Tag Archive for 'reissue'

(Upcoming Release) A Reissue of John Cale’s Revelatory “Fragments of a Rainy Season” Album Out 12/9/16

cale-fragments-of-a-rainy-season

For me, the early Nineties sent Leonard Cohen crashing into my consciousness thanks to a couple of covers and a couple of soundtrack appearances. The Cohen song “Everybody Knows” was featured prominently in the 1990 Christian Slater film “Pump Up The Volume” both as the original Cohen version as well as the Concrete Blonde cover version. In 1991 we were treated to another in that very 1990’s tradition of tribute albums– this time the I’m Your Fan album, which I bought as a completist of the R.E.M. catalog due to their cover of “First We Take Manhattan.” Other notable covers on that soundtrack were “I Can’t Forget” by The Pixies and Lloyd Cole’s cover of “Chelsea Hotel.” But, the cover on here that would launch a million others was the album closer “Hallelujah” done by John Cale as a stripped down midtempo piano and vocal. According to an episode of Malcolm Gladwell’s podcast Revisionist History, Cale heard Cohen do the song live and was moved to cover it himself. When Cale asked Cohen for the lyrics, he was faxed fifteen pages of lyrics. Cale edits the song into the version that is best known. From the podcast, “Cale says, that for his version, he took the “cheeky” parts. He ends up using the first two verses of the original combined with three verses from the live performance. And Cale changes some words – most importantly, he changes the theme and brings back the biblical references that Cohen had in the album version.”

This is the version that Jeff Buckley heard and was moved to cover for his debut album Grace, which is pretty much the gold standard as far as “Hallelujah” versions go.

Getting back to Cale’s version, it would also make an appearance on his 1992 live album Fragments of a Rainy Season, described by Trouser Press as an “auto-retrospective” of Cale’s career made up of solo performances from his 1992 tour. I happened to hear it being played in a record store in Dubuque and bought it on the spot. I was a fan of the Eno/Cale record from 1990 Wrong Way Up, (from which the version of “Cordoba” on this album comes), so I saw this release as complimentary to that. It’s an album I played a lot and still dig out on occasion. It’s a good distilling of Cale’s solo career in that he experimented a lot with sound over the years, so a compilation of his studio work to me would be uneven at best, and in the minimal solo acoustic setting, the vocals and lyrics really shine. Admittedly, Cale’s piano playing is rudamentary, and his use of repeating pedal notes can be a bit grating, but the energy and emotion Cale brought to those performances draws the attention away from that and still ranks as one of my desert-island discs.

So, it’s with a certain sad coincidence that Fragments of a Rainy Season is getting the much-deserved reissue in light of the passing of Leonard Cohen last week. Domino Records is handling the expanded-reissue on CD, download and either a 2 LP or 3 LP reissue. The 3-LP version adds alternate versions of some of the songs with strings and a Velvet Underground song “Waiting for the Man.” The 2-LP version has the same songs as the original 1992 album, but re-sequenced.

The 1992 CD version of Fragments of a Rainy Season kicks off with five performances that, for me really set up the energy of the album: “A Child’s Christmas In Wales,” “Dying On The Vine,” “Cordoba,” “Darling I Need You” and “Paris 1919.” For the upcoming expanded reissue of Fragments on Domino Records the track sequence of the album is dramatically changed up for an unknown reason, and as someone who listens to the album a lot, it’s jarring. But, not so much that it detracts, and in initial listens for me seems to also set the performances up. The album proper (not including the bonus tracks) still ends with “Hallelujah” appropriately.

I’m looking forward to having Fragments of a Rainy Season available in vinyl so I can play it in my living room along with other essential records in my collection. The version of “A Child’s Christmas in Wales” on Fragments kind of makes it a Christmas-y album a little. The song is a musical interpretation of the Dylan Thomas poem that was originally on his 1989 album of Thomas works Words for the Dying which was produced by Brian Eno.

Limited to one pressing, Fragments of A Rainy Season will be released on triple gatefold 12” vinyl featuring an LP of 8 previously unreleased tracks.On Heavyweight Vinyl With Download Card

DISC 01
Side A
01. A Wedding Anniversary (Live)
02. Lie Still, Sleep Becalmed (Live)
03. Do Not Go Gentle Into That Good Night (Live)
04. Cordoba (Live)
05. Buffalo Ballet (Live)
Side B
06. Child’s Christmas In Wales (Live)
07. Darling I Need You (Live)
08. Guts (Live)
09. Ship Of Fools (Live)
10. Leaving It Up To You (Live)
DISC 02
Side C
11. The Ballad Of Cable Hogue (Live)
12. Chinese Envoy (Live)
13. Dying On The Vine (Live)
14. Fear (Is A Man’s Best Friend) (Live)
15. Heartbreak Hotel (Live)
Side D
16. Style It Takes (Live)
17. Paris 1919 (Live)
18. (I Keep A) Close Watch (Live)
19. Thoughtless Kind (Live)
20. Hallelujah (Live)
DISC 03
Side E
21. Fear (Previously Unreleased)
22. Amsterdam (Previously Unreleased)
23. Broken Hearts (Previously Unreleased)
24. Waiting For The Man (Previously Unreleased)
DISC 04
Side F
25. Heartbreak (Previously Unreleased)
26. Fear (Previously Unreleased)
27. Paris 1919 (Previously Unreleased)
28. Antarctica (Previously Unreleased)

Pre-order Fragments of a Rainy Season:
Limited edition triple gatefold 12” vinyl from Domino Mart — http://smarturl.it/FragmentsReissue
Standard double 12” vinyl from Domino Mart — http://smarturl.it/Fragments2LP
Double CD http://smarturl.it/FragmentsReissue
Digitally http://smarturl.it/FragmentsDownload

Neil Young Archives Official Release Series Discs 8.5 – 12 Announced for Black Friday Release Day – New Thoughts on Next Box Sets

neil_young_official_release_series_discs_8point5_through_12_1024x1024

Well, I’ll give Neil Young and Reprise Records credit– they’re pushing the Official Release Series along. Today, out of the blue, I got an email from PopMarket about the pre-order of the 3rd box set of vinyl reissues from his extensive catalog. If you follow this blog, you know I’ve been reporting on this series since the first box set from 2009 and including often incorrect predictions about what would be in the next releases. The second box which brought us up to his 8th album set came out in 2014 for Back to Black Friday that year.

The box sets seem to stick with the 4 LP limit and that is further perpetrated with the “joke” in the title of the third box which says it has 8.5 through 12. I speculated back in 2014 that the next box set would take us through Live Rust, and this one does! My only question was whether Young was going to include the essential The Stills-Young Band album Long May You Run. Since the album was half Stephen Stills songs and given the strained relationship the two have had over the years I thought this release might not make a box. So, this box has 5 albums in it, with Live Rust as a 2 LP. This box has an MSRP of $149.99 so that’s pretty close to what the last box was. With 5 LPs and one a double, that’s a good deal. If you pre-order from PopMarket you can get it for $124.99. Less than $25 per title. Here’s what it incudes:

LP 1: Long May You Run (The Stills-Young Band)

1. Long May You Run
2. Make Love To You
3. Midnight on the Bay
4. Black Coral
5. Ocean Girl
6. Let It Shine
7. 12/8 Blues (All the Same)
8. Fontainebleau
9. Guardian Angel

LP 2: American Stars ‘N Bars

1. The Old Country Waltz
2. Saddle Up the Palomino
3. Hey Babe
4. Hold Back the Tears
5. Bite The Bullet
6. Star of Bethlehem
7. Will to Love
8. Like a Hurricane
9. Homegrown

LP 3: Comes A Time

1. Goin’ Back
2. Comes a Time
3. Look Out for My Love
4. Lotta Love
5. Peace of Mind
6. Human Highway
7. Already One
8. Field of Opportunity
9. Motorcycle Mama
10. Four Strong Winds

LP 4: Rust Never Sleeps (Neil Young & Crazy Horse)

1. My My, Hey Hey
2. Thrasher
3. Ride My Llama
4. Pocahontas
5. Sail Away
6. Powderfinger
7. Welfare Mothers
8. Sedan Delivery
9. Hey Hey, My My (Into The Black)

LP 5: Live Rust (Neil Young & Crazy Horse)

LP 1

1. Sugar Mountain (Live)
2. I Am a Child (Live)
3. Comes A Time (Live)
4. After the Gold Rush (Live)
5. My My, Hey Hey (Out of the Blue) [Live]
6. When You Dance I Can Really Love (Live)
7. The Loner (Live)
8. The Needle and the Damage Done (Live)
9. Lotta Love (Live)
10. Sedan Delivery (Live)

LP 2

1. Powderfinger (Live)
2. Cortez the Killer (Live)
3. Cinammon Girl (Live)
4. Like a Hurricane (Live)
5. Hey Hey, My My (Into the Black) [Live]
6. Tonight’s the Night (Live)

So, a mostly strong box set in my opinion. I’ve never been a big fan of American Stars ‘N Bars, but it has some classics, in particular “Star of Bethlehem” through “Homegrown” (which introduces some of the Homegrown unreleased songs). Rust Never Sleeps is the first Neil Young album I ever bought and it’s still one of my favorites. Live Rust is pretty fantastic, and the accompanying film got a reissue this year.

My Modified Speculation on the future Official Release Series Box Sets

My previous speculation on the fourth box set left some wiggle room on whether Live Rust would be in it based on how they were going to handle The Stills-Young Band release. But, I think the next couple of boxes will be a tough sell as we start getting into Neil’s more experimental period and a litigious label switch to Geffen. We also start running out of “classic” Neil Young catalog, making the general interest in these releases until 21-24 pretty small.

The challenge I see here besides just sales of them, is the groupings of the Reprise and Geffen catalogs. I’m showing these boxes grouped by four chronologically, but the argument could be made to create a “Geffen Years” box collecting just Trans through Life making another 5 LP box (13-17). Then you end up with an improved 5 LP (17-20.5) Reprise box of this period containing Hawks & Doves, Re-ac-tor, This Note’s For You and Freedom with a bonus of the Eldorado EP.

The next box in that scenario would be a big-hitter with Ragged Glory, Arc/Weld, Harvest Moon and Unplugged, taking us to 1993 and over 25 LP’s.

Neil Young Official Release Series Discs 13-16 could include the following albums: Hawks & Doves (1980), Re-ac-tor (1981), Trans (1982) and Everybody’s Rockin’ (1983) bringing the first of the Geffen releases to bear.

Neil Young Official Release Series Discs 17-20 could include the following albums: Old Ways (1985), Landing On Water (1986), Life (1987), This Note’s for You (1988). The last album marks the return of Neil Young to Reprise Records and the end of a rocky relationship with Geffen Records that ended with a lawsuit from the label accusing Neil of releasing works uncharacteristic of his career. The alternative release for this box would be one that completely encompassed the Geffen Years– especially if 13-16 didn’t include Trans and Everybody’s Rockin’.

Neil Young Official Release Series Discs 21-24 could include the following albums: Eldorado EP (1989), Freedom (1989), Ragged Glory (1990), Arc/Weld (1991) This box represents a kind of renaissance for Neil Young and an embracing of the louder sound that he trademarked with Crazy Horse. It should include the Eldorado EP since it was a formal release (even though it was only available in Japan and Australia). I would expect to see a tandem release of Times Square— the lost album that ended up making Freedom, Eldorado and This Note’s For You. He could release that 20-minute version of “Crime in the City (Sixty to Zero)” as part of that.

With his now 2-year gap between these we’d have these through 2022?

 

(Upcoming Release) Tom Petty & The Heartbreakers 1993 “Greatest Hits” Reissued on 2 LP 180g on 7/29/2016

TPH - Greatest HitsFrom the Under the Radar department: I happened to notice on Amazon yesterday that Tom Petty and the Heartbreakers‘ 1993 Greatest Hits was getting the 180g vinyl treatment. Though some might deem it unnecessary to reissue this again, it has only ever existed on vinyl as a foreign pressing. While this compilation is the greatest-selling release in Petty’s catalog at 12 Million copies, it is one that exists only because of an exit strategy that Petty needed to get out of his contract with MCA.

It’s easy to see why this compilation is so popular, Petty’s stint with Shelter/MCA from 1976 to 1993 produced the biggest and most beloved singles and albums of his career. But, by 1993 Petty was already secretly signed to Warner/Reprise by Mo Ostin and Lenny Waronker, and holding the critically-acclaimed Rick Rubin-produced Wildflowers to be the first release on his new label– a result of his increasing disappointment with MCA and in particular label head Al Teller’s handling of his catalog. Petty instructed his manager Tony Dimitriades to meet with Teller and negotiate getting out of his contract without fulfilling the last record due the label, and certainly not giving MCA Wildflowers— what Petty considered to be an artistically important one. Dimitriades recounts the negotiation in Warren Zanes’ book “Petty: The Biography”

“I get to the point and tell [Al Teller] that Tom doesn’t want to give him the last album. Al says, ‘What do you mean he doesn’t want to give us the last album?’ I say, ‘He’s not going to give it to you. He wants to leave. He’s unhappy.’ We’re in this restaurant, you know? And Al says, ‘You can’t do this to me!’ But I could. The artist we were talking about was a guy who chose to file for bankruptcy rather than deliver an album.”

Dimitriades and Teller negotiate and arrive at a greatest hits release (one that they were already planning) with the stipulation that Tom and the Heartbreakers record a new song for it. An idea that Tom hated since he didn’t understand the idea of a new song being on a greatest hits. Conveniently, the song was “Mary Jane’s Last Dance” which became a greatest hit, too.

In 1995 Seagram bought 80% of MCA and rebranded it Universal Music Group and fired Teller in November of that year. In 2003 the MCA catalog was absorbed by UMG label Geffen, which explains why, in 2008, the reissue of Greatest Hits was on Geffen instead of MCA. The 2008 reissue dropped the Thunderclap Newman cover of “Something In The Air” in favor of “Stop Draggin’ My Heart Around” and gave it a new cover.

This new vinyl reissue of Greatest Hits restores the 1993 track list, but uses the 2008 cover– a symptom of it being on Geffen Records, now I expect. They also add the song “Anything That’s Rock n Roll” which was on the UK version of the 2008 reissue.

Side A
1. American Girl
2. Breakdown
3. Anything That’s Rock n Roll
4. Listen To Her Heart
5. I Need To Know
6. Refugee

Side B
1. Don’t Do Me Like That
2. Even The Losers
3. Here Comes My Girl
4. The Waiting
5. You Got Lucky

Side C
1. Don’t Come Around Here No More
2. I Won’t Back Down
3. Runnin’ Down A Dream
4. Free Fallin’

Side D
1. Learning To Fly
2. Into The Great Wide Open
3. Mary Jane’s Last Dance
4. Something In The Air

New Tom Petty Song from Wildflowers Sessions Out – “Somewhere Under Heaven”

Tom Petty - Somewhere Under Heaven

With seemingly very little fanfare a new song was released by Tom Petty today. Titled “Somewhere Under Heaven” it is a song from his planned reissue of his 1994 album Wildflowers. He mentioned this reissue in an interview with Rolling Stone Magazine last year.

Petty has another release that could be out by Christmas: a two-disc reissue of his 1994 Top 10 solo album, Wildflowers, which includes 10 previously unreleased songs. Petty claims one of those finds, “Somewhere Under Heaven,” came as a surprise when he heard it again: “I did not remember writing it, recording it, anything.” He smiles. “And it was really good – uptempo but very unusual, in some strange time signature.”

“Somewhere Under Heaven” will also be on the soundtrack to the upcoming “Entourage” movie. But, you can listen to it on Spotify and download it from Amazon and iTunes as well.

I’m hopeful that this means the expanded Wallflowers possibly titled All The Rest as well as the reissue on vinyl are still on the radar.

 

Daytrotter to Reissue John Denver 1971 Classic on Limited Vinyl

A couple of years ago I had the opportunity to hang out with Sean Moeller at the Horseshack during one particularly sweltery June afternoon over a couple of welcome PBR’s shooting the shit about a lot of stuff, but he shared with me that one of his dreams was to launch a boutique vinyl label. Really, it was the logical progression from the special recording sessions that happen at the studio.

In the ensuing years, we have been treated to a few Daytrotter-partnered releases– notably the Iron & Wine split release with Low Anthem last year comprised of two Daytrotter sessions.

Today a special missive came from the stables announcing that Daytrotter will be reissuing John Denver’s 1971 classic Poems, Prayers & Promises remastered lovingly to vinyl for the album’s 40th anniversary. This album is one of many brilliant folk albums in Denver’s extensive catalog, but has two of the big signature songs, “Take Me Home, Country Roads,” and “Sunshine On My Shoulders” as well as some well-chosen covers of James Taylor’s “Fire and Rain” as well as a startlingly impassioned take on the Beatles classic “Let It Be.”

The release was produced with the participation of Denver’s estate and features an interpretation by in-house artist Johnnie Cluney of the original cover art. The release will be limited to 1000 and available exclusively through the Daytrotter.com website and sold by Wolfgang’s Vault for $12 to peeps who are monthly subscribers (like your truly) or for $18 to everyone else.

This release is pretty damn special, and I’m not ashamed to admit that I got my order in before I reported this you ya’ll (sorry, but that’s how it is).

Click Here to read the post from the Official John Denver site.

BTW: $2 a month is a good deal for a subscription to Daytrotter.com.

(Upcoming Release) Razor & Tie to Reissue Emerson Lake and Palmer Catalog


In a partnership timed well with the recent Pink Floyd catalog rejiggering and revamped reissues from last year, Razor & Tie Records announced that they have struck a multi-year licensing deal for North America with Prog Rock Royalty Emerson Lake & Palmer.

Per Razor & Tie’s press release, the re-release campaign (starting in April according to the band’s website) will focus on the band’s first six albums starting with 1970’s eponymous debut ( with the signature song “Lucky Man”) and ends with the 1974 live album Welcome Back My Friends to the Show the Never Ends... This represents what would be considered by most the band’s most significant output as a group and also represents the band’s output on Island Records (and also the band’s own label Manticore, which was distributed by Island).

The press release also says, “Razor & Tie will actively seek licensing opportunities for the catalog and set up a new direct to consumer store which will feature an array of newly created limited-edition items.” I asked the label if this also meant that there would be new vinyl re-issues of the catalog, and that was confirmed!

The first thing out of the gate is a reissue of the 2008 Greatest Hits compilation Come And See The Show which is currently available on iTunes.

Watch this site for more information about the releases as they are announced!

Post Rock “Template” Albums Talk Talk’s Laughing Stock and Mark Hollis’s Solo Album Reissued on Vinyl 10/11/11

I’ve mentioned Talk Talk’s final studio album before, but it has been a few years. Recorded in 1991, Laughing Stock and the previous album Spirit of Eden were a departures from the band’s more pop efforts previously. These albums represented Talk Talk stretching their creative muscles by incorporating a less-synthesizer and more acoustic instrument approach, drawing from many music styles, but employing a very jazz-influenced approach. It’s this overall ambiance and approach that confounded fans and caused a dramatic drop in sales.

Much as albums from bands like Big Star and Velvet Underground were not big sellers, it would seem that the few that did give Laughing Stock a serious listen found a completely new and compelling album, and this approach is often credited as being the first “post rock” album.

I first heard Laughing Stock when it came out– the guitarist in my college band was a big fan of Talk Talk and raved about this album. Although it was too different for me at the time, I’ve come to appreciate it.

Laughing Stock, and Mark Hollis’s first and only solo album which is similar in sound to Laughing Stock are getting the vinyl treatment on October 11th by Ba Da Bing Records— home of Sharon Van Etten and  The Dead C. This will be the first time that Hollis’s solo album will be released on vinyl in the US.

According to a contact at the label, the LP’s will be “standard weight” (I take this to mean 140g-ish), mastered from the CD masters and will have jackets and art reproduced from the original art.

This release really great news and an essential addition to a collection! They are available for pre-order right now for $16.99 plus shipping.

Click Here to see the Laughing Stock vinyl reissue information at Ba Da Bing.

Click Here to see the Mark Hollis self titled vinyl reissue information at Ba Da Bing.

(Upcoming Release) Snowblink Reissues “Long Live” on Fire Records

Snowblink
One of the vivid memories I have of Daniela Gesundheit of Snowblink is of her standing on the Grand Old Opry-style stage in Green Island, IA during the first Barnstormer tour framed by twinkling strings of Christmas-tree lights– the small crowd armed with small brass bells to ring on cue. Her mellow ambient set was a departure from the mostly-rocking lineup of those shows, but her otherworldly naive charm seemed to dislodge even the most jaded PBR-fueled hipster from their folded arm vantage point. Her music was dew clinging to the small plants on the forest floor. The kind of stuff that faeries would be streaming from their Pandora accounts whilst updating their Facebook statuses.

Daniela and her small band were performing songs from her at-the-time self-released CD Long Live. Songs like “Rut and Nuzzle,” “Ambergris,” and “Stand Where a Fruit Tree Drops the Things It Doesn’t Need” from this album were standout songs I waited anxiously to hear these songs at each of the stops during the Barnstormer tours.

She announced yesterday that Long Live would be re-issued on Fire Records in Europe on November 8th on CD, MP3 and vinyl (yay!) in conjunction with a tour of Europe. Fire will release in the US and Canada in February. The new reissue gets new cover art, too and features the little boy from the “Ambergris” video (below). Long Live is an album I’ve enjoyed for over a year and its one that I always felt should get more exposure, so I hope that Fire can put some promotional support behind it. I plan on picking up the vinyl when it’s available.

Track Listing for Long Live:

1. Rut & Nuzzle
2. Ambergris
3. The Tired Bees
4. Stand Where A Fruit Tree Drops The Things It Doesn’t Need
5. Membrillo
6. Green to Gone
7. Bulb, For Later
8. Divining Rod
9. Sea Change
10. None
11. Heckling The Afterglow
12. This Is This
13. Go Deep (Fon Frank)
14. The Fish of Little Thoughts
15. The Haunt

Click Here to listen to “Rut and Nuzzle” from Long Live (with lyrics!)
Click Here to listen to “Green to Gone” from Long Live (with lyrics!)

Click Here for Snowblink’s Website

Click Here for Snowblink’s Facebook Fanpage

Click Here for Snowblink’s MySpace Page

Click Here to follow Snowblink on Twitter

Click Here for the Long Live page at Fire Records.

Snowblink’s First Daytrotter Session (3/27/2008)
Snowblink’s Second Daytrotter Session (10/22/2008)
Snowblink’s Third Daytrotter Session – Michael Jackson Covers (3/12/2010)

(Upcoming Release) Antibalas – Who Is This America? Reissued on 8/17

I became aware of Antibalas around the time that I was working on a review of the very cool Scion Daptone Records Remixed compilation where I mentioned that Ticklah who is credited with the remix of “How Long Do I Have to Wait” by Sharon Jones and the Dap-Kings, is David Axelrod who, among other things, has been a member of the Brooklyn, NY Afrobeat and funk ensemble since 1999.

Antibalas was formed in 1998 and modeled after Fela Kuti’s Africa 70 band and continues to maintain connections with members of Fela’s bands. In 2008 the band was involved in the off-Broadway and on-Broadway musical of Fela’s life titled Fela! The musical is based on the events of his life and particularly his politically motivated music career and oppression from the Nigerian government.

Antibalas’s influence from Fela Kuti extends further than just their afrobeat style, they also choose to make their music the platform for sharing their political views. No where is this more evident than their third album Who Is This America? which was released in 2004 on Ropeadope records. The band and label felt that their political and social statements on the album are as relevant today as they were during the Bush-era, post 9/11 period they were conceived in.

The re-issue of Who Is This America? will be on CD and digital download with a new bonus track “Money Talks” and with an iTunes-only track “Paz.” Notably, Ropadope is choosing not to release this album on vinyl. As luck would have it, Daptone Records released a vinyl version back in 2004 that seems to still be available on their site for $20 and has the “running man” cover artwork. Daptone also has Antibalas’s 2007 Anti- Records release Security on vinyl as well. Security was produced by John McEntire of Tortoise, incidentally. Ropeadope will have a special edition package that includes the CD, a download and a reprint of the “Running Man” teeshirt ($27.99). You can get just the teeshirt, too.

Click Here to download “Big Man” from Who Is This America?

Click Here to pre-order Who Is This America? from Ropadope.

Click Here to order the original (no bonus tracks) Who Is This America? 2 LP from Daptone.

Click Here for the Antibalas website.

Click Here for the Antibalas MySpace Page

Click Here for the Antibalas Facebook Fan Page

Rolling Stones – Exile On Main Street Reissue Variations

Looking through the Sunday fliers in the paper this morning I noticed that Target is going to have an exclusive CD available on Tuesday May 18th in conjunction with the widely-anticipated reissue of the Rolling Stones landmark 1972 album Exile on Main Street. In true fan-exploitative fashion there will be many versions of this release to choose from. Since I was looking into this, I thought I’d help break this down for the casual shopper.

Exile on Main Street in the new century is largely regarded as  influential in popular music as Sgt. Pepper’s or Pet Sounds. I think that the Rock/Country/Soul/Blues fusion on Exile singlehandedly created what would be known as “Americana” or “Alt.Country. According to Wikipedia, Exile quickly hit #1 on the UK Top 50 and the US Billboard charts, and charted into the Top 10 in the Hot 100 with “Tumbling Dice” and tracks like “Happy” and “Loving Cup” are regarded as standards.

I picked up a used copy of Exile on CD used many years ago. The version I have is the CBS CD pressing from the 80’s (CGK 40489) which proudly announces “2 RECORD SET ON 1 COMPACT DISC.” When the Rolling Stones Records catalog went to Virgin Records they did a remaster of Exile along with the rest of the catalog which was released in July 1994 based on Amazon’s information and came in packaging that looked like the original LP. When I heard that a reissue and remaster was forthcoming, I was interested in replacing my CBS copy. The sheer number of options is surprising, but likely caters to anyone’s needs.

Exile on Main Street (1 CD “Original Recording Remastered”) This is the one that should tide over most Rolling Stones fans. This is the original 18-track album remastered and– according to Amazon.com– is in a special jewel case which will allow it to fit in the “Remasters Box” which was missing Exile. Should be $9.99 this week.

Exile on Main Street Deluxe Edition (2 CD “Deluxe Edition, Extra Tracks, Original Recording Remastered”) This release expands the 1 CD version to include a second 10-track CD of previously-unreleased tracks that were recorded around the same time as the music on Exile. Should be $19.99 this week. Note: If you buy the Deluxe Edition from Best Buy you will get a bonus interview CD.

Exile on Main Street Super Deluxe Edition (2 CD, 1 DVD, 2LP, Hard Cover Book, Original Recording Remastered) This release expands the 2 CD Deluxe Edition to include two LP’s and a 30-minute DVD which has a documentary on Exile which includes footage from “lost” documentary Cocksucker Blues and Ladies and Gentlemen… The Rolling Stones and Stones in Exile. The Ladies and Gentlemen film was a film which “toured” movie theaters in 1974. The film was based on the Exile tour. Also included is a 50-page hardcover book. A really nice package for certain. Should be around $179.98 list price, with Amazon listing it at $139.

Exile on Main Street 2 LP (2 LP, Original Recording Remastered) This is the 2 180g vinyl LP edition of Exile on Main Street in a double-gatefold sleeve. These are the same LP’s included in the Super Deluxe Edition. Should be $34.99 or less.

Exile on Main Street Rarities Edition (1 CD Target and iTunes Exclusive) This is a Target and iTunes exclusive release. This is effectively the second CD in the Deluxe and Super Deluxe editions. Ten tracks recorded during the same time as the Exile on Main Street songs. These songs have been produced and mixed by The Glimmer Twins and Don Was especially for the Exile reissues. The Sunday Target flier says that the Rarities Edition will be available for $9.99. Target also is offering a “Limited Edition Exile on Main Street Rarities Fan Pack” which bundles the Rarities Edition with a cool teeshirt and guitar pick– all for $19.99.

The cool thing about the Target Rarities Edition is that I can pick this single disc up and buy the LP edition and I get a kind of blend of the Deluxe and Super Deluxe editions. I get the main album on LP’s and the bonus tracks on a CD.

Whichever version of Exile on Main Street you choose, it is an essential album for anyone’s collection.

Related Posts with Thumbnails