Tag Archive for 'Vinyl'

Neil Young Archives Official Release Series Discs 5 – 8 Announced for Record Store Day – New Thoughts on Next Box Sets

4covers

3-19-14 Update: This release has been pushed back to November. I’m assuming that it will be Black Friday Record Store Day 11/28/2014. I don’t have confirmation on this. The press release says, “due to several other projects that Young has in the works that he wishes to focus on.” 

The curious part of this is that these box sets would almost have to have been manufactured at this point to make it for RSD one month from now considering the complexity of the packaging, so I don’t know why they would hold it up on Neil’s availability, though he would have to have the last signoff I suppose. They don’t say what projects these are, but we know about Pono and his recent media blitz for that and the announced A Letter Home lo-fi album recorded with Jack White, he also apparently has a Sci-Fi book in the works to be titled “Special Deluxe.” According to this article at Billboard, he also wants to do an orchestral album– monophonic to one mic.

The original post:

This week Warner Brothers Records announced their Record Store Day (Saturday, April 19th this year, folks) special releases. In amongst the Tegan and Sara, Mastodon, Green Day and the regular avalanche of Flaming Lips there was a real eye-opener: Neil Young Official Release Series Discs 5 -8!

Possible Cover?

Unconfirmed Cover art for Official Release Series 5-8

The first Official Release Series  was announced in 2009 and included the first four albums in Young’s catalog: Neil Young, Everybody Knows This Is Nowhere, After the Gold Rush  and Harvest, representing the years 1969 – 1972. This release was timed with the first Neil Young Archives box set of his first recorded decade from 1963 – 1972.

The new Official Release Series has the next four LP’s in his solo catalog: Time Fades Away (1973), On the Beach (1974), Tonight’s The Night (1975) and Zuma (1975). From the Warner’s press release: “Each remastered from the original analog studio recordings at Bernie Grundman Mastering. The artwork is a historically accurate reproduction by Young’s long-time art director, Gary Burden. These classics are being reissued on 180-gram audiophile vinyl for the first time and pressed at the world’s premiere pressing plant, Pallas MFG Germany.” Bernie Grundman and Pallas were responsible for the first box as well. The release says that it will come in a “telescoping box” which I’d never heard of. From what I can tell, this just means that it isn’t a common slipcase style box (the Grateful Dead box for example), but a box just like the first Official Release Series where the “lid” of the box covers the bottom (think a typical board game box, for example). The box will be limited to 3200 and numbered.

In November of 2009, I wrote a post for this blog about the first Official Release Series and made some guesses as to how they were going to do the next Official Release box sets. With absolutely nothing to go on, I got some things right and some things wrong.

Back then, the predicted next Official Release vinyl box set was 2010, so in typical fashion the Archives was late to deliver. We still don’t have a release date for the Archives Vol 2. box, so who knows what is actually holding that up, or why Neil is holding that up.

I incorrectly assumed that the Official Release box sets would  be paired up with the Archives releases, which would be done to represent decades of Young’s career. The Archives Volume Two would likely represent 1973 – 1982, then. That represents 10 (well, 11, but I’ll get to that in a minute) LP’s and would need to be split up. I guessed it would come out as two five-LP boxes.

The eye-opener with this release is the inclusion of the contraversial Time Fades Away live album! I speculated in the 2009 article that it would not get the vinyl reissue treatment. There is a lot of information about this album available on line, but the reason this is surprising is that Young has expressed his dissatisfaction with this album and when he at long last reissued some of the “missing six” albums in 2003 on CD he left Time Fades Away out. All of the “missing six” got a remastering in 1995, but Young was famously dissatisfied with CD audio, so it took until the advent of higher-resolution HDCD and DVD-A for him to release On The Beach, American Stars n Bars, Hawks & Doves, and Re-Ac-Tor as part of his “Digital Masterpiece Series.”

Time Fades Away is referred to as being part of the “Ditch Trilogy” of post-Harvest albums which also includes On The Beach and Tonight’s The Night. So, this box set brings the trilogy back together.  These LP’s are so-named due to a quote from the Decade liner notes: “” ‘Heart of Gold’ put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch.” And, it was a dark ditch– the tour that made up all of the songs except for one was a mess. Neil had fired Danny Whitten of Crazy Horse ahead of the tour and Whitten OD’d right after that. The depression, funk and drinking that followed made for a very erratic and tumultuous tour for everyone involved. Factor in the new and faulty mastering technology that Young was trying for these recordings and you get an album that was doomed from the start.

Original copies of Time Fades Away on vinyl are generally pretty easy to get ahold of and most of them seem to be in really good condition. I guess that most of the people who bought it were expecting a continuation of the sound from Harvest. I’ve actually bought two copies in the last few years and didn’t pay over $10 for them.

I’m certain that the inclusion of Time Fades Away in this box set signals the inclusion of it in the next box set. The 2-channel masters of the original pressing of Time Fades Away don’t exist, so this pressing and subsequent versions would have to be honest-to-goodness remixed and remastered versions from the original 16-track tapes. It’s possible that the masters used here would be based on the 1995 remasters. It isn’t clear whether Time Fades Away will also get a CD release, though it would be time to capitalize on this. Young didn’t release Journey Through The Past as an individual release (also part of the “Missing Six”), but it was in the Archives Box. According to Wikipedia, Young mentioned a Time Fades Away II that would be included in the next box which would be made up of songs from a different part of the tour that had a different band.

Based on an online music store that had it listed (and now taken down!), the MSRP on Official Release Series Discs 5-8 will be about $160. That’s $10 more than the first box, and based on the crazy prices for new Neil Young vinyl, I guess that is about in-line. That makes all four single-LP’s about $40 apiece.

Since I have the first box set (got it as a gift from my wife!) I’m interested in getting this one as well– I’m a fan of all four albums. I have original pressings of these except for Tonight’s the Night.

My Modified Speculation on the future Official Release Series Box Sets

So, what do we know based on this release? Well, for one thing, the boxes are 4 LP and don’t directly coorespond to the Archives Releases (meaning they don’t cover the same time period by box). The releases are primarily Neil Young solo albums. We didn’t get any CSNY or Buffalo Springfield LP reissues as part of this– though this might be because the catalogs for these bands are not completely owned by Neil Young. This draws into question whether the 1976 Stills-Young Band album Long May You Run would be included in a future box.

Neil Young Official Release Series Discs 9-12 would include the following albums:  American Stars n Bars (1977), Comes A Time (1978), Rust Never Sleeps (1979) and Live Rust 2 LP(1979). I like the arrangement of this box because it keeps Rust Never Sleeps and Live Rust together as they are companion releases. If they decide to release the Stills-Young Band album, then it would be part of this box set– then they could push Live Rust to the next box.

Neil Young Official Release Series Discs 13-16 could include the following albums:  Hawks & Doves (1980), Re-ac-tor (1981), Trans (1982) and Everybody’s Rockin’ (1983) bringing the first of the Geffen releases to bear. An alternative version of this might be to put Live Rust on here in the scenario where they included Long May You Run in the third box. Since Live Rust is 2 LP’s, then they could truncate this box at Re-Ac-Tor, ending the box with the last three Reprise releases. An argument for this box including up to Everybody’s Rockin’ is that 1983 ends the 2nd decade that could be included in the second Archives box set.

Neil Young Official Release Series Discs 17-20 could include the following albums: Old Ways (1985), Landing On Water (1986), Life (1987), This Note’s for You (1988). The last album marks the return of Neil Young to Reprise Records and the end of a rocky relationship with Geffen Records that ended with a lawsuit from the label accusing Neil of releasing works uncharacteristic of his career. The alternative release for this box would be one that completely encompassed the Geffen Years– especially if 13-16 didn’t include Trans and Everybody’s Rockin’.

Neil Young Official Release Series Discs 21-24 could include the following albums: Eldorado EP (1989), Freedom (1989), Ragged Glory (1990), Arc/Weld (1991) This box represents a kind of renaissance for Neil Young and an embracing of the louder sound that he trademarked with Crazy Horse. It should include the Eldorado EP since it was a formal release (even though it was only available in Japan and Australia). I would expect to see a tandem release of Times Square– the lost album that ended up making Freedom, Eldorado and This Note’s For You. He could release that 20-minute version of “Crime in the City (Sixty to Zero)” as part of that.

Obviously, no one can predict what Neil Young will do– every time you think you know what he will or won’t release, he changes it up. What the hell happened to the Homegrown “lost album” release, for example? Young is an artist more interested with new releases than focusing on his past. For the faithful, that means he’ll keep cranking out new albums until he can’t do it anymore.

As far as the Archives and Official Release Series are concerned, he’ll need to step up the pace of these. Five years between them (based on the first two) would put 21-24′s release date in 2034!?






B-Sides in the Bins #59 – Moondog Music and Mail Orders Week of 9/21/2013

Well, it’s been a while since I’ve posted one of these. I guess it’s because I tend to post about individual albums via other social media outlets like my Instagram which cross-posts to Twitter and Facebook. But, this week had a lot of new additions to the collection, so I thought I’d collect them for the blog.

I was in Dubuque yesterday helping with some wireless network issues at the family business so I thought I’d run over to one of my favorite record stores, Moondog Music. I had intended to pick up the new sophomore release from Justin Vernon’s (Bon Iver) collaboration band with members of Collections of Colonies of Bees Volcano Choir. Titled Repave, it’s a more cohesive release than their first album. Even though Vernon is the frontman in this band, it isn’t exactly Bon Iver part 2. More direct rock on this album and less vocoder falsetto vocals. I was also hoping that the vinyl version of Wise Up Ghost by Elvis Costello and The Roots would maybe be in the bins ahead of this Tuesday’s release.

Moondog had Repave for $19.99, but they didn’t have Wise Up Ghost on LP (they did have the CD). I had Volcano Choir in hand and was going to buy it until I started digging through the used and came up with a few surprises!

The Smiths – Louder Than Bombs (2 LP, Sire Records, 1987) ($19.98) WOW! On my wish list for YEARS. Really nice and clean copy of this album, which is probably my favorite Smiths album even though it’s technically a compilation of non-album singles. Initially, this was a US-only release used as a way to bring these tracks stateside. The UK had a couple of singles comps on Rough Trade– The World Won’t Listen and Hatful of Hollow– and Louder than Bombs was the vehicle to bring some of those tracks here. UK Smiths fans being what they are, they started importing this release to the UK, so Rough Trade ended up releasing this over there which solidified its position as a regular catalog release.

My friend Julie in college turned me on to both the Smiths and Depeche Mode letting me borrow The Queen Is Dead and Black Celebration– bands very different from my jangly guitar preferences at the time. I distinctly remember buying Louder Than Bombs and Def Leppard’s Hysteria on the same day on cassette. Odd to think that these albums are both from 1987!

The Smiths – Rank (LP, Sire Records, 1988) ($14.98) And, as soon as I get into the band, they break up… Bombs was released in March of 1987, the Smiths’ final studio album Strangeways Here We Come was released in September, 1987 and by that time the band had officially split up. I have the entire studio releases of the Smiths on cassette and CD plus Bombs on cassette and CD and Hatful of Hollow on CD (it was in a used bin otherwise I wouldn’t have picked this up as I consider it to be redundant). When Rank came out in September of 1988, I had pretty much moved on as far as paying attention to new releases and I didn’t think a live album was essential. I still haven’t listened to it, but will. The recording is a distillation from a BBC-1 live concert from 1986. The album was released as a contractural obligation. I decided to buy this because it is rare to find any Smiths in used bins around here and the new 180g Rhino reissues of the Smiths catalog are $35 which is pretty steep for my budget, so I’ll continue to keep an eye on the bins to complete my Smiths collection.

Gift of Gab – Escape 2 Mars (LP, Cornerstone Recording Arts Society/Quannum, 2009)($16.98) An unexpected find– the R&B and Hip-Hop selection at Moondog is usually very thin. I’ve been building my Quannum/Solesides vinyl collection lately– lots of gaps since I had really been focusing on CD’s up until five years ago. That said, I didn’t have this on CD either. Gift of Gab is more recognized as the MC for Blackalicious– his effort with producer Chief Xcel,  but has had a run of solo work that is notable. We listen to 4th Dimensional Rocket Ships Going Up quite a bit in the house, so I imagine that this release will be as good– I totally slept on this release so it will be good to get caught up.

Spoon – Transference (LP, Merge Records, 2010)($9.98) While I was digging through the used section I saw a whole bunch of nearly-new indie releases. Looked like they were opened and maybe played once? Some Sundazed releases, a few Sub Pop releases all for under $10. I didn’t find out what the story was on those, but I picked a couple of great ones including this one from Spoon. Transference wasn’t as good as Ga Ga Ga Ga Ga, but still pretty great. I remember listening to this a lot in the car in early Winter 2010. We had a major car breakdown that had Sherry and I commuting together in one car for a few weeks– she was getting her Professional Makeup training so I’d drop her off in the morning and pick her up at night.

Sebadoh – Bakesale (LP, Sub Pop Records, 1994/2011 Remaster)($7.98) Another of the mysterious “new” LP’s in the used bins at Moondog. A grey marbled vinyl release as part of the reissue campaign for the Sebadoh catalog. I loved this album when it came out– I listened to it repeatedly. In 1994, I was working in Dubuque at the time and I think living with my parents following a failed cohabitiation with a girlfriend. I was on the road installing computer systems in the Midwest and East, with a lot of road time, so my CD’s were constant companions. Brilliantly flawed but accessible album. At the time I definately thought that Sebadoh was a better band than Dinosaur Jr was (the band that Lou Barlow used to be in with J Macsis). I’m really happy to have this in my collection– I need to pick up the Harmacy reissue as well.

A really great haul from Moondog Music! While I was there they were playing the new album from Iggy Pop and the Stooges titled Ready to Die which sounded pretty good, may need to check that out.

In the mail this week:

Calexico – Ancienne Belgique Vol. 2 (2 LP, Our Soil, Our Strength, ) OSOS9, 2013)($20 + shipping) 2012 and 2013 has been a year of many releases from Calexico– the brilliant Algiers came out in September of 2011 which included a live album titled Spiritoso if you ordered the box set. This eventually came out as a numbered release for Record Store Day in April in the US. Soon after that the band put out a 2 LP live sequel to Ancienne Belgique (which got the vinyl treatment as part of the Road Atlas box set as well).  Then they announced a Europe tour-only 5-track EP of covers titled Maybe on Monday.  My copy of Ancienne Belgique Vol. 2 delivered this week. I had pre-ordered it in June (I think). They were supposed to have copies of this on tour, but they weren’t done in time for the Iowa City show. (I was out of town and missed that show anyway). Another really nice addition to my growing Calexico collection.

Arcade Fire (as The Reflecktors) – Reflektor 12″ (12″, Sono Vox/Merge Records, MRG484, 2013) ($8.99, free shipping) Merge put some copies of Arcade Fire’s mysterious “Reflektor” single in their online store. Released under the pseudonym The Reflektors, it was timed with the announcement of the album and single of the same name on September 9th at 9PM (9/9/9). Lots of speculation and rumor about the announcement leading up to the time and an accurate leak of the song the day before. The 45 RPM 12″ has the full version of the song and an instrumental version on the flipside. The song was produced by James Murphy of LCD Soundsystem and features guest vocals by none other than David Bowie. It’s a pretty decent song and apparently points to the direction of the new album due out October 29th as being, in the words of Win Butler as a “mashup of Studio 54 and Haitian Voodoo.” (S.I.C.)

I also received four of the Daytrotter split LP’s this week, including the amazing Gary Clark Jr. split with Son House, and Grace Potter and the Nocturnals. We’re up to 13 of 14 of the preorders shipped (still waiting on the Maine one which is #13) I got the PHOX one ordered and will order the Tegan and Sara one in the next couple of weeks.

(Upcoming Show) John Reilly and Friends at Codfish Hollow Barn on June 21st

John Reilly and Friends at Codfish Hollow Barn Poster

Continuing the trend of jaw-droppingly awesome shows at Codfish Hollow Barn in Maquoketa, this Friday, June 21st,  it will play host to actor John C. Reilly’s non-film music endeavor John Reilly and Friends.

For the past few years Reilly has been working with some musician friends of his to bring a revue of old country and folk music  of the likes of the Stanley Brothers, Porter Wagoner and Dolly Parton, The Everly Brothers, Claude Ely and the Delmore Brothers to name a few. With regular “Friends” sidekicks Becky Stark of Lavender Diamond and Tom Brosseau (solo and of Les Shelleys) Reilly cut two 7-inch singles on Jack White’s Third Man Records.

The band is doing a run of dates through the Midwest from June 13th to June 22nd, with a stop at the wonderful Codfish Hollow Barn in Maquoketa, IA– home of many Daytrotter.com Barnstormer shows as well as a few shows put on by the Biehls themselves. Joining Reilly, Stark and Brosseau will be Mt. Vernon, IA native Dan Bern (who headlined his own show in May), Willie Watson– formerly of Old Crow Medicine Show (OCMS’s “Wagon Wheel” has been covered by Darius Rucker and climbing the charts currently), and Sebastian Steinburg– formerly of Soul Coughing and these days a go-to bass sideman (Marc Ribot, Dixie Chicks, k. d. lang). That’ s one hell of a lineup with lots of varing backgrounds, so you can count on some pretty inspired performances!

According to Brosseau’s website, there will be copies of the Third Man Records 7-inches as well as “the official John Reilly and Friends teeshirt” at the merchandise table. Tiffany Biehl also told me about exclusive stickers with art done by Dan Bern and limited-edition posters done by the Biehl’s and sent me images of those:

john reilly sticker

John Reilly and Friends Codfish Hollow Barn Sticker

john reilly pitchfork poster

John Reilly and Friends Limited Edition Codfish Hollow Poster available at the show.

Opening the show will be Andru Bemis from New Mexico.

As usual, there will be camping available (with no service hookups), food vendors with soft beverages and just good old fashioned great times with other people who are there for the music. Coolers are welcome. Here is a list of what food will be available onsite:

Grilled chicken sandwiches
BBQ pulled pork sandwiches
All beef hotdogs
Brats and sauerkraut
Veggie dogs/brats
Nachos and cheese
Beef taco nachos
Chicken/pork nachos
Vegetarian bean nachos
Chips
Candy bars
POP- Mt.Dew Pepsi, Diet Pepsi,Sprite
Water

YUM!

At the time of this writing there are still tickets left, but you should expect that this show will sell out this week. Doors are at 6:30PM with the bands hitting the stage at 8PM. The tickets are $25 in advance (plus some minimal service charges).

Click Here for the Facebook Event and RSVP!

Click http://johnreillyandfriends.eventbrite.com/ to order your tickets!

I was interviewed in The Cedar Rapids Gazette Arts and Entertainment magazine Hoopla– click here!

Click Here to visit the Third Man Records page on John C. Reilly and purchase his two singles.

Tour Dates:

15 June 13: The Assembly at the Women’s Club of Minneapolis: Minneapolis
16 June 13: Miller Caves: Milwaukee
17 June 13: Muskegon Unity Church: Muskegon MI
18 June 13: Ramsdell Theater: Manistee MI
19 June 13: The Magic Bag: Ferndale MI
20 June 13: Radio Radio: Indianapolis
21 June 13: Codfish Hollow Barnstormers: Maquoketa
22 June 13: Old Town School of Folk: Chicago

 

(Upcoming Release) Calexico – Spiritoso LP – Record Store Day Release

spiritoso

In the list for the Record Store Day 2013 (April 20, 2013) releases I noticed under LP’s that there will be a LP + CD release of Spiritoso by Calexico. The notes say that this was originally available only as a vinyl release on tour. While I’m not sure about that, it was part of the special box set release of Algiers– Calexico’s most recent album release. Here is what City Slang (Calexico’s European label who put out the box set) said about it:

Spiritoso [is] a full album of superb live recordings from two shows in Vienna and Potsdam [last] summer, with full symphonic orchestras. Here’s the tracklisting:

1. Frontera /Trigger *
2. Epic **
3. The News About William **
4. Black Heart **
5. Minas de Cobre **
6. Inspiracion **
7. Two Silver Trees **
8. Para *
9. Quattro (World Drifts In) **
10. Crystal Frontier **
11. The Vanishing Mind *
12. Fortune Teller **

* Live with the Radio Symphonic Orchestra Vienna
** Live with the Deutsches Filmorchester Babelsberg

Here is a video of “Para” with the Radio Symphonic Orchestra Vienna.

Calexico is normally a band with a very complex sound, but having them backed by a symphony is a whole new experience as you can tell from the video above. If you didn’t order or missed out on the box set that included this– here is your 2nd chance!

(Upcoming Release) Miles Davis – “The Kinda Blue Sessions ’59″ 180g LP + CD- Record Store Day 2013

Kind of Blue Sessions '59

At this point the importance of Miles Davis groundbreaking work on his 1959 release Kind of Blue is well-established. Recorded over two dates in 1959 (March 2nd and April 22nd at Columbia’s 30th Street Studio) and featuring the legendary “First Sextet” lineup of  Davis, Julian Adderley, John Coltrane, Wynton Kelly/Bill Evans (Kelly was on “Freddie Freeloader”), Paul Chambers and James Cobb. This is the band that Davis started his experimentation with modal jazz and the move away from his hard bop style. Though Kind of Blue is heralded as the pinnacle of modal style, Davis had already been working with it on his 1958 release Milestones, suggesting that Coltrane was the catalyst of this move.

Kind of Blue stands head and shoulders above many other jazz releases in popularity– depending on who you believe, it may be the greatest selling jazz release of all time. It certainly represents an important release in my jazz collection. When people who are unfamiliar with jazz ask me where to start listening, it is a safe bet to suggest Kind of Blue. So much about the album lends itself to being a springboard of sorts to more jazz– Miles Davis, John Coltrane, and Bill Evans’s participation alone will send the newly motivated jazz investigator down some very important and landmark releases in the jazz canon.

Of course, these facts are not lost on the label custodian of Miles Davis’s catalog– Sony/BMG. I don’t think I can even count the reissues of just Kind of Blue that have happened over the years. For the 50th Anniversary of Kind of Blue in 2008, Sony Legacy released a beautifully-packaged release that included a clear-blue vinyl stereo LP (which fixed the long-standing mastering error that had side 2 at the wrong speed), 1 CD of Kind of Blue with an alternate take of  ”Flamenco Sketches” and session chatter, 1 CD with five tracks from a May 26, 1958 session and a live version of “So What” from April 9, 1960 in Holland. There was also a DVD documentary of the album, and a beautiful book, posters and photos. This is the version I have in my collection.

So, I was surprised to see in the Record Store Day list diligently maintained at Wax Poetic the mention of an LP called The Kinda Blue Sessions ’59. Some quick googling turned up some information about it, but not a lot of details. It is on Birdland Records and distributed by RedEye. (Birdland also has an interesting Art Blakey and the Jazz Messengers Munich ’59 live release). At SpinCD’s website, they provide the tracklist and credits:

Side One
1.Freddie Freeloader session
2.So What session

Side Two
1.Blue in Green session
2.All Blues session.

Musicians: Miles Davis – Trumpet, John Coltrane – Tenor sax, Bill Evans – Piano (S1 T2. S2 T1&2) Wyn Kelly – Piano (S1 T1), Julian Adderly- Alto Sax (All except S2 T1), Paul Chambers – Bass James Cobb- Drums

Based on the research I’ve done, I suspect that this is possibly a partial release of the bootleg commonly known as Kind of Blue Studio Sessions and Outtakes.

Initially I was a little concerned that this would be a release of only the additional tracks on the first CD of the 2008 Sony Legacy release of false starts and studio sequences. In fact, these are in exactly the same order, but it’s missing the tracks from “Flamenco Sketches” making this a release that– including the “Flamenco Sketches” chatter and false starts would have only been 10 minutes long!

7. Freddie Freeloader studio sequence 1 from the 3/2/59 sessions (0:51)
8. Freddie Freeloader false start from the 3/2/59 sessions (1:25)
9. Freddie Freeloader studio sequence 2 from the 3/2/59 sessions (1:26)
10. So What studio sequence 1 from the 3/2/59 sessions (1:53)
11. So What studio sequence 2 from the 3/2/59 sessions (0:59)
12. Blue in Green studio sequence from the 3/2/59 sessions (1:59)
13. Flamenco Sketches – studio sequence 1 from the 4/22/59 sessions (0:42)
14. Flamenco Sketches – studio sequence 2 from the 4/22/59 sessions (1:09)
15. All Blues – studio sequence from the 4/22/59 sessions (0:18)

But, the notable absence of the “Flamenco Sketches” sequences and the one outtake that they released on the Legacy release of  ”Flamenco Sketches” would make this, although interesting from a collector’s standpoint, a pretty lame release out of the context of full songs. Especially at $29 MSRP.

The Kind of Blue Studio Sessions and Outtakes notes lists this track listing:

Tracks 1,2,3 > March 2, 1959 (2:30pm to 5:30pm and 7:00pm to 10:00pm)
Tracks 5,6 > April 22, 1959 (2:30pm to 5:30pm)
Columbia 30th Street Studio, New-York, USA

Tracks:

1. FREDDIE FREELOADER SESSION (13’38)
2. SO WHAT SESSION (12’53)
3. BLUE IN GREEN SESSION (11’13)
4. FLAMENCO SKETCHES SESSION (24’10)
5. ALL BLUES SESSION (11’53)

Since we know that an LP can be at the most 24 minutes per side, if  you take out the 24 minutes of “Flamenco Sketches,” it would fit on one LP. Though, they could include “Flamenco Sketches” as a bonus track on the CD they are including.

The only caveat I’d mention here is that these recordings are direct dumps of the safety masters of each of the sessions (Columbia 62290, 62291, 62292, 62293, 62294) and include the tape starts and stops and have some cut outs– possibly from the tape edits? I suspect that due to the very few extra full takes available, this may include takes that were used on the official release of Kind of Blue, which begs the question about the legitimacy of the release.

Based on the wonderful Miles Ahead Sessions Information database which articulates all of the details of the sessions down to the studio chatter, here is what I know about the possible tracks:

1. Freddie Freeloader Session – This is Take 2, Take 3, Take 4 – An Edit of Take 4 was used on the official release.

2. So What Session – This is the full Take 3- An Edit of Take 3 was used on the official release. The bootleg includes Cannonball Adderley singing “with a song in my heart…” at the end.

3. Blue in Green Session – Take 2, Take 3, Take 4, Take 5 – An Edit of Take 5 was used on the official release.

4. All Blues Session – Take 1 – An Edit (faded) version was used on the official release. The bootleg includes the unfaded end with Paul Chambers panting at the end and saying “Damn…” part of  ”Damn that’s a hard mother!”

If this release is the Kind of Blue Sessions and Outtakes version, I’ll be happy to have this in my collection! The sound is incredible– which isn’t surprising considering the source, but certainly one I’d play. It’s great to hear the musicians working through what would become one of the most important jazz albums in history.

Read this interesting piece on NPR called “Between the Takes” by Ashley Kahn which was also used in the hardbound book included in the 50th Anniversary box of Kind of Blue.

(Upcoming Release) New Calexico Tour-Only Release : Anceinne Belgique Vol 2

John Convertino of Calexico holding the vinyl LP of the new Ancienne Belgique Volume 2

John Convertino of Calexico holding the vinyl LP of the new Ancienne Belgique Vol 2

This morning via their Facebook Page, Calexico announced that they will be selling CD’s and vinyl of a new tour-only live release titled Anceinne Belgique Vol 2. 

Hey Everyone we have a new tour only album for sale. It’s a live recording from the Ancienne Belgique in Brussels this past September 2012 featuring new songs off of the album “Algiers” as well as some old songs too. Mixed by Craig Schumacher and mastered by Jim Blackwood, it is available on CD and as a double LP on vinyl. Here’s John with a copy hot off the press. We have copies on tour.

This is volume 2, because Calexico released the first album back in 2009 of their October 2008 show, which was also a tour-only release. I wrote about it here. The first volume also got a vinyl treatment in the amazing Road Atlas Box Set of their previously CD-only tour releases. That box is out-of-print and really scarce. I wrote about the Road Atlas Box here, and made a nifty 32-minute mix of tracks from it as a freely-downloadable mp3.

The band will have copies with them on tour– currently underway in Europe and running until March 3rd. In response to all of the people commenting on the post that they wanted to buy it and couldn’t see them on their current tour of Europe, they said that they will have copies in the band’s website store “hopefully soon.” The band helpfully provided me with the tracklisting:

01. Epic
02. Splitter
03. Para
04. Dead Moon
05. El Picador
06. Sinner in the Sea
07. No Te Vayas
08. Maybe on Monday
09. Corona
10. Hush
11. Close Behind
12. Puerto
13. The Vanishing Mind
14. Güero Canelo

 

It Feels Like the Third Time Again as Freakwater Reunites for a 20th Anniversary Tour

Freakwater

2012 was a year marked with vinyl re-releases from the seminal Thrill Jockey catalog in celebration of 20 years– Tortoise, Sea and Cake, Fiery Furnaces, Califone. In among the releases was a a reissue of a record that many consider to be the beginnings of what we know to be the Americana movement today– Feels Like the Third Time by Freakwater. Thrill Jockey reissued Freakwater’s 1993 third album (and first for the label) on Record Store Day and in 2013 it celebrates its 20th anniversary.

In celebration of this landmark occasion, Janet Beveridge Bean, Catherine Irwin and Dave Gay will be doing a whirlwind tour of shows. Joining them will be James Elkington of The Zincs and Horses Ha (that he is in with Bean). Regarding this tour in support of a 20 year old album Bean said, “We have found a lot of our fans were having babies round the time the record came out and those babies were forced to listen to Freakwater more than any baby should. It turns out those babies, now the record buying public, have some sort of DNA thing going where they gotta hear the Freakwater. So really we’re doing this for the kids.”

It seems that everyone is talking about this upcoming “reunion” tour of Fleetwood Mac (why is it a reunion tour?? Didn’t they just tour?), but the real reunion tour to catch in 2013 is Freakwater. Oh, and bring your kids.

FREAKWATER TOUR DATES 2013
FEELS LIKE THE THIRD TIME 20th ANNIVERSARY TOUR
January 11 The Ninth Ward, Buffalo NY
January 12 The Haunt, Ithaca NY
January 13 Johnny D’s, Somerville MA
January 14 Narrows Center for the Arts, Falls River MA
January 15 The Bell House, Brooklyn NY
January 16 DC9 Washington DC
January 17 Club Cafe, Pittsburgh PA
January 18 Beachland Tavern, Cleveland OH
January 19 Stuart’s Opera House, Nelsonville OH
January 21 The Hideout, Chicago IL
January 23 Private House Party
January 24 Headliners, Louisville KY
Freakwater Fan Page
Freakwater Facebook Page (the real one– you should really click “Like”)
Freakwater Thrill Jockey Page

 

Ryan Adams – Love Is Hell Vinyl Release on Mobile Fidelity in 2013

Paging through the gorgeous Music Direct Catalog for 2013, I was taken aback by the appearance of the Ryan Adams album Love Is Hell on the Mobile Fidelity Labs “Silver Label” release section.

Love Is Hell is one of many chapters in the story of Adams’s dealings with his record label. Adams had recorded this Smiths-y follow up to Gold and turned it in to Lost Highway, who decided that it wasn’t commercial enough and sent him back to the studio where he cranked out the Strokes-influenced Rock N Roll in two weeks. Lost Highway agreed to release Love Is Hell in the form of two CD’s and a very rare 2 10″ records version. Eventually, Lost Highway created a full-length CD version encapsulating the two EP’s and adding a bonus track (an unedited version of “Anybody Wanna Take Me Home” which ended up on Rock N Roll with a fade out and in).

These days, copies of the original 2 10″ record version of Love Is Hell goes for many hundreds of dollars, and if you are a collector of Ryan Adams on vinyl (as I am), the omission of this release in your collection is a painful one. We had a glimmer of hope back in 2011, when Lost Highway announced as part of their 10th Anniversary that they were doing some special vinyl releases– some of which hadn’t been available on vinyl before. In the initial announcement, Lost Highway listed a 2 LP Gold (which restored the “side 4″ tracks making it the original vision of Adams) as well as Love Is Hell, Rock N Roll and Whiskeytown’s Pneumonia among other releases. Of these releases, only the 2 LP Gold saw the light of day from the Ryan-related releases. As you can see from the first link in this paragraph, only Gold is listed in the Anniversary releases. No reason was given as to why Lost Highway pulled the others, but I think it might be the very public dismissal of any vinyl releases on Lost Highway by Adams– he is kind of a purist when it comes to vinyl, and none of the vinyl releases have been mastered from analog.

That’s why I was so shocked to see Love Is Hell in the Music Direct catalog, with the Silver Label strip emblazoned across the cover. MoFi’s Silver Label line is apparently their discount line. In the catalog, they say, “Pressed on standard-weight audiophile-quality vinyl at RTI”– so this means it isn’t 180g. The other question is what the release comprises. The catalog mentions that the release used to be two EP’s suggesting that they are rolling the two releases together. Wikipedia lists the running time of the 1 CD version as being 68:01. That would make this release at least 2 LP’s.

At this time, Mobile Fidelity is not listing the release on their website, so this catalog is the only reference to this release. There is a thread over in the Kevin Hoffman forums about the titles announced in this catalog that I’ve contributed to and I’ll keep an eye on. If any other information develops about the release, I’ll update this article.

11/21 Update: I received a response from MoFi on their Facebook account, and the provided the tracklist and some other details! This release will be three LPs, with the third LP made up of the Japanese bonus tracks! They don’t have a release date, yet. But, what an amazing compilation! I’d love to see a Mobile Fidelity release of Rock N Roll with all of the import B-Sides.

Mofi 3-040
Ryan Adams / Love Is Hell

SIDE A
Political Scientist – 4:33
Afraid Not Scared – 4:13
This House Is Not for Sale – 3:53
Anybody Wanna Take Me Home – 5:31
Love Is Hell – 3:19

SIDE B
Wonderwall – 4:09
The Shadowlands – 5:18
World War 24 – 4:17
Avalanche – 5:09

SIDE C
My Blue Manhattan – 2:23
Please Do Not Let Me Go – 3:37
City Rain, City Streets – 3:49
I See Monsters – 3:57

SIDE D
English Girls Approximately – 5:42
Thank You – 2:52
Hotel Chelsea Nights – 5:10

SIDE E
17 Halloween – 3:52
18 Caterwaul – 5:42
19 Fuck the Universe – 7:29

SIDE F
20 Twice As Bad As Love – 4:15
21 Father’s Son – 3:37
22 Gimme Sunshine – 3:55
23 Black Clouds – 4:48

Music Direct has the release listed on their site with date TBA, but lists the price as $64.99.

Power Pop Descends Upon CSPS in the Form of Chicago Rocker Dick Prall

Well, it’s been a pretty great week for acts at CSPS! The Duncan Sheik show on Thursday night was pretty damn amazing, and I found a couple of acts I want to keep an eye on– that new Alpha Rev album coming out next year will be one that I’m looking forward to.

Tonight the big stage at CSPS will be graced by Dick Prall who used to live in Iowa, but now crafts his Brit Pop-influenced Midwestern Rock from the Windy City. He’s put out a solid run of pop rock masterpieces since his first release Somewhere About Here in 1998.

This year he is kicking off a new project that is a little different than his standard album releases. He is working with Pat Sansone of Wilco and The Autumn Defense to release a series of digital singles which will culminate in a full release with bonus material next year. In an e-mail exchange with Prall he said, “We’re trying a different methodology this time around to hopefully keep folks interested and engaged on a monthly basis – that’s the theory, anyway. All the songs are being done with Pat Sansone, who digs the idea, so I’m in good company.”

If the first single “Wanted Blue” is any indication, it will be one for the “Best of” list for 2013! Prall also said that they are considering vinyl for this release! Listen for yourself and download:

Dick is bringing a band with him tonight that he describes as “drums, bass, violin, & hollow-bodied guitar put together in a sort of laid-back Buddy Holly & the Crickets meets Elvis Costello backed by Spoon sort of way.” Sounds like my kind of lineup!

The show is at 8PM at CSPS, and tickets are $17 in advance and $21 at the door. The opener is Stolen Silver. Details at the LegionArts.org site.

Listen to Dick Prall’s acoustic session on Daytrotter.com (it’s a free trial if you don’t have a subscription)

Here are upcoming shows (from dickprall.com)

New Hiss Golden Messenger Album “Lord I Love The Rain” Expands on Bonus EP – Out 10/28

I wasn’t expecting a new release from Hiss Golden Messenger so soon after the release of the brilliant Poor Moon. Though I guess it has already almost been a year since it’s limited vinyl release on Paradise of Bachelors, but in that year Poor Moon received a reissue of sorts in April as a CD on Thompkins Square giving it the distinction of being one of the few contemporary releases on the label.

For the pre-order campaign for Poor Moon, MC Taylor tried a kind of Indiegogo/Kickstarter approach by providing tiered bonuses, which included a digital download of a live recording, and a 6-track EP called Lord I Love The Rain that was made up of solo acoustic tracks from Bad Debt, and a “conceptual soundtrack” called He Wore Rings on Every Finger. It was a welcomed, if a bit uneven collection of songs serving as bonus content.

This week it was announced that Lord I Love The Rain would get an expanded and improved treatment to serve as a bridge to the “proper” follow up to Poor Moon titled Haw to come out March 2013 on Paradise of Bachelors. This release will be produced by the German label Jellyfant in a limited run of 600 with only 240 making their way to our shores. The LP is mixed by Scott Hirsch of HGM and mastered by Anthony Puglisi who has done an amazing job with a few of the last vinyl releases in the HGM catalog. The cover will be Folkways-style paste-on jackets designed by Brendan Greaves, with liner notes by folklorist, curator and guitarist Nathan Salsburg. Brendan also designed the LP jacket for Poor Moon.

In addition to remixing the songs from the EP for this release, it also gains some additional tracks, loses a track and gets re-sequenced into an album where one side is made up of the Bad Debt lo-fi recordings, and the second side is made up of full-band songs in a kind of Rust Never Sleepsfashion. The new songs are a couple of covers– “The Revenant” from Michael Hurley, and “Tell Everyone” by Ronnie Lane, plus an instrumental “War” on the full band side, and “Karen’s Blues,” “He Wrote The Book,” “Roll River Roll” on the solo acoustic side. On the changes made for this release Taylor said, “We weren’t satisfied with the original version [of the EP], especially “Bright Phoebus” which was just flat and dumb. So it’s really nice to get another crack at it. I think the whole collection hangs together nicely. It’s nice to have the physical divide of sides A and B to separate the lo-fi from the higher fidelity [songs.]” Having listened to the collection a few times, I completely agree. The collection goes from being a kind of odds-and-sods to a release that works as a whole.

Side A
Karen’s Blues
He Wrote the Book
Roll River Roll
Father Sky
Westering
Fox and His Friends

Side B
Born on a Crescent Moon
The Revenant (Michael Hurley)
War
You Never Know
Tell Everyone (Ronnie Lane)

To get in on this rare release, you can pre-order from Taylor and Hirsch’s label Heaven and Earth Magic for $20 plus shipping, which is a pretty good deal. Plus, you get a copy of the split 7″ with Elephant Micah for freebies! You also get three songs you can download right away, and will get a link to download the rest of the release when it comes out on October 28th.

You can listen to three of the tracks here:

While you’re at it, you should check out the Hiss Golden Messenger Daytrotter session!

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