Tag Archive for 'bandcamp'

(Upcoming Release) Friends Gather to Finish Last Game Theory Album – Supercalifragile Out 8/24/17

At the time of his death in 2013, Scott Miller of seminal power pop bands Game Theory and The Loud Family was working on a new record. He was in varying degrees of completed on a bunch of songs– some songs had vocals and guitar, some of them had detailed notes. His wife Kristine reached out to Ken Stringfellow of The Posies to help coordinate finishing this record titled Supercalifragile based on conversations she had with Miller about the album (which, incidentally always included collaborations of singers and co-writers). In May of  2016, a Kickstarter was established to help fund the completion of the record. By July 4th it was 161% funded! At the time of the launch of the Kickstarter, they had already been recording for over a year, so the fundraising was primarily to wrap up some of the sessions, get mastering done and the rest of the process to get physical and digital product completed and distributed.

The list of contributors to Supercalifragile include former members of Game Theory (Jozef Becker, Nan Becker, Dave Gill, Shelley LaFreniere, Gil Ray, Donnette Thayer, and Suzi Ziegler) and notable guests including (of course) Ken Stringfellow (The Posies, R.E.M., Big Star), Jon Auer (The Posies, Big Star), Aimee Mann, Ted Leo, Peter Buck (R.E.M.), Will Sheff (Okkervil River), Doug Gillard (Guided By Voices, Nada Surf), Mitch Easter, Alison Faith Levy (The Loud Family), Anton Barbeau, Jonathan Segel (Camper Van Beethoven), Allen Clapp (The Orange Peels), John Moremen, Stephane Schuck, Chris Xefos, Dan Vallor (GT Reissue producer for Omnivore),  The inclusion of the former Game Theory members helps add continuity of this release to the Game Theory catalog, which has enjoyed renewed focus in the Omnivore Recordings reissues.

In a post to the Facebook group dedicated to Scott Miller, his wife has posted a lot of wonderful insight into how she and Stringfellow curated the release.

“This album is as close to what Scott would have created as is possible. I knew the artists he wanted to work with (he had even contacted a couple himself before he died as the artists confirmed this with me), and in a few cases which instruments he wanted them to play or which songs he wanted them to sing. Yes, he wanted guest vocalists and cowriters all over the record. Scott and I talked about his ideas and as he had worked with (and socialized and played tennis with) Ken Stringfellow, he proposed Ken help him organize and help produce this project. Scott spoke of having various artists bring their “arcs of influence” to the record. He said he would ultimately have veto power if anything got too out of hand (😉), but he was looking forward to having lots of great artists he admired and/or worked with to participate. (Scott even considered making track breaks mid-song when a new artist was introduced to the album. This was an idea we went with in the traditional sense by bringing on artists for entire songs. Not sure Scott would have brought this unusual idea to fruition or not.) So, in this case, with this record, completed without Scott’s final “veto,” no, we can’t possibly make the exact record Scott would have made. (And in fact, even Scott wouldn’t know what it would become until after working with everyone and it was done!) But with so much overwhelming respect for Scott’s work and in honor of his life, we all kept as much of it “Scott” as we could. All his ideas, all his lyrics, all his riffs, all his ideas for bridges and choruses…everything preserved and used as much as musically possible. In some ways, it might in fact be more “Scott” than the record Scott would have made. ❤️ And that’s why I think we all love it so much.”

In August of 2017 the finished product was shipped out to everyone who contributed to the Kickstarter and early reviews and posts to the Facebook group have been glowing. Now that the Kickstarters have been shipped out the team is ready to make the release generally available. In an email sent to people who signed up from the website, the album will be available on Bandcamp (the link isn’t available yet) this week: August 24th in download, CD and vinyl.

Click Here to Order

Tidal featured the first song from the album, a duet with Aimee Mann called “No Love” and it is striking how Mann’s vocals compliment Miller’s.

Here is a video of a rough take of “I Still Dream of Getting Back to Paris” shot at Abbey Road Studios in London during the recording sessions with Anton Barbeau on vocals. Miller (credited as The Loud Family) and Barbeau put out a kind of split release in 2006 titled What If It Works?

As a long-time fan of Scott Miller’s work, I’m really looking forward to getting this release. Like many, Miller’s sudden and unexpected loss was painful; too early in a career arc that certainly would have generated more significant releases. Supercalifragile brings some closure with this release in that regard and should provide influence for future artists the way the Big Star catalog has.

Order CD, LP or digital at Bandcamp:

(Upcoming Release) Electronic Duo Loess is Back! New Album Pocosin Out 2/17

I think the heyday of bands like Boards of Canada, Autechre, FourTet and Aphex Twin was in the early 2000’s. To be fair, all of these acts are still recording today, but I know I was listening to a lot more of bands that sounded like this back then. One band I discovered back then, through a friend of mine was a duo out of Philly/New Jersey called Loess. Something about Clay Emerson and Ian Pullman’s particular approach to this music really spoke to me, and to this day I still add songs from their catalog to my rotation. There is a loneliness or desolation to their music. Spare beats and distant melodies form the structure for loops of distressed samples. To me, it’s the audio equivalent of a Quay Brothers film.

The last release of all new songs from Loess was 2006’s Wind and Water, its sounds inspired by a relocation to a woodsier southern New Jersey. After a compilation release in 2009 that had some new songs and some rarities titled Burrows, we’ve had radio silence.

Until now. Seemingly out of the blue, we have the announcement of a new album from Loess titled Pocosin, and from the two tracks we’ve heard already it has the sound I’ve come to love over the years. Also, the album art is the trademark desolate and manipulated black and white photos that always fit the mood. The album is on n5MD, the label that also released Wind and Water.

Coming out on February 17th, we have a few different formats– digital download and CD, but also two different versions on vinyl. One is transparent and the other is a white with black splatter. You can listen to “Petrel” and “Striae” from the n5MD Bandcamp page, where you can order it. You can also order it from n5MD directly.

Pocosin Clear Vinyl

Pocosin white and black vinyl.

(Upcoming Release) Hiss Golden Messenger – “Poor Moon” Waxes 11/1/11 – Preorder Bundles Galore

Hiss Golden Messenger is the band name that former Court & Spark members MC Taylor and Scott Hirsch have been using since the dissolution of their previous band in 2007. Since then there have been four releases under this moniker: Live in Big Sur in 2007, Country Hai East Cotton in 2008 (which was re-released last year on Black Maps), and in 2010 we saw Root Work which was based on live in-studio Country Hai tracks and Bad Debt which was a recording of spiritually-themed songs Taylor recorded in his kitchen to a cassette recorder.

On November 1st, Hiss Golden Messenger will be releasing a new album called Poor Moon. Poor Moon will be released on a new record label, Paradise of Bachelors and will come out in a hand-numbered limited edition of 500 on beautiful 150g vinyl with a tip-on sleeve designed by Brendan Greaves from Paradise of Bachelors featuring a beautifully-detailed illustration by Alex Jako.

As if this wasn’t enough reason to jump on this purchase, there are tiers you can purchase at which get you bonus downloads. The base $20 “Oak” level gets you the vinyl on your doorstep around 11/1/11, but also a digital download of the album via Bandcamp on 10/15, so you can enjoy it whilst you wait for the physical version. (By the way, they are charging a very reasonable $5 domestic shipping and handling, as opposed to typical shipping charges seen via TopSpin these days). If you order at the $25 “Ash” level, you get an EP of demos and outtakes titled Lord, I Love the Rain which has some tracks from the Bad Debt sessions as well as some studio tracks from an “conceptual soundtrack” called He Wore Rings on Every Finger. At the $30 “Rowan” level you get the aforementioned EP, plus a live recording from 2008 called Plowed: Live in Bovina which was recorded in upstate New York around the same time that the Root Work radio session was taped.

Notably, the tracks on Lord, I Love The Rain will be the basis of the next HGM release, which is targeted for Spring 2012!

As for Poor Moon itself– the album shares it roots with the kitchen table ruminations of Bad Debt in that most of the songs started there. We get full-band treatments of  “Balthazar’s Song,” “O Little Light,” “Jesus Shot Me in the Head,” a driving “Super Blue (Two Days Clean),” Balthazar’s Song” and “Call Him Daylight” (which was a bonus track on the vinyl version of Bad Debt). The Lord, I Love the Rain EP also includes a Bad Debt version of “Westering.” So, you might consider Bad Debt and Poor Moon together as being a “deluxe” edition.

There are few songwriters today that have the ability to capture the sentiment of reaching desire that really grabs me. I think that MC Taylor is in a small group of current songwriters that includes Kurt Wagner of Lambchop and Richard Buckner that excel in this. If you’ve been following the combined story of The Court & Spark and Hiss Golden Messenger, the music on Poor Moon is not as much a revelation as it is a reinforcement of this fact.

Poor Moon captures a certain timelessness in its sound– the production doesn’t stand in the way of the music. Taylor confirms this in a recent conversation, “That was the intention. I wanted sort of a neutral production with the rhythm section fairly up front– which it is– and more acoustic instruments than Country Hai and Root Work. Country Hai was a concerted effort to feature no acoustic guitar whatsoever.”

To that end, Taylor has never been afraid to draw inspiration from his very diverse musical tastes and Poor Moon to these ears has some subtle but definite vibe and tone from early 70’s Van Morrison and Grateful Dead (more American Beauty than Aoxomoxoa, though). Certainly a more rustic setting than Country Hai, I would say, but no less enjoyable.

Below are the Bandcamp links to samples of tracks from Poor Moon and the two bonus releases and the links to order.

CLICK HERE to go to the Ordering Page for Poor Moon

Click Here for the Hiss Golden Messenger MySpace Page

Click Here for the Hiss Golden Messenger Facebook Page

Click Here for the Paradise of Bachelors Website

Click Here for Heaven and Earth Magic Recording Company

Click Here for MC Taylor’s Blog “The Old Straight Track”

 

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