Tag Archive for 'Jon Brion'

Overheard on TV: Fox’s Dollhouse Gives Knowing Wink With Inclusion of Beck Song

Scene from "Omega" episode of Dollhouse on Fox

Last Friday night’s (May 8th) episode of  Dollhouse titled “Omega” was the season finale for the show– and, of course with all things Fox and Sci-Fi and Whedon the show’s future is in doubt.

The episode does a fairly decent job of providing some plot resolution in the event of not renewing the series. It also opens some new plot possibilities in the event they do renew the series.

In the final scene of the episode the producers of the show use Beck’s version of the Korgis hit song “Everybody’s Got To Learn Sometime” from their 1980 album Dumb Waiters.

Beck’s version of “Everybody’s Got To Learn Sometime”– a collaboration with Jon Brion– was recorded for Michael Gondry’s 2004 film Eternal Sunshine of the Spotless Mind. A connection, frankly, I had never made before!

The inclusion of this song has to be a knowing wink by the producers since “Eternal Sunshine of the Spotless Mind” was also a story about mind erasure. Similarly, the characters in both stories are never truly “erased.”

The song’s melancholy tone and lyrics– although very few (it’s a verse and chorus repeated) fit the mood of the scene and the “change your heart, look around you” seems to fit what’s going on with the characters based on recent story developments. Of course, this is why the song fits in “Eternal Sunshine” as well.

B-Sides in the Bins #22 – Cedar Rapids 2/22 & 2/23/08

Friday night Sherry was at a class, so I decided to hit Half Price Books before coming home from work. I also hit CD’s Plus on Saturday while I was out running some errands. I got some pretty cool stuff, including a CD that I was hoping to snag for a review from a label.

Prince – Purple Rain – 20th Anniversary (2 DVD, Warner Bros. 33533, 2004) ($9.98) One of the cool things about Half Price Books is that they get “cut outs” of CD’s and DVDs. They had two copies of this sealed and notched as cut-out. I had purchased not too long ago a copy of the 1997 release. I think it was in one of the bins at Wal-Mart. This was the “Standard Version” that was pan-and-scan 6×9. The 20th Anniversary version is 2 DVD with a second DVD dedicated to extras like a cool documentary on First Avenue where the live performances were filmed, a making of documentary with interviews with Dr. Z, Wendy and Lisa, Jimmy Jam and others. They also have a somewhat embarrassing “MTV Premiere Party” from the movie premiere complete with interviews of John “Cougar” Mellencamp, “Wierd Al” Yankovic, “rising star” Eddie Murphy, Wendy and Lisa, Little Richard who was in full Bible-thumping mode, and a self-important VJ Mark Goodman. An interesting view into the MTV promotional engine. Talk about non-sequitur interviewees! I guess Eddie Murphy and Little Richard make some kind of sense– but the “Wierd Al” and John Mellencamp interviews were certainly a stretch. Little Richard turned his interview into a thing about him and Murphy makes some funny digs about that. Mark Goodman goads Murphy unsuccessfully to do an impersonation of Prince, and then tries to get him to do an impersonation of James Brown. Eddie says, “I’ve already done that” and walks away. The bonuses also include all of the associated videos from Prince, The Time, and Apollonia 6. Wow, “Sex Shooter” was a really horrible song and even worse video.

As the story goes, Apollonia Kotero replaced Vanity (Denise Matthews) for the lead female part after Vanity broke up with Prince and went solo under a record contract with Motown. So, the remaining members of Vanity 6 (Brenda Bennett and Susan Moonsie) plus actress Patricia Kotero (renamed “Apollonia” by Prince) became Apollonia 6. The Vanity 6/Apollonia 6 girl group was an idea that Prince had for a while and of course created songs for. Apollonia 6 recorded one record tied in with the rest of the records associated with the movie and that was it. Kotero and group were supposed to open the tour with the Revolution and the Time but that never panned out. Interestingly, Prince apparently wrote “Manic Monday” which would eventually go to The Bangles (and likely specifically to Suzanna Hoffs) and “The Glamorous Life” which went to Sheila E. for the Vanity 6/Apollonia 6 projects. Coincidentally, both Vanity and Apollonia have become born-again Christians. Actually, Prince is too, I guess.

The movie is restored to Widescreen and remastered. The old release was really shoddy, and this one is a vast improvement. I see that there is a BluRay version of this available, too. I’ll probably upgrade this copy when I get a BluRay player.

Aimee Mann – Bachelor No. 2 (Or The Last Remains Of The Dodo) (CD, Superego Records, 2000) ($5.98) This is the album that followed the success of the soundtrack to Magnolia. It includes some of the songs from Magnolia– one as an instrumental. Aimee Mann is one of my favorite female musicians and her pairing with Jon Brion is perfect. The songs from Music from the Motion Picture Magnolia and this album would make a nice mix CD. Only “How Am I Different,” “Deathly,” and “You Do” are on both. “Nothing Is Good Enough” appears on the soundtrack as an instrumental.

This was a sealed copy or re-sealed. Aimee’s first release as an independent artist.

Mike’s Mann Mix for the Last Remains of the Magnolia

1. One (from Magnolia)
2. Momentum (from Magnolia)
3. Build That Wall (from Magnolia)
4. Deathly (from Magnolia or Bachelor No. 2)
5. Driving Sideways (from Magnolia)
6. You Do (from Magnolia or Bachelor No. 2)
7. Wise Up (from Magnolia)
8. Save Me (from Magnolia or Bachelor No. 2)
9. How Am I Different (Bachelor No. 2)
10. Nothing Is Good Enough (Bachelor No. 2)
11. Red Vines (Bachelor No. 2)
12. The Fall of the World’s Own Optimist (Bachelor No. 2)
13. Satellite (Bachelor No. 2)
14. Ghost World (Bachelor No. 2)
15. Calling It Quits (Bachelor No. 2)
16. Just Like Anyone (Bachelor No. 2)
17. Susan (Bachelor No. 2)
18. It Takes All Kinds (Bachelor No. 2)
19. Nothing Is Good Enough (Instrumental) (Magnolia)

Pylon – Gyrate Plus (CD, DFA 2181CD, 2007) ($5.98) This is one that I’d hoped would come to me as a promo for review, but at $5.98 used, it was worth buying. I was surprised to see its spine looking up at me from the bins. Pylon was one of the seminal Athens, GA bands and were contemporaries of the B-52’s. Started as a kind of side project for its members who really thought of themselves more of an art collective. They were inspired by the B-52’s very stripped down approach (at least in the early days). I think you can hear a lot of similarities in the tribal dance beats and angular guitars. I became familiar with Pylon through the documentary “Athens, GA Inside/Out” and their performance of “Stop It.” When I got to college in the late 80’s I met a guy named Tom Lally who had the Pylon records on vinyl. These were on the now-defunct DB Recs label. I had made a tape of Gyrate and Chomp. Pylon broke up after Chomp just as they were asked to open for U2. Pylon reformed in 1990 for Chain on the now defunct Sky Records. I bought Chain when it came out and the 1988 Hits compilation on DB Recs. Other than the few tracks on Hits, the tracks from Chomp have not seen re-release. I hope that DFA is planning to reissue Chomp as well.

Listening to these songs again for the first time since the Nineties, I can tell that my remedial bass-playing skills are very influenced by Pylon– especially the track “Volume” on Gyrate. Pylon got back together last year and played a handful of shows to promote this re-issue and there are a couple of them available via BitTorrent.

R.E.M. are fans of Pylon and covered “Crazy” on their Dead Letter Office album of B-Sides.

Click Here to visit Southern Shelter’s page of live mp3’s from Pylon.

Iron and Wine – The Shepherd’s Dog (CD, SubPop SPCD 710, 2007) ($7.99) I got this one from CD’s Plus. I was happy to have stumbled into this one. I was really impressed with Sam Beam’s collaboration with Calexico for the In the Reins EP. Shepherd’s Dog picks up nicely from there. Full instrumentals provided with help again from Joey Burns and Paul Niehaus. Very nice percussion one this record makes it kind of a toe-tapper for me. Sam’s voice is one of my favorites in indie rock today. Brilliant record, I can’t recommend it enough.

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