Archive for the 'In The Bins' Category

(Upcoming Release) Hiss Golden Messenger Collects Pre-Merge Catalog and Rarities In ‘Devotion’ Box Set Out 11/2/2018

News of a new Hiss Golden Messenger release was nestled discretely in a new interview with frontman M.C. Taylor in The Atlantic today. The article mentioned that he’s also working on a new album, keeping up with the nearly-yearly release schedule he’s been maintaining. The article is a nice snapshot of where he is these days, balancing the demands of home life and working musician. The article provides a quick history of Taylor’s career, which is probably new information for many who are only familiar with his recent releases.

This blog started around the time of his previous band The Court & Spark’s last release Hearts in 2006. In fact, I think my review of it might have been the first or second review I did. Just over a year later the band called it quits and Taylor and Scott Hirsch started working on the nascent version of Hiss Golden Messenger. At the time I was exchanging messages on MySpace with Taylor and he sent me rough mixes for what would be the first studio release Country Hai East Cotton. The article in the Atlantic describes it as “[not] bad, just listless.” When I was still in regular communication with Taylor, I used to suggest that he resurrect those songs live, but it was clear he was drawing a line in the sand of his catalog. His 2010 release Bad Debt represented a reboot of his songwriting. He’s quoted in the article: “I had to figure out how to sing a song that I meant, that I could carry around every night for months or years. I didn’t have that when I was in my late teens. I sure as shit didn’t have it in my 20s,” he says. “When I made Bad Debt it felt like I wrote the book of my life. I had never had that feeling creating music before.”

So, this is where the new boxset from Merge Records Devotion: Songs About Rivers and Spirits and Children starts. Due out 11/2, it is a gorgeously appointed package with the three main Hiss Golden Messenger releases that were released on the Paradise of Bachelors label (Bad Debt (2010), Poor Moon (2011), and Haw (2013)) plus a collection of rarities called Virgo Fool. The three albums have been out of print for a while and are now remastered for this box set and will be offered also as regular releases in the Merge catalog with new similarly-themed cover art. Here is what Merge says about the box:

“Individually numbered in a one-time pressing of 2,200 of each format, the four-album set is housed in a beautiful cloth-wrapped slipcase with three-color foil detailing and includes an exclusive foldout poster. Each CD is packaged with liner notes and complete lyrics inside a mini-gatefold wallet with a debossed cover. Each LP, pressed on black vinyl, includes a two-sided insert with liner notes and full lyrics plus a download card, all inside a heavyweight jacket with a debossed cover.”

For the ardent HGM collectors among us, the chance to get the rarities on one LP is worth the price of admission– it is only available in physical format in the box sets. Here is the track list for Virgo Fool along with where the tracks came from:

1. Rock Holy – From the Merge Records 25th Anniversary 7-inch box set Or Thousands of Prizes
2. Black Country Woman – Led Zeppelin cover from the Mojo Magazine compilation Mojo Presents Physical Graffiti Redrawn
3. Joyce & Joel – previously unreleased, but “Joyce & Joel Martin” are credited as being the house where “Brother Do You Know the Road” was recorded.
4. Lion/Lamb – Not sure if this will be the same version, but this song was included on the Root Work, Live on WFMU LP.
5. Father Sky – From the 2012 compilation of outtakes called Lord, I Love The Rain.
6. Issa – Haw outtake included in the digital only Glad EP. We’re missing the other original song “Roll River Roll” from that collection.
7. Back to the River Again – previously unreleased
8. Tell Everyone – Ronnie Lane cover from Lord, I Love The Rain.
9. Karen’s Blues – from Lord, I Love The Rain
10. The Revenant – Michael Hurley cover from Lord, I Love The Rain
11. Hard Promises – previously unreleased

Not one to give it all away, we’re missing a few rarities that maybe we’ll see collected in the future:

“Shiloh Town” : a Tim Hardin cover that was included on a split 7″ with Moviola. RSD 2012 limited to 200.

“Fennario” : a Michael Chapman cover which was included in the tribute album Oh Michael, Look What You’ve Done: Friends Play Michael Chapman. Was also included in the Glad digital EP.

“Brown Eyed Women” from the Day of the Dead Grateful Dead tribute.

“Lion of Judah” : a cover of Clive’s Original Band song. Included on the Glad digital EP.

“The Beast and Dragon, Adored” : Spoon cover from the digital only Or Thousands of Prizes covers collection.

“My Cousin’s King” – Elephant Micah cover from the shared split 7″

“I Wish I Had Not Said That” (JJ Cale cover), “Still Life Blues” (Elephant Micah cover), “Smoke Rings” (David Wiffen cover) from the Three-Lobed Recordings split LP with Michael Chapman as part of their Parallelogram series of collaborative releases.

“Jesus Dub” : Dub version of “Jesus Shot Me In The Head” that was the b-side to the RSD 7″

“Passing Clouds”/”Passing Clouds Dub” – Hiss Golden Messenger meets Spacebomb benefit 7″

There might be other songs I’m forgetting. I like the other songs on the Lord, I Love The Rain, so those could show up on a future collection.

(Upcoming Release) David Sylvian’s Dead Bees On A Cake Gets *Another* Vinyl Reissue With Bonus 10/19/18

 

From Universal/Virgin Records:
“Following on from the phenomenal success of the RSD 2018 white vinyl edition of David Sylvian’s album from 1999, we now present the album on 180 gram black vinyl for the first time. Now expanded with the addition of four non-album tracks, “The Scent of Magnolia”, “Albuquerque (Dobro #6)”, “Cover Me With Flowers” and “Aparna and Nimisha ( Dobro #5)”. The artwork differs from the RSD edition and features a photograph by David’s ex-partner Ingrid, plus some rare photographs by Anton Corbijn.”

I’ll admit that I’ve been occasionally searching the internet to see if Universal would do a regular reissue of one of my favorite David Sylvian albums Dead Bees on A Cake since they did the UK/Australia/Canadian Record Store Day reissue, that I reported on HERE. In a Steve Hoffman forum discussion about the RSD release someone said that there was going to be a black vinyl version of it coming, so rather than bid on the eBay auctions which are running up over US$100, I just kept hopefully waiting. People were reporting bad pressings of the white vinyl version, too.

Yesterday a few places mentioned the release, including a post from Sylvian’s Facebook page:

Some people complained about the original artwork which was a picture of Sylvian and then-wife Ingrid Chavez. It’s a shot similar to the back cover on this release. I’m not sure why they are not using the original artwork.

Like the RSD pressing (which was limited to 1000) the expanded edition takes the release to 2 LP’s by adding four non-album tracks: “The Scent of Magnolia”, “Albuquerque ( Dobro #6 )”, “Cover Me With Flowers” and “Aparna and Nimisha ( Dobro #5 )”. All four of these tracks were included on the 2000 compilation Everything and Nothing.  “The Scent of Magnolia” was the single released with that compilation and is one of my favorite songs from this period and is really completes this album. The “Dobro” tracks feature guitar work from Bill Frisell.

There is also a PledgeMusic Page for it, so you can pre-order the release now for $28.50, but the shipping from the UK to the US is $12.00. When I used PledgeMusic to order the new Calexico, at least I could justify the postage due to the fact that I was getting the unique City Slang pressing (which was signed, too) that had a bonus 12″ with extra songs. This will be a big enough release that I should be able to wait for the always awesome ImportCDs.com to carry it, and if they put it on their eBay site, then the shipping is free.

(Upcoming Release) Lost Coltrane Session from 1963 Will Be Released June 29th : A Deeper Dive

Impulse! Records is calling it “The Holy Grail of Jazz.”

On March 6, 1963, jazz sax legend John Coltrane brought his quartet with McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on drums to Rudy Van Gelder’s studios in Englewood Cliffs, NJ to record a session. The group was in the middle of a  two-week engagement at Birdland in New York City and getting ready to record the John Coltrane and Johnny Hartman album on the 7th. Apparently, the band came into the studio on the 6th with the intention to record an album, as the sessions show they recorded multiple takes of some songs as they refined the tracks. These sessions are now packaged with the help of Coltrane’s son Ravi and will be released in a single album release of selected takes and a two album deluxe release with additional takes as Both Directions At Once: The Lost Album on June 29th.

For some unknown reason these sessions never produced an album. The press release from Impulse! says, “The other non-original composition on the album is “Vilia,” from Franz Lehár’s operetta “The Merry Widow”. The soprano version on the Deluxe Edition is the only track from this session to have been previously released.” The Deluxe Edition also gives us no less than four studio takes of “Impressions” which would make its first official catalog release in 1963 on Coltrane’s second album on Impulse! of the same title as a live version from The Village Vanguard in 1961. During these March 6th sessions “Impressions” was called “Untitled Original Composition” but in fact, these are newer arrangements of the “Impressions” takes from June 20th, 1962. From the 1962 sessions, Take 2 was released on the 2001 Impulse! CD The Very Best of John Coltrane. Strangely, the version on Amazon has a totally different track listing than the one that matches the catalog number on discogs and doesn’t list that take of “Impressions” on it. But, the cover art pictured does show it.

But, the very exciting songs on this release are the brand new original compositions which only have working titles: the descriptively titled “Slow Blues” and two tracks identified only by their matrix numbers, “Untitled Original 11383 (Take 1)” and “Untitled Original 11386 (Take 1).”

The press release from Impulse! said the original master tapes had been destroyed because “Van Gelder wasn’t one for clutter.” Sax legend in his own right and labelmate on Impulse!, Sonny Rollins, pens the liner notes for this release. His Official Facebook page gives a slightly different take on the fate of the tapes saying, “The master tape left in the studio was lost, and it’s likely it was destroyed in the early 70s when the label, Impulse!, was trying to reduce storage fees.”

The tape that was used for this release was a copy on 1/4″ tape that producer Bob Thiele gave to Coltrane to take home. The New York Times reports that the tapes were recently discovered by the family of John Coltrane’s first wife Juanita Naima Coltrane.

According to a poster on Urban75.net, these tapes were part of a collection of tapes the family tried to auction off in 2005, but was blocked by Verve/Universal because they contained recordings that were recorded for Impulse! and as such weren’t owned by Coltrane. Musicologist and jazz historian Barry Kernfield had been hired to catalog the tapes for the auction by the auction house Guernsey’s who was doing a MASSIVE jazz auction including historical artifacts. An article Kernfield posted to his website details the effort:

In September 2004 the New York City auction house Guernsey’s asked me to serve as a historical consultant, cataloguer, and writer in preparation for its first jazz auction, to be held February 20, 2005, at the new jazz venue at Lincoln Center. The auction embraced materials from the estates of John Coltrane, Charlie Parker, Thelonious Monk, Benny Goodman, Eric Dolphy, and Gerry Mulligan, as well as items from Louis Armstrong in the possession of his manager Oscar Cohen (who became president of Associated Booking Corporation following Joe Glaser’s death in 1969), and various images and a trumpet from a living musician, Clark Terry.

Early in December 2004, as Guernsey’s head Arlan Ettinger related it to me, Naima Coltrane’s daughter Saida* (also known as Antonia Andrews) and Saida’s brother Jamail Dennis were delivering paper items to the auction house: musical manuscripts in John Coltrane’s own hand; a letter from Bill Evans to John Coltrane just after Evans quit Miles Davis’s sextet; a postcard from Wayne Shorter, in Marseilles, to Mr. and Mrs. J. Coltrane (“Europe is a drag. I mean really. Just another gig and a place to practise and/or rehearse.”); Shorter’s hand-drawn portrait of Davis; and so forth. At this point, Jamail said to Arlan, “Oh, we have some tapes. Would you be interested in them?” “TAPES?!,” replied Arlan.

During the last three weeks of 2004 I had the unbelievable privilege of identifying and cataloguing the contents of digital copies of 35 reel-to-reel tapes, the contents of which proved to be mainly unreleased recordings by John Coltrane for Impulse! Records at Rudy Van Gelder’s studio in Englewood Cliffs, New Jersey, from 1962 to 1964. I submitted my essay to Guernsey’s the evening of January 2, 2005. Coincidentally the following morning Guernsey’s phoned to report that attorneys for the Impulse! label had just threatened a lawsuit if the reels were not withdrawn from the auction. This was done, and accordingly the essay that appears below was withdrawn from the auction catalogue.

His following list of the archive includes the session from 1963 that makes up Both Directions At Once, but also other interesting outtakes that we hope will also see the light of day. He lists recordings including “perfect 10-inch stereo copies of the master tapes of all six takes (four complete and two fragments) of the presumed lost sextet version of the first movement of A Love Supreme.” The presumed lost full sessions that produced the aforementioned John Coltrane and Johnny Hartman album (and without, apparently, the echo that was added to the original release), and lots of alternate takes of other Coltrane originals and rehearsals he taped at home. I’m guessing that the material for the 2015 “Super Deluxe Edition” of A Love Supreme came from this trove of tapes.

This release is for very good reason very exciting. The recordings capture Coltrane’s Quartet reaching the peak of their powers less than two years before his signature epic A Love Supreme. Looking over the details and listening to the track that is available now, it’s in my opinion a more complete release than the hodgepodge that the Impressions album was and while not as essential as his landmark releases, one that belongs in a collection, I think.

The deluxe vinyl version is really nice, with die cut jackets which expose the photos on the inner sleeves.

Here is a nice review from one of my favorite vinyl video blogs, Vinyl Rewind:

 

(Upcoming Release) David Sylvian’s Dead Bees On A Cake Gets UK RSD 2 LP White Vinyl Reissue With Bonus 4/21/18

 

This year’s Record Store Day list seems to have a lot more interesting releases than previous years– or at least more things I’d consider picking up. One release that is coming out for Record Store Day, but unfortunately not in the U.S. is the (at least for me) long-awaited reissue of David Sylvian‘s 1999 sequel to 1987’s Secrets of the Beehive (another favorite of mine). Dead Bees on a Cake was a return to solo for Sylvian after 12 years of collaborations with the likes of Robert Fripp in Sylvian/Fripp (which was kind of a successor to their collaboration on Return to Earth), two albums with Can’s Holger Czukay, and the abortive quasi-reunion of Sylvian’s first band Japan as Rain Tree Crow.

Dead Bees was recorded while Sylvian was living in Minneapolis with his then-wife Ingrid Chavez (who is pictured on the new reissue album artwork) and echoes the very personal and intimate songwriting that he had for Secrets. A beautiful and sprawling work, it collects pretty much every style of music he had dabbled in leading up to it and introduced some new Eastern spiritual themes not previously represented on his albums. In some ways this is the last album that would feature more conventional song writing from Sylvian. The releases that followed have been a lot more experimental in nature. While I enjoy those releases from him, Dead Bees On A Cake is the album I’ll always go back to because I identify with these songs more.

The UK RSD reissue of Dead Bees On A Cake has brand new cover art using photos from Anton Corbijn and designed by Chris Bigg of v23 fame. Bigg and Vaughan Oliver were the groundbreaking graphic design house for a lot of albums– primarily identified with 4AD records, but they also did the cover art for Secrets of the Beehive. Pressed in complimentary white, the reissue represents the first vinyl version of this album, and expands it to 2 LP’s by adding four non-album tracks: “The Scent of Magnolia”, “Albuquerque ( Dobro #6 )”, “Cover Me With Flowers” and “Aparna and Nimisha ( Dobro #5 )”. All four of these tracks were included on the 2000 compilation Everything and Nothing.  “The Scent of Magnolia” was the single released with that compilation and is one of my favorite songs from this period and is really completes this album. The “Dobro” tracks feature guitar work from Bill Frisell.

Here is what Sylvian said about the reissue on Facebook:

It’s a bummer that we’re not getting this release in the U.S., so I’ll just have to see if I can get one of these for a deal.

(Upcoming Releases) Colemine Releases First Cassettes : Sole Slabs Comp and Orgone Mixtape

Our friends at Colemine Records are dipping their toes in the audio cassette revival  with two releases set to drop 10/14/17 aka Cassette Store Day. For their first releases they picked a couple of real ringers!

One is a cassette reissue of their fantastic and essential singles compilation Sole Slabs Vol. 1 which was originally an RSD release in colored vinyl. It has recently been reissued in black vinyl as well.

The other release is a teaser of an upcoming Orgone release in January. Colemine is going to do a vinyl/CD release of a really great “mixtape” download of covers that Orgone did earlier this year called Underground Mixtape Vol. 1 that includes covers of choice funk and R&B from the likes of The Meters, Otis Redding, P-Funk, Booker T & the MG’s, Aretha Franklin and more.

You can download it from the link above, or you can listen to it here:

Either tape is a reasonable $8.99 from Colemine: Sole Slabs Vol. 1 or Orgone Undercover Mixtape Vol 1.

The Right Now Debuts “Nice Boogie” Remix of “Up All Night” By Buscrates x Nice Recs – Up All Night Mixtape

photo credit Seth Thompson Epiglotic Photographic

It’s pretty exciting to see the momentum of a band building in support of a new album– the renewed energy and mission to get the new music out to the fans. One of the hardest working bands around is Chicago’s R&B and Funk powerhouse The Right Now and on the heels of their latest release Starlight they’re already beating the pavement with hit-and-run shows through the Midwest and making appearances on Chicago TV and radio.

For the last album, the band worked with some Chicago remixers which resulted in some of my favorite dance remixes in recent history. Now for Starlight, we have the first remix of the anthemic “Up All Night” by Buscrates and Nice Recs from Pittsburgh Electro Funk group East Liberty Quarters. The remix largely leaves lead singer Stefani Berecz’s vocals intact while providing a subtle bubbling-under synth beat that would sit comfortably in a mix with Eighties divas Chaka and anything Jam and Lewis produced including Janet’s best work.

When I asked Brendan O’Connell about how he got hooked up with these guys he said, “We’ve known Buscrates since 2010 or 2011 when we used to play Shadow Lounge in Pittsburgh. We reconnected in Pittsburgh when we played there in March. We’ve all kept up with his remix and production stuff online in the interim. He’s great. Heavy shit!”

Heavy shit indeed. I’ve already spun this track a dozen times. Get it in your ears. If you’re a DJ who’d like to include it in your set, hit the band up at their website.

When I asked him for a list of songs that influenced “Up All Night” O’Connell said, “I’ve been to listening to a fair amount of disco and 70s R&B over the past few years and it directly inspired me to write “Up All Night” (and seek out Buscrates to remix it).  Here’s some tunes I can’t get enough of.

“Betcha Wouldn’t Hurt Me” by Quincy Jones

“Haven’t You Heard” by Patrice Rushen

“(Funny) Bone” by Chic

“Runaway Love” by Linda Clifford

“You Gonna Make Me Love Somebody Else” by The Jones Girls

“Hold Tight” by Change

“I’m In Love” by Evelyn Champagne King

“Keep On” D-Train

“Light Up The Night” by The Brothers Johnson

I put together a mixtape of these songs and included the Buscrates remix picking some choice remixes and adding some edits resulting in a shimmering, thumping throwback Disco/Funk mix. Enjoy!

 

(Upcoming Release) Electronic Duo Loess is Back! New Album Pocosin Out 2/17

I think the heyday of bands like Boards of Canada, Autechre, FourTet and Aphex Twin was in the early 2000’s. To be fair, all of these acts are still recording today, but I know I was listening to a lot more of bands that sounded like this back then. One band I discovered back then, through a friend of mine was a duo out of Philly/New Jersey called Loess. Something about Clay Emerson and Ian Pullman’s particular approach to this music really spoke to me, and to this day I still add songs from their catalog to my rotation. There is a loneliness or desolation to their music. Spare beats and distant melodies form the structure for loops of distressed samples. To me, it’s the audio equivalent of a Quay Brothers film.

The last release of all new songs from Loess was 2006’s Wind and Water, its sounds inspired by a relocation to a woodsier southern New Jersey. After a compilation release in 2009 that had some new songs and some rarities titled Burrows, we’ve had radio silence.

Until now. Seemingly out of the blue, we have the announcement of a new album from Loess titled Pocosin, and from the two tracks we’ve heard already it has the sound I’ve come to love over the years. Also, the album art is the trademark desolate and manipulated black and white photos that always fit the mood. The album is on n5MD, the label that also released Wind and Water.

Coming out on February 17th, we have a few different formats– digital download and CD, but also two different versions on vinyl. One is transparent and the other is a white with black splatter. You can listen to “Petrel” and “Striae” from the n5MD Bandcamp page, where you can order it. You can also order it from n5MD directly.

Pocosin Clear Vinyl

Pocosin white and black vinyl.

(Upcoming Release) A Reissue of John Cale’s Revelatory “Fragments of a Rainy Season” Album Out 12/9/16

cale-fragments-of-a-rainy-season

For me, the early Nineties sent Leonard Cohen crashing into my consciousness thanks to a couple of covers and a couple of soundtrack appearances. The Cohen song “Everybody Knows” was featured prominently in the 1990 Christian Slater film “Pump Up The Volume” both as the original Cohen version as well as the Concrete Blonde cover version. In 1991 we were treated to another in that very 1990’s tradition of tribute albums– this time the I’m Your Fan album, which I bought as a completist of the R.E.M. catalog due to their cover of “First We Take Manhattan.” Other notable covers on that soundtrack were “I Can’t Forget” by The Pixies and Lloyd Cole’s cover of “Chelsea Hotel.” But, the cover on here that would launch a million others was the album closer “Hallelujah” done by John Cale as a stripped down midtempo piano and vocal. According to an episode of Malcolm Gladwell’s podcast Revisionist History, Cale heard Cohen do the song live and was moved to cover it himself. When Cale asked Cohen for the lyrics, he was faxed fifteen pages of lyrics. Cale edits the song into the version that is best known. From the podcast, “Cale says, that for his version, he took the “cheeky” parts. He ends up using the first two verses of the original combined with three verses from the live performance. And Cale changes some words – most importantly, he changes the theme and brings back the biblical references that Cohen had in the album version.”

This is the version that Jeff Buckley heard and was moved to cover for his debut album Grace, which is pretty much the gold standard as far as “Hallelujah” versions go.

Getting back to Cale’s version, it would also make an appearance on his 1992 live album Fragments of a Rainy Season, described by Trouser Press as an “auto-retrospective” of Cale’s career made up of solo performances from his 1992 tour. I happened to hear it being played in a record store in Dubuque and bought it on the spot. I was a fan of the Eno/Cale record from 1990 Wrong Way Up, (from which the version of “Cordoba” on this album comes), so I saw this release as complimentary to that. It’s an album I played a lot and still dig out on occasion. It’s a good distilling of Cale’s solo career in that he experimented a lot with sound over the years, so a compilation of his studio work to me would be uneven at best, and in the minimal solo acoustic setting, the vocals and lyrics really shine. Admittedly, Cale’s piano playing is rudamentary, and his use of repeating pedal notes can be a bit grating, but the energy and emotion Cale brought to those performances draws the attention away from that and still ranks as one of my desert-island discs.

So, it’s with a certain sad coincidence that Fragments of a Rainy Season is getting the much-deserved reissue in light of the passing of Leonard Cohen last week. Domino Records is handling the expanded-reissue on CD, download and either a 2 LP or 3 LP reissue. The 3-LP version adds alternate versions of some of the songs with strings and a Velvet Underground song “Waiting for the Man.” The 2-LP version has the same songs as the original 1992 album, but re-sequenced.

The 1992 CD version of Fragments of a Rainy Season kicks off with five performances that, for me really set up the energy of the album: “A Child’s Christmas In Wales,” “Dying On The Vine,” “Cordoba,” “Darling I Need You” and “Paris 1919.” For the upcoming expanded reissue of Fragments on Domino Records the track sequence of the album is dramatically changed up for an unknown reason, and as someone who listens to the album a lot, it’s jarring. But, not so much that it detracts, and in initial listens for me seems to also set the performances up. The album proper (not including the bonus tracks) still ends with “Hallelujah” appropriately.

I’m looking forward to having Fragments of a Rainy Season available in vinyl so I can play it in my living room along with other essential records in my collection. The version of “A Child’s Christmas in Wales” on Fragments kind of makes it a Christmas-y album a little. The song is a musical interpretation of the Dylan Thomas poem that was originally on his 1989 album of Thomas works Words for the Dying which was produced by Brian Eno.

Limited to one pressing, Fragments of A Rainy Season will be released on triple gatefold 12” vinyl featuring an LP of 8 previously unreleased tracks.On Heavyweight Vinyl With Download Card

DISC 01
Side A
01. A Wedding Anniversary (Live)
02. Lie Still, Sleep Becalmed (Live)
03. Do Not Go Gentle Into That Good Night (Live)
04. Cordoba (Live)
05. Buffalo Ballet (Live)
Side B
06. Child’s Christmas In Wales (Live)
07. Darling I Need You (Live)
08. Guts (Live)
09. Ship Of Fools (Live)
10. Leaving It Up To You (Live)
DISC 02
Side C
11. The Ballad Of Cable Hogue (Live)
12. Chinese Envoy (Live)
13. Dying On The Vine (Live)
14. Fear (Is A Man’s Best Friend) (Live)
15. Heartbreak Hotel (Live)
Side D
16. Style It Takes (Live)
17. Paris 1919 (Live)
18. (I Keep A) Close Watch (Live)
19. Thoughtless Kind (Live)
20. Hallelujah (Live)
DISC 03
Side E
21. Fear (Previously Unreleased)
22. Amsterdam (Previously Unreleased)
23. Broken Hearts (Previously Unreleased)
24. Waiting For The Man (Previously Unreleased)
DISC 04
Side F
25. Heartbreak (Previously Unreleased)
26. Fear (Previously Unreleased)
27. Paris 1919 (Previously Unreleased)
28. Antarctica (Previously Unreleased)

Pre-order Fragments of a Rainy Season:
Limited edition triple gatefold 12” vinyl from Domino Mart — http://smarturl.it/FragmentsReissue
Standard double 12” vinyl from Domino Mart — http://smarturl.it/Fragments2LP
Double CD http://smarturl.it/FragmentsReissue
Digitally http://smarturl.it/FragmentsDownload

Neil Young Archives Official Release Series Discs 8.5 – 12 Announced for Black Friday Release Day – New Thoughts on Next Box Sets

neil_young_official_release_series_discs_8point5_through_12_1024x1024

Well, I’ll give Neil Young and Reprise Records credit– they’re pushing the Official Release Series along. Today, out of the blue, I got an email from PopMarket about the pre-order of the 3rd box set of vinyl reissues from his extensive catalog. If you follow this blog, you know I’ve been reporting on this series since the first box set from 2009 and including often incorrect predictions about what would be in the next releases. The second box which brought us up to his 8th album set came out in 2014 for Back to Black Friday that year.

The box sets seem to stick with the 4 LP limit and that is further perpetrated with the “joke” in the title of the third box which says it has 8.5 through 12. I speculated back in 2014 that the next box set would take us through Live Rust, and this one does! My only question was whether Young was going to include the essential The Stills-Young Band album Long May You Run. Since the album was half Stephen Stills songs and given the strained relationship the two have had over the years I thought this release might not make a box. So, this box has 5 albums in it, with Live Rust as a 2 LP. This box has an MSRP of $149.99 so that’s pretty close to what the last box was. With 5 LPs and one a double, that’s a good deal. If you pre-order from PopMarket you can get it for $124.99. Less than $25 per title. Here’s what it incudes:

LP 1: Long May You Run (The Stills-Young Band)

1. Long May You Run
2. Make Love To You
3. Midnight on the Bay
4. Black Coral
5. Ocean Girl
6. Let It Shine
7. 12/8 Blues (All the Same)
8. Fontainebleau
9. Guardian Angel

LP 2: American Stars ‘N Bars

1. The Old Country Waltz
2. Saddle Up the Palomino
3. Hey Babe
4. Hold Back the Tears
5. Bite The Bullet
6. Star of Bethlehem
7. Will to Love
8. Like a Hurricane
9. Homegrown

LP 3: Comes A Time

1. Goin’ Back
2. Comes a Time
3. Look Out for My Love
4. Lotta Love
5. Peace of Mind
6. Human Highway
7. Already One
8. Field of Opportunity
9. Motorcycle Mama
10. Four Strong Winds

LP 4: Rust Never Sleeps (Neil Young & Crazy Horse)

1. My My, Hey Hey
2. Thrasher
3. Ride My Llama
4. Pocahontas
5. Sail Away
6. Powderfinger
7. Welfare Mothers
8. Sedan Delivery
9. Hey Hey, My My (Into The Black)

LP 5: Live Rust (Neil Young & Crazy Horse)

LP 1

1. Sugar Mountain (Live)
2. I Am a Child (Live)
3. Comes A Time (Live)
4. After the Gold Rush (Live)
5. My My, Hey Hey (Out of the Blue) [Live]
6. When You Dance I Can Really Love (Live)
7. The Loner (Live)
8. The Needle and the Damage Done (Live)
9. Lotta Love (Live)
10. Sedan Delivery (Live)

LP 2

1. Powderfinger (Live)
2. Cortez the Killer (Live)
3. Cinammon Girl (Live)
4. Like a Hurricane (Live)
5. Hey Hey, My My (Into the Black) [Live]
6. Tonight’s the Night (Live)

So, a mostly strong box set in my opinion. I’ve never been a big fan of American Stars ‘N Bars, but it has some classics, in particular “Star of Bethlehem” through “Homegrown” (which introduces some of the Homegrown unreleased songs). Rust Never Sleeps is the first Neil Young album I ever bought and it’s still one of my favorites. Live Rust is pretty fantastic, and the accompanying film got a reissue this year.

My Modified Speculation on the future Official Release Series Box Sets

My previous speculation on the fourth box set left some wiggle room on whether Live Rust would be in it based on how they were going to handle The Stills-Young Band release. But, I think the next couple of boxes will be a tough sell as we start getting into Neil’s more experimental period and a litigious label switch to Geffen. We also start running out of “classic” Neil Young catalog, making the general interest in these releases until 21-24 pretty small.

The challenge I see here besides just sales of them, is the groupings of the Reprise and Geffen catalogs. I’m showing these boxes grouped by four chronologically, but the argument could be made to create a “Geffen Years” box collecting just Trans through Life making another 5 LP box (13-17). Then you end up with an improved 5 LP (17-20.5) Reprise box of this period containing Hawks & Doves, Re-ac-tor, This Note’s For You and Freedom with a bonus of the Eldorado EP.

The next box in that scenario would be a big-hitter with Ragged Glory, Arc/Weld, Harvest Moon and Unplugged, taking us to 1993 and over 25 LP’s.

Neil Young Official Release Series Discs 13-16 could include the following albums: Hawks & Doves (1980), Re-ac-tor (1981), Trans (1982) and Everybody’s Rockin’ (1983) bringing the first of the Geffen releases to bear.

Neil Young Official Release Series Discs 17-20 could include the following albums: Old Ways (1985), Landing On Water (1986), Life (1987), This Note’s for You (1988). The last album marks the return of Neil Young to Reprise Records and the end of a rocky relationship with Geffen Records that ended with a lawsuit from the label accusing Neil of releasing works uncharacteristic of his career. The alternative release for this box would be one that completely encompassed the Geffen Years– especially if 13-16 didn’t include Trans and Everybody’s Rockin’.

Neil Young Official Release Series Discs 21-24 could include the following albums: Eldorado EP (1989), Freedom (1989), Ragged Glory (1990), Arc/Weld (1991) This box represents a kind of renaissance for Neil Young and an embracing of the louder sound that he trademarked with Crazy Horse. It should include the Eldorado EP since it was a formal release (even though it was only available in Japan and Australia). I would expect to see a tandem release of Times Square— the lost album that ended up making Freedom, Eldorado and This Note’s For You. He could release that 20-minute version of “Crime in the City (Sixty to Zero)” as part of that.

With his now 2-year gap between these we’d have these through 2022?

 

(Upcoming Release) Seminal Athens, GA Band Pylon is BACK with Live Album Out July 25, 2016

Pylon - Live

By the time I first heard Pylon, they had already broken up.  They were featured prominently in the documentary film Athens, GA: Inside Out and its associated sountrack on IRS Records. I bought the soundtrack first– I had heard that R.E.M. had a couple of songs on it, so the completist I was, I needed to own the soundtrack.. The R.E.M. songs were good, and the band I had at the time did a similar version of “Swan Swan H” though we couldn’t really tackle the harmonies of “(All I’ve Got To Do is) Dream.”

But, the real eye-opener was all of the other unknown bands on the album. I really loved Love Tractor, and to this day is still one of my favorites, and The Squalls, and Dreams So Real (who were swept up by a major and then lost forever). I wasn’t sure what to make of the dissonant and angular music of Pylon, whose live version of “Stop It” was kind of the centerpiece of the soundtrack. It wasn’t until I finally saw the film on VHS that I really understood that Pylon was one of the early bands in the scene and all of the other bands really looked up to them, including my heroes R.E.M., who covered “Crazy” which was included in the odds-n-sods compilation Dead Letter Office. I started college later in 1987, and found friends who were really into the Athens scene and I borrowed the two albums Chomp and Gyrate and made a tape of them and was quickly a fan.

The band broke up because they were tired of the pressures that come with a band that was rising from obscurity. In 1990, seemingly out of nowhere the band was back. In an interview with Perfect Sound Forever, they said that they realized that interest in the band wouldn’t die, and they were all still living in Athens, so they decided to reform. The put together a “greatest hits” of sorts called Hits, and then recorded a new album Chain in 1990. By that time, their unique sound wasn’t as leftfield as it was earlier. In fact, bands like The Sugarcubes probably owed a lot to the groundbreaking Pylon. But, they wouldn’t stay together for long after that.

Some time in 2004, the band reunited again and enjoyed notoriety spurred on by the CD reissue campaign of Chomp and Gyrate by DFA Records (now out-of-print again, and going for insane prices).  The band played shows and, I for one was happy they were back. The band broke up officially again in 2009, following the unexpected death of Randall Bewley.

So, in 2016 we have some developments in the Pylon camp.  In March it was announced that a 1980 performance at Danceteria by Pylon in the archives of Pat Ivers and Emily Armstrong as part of the Nightclubbing TV show from NYC that captured the early days of Punk and New Wave. There were select screenings of the show with Q&A from the band. Then, in April the band announced a 7″ of live tracks from their last show in Athens, GA in 1983 at the Mad Hatter. This show was captured to video and multitrack audio for a pilot for a failed PBS series called Athens Shows.

It turns out that the 7″ was a taste of what was to come. On July 25th– Randal Bewley’s birthday– Pylon is releasing a 2 LP and digital download version of the last show in Athens titled simply PYLON LIVE. Pylon was a force to be reckoned with live and this album captures them at the peak of their powers with a setlist that picks the great tracks from the 2 LPs and drops in a couple of rarities. “Party Zone” was only available on a rare DB Recs compilation and Pylonized cover of the Batman TV theme with new lyrics.

The vinyl package comes in three different colors– 200 on magenta vinyl (which compliments the cover well) and 200 on clear vinyl. The rest are on black vinyl. The LP’s are a reasonable $29.99 plus about $5 shipping. The digital download is $8.99. If you pre-order, you get immediate download of “Volume.” Here it is in their Bandcamp player:

PYLON LIVE is available for pre-order at chunklet.com, chunklet.bandcamp.com, iTunes, Amazon, and wherever digital music is sold.

Limited to 200 on magenta vinyl.
Limited to 200 on clear vinyl.
Unlimited on black vinyl.
Track List:

SIDE A
Working is No Problem
Driving School
No Clocks
Altitude
Gravity

SIDE B
Crazy
K
Cool
Italian Movie Theme
Buzz

SIDE C
Danger
Reptiles
Stop It
Feast On My Heart
Beep

SIDE D
M Train
Volume
Weather Radio
Party Zone
Batman

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