Archive for the 'Downloads' Category

(Upcoming Release) Lost Coltrane Session from 1963 Will Be Released June 29th : A Deeper Dive

Impulse! Records is calling it “The Holy Grail of Jazz.”

On March 6, 1963, jazz sax legend John Coltrane brought his quartet with McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on drums to Rudy Van Gelder’s studios in Englewood Cliffs, NJ to record a session. The group was in the middle of a  two-week engagement at Birdland in New York City and getting ready to record the John Coltrane and Johnny Hartman album on the 7th. Apparently, the band came into the studio on the 6th with the intention to record an album, as the sessions show they recorded multiple takes of some songs as they refined the tracks. These sessions are now packaged with the help of Coltrane’s son Ravi and will be released in a single album release of selected takes and a two album deluxe release with additional takes as Both Directions At Once: The Lost Album on June 29th.

For some unknown reason these sessions never produced an album. The press release from Impulse! says, “The other non-original composition on the album is “Vilia,” from Franz Lehár’s operetta “The Merry Widow”. The soprano version on the Deluxe Edition is the only track from this session to have been previously released.” The Deluxe Edition also gives us no less than four studio takes of “Impressions” which would make its first official catalog release in 1963 on Coltrane’s second album on Impulse! of the same title as a live version from The Village Vanguard in 1961. During these March 6th sessions “Impressions” was called “Untitled Original Composition” but in fact, these are newer arrangements of the “Impressions” takes from June 20th, 1962. From the 1962 sessions, Take 2 was released on the 2001 Impulse! CD The Very Best of John Coltrane. Strangely, the version on Amazon has a totally different track listing than the one that matches the catalog number on discogs and doesn’t list that take of “Impressions” on it. But, the cover art pictured does show it.

But, the very exciting songs on this release are the brand new original compositions which only have working titles: the descriptively titled “Slow Blues” and two tracks identified only by their matrix numbers, “Untitled Original 11383 (Take 1)” and “Untitled Original 11386 (Take 1).”

The press release from Impulse! said the original master tapes had been destroyed because “Van Gelder wasn’t one for clutter.” Sax legend in his own right and labelmate on Impulse!, Sonny Rollins, pens the liner notes for this release. His Official Facebook page gives a slightly different take on the fate of the tapes saying, “The master tape left in the studio was lost, and it’s likely it was destroyed in the early 70s when the label, Impulse!, was trying to reduce storage fees.”

The tape that was used for this release was a copy on 1/4″ tape that producer Bob Thiele gave to Coltrane to take home. The New York Times reports that the tapes were recently discovered by the family of John Coltrane’s first wife Juanita Naima Coltrane.

According to a poster on Urban75.net, these tapes were part of a collection of tapes the family tried to auction off in 2005, but was blocked by Verve/Universal because they contained recordings that were recorded for Impulse! and as such weren’t owned by Coltrane. Musicologist and jazz historian Barry Kernfield had been hired to catalog the tapes for the auction by the auction house Guernsey’s who was doing a MASSIVE jazz auction including historical artifacts. An article Kernfield posted to his website details the effort:

In September 2004 the New York City auction house Guernsey’s asked me to serve as a historical consultant, cataloguer, and writer in preparation for its first jazz auction, to be held February 20, 2005, at the new jazz venue at Lincoln Center. The auction embraced materials from the estates of John Coltrane, Charlie Parker, Thelonious Monk, Benny Goodman, Eric Dolphy, and Gerry Mulligan, as well as items from Louis Armstrong in the possession of his manager Oscar Cohen (who became president of Associated Booking Corporation following Joe Glaser’s death in 1969), and various images and a trumpet from a living musician, Clark Terry.

Early in December 2004, as Guernsey’s head Arlan Ettinger related it to me, Naima Coltrane’s daughter Saida* (also known as Antonia Andrews) and Saida’s brother Jamail Dennis were delivering paper items to the auction house: musical manuscripts in John Coltrane’s own hand; a letter from Bill Evans to John Coltrane just after Evans quit Miles Davis’s sextet; a postcard from Wayne Shorter, in Marseilles, to Mr. and Mrs. J. Coltrane (“Europe is a drag. I mean really. Just another gig and a place to practise and/or rehearse.”); Shorter’s hand-drawn portrait of Davis; and so forth. At this point, Jamail said to Arlan, “Oh, we have some tapes. Would you be interested in them?” “TAPES?!,” replied Arlan.

During the last three weeks of 2004 I had the unbelievable privilege of identifying and cataloguing the contents of digital copies of 35 reel-to-reel tapes, the contents of which proved to be mainly unreleased recordings by John Coltrane for Impulse! Records at Rudy Van Gelder’s studio in Englewood Cliffs, New Jersey, from 1962 to 1964. I submitted my essay to Guernsey’s the evening of January 2, 2005. Coincidentally the following morning Guernsey’s phoned to report that attorneys for the Impulse! label had just threatened a lawsuit if the reels were not withdrawn from the auction. This was done, and accordingly the essay that appears below was withdrawn from the auction catalogue.

His following list of the archive includes the session from 1963 that makes up Both Directions At Once, but also other interesting outtakes that we hope will also see the light of day. He lists recordings including “perfect 10-inch stereo copies of the master tapes of all six takes (four complete and two fragments) of the presumed lost sextet version of the first movement of A Love Supreme.” The presumed lost full sessions that produced the aforementioned John Coltrane and Johnny Hartman album (and without, apparently, the echo that was added to the original release), and lots of alternate takes of other Coltrane originals and rehearsals he taped at home. I’m guessing that the material for the 2015 “Super Deluxe Edition” of A Love Supreme came from this trove of tapes.

This release is for very good reason very exciting. The recordings capture Coltrane’s Quartet reaching the peak of their powers less than two years before his signature epic A Love Supreme. Looking over the details and listening to the track that is available now, it’s in my opinion a more complete release than the hodgepodge that the Impressions album was and while not as essential as his landmark releases, one that belongs in a collection, I think.

The deluxe vinyl version is really nice, with die cut jackets which expose the photos on the inner sleeves.

 

(Upcoming Releases) Colemine Releases First Cassettes : Sole Slabs Comp and Orgone Mixtape

Our friends at Colemine Records are dipping their toes in the audio cassette revival  with two releases set to drop 10/14/17 aka Cassette Store Day. For their first releases they picked a couple of real ringers!

One is a cassette reissue of their fantastic and essential singles compilation Sole Slabs Vol. 1 which was originally an RSD release in colored vinyl. It has recently been reissued in black vinyl as well.

The other release is a teaser of an upcoming Orgone release in January. Colemine is going to do a vinyl/CD release of a really great “mixtape” download of covers that Orgone did earlier this year called Underground Mixtape Vol. 1 that includes covers of choice funk and R&B from the likes of The Meters, Otis Redding, P-Funk, Booker T & the MG’s, Aretha Franklin and more.

You can download it from the link above, or you can listen to it here:

Either tape is a reasonable $8.99 from Colemine: Sole Slabs Vol. 1 or Orgone Undercover Mixtape Vol 1.

(Upcoming Release) Friends Gather to Finish Last Game Theory Album – Supercalifragile Out 8/24/17

At the time of his death in 2013, Scott Miller of seminal power pop bands Game Theory and The Loud Family was working on a new record. He was in varying degrees of completed on a bunch of songs– some songs had vocals and guitar, some of them had detailed notes. His wife Kristine reached out to Ken Stringfellow of The Posies to help coordinate finishing this record titled Supercalifragile based on conversations she had with Miller about the album (which, incidentally always included collaborations of singers and co-writers). In May of  2016, a Kickstarter was established to help fund the completion of the record. By July 4th it was 161% funded! At the time of the launch of the Kickstarter, they had already been recording for over a year, so the fundraising was primarily to wrap up some of the sessions, get mastering done and the rest of the process to get physical and digital product completed and distributed.

The list of contributors to Supercalifragile include former members of Game Theory (Jozef Becker, Nan Becker, Dave Gill, Shelley LaFreniere, Gil Ray, Donnette Thayer, and Suzi Ziegler) and notable guests including (of course) Ken Stringfellow (The Posies, R.E.M., Big Star), Jon Auer (The Posies, Big Star), Aimee Mann, Ted Leo, Peter Buck (R.E.M.), Will Sheff (Okkervil River), Doug Gillard (Guided By Voices, Nada Surf), Mitch Easter, Alison Faith Levy (The Loud Family), Anton Barbeau, Jonathan Segel (Camper Van Beethoven), Allen Clapp (The Orange Peels), John Moremen, Stephane Schuck, Chris Xefos, Dan Vallor (GT Reissue producer for Omnivore),  The inclusion of the former Game Theory members helps add continuity of this release to the Game Theory catalog, which has enjoyed renewed focus in the Omnivore Recordings reissues.

In a post to the Facebook group dedicated to Scott Miller, his wife has posted a lot of wonderful insight into how she and Stringfellow curated the release.

“This album is as close to what Scott would have created as is possible. I knew the artists he wanted to work with (he had even contacted a couple himself before he died as the artists confirmed this with me), and in a few cases which instruments he wanted them to play or which songs he wanted them to sing. Yes, he wanted guest vocalists and cowriters all over the record. Scott and I talked about his ideas and as he had worked with (and socialized and played tennis with) Ken Stringfellow, he proposed Ken help him organize and help produce this project. Scott spoke of having various artists bring their “arcs of influence” to the record. He said he would ultimately have veto power if anything got too out of hand (😉), but he was looking forward to having lots of great artists he admired and/or worked with to participate. (Scott even considered making track breaks mid-song when a new artist was introduced to the album. This was an idea we went with in the traditional sense by bringing on artists for entire songs. Not sure Scott would have brought this unusual idea to fruition or not.) So, in this case, with this record, completed without Scott’s final “veto,” no, we can’t possibly make the exact record Scott would have made. (And in fact, even Scott wouldn’t know what it would become until after working with everyone and it was done!) But with so much overwhelming respect for Scott’s work and in honor of his life, we all kept as much of it “Scott” as we could. All his ideas, all his lyrics, all his riffs, all his ideas for bridges and choruses…everything preserved and used as much as musically possible. In some ways, it might in fact be more “Scott” than the record Scott would have made. ❤️ And that’s why I think we all love it so much.”

In August of 2017 the finished product was shipped out to everyone who contributed to the Kickstarter and early reviews and posts to the Facebook group have been glowing. Now that the Kickstarters have been shipped out the team is ready to make the release generally available. In an email sent to people who signed up from the website, the album will be available on Bandcamp (the link isn’t available yet) this week: August 24th in download, CD and vinyl.

Click Here to Order

Tidal featured the first song from the album, a duet with Aimee Mann called “No Love” and it is striking how Mann’s vocals compliment Miller’s.

Here is a video of a rough take of “I Still Dream of Getting Back to Paris” shot at Abbey Road Studios in London during the recording sessions with Anton Barbeau on vocals. Miller (credited as The Loud Family) and Barbeau put out a kind of split release in 2006 titled What If It Works?

As a long-time fan of Scott Miller’s work, I’m really looking forward to getting this release. Like many, Miller’s sudden and unexpected loss was painful; too early in a career arc that certainly would have generated more significant releases. Supercalifragile brings some closure with this release in that regard and should provide influence for future artists the way the Big Star catalog has.

Order CD, LP or digital at Bandcamp:

(Upcoming Release) A Reissue of John Cale’s Revelatory “Fragments of a Rainy Season” Album Out 12/9/16

cale-fragments-of-a-rainy-season

For me, the early Nineties sent Leonard Cohen crashing into my consciousness thanks to a couple of covers and a couple of soundtrack appearances. The Cohen song “Everybody Knows” was featured prominently in the 1990 Christian Slater film “Pump Up The Volume” both as the original Cohen version as well as the Concrete Blonde cover version. In 1991 we were treated to another in that very 1990’s tradition of tribute albums– this time the I’m Your Fan album, which I bought as a completist of the R.E.M. catalog due to their cover of “First We Take Manhattan.” Other notable covers on that soundtrack were “I Can’t Forget” by The Pixies and Lloyd Cole’s cover of “Chelsea Hotel.” But, the cover on here that would launch a million others was the album closer “Hallelujah” done by John Cale as a stripped down midtempo piano and vocal. According to an episode of Malcolm Gladwell’s podcast Revisionist History, Cale heard Cohen do the song live and was moved to cover it himself. When Cale asked Cohen for the lyrics, he was faxed fifteen pages of lyrics. Cale edits the song into the version that is best known. From the podcast, “Cale says, that for his version, he took the “cheeky” parts. He ends up using the first two verses of the original combined with three verses from the live performance. And Cale changes some words – most importantly, he changes the theme and brings back the biblical references that Cohen had in the album version.”

This is the version that Jeff Buckley heard and was moved to cover for his debut album Grace, which is pretty much the gold standard as far as “Hallelujah” versions go.

Getting back to Cale’s version, it would also make an appearance on his 1992 live album Fragments of a Rainy Season, described by Trouser Press as an “auto-retrospective” of Cale’s career made up of solo performances from his 1992 tour. I happened to hear it being played in a record store in Dubuque and bought it on the spot. I was a fan of the Eno/Cale record from 1990 Wrong Way Up, (from which the version of “Cordoba” on this album comes), so I saw this release as complimentary to that. It’s an album I played a lot and still dig out on occasion. It’s a good distilling of Cale’s solo career in that he experimented a lot with sound over the years, so a compilation of his studio work to me would be uneven at best, and in the minimal solo acoustic setting, the vocals and lyrics really shine. Admittedly, Cale’s piano playing is rudamentary, and his use of repeating pedal notes can be a bit grating, but the energy and emotion Cale brought to those performances draws the attention away from that and still ranks as one of my desert-island discs.

So, it’s with a certain sad coincidence that Fragments of a Rainy Season is getting the much-deserved reissue in light of the passing of Leonard Cohen last week. Domino Records is handling the expanded-reissue on CD, download and either a 2 LP or 3 LP reissue. The 3-LP version adds alternate versions of some of the songs with strings and a Velvet Underground song “Waiting for the Man.” The 2-LP version has the same songs as the original 1992 album, but re-sequenced.

The 1992 CD version of Fragments of a Rainy Season kicks off with five performances that, for me really set up the energy of the album: “A Child’s Christmas In Wales,” “Dying On The Vine,” “Cordoba,” “Darling I Need You” and “Paris 1919.” For the upcoming expanded reissue of Fragments on Domino Records the track sequence of the album is dramatically changed up for an unknown reason, and as someone who listens to the album a lot, it’s jarring. But, not so much that it detracts, and in initial listens for me seems to also set the performances up. The album proper (not including the bonus tracks) still ends with “Hallelujah” appropriately.

I’m looking forward to having Fragments of a Rainy Season available in vinyl so I can play it in my living room along with other essential records in my collection. The version of “A Child’s Christmas in Wales” on Fragments kind of makes it a Christmas-y album a little. The song is a musical interpretation of the Dylan Thomas poem that was originally on his 1989 album of Thomas works Words for the Dying which was produced by Brian Eno.

Limited to one pressing, Fragments of A Rainy Season will be released on triple gatefold 12” vinyl featuring an LP of 8 previously unreleased tracks.On Heavyweight Vinyl With Download Card

DISC 01
Side A
01. A Wedding Anniversary (Live)
02. Lie Still, Sleep Becalmed (Live)
03. Do Not Go Gentle Into That Good Night (Live)
04. Cordoba (Live)
05. Buffalo Ballet (Live)
Side B
06. Child’s Christmas In Wales (Live)
07. Darling I Need You (Live)
08. Guts (Live)
09. Ship Of Fools (Live)
10. Leaving It Up To You (Live)
DISC 02
Side C
11. The Ballad Of Cable Hogue (Live)
12. Chinese Envoy (Live)
13. Dying On The Vine (Live)
14. Fear (Is A Man’s Best Friend) (Live)
15. Heartbreak Hotel (Live)
Side D
16. Style It Takes (Live)
17. Paris 1919 (Live)
18. (I Keep A) Close Watch (Live)
19. Thoughtless Kind (Live)
20. Hallelujah (Live)
DISC 03
Side E
21. Fear (Previously Unreleased)
22. Amsterdam (Previously Unreleased)
23. Broken Hearts (Previously Unreleased)
24. Waiting For The Man (Previously Unreleased)
DISC 04
Side F
25. Heartbreak (Previously Unreleased)
26. Fear (Previously Unreleased)
27. Paris 1919 (Previously Unreleased)
28. Antarctica (Previously Unreleased)

Pre-order Fragments of a Rainy Season:
Limited edition triple gatefold 12” vinyl from Domino Mart — http://smarturl.it/FragmentsReissue
Standard double 12” vinyl from Domino Mart — http://smarturl.it/Fragments2LP
Double CD http://smarturl.it/FragmentsReissue
Digitally http://smarturl.it/FragmentsDownload

(Upcoming Release) Seminal Athens, GA Band Pylon is BACK with Live Album Out July 25, 2016

Pylon - Live

By the time I first heard Pylon, they had already broken up.  They were featured prominently in the documentary film Athens, GA: Inside Out and its associated sountrack on IRS Records. I bought the soundtrack first– I had heard that R.E.M. had a couple of songs on it, so the completist I was, I needed to own the soundtrack.. The R.E.M. songs were good, and the band I had at the time did a similar version of “Swan Swan H” though we couldn’t really tackle the harmonies of “(All I’ve Got To Do is) Dream.”

But, the real eye-opener was all of the other unknown bands on the album. I really loved Love Tractor, and to this day is still one of my favorites, and The Squalls, and Dreams So Real (who were swept up by a major and then lost forever). I wasn’t sure what to make of the dissonant and angular music of Pylon, whose live version of “Stop It” was kind of the centerpiece of the soundtrack. It wasn’t until I finally saw the film on VHS that I really understood that Pylon was one of the early bands in the scene and all of the other bands really looked up to them, including my heroes R.E.M., who covered “Crazy” which was included in the odds-n-sods compilation Dead Letter Office. I started college later in 1987, and found friends who were really into the Athens scene and I borrowed the two albums Chomp and Gyrate and made a tape of them and was quickly a fan.

The band broke up because they were tired of the pressures that come with a band that was rising from obscurity. In 1990, seemingly out of nowhere the band was back. In an interview with Perfect Sound Forever, they said that they realized that interest in the band wouldn’t die, and they were all still living in Athens, so they decided to reform. The put together a “greatest hits” of sorts called Hits, and then recorded a new album Chain in 1990. By that time, their unique sound wasn’t as leftfield as it was earlier. In fact, bands like The Sugarcubes probably owed a lot to the groundbreaking Pylon. But, they wouldn’t stay together for long after that.

Some time in 2004, the band reunited again and enjoyed notoriety spurred on by the CD reissue campaign of Chomp and Gyrate by DFA Records (now out-of-print again, and going for insane prices).  The band played shows and, I for one was happy they were back. The band broke up officially again in 2009, following the unexpected death of Randall Bewley.

So, in 2016 we have some developments in the Pylon camp.  In March it was announced that a 1980 performance at Danceteria by Pylon in the archives of Pat Ivers and Emily Armstrong as part of the Nightclubbing TV show from NYC that captured the early days of Punk and New Wave. There were select screenings of the show with Q&A from the band. Then, in April the band announced a 7″ of live tracks from their last show in Athens, GA in 1983 at the Mad Hatter. This show was captured to video and multitrack audio for a pilot for a failed PBS series called Athens Shows.

It turns out that the 7″ was a taste of what was to come. On July 25th– Randal Bewley’s birthday– Pylon is releasing a 2 LP and digital download version of the last show in Athens titled simply PYLON LIVE. Pylon was a force to be reckoned with live and this album captures them at the peak of their powers with a setlist that picks the great tracks from the 2 LPs and drops in a couple of rarities. “Party Zone” was only available on a rare DB Recs compilation and Pylonized cover of the Batman TV theme with new lyrics.

The vinyl package comes in three different colors– 200 on magenta vinyl (which compliments the cover well) and 200 on clear vinyl. The rest are on black vinyl. The LP’s are a reasonable $29.99 plus about $5 shipping. The digital download is $8.99. If you pre-order, you get immediate download of “Volume.” Here it is in their Bandcamp player:

PYLON LIVE is available for pre-order at chunklet.com, chunklet.bandcamp.com, iTunes, Amazon, and wherever digital music is sold.

Limited to 200 on magenta vinyl.
Limited to 200 on clear vinyl.
Unlimited on black vinyl.
Track List:

SIDE A
Working is No Problem
Driving School
No Clocks
Altitude
Gravity

SIDE B
Crazy
K
Cool
Italian Movie Theme
Buzz

SIDE C
Danger
Reptiles
Stop It
Feast On My Heart
Beep

SIDE D
M Train
Volume
Weather Radio
Party Zone
Batman

TWINS Cover “I Knew The Bride (When She Used to Rock and Roll)” Bonus B-Side For Square America

Photo by Michael Roeder

Photo by Michael Roeder

It’s no secret that the guys in Cedar Falls band TWINS are fans of Nick Lowe and Dave Edmunds and owe a little of their guitar pop swagger to the groundwork Lowe and Edmunds laid down in their various projects as solo artists, together in Rockpile and their production work for just about everyone in the late 70’s and early 80’s (Lowe’s work with Elvis Costello is my favorite period of his).

As a tribute, TWINS have recorded a cover of “I Knew The Bride (When She Used to Rock and Roll)” a song that has been a part of every wedding reception I’ve ever attended. This cover is a bonus download for anyone who pre-orders the new TWINS album Square America which drops on July 1st! Be sure to catch TWINS with Volcano Boys at The Mill on 7/1 for the Square America release show! $8 Cover. Deets HERE.

You can read my review of Square America at Little Village Magazine.

A bit of trivia: Nick Lowe wrote “I Knew The Bride (When She Used to Rock and Roll)” and the version we usually hear is his 1984 recording. That studio version has Huey Lewis and the News as the backing band, with Mr. Lewis providing the distinctive harmonica honking. The version that TWINS have done is closer to the sped-up one that Dave Edmunds recorded in 1977.

CHECK IT OUT:

Pre-order Square America at Maximum Ames!

Check out TWINS first Daytrotter Session. There will be a new one coming!

(Upcoming Release) Pre-Order New Lissie Album “My Wild West” Out 2/12/2016 – New Video

LissieMyWildWestalbumcover

Lissie has been playing a few new songs on her fall tour dates which come from her upcoming album My Wild West, which she announced today will be out on 2/12/2016. She’s already put a number of pre-order packages up on her online store which include orange vinyl, CD, a signed poster or a teeshirt and combinations of these. My Wild West represents the first full-length release on Lissie’s own Lionboy imprint which was also the home for her last EP of covers Cryin’ To You. The last couple of shows that I caught she was reenforcing the point that she is completely independent now, and really if anyone can pull this off with her collected base of fans worldwide, she should.

As part of the announcement today, she debuted a video for a new song from My Wild West, “Hero.” I had already heard two songs during the fall tour– one called “Ojai” which is the farewell song to her former home. She’s moving to NE Iowa! The other song is “Sun Keeps Rising” which is a tribute to her late aunt and is a gorgeous song I can’t wait to hear fleshed out on the album.

The video for “Hero” is pretty fun– made from footage shot by the filmmaker back in 1983! If you pre-order the new album, you get this song as a digital download.

(Upcoming Release) Red House Records to Release Charlie Parr 7″ for Record Store Day

Charlie Parr - RSD 7B

Although not on the Official RSD list for this month, Red House Records has announced a special release to coincide with Record Store Day (which is Saturday, April 18th this year).

In celebration for their newest label signee, Duluth, MN resident Charlie Parr and the release of his lucky 13th albumStumpjumper, Red House Records is pressing a limited-to-3000 7″ of album track “Over the Red Cedar” b/w his take on the folk standard “Delia.” The B-Side is available on the CD and download, but didn’t fit on the vinyl LP, so if you want “Delia” on vinyl, you need to get yourself one of these!

According to Red House, they will be distributing the singles to record stores to use as a free giveaway (likely with store purchase as other RSD promos have been in the past). It’s a given that the great record stores in Minnesota will carry these, but if you want to get one, you may want to reach out to your favorite store and see if they will be getting these.

BTW: The Current in the Twin Cities featured the A-side of this single back in February. I absolutely LOVE this song– that great hook in the line “it’s outlasting you.” Here’s a solo performance from The White Wall Sessions:

Stumpjumper is coming out on April 28th and will be available via all your favorite ways to get digital downloads and CD/LP’s. I’ve been listening to it for a couple of weeks and in my opinion is the most polished album in his catalog and has some of my favorite songs of his already! Phil Cook of Megafaun and Hiss Golden Messenger helped produce the record.

The fine folks at Daytrotter recorded a session with Charlie and had the sense to press it up on vinyl with labelmate Dale Watson’s session. Click the picture:

Charlie Parr Daytrotter

(Upcoming Release) Hiss Golden Messenger – Southern Grammar EP Out 2/3/15 – Letterman Video

Southern Grammar EP

 

Some good news from the Hiss Golden Messenger camp today!

First, we’re getting a new 12″ vinyl 3-track EP in February! Titled Southern Grammar, it will feature the previously digitally released “Brother, Do You Know The Road,” and a version of “Southern Grammar” that was recorded for WXPN’s World Cafe.

In addition to those two tracks, the EP will include the Lateness of Dancers outtake “He Wrote The Book” which dedicated HGM fans might recall was a solo acoustic Bad Debt outtake that was collected on the 2012 album Lord I Love The Rain. I’m assuming since this was intended for Lateness, that it is a full-band recording.

The EP is available for pre-order right now for $10.98 from Merge and releases February 3, 2015. There will be a digital download with it.

In addition to this, a full-band HGM stormed the Ed Sullivan Theater (home of The Late Show with David Letterman) last night and performed “Southern Grammar.”

Here are the tracks from the EP you can check out:

A video for the World Cafe performance of “Southern Grammar”

“Brother, Do You Know the Road?”

The version of “He Wrote the Book” that was on Lord I Love the Rain

 

(Upcoming Release) Kelly Pardekooper Releases Milk In Sunshine 10/21 – Massive Bonus “TV Gold” compilation

Milk-In-Sunshine-600px-72dpi-Web
Even though Kelly Pardekooper resides in Indianapolis these days, Eastern Iowa still claims him as its own. The bulk of his six albums to date were written and recorded while he resided here and his sound is one that draws heavy inspiration from the Folk Country sound that originated from local artists like Bo Ramsey, Greg Brown, Dave Zollo and their circle of friends.
Kelly has enjoyed some exposure recently not on the radio, but as incidental music on quite a few big TV shows including HBO’s True Blood, CBS’s Cold Case, FX’s Sons of Anarchy. This burst of popularity among the Music Supervisors for shows has given him the freedom to go back to the studio and record a seventh record and release something on vinyl!  In an exchange of emails with Kelly, he admits that he’s “an odd fit for a record label at this point” in his career, and that this surge of publishing popularity has afforded him the ability to self-release the new album.
The new album, titled Milk in Sunshine will be released on October 14th on vinyl, CD and digital download. The CD has the eight new tracks of Milk in Sunshine plus what Kelly is calling “TV Gold” – a 16 track “Greatest Hits” of his career in chronological order by album (not including his debut release 30 Weight). The CD is also included with the very limited vinyl release of 100 which will be signed and numbered. It will also be pressed in orange and will include two vinyl-only bonus tracks! “Shit Out of Luck” by Greg Brown and “I Never Said” by Bo Ramsey!
If you pre-order you get a download of the new song “So Lovely.”
You can see the track listings of the vinyl and the CD below. I included links to the audio where I could find it– Kelly had a few mp3’s on his website (indicated with “full mp3”) and links to his CDBaby CD’s.
Certainly as the record industry machine is having to re-invent itself, it’s avenues like publishing that are helping many artists to continue pursuing this career, even if it is part-time. As a long-time fan of Kelly Pardekooper, I’m really excited for the prospects of a new record and the promise of a few more live shows.
Album Release show at The Mill in Iowa City on 11/29!
Vinyl Side A
1. So Lovely
2. She Moves
3. Milk in Sunshine
4. Release Me
5. Shit out of Luck (Greg Brown)
Vinyl Side B
6. Authentic
7. I Still Cry
8. Elliot
9. That Girl
10. I Never Said (Bo Ramsey)
CD

1. She Moves (Milk in Sunshine)
2. I Still Cry (Milk in Sunshine)
3. Milk in Sunshine (Milk in Sunshine)
4. Release Me (Milk in Sunshine)
5. So Lovely (Milk in Sunshine)
6. Elliot (Milk in Sunshine)
7. Authentic (Milk in Sunshine)
8. That Girl (Milk in Sunshine)
9. Compromise (Johnson County Snow) full mp3
1​0. Fly on the Wall (Johnson County Snow)
11. Drown in Alcohol (House of Mud) full mp3
12. Hayseed Girl (House of Mud)
13. Can’t Go There (House of Mud)
14. Not in Iowa (Haymaker Heart) full mp3
15. Wild Love (Haymaker Heart)
16. I Adore (Haymaker Heart)
17. Tell Me (You’re the One) (Haymaker Heart)
18. Brand New Bag (Brand New Bag) full mp3
19. Mehaffey Bridge (Brand New Bag)
20. Crazy Girl (Brand New Bag)
21. Yonder (Yonder)
22. Forgotten (Yonder) full mp3
23. Where’s the Love (Yonder)
24. Where I Come From (Yonder)

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