updated! Thrill Jockey is carrying the CD for Why Waste Time? for $17! Click Here to order.

Click Here to listen to and purchase “Ice Ice Gravy” for $1.00.
Click Here to see the Why Waste Time? page at Commmons

Members of Tortoise, Isotope 217 & Causa Sui to Release Chicago Odense Ensemble

AdLuna Records is a label I’ve been following for a little while due to their ties with Thrill Jockey artists. AdLuna is a boutique-ish label out of France which has a penchant for free jazz and funk (well, and one folk release). They released their first three releases in 2008. Due to the low volume of releases from the label, they are able to focus on the packaging of the releases. All three CD releases are in a unique 5.5″ x 7.75″ book style cover– printed on high-quality card stock with a matte finish. In the case of Rob Mazurek’s Abstractions on Robert D’Arbrissel (AR001CD) release, there was a 10-page full-color booklet included in the cover. In the case of Doug Scharin’s project Activities of Dust, whose sidemen included Jeff Parker (Tortoise), Bill Laswell and Bernie Worrell, in addition to the CD of their release A New Mind (AR003CDDVD), a DVD titled “Return to the Original Matrix” which was produced by Doug Scharin.

Last week AdLuna announced that their next release would be an album from Chicago Odense Ensemble. Chicago Odense Ensemble is a group made up of Rob Mazurek (Chicago Underground, Isotope 217, Exploding Star Orchestra), Jeff Parker (Tortoise, Isotope 217, Exploding Star Orchestra), Dan Bitney (Tortoise, Isotope 217), Matt Lux (Isotope 217, Exploding Star Orchestra), Brian Keigher (aka DJ Warp), Jonas Munk (Causa Sui, Manual) and Jakob Skott (Causa Sui). Evidently derives its name from the fact that Mazurek, Parker, Bitney, Lux and Keigher all call Chicago home and Causa Sui members Skott and Munk are from Odense, Denmark.

I was not aware of Causa Sui until I heard about this release so I checked them out. They are spacy-stoner rockish instrumental group. Kind of Doors-meets-Hawkwind, I suppose. I’ve been listening to it quite a bit in the last week, and the influence of Causa Sui should make for a really great release! From the press release is a quote from Jonas Munk, “The closest reference for this kind of music is probably early-1970’s proto-fusion jazz that strived for a similar synthesis of jazz improvisation, psychedelic rock, Eastern and African sounds and the use of the studio as a musical tool instead of merely a recording facility.”

The release, which doesn’t have a date yet, will come out in CD and 2 180g LP versions as well as digital download. AdLuna sent me some pictures of the proposed packaging which they are still formalizing. I also included the pretty cool teaser trailer for the release.

Stay tuned for more details as they come.

Click Here for AdLuna Records which will release Chicago Odense Ensemble this year.

Click Here for Chicago Odense Ensemble’s MySpace Page.

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