Tag Archive for 'mp3'

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(Free Download) Karyn Paige – “Want To” from Hola Mademoiselle

When it comes to HipHop I tend to favor the musical pastiche typically purveyed by the Bay Area. Some of this is because I really cut my HipHop teeth on the seminal Bay Area label artists on Solesides (later Quannum) including Lateef, Lyrics Born, DJ Shadow, Blackalicious. In some respects California HipHop is considered a second generation from the early New York days of HipHop and rap, but it might be this distance that makes California HipHop more of a converged sound with funk. Of course these days, Left- and Right-coast isn’t so much a discernible distinction. These days there are still stylistic differences between, say Jay-Z and Snoop but beyond that there has been a lot of cross-pollination so it is difficult to make the same comment about today’s HipHop and rap.

Still, the last releases from Lyrics Born, The Gift of Gab, Blackalicious and DJ Shadow really show a very wide view of their art and I think shows them pushing the boundaries of what defines HipHop.

It’s this cultural and musical diversity in the Bay Area that fosters artists like singer Karyn Paige who, after several years of working and performing with various bands and musicians including the Jazz Mafia collective as well as Lyrics Born (who also worked with the Jazz Mafia Orchestra “Brass Bows and Beats) and Chali 2na (of Jurassic 5 and Ozomatli), is ready to release her first solo record titled Hola Mademoiselle which will come out fall of this year. Prior to that she will release a digital EP this summer titled The KP EP.

The releases promise to be a “diverse blend of pop, R&B, New Wave, Soul and Funk” and this is certainly delivered in the first single being offered as a free download titled “Want To.” “Want To” was co-writted and produced by Joe Bagale and Matt Berkeley of the Jazz Mafia with Karyn and to me really recalls the purple funk heyday during Prince‘s reign in Minneapolis– the funky analog synths and beats that were the signature of Mr. Rogers Nelson and the production duo of Jam and Lewis. It is a super-catchy track  and has already made it to two of my car mp3 mixes! I can’t wait to hear the EP and album when they come out!

Do yourself a favor and grab this mp3.

Click Here to listen to “Want To” by Karyn Paige from her upcoming release Hola Mademoiselle.

Click Here to visit Karyn Paige’s website and sign up for her mailing list

Click Here to visit Karyn Paige’s Facebook Fanpage

Click Here to visit Karyn Paige’s MySpace Page

Upcoming Release : “Old Punch Card” by Sam Prekop; Sea & Cake Tour Dates

If you’re interested in early information about Thrill Jockey releases you need to look no further than the Thrill Jockey website itself! Last week I was doing some research on a couple of upcoming releases on the label and stumbled upon the upcoming solo release from Sea & Cake frontman Sam Prekop! Titled Old Punch Card it will be an experimental instrumental electronic release. I have confirmed with Thrill Jockey that this will be released on Septemer 7th on vinyl as well as CD and download. Each of the covers for the CD and LP will be individually painted by Sam. The cover art you see above is effectively the canvas. Here are some examples of what the covers will look like:

Sam’s last release in the Fall of 2007 was also a disc of electronic instrumentals. It was bundled with his book of photographs.

Tracklisting for Old Punch Card (from thrilljockey.com)

01 Old Punch Card
02 Array Wicket
03 Knitting Needles
04 Brambles
05 Tell Work
06 November September
07 A Places
08 Lazy House
09 The Silhouettes

Sam’s band The Sea & Cake will also be going on tour around the time of this release in support of Broken Social Scene. I wonder if the Sea & Cake is gearing up for an eventual new record? John McEntire–  who is the drummer for The Sea & Cake– produced Broken Social Scene’s new album Forgiveness Rock Record.

The Sea & Cake Fall Tour Dates in Support of Broken Social Scene (from Thrill Jockey):
Mon Sep 13 Washington, DC – Warner Theatre w/ Broken Social Scene
Tue Sep 14 Philadelphia, PA - Theater of Living Arts w/ Broken Social Scene
Fri Sep 17 Boston, MA - House of Blues w/ Broken Social Scene
Sat Sep 18 New York, NY - Rumsey Playfield w/ Broken Social Scene
Mon Sep 20 New Haven, CT - Toads Place w/ Broken Social Scene
Tue Sep 21 Northampton, MA - Calvin Theatre w/ Broken Social Scene
Wed Sep 22 South Burlington, VT - Higher Ground w/ Broken Social Scene
Fri Sep 24 Ithaca, NY - Historic Ithaca State Theatre w/ Broken Social Scene
Sat Sep 25 Buffalo, NY - Town Ballroom w/ Broken Social Scene
Sun Oct 3 Milwaukee, WI - Pabst Theatre w/ Broken Social Scene
Mon Oct 4 Minneapolis, MN - First Avenue w/ Broken Social Scene
Wed Oct 6 Winnipeg, MB - Burton Cummings Theatre w/ Broken Social Scene
Thu Oct 7 Saskatoon, SK - The Odeon Events Centre w/ Broken Social Scene
Fri Oct 8 Calgary, AB - Macewan Hall w/ Broken Social Scene
Sat Oct 9 Edmonton, AB - Winspear Centre w/ Broken Social Scene
Sun Oct 10 Kelowna, BC - Kelowna Community Theatre w/ Broken Social Scene
Tue Oct 12 Victoria, BC - Element Nightclub w/ Broken Social Scene
Wed Oct 13 Vancouver, BC - Commodore Ballroom w/ Broken Social Scene
Thu Oct 14 Vancouver, BC - Commodore Ballroom w/ Broken Social Scene
Fri Oct 15 Seattle, WA - Paramount Ballroom w/ Broken Social Scene
Sat Oct 16 Portland, OR - Crystal Ballroom w/ Broken Social Scene
Tue Oct 19 Los Angeles, CA - Wiltern Theatre w/ Broken Social Scene

Click Here to visit the Thrill Jockey page on Old Punch Card which will be updated with streaming tracks and pre-order information closer to the release date.

Hiss Golden Messenger Transforms Country Hai Tracks on Vinyl as “Root Work”

When I heard that the next Hiss Golden Messenger release was going to be made available on vinyl I was pretty excited to hear it. I was a little disappointed that it wasn’t going to be new HGM songs but an EP to be titled Root Work based on a live radio session in August recorded by Irene Trudel on WFMU. I’d had the tracks that would make up Country Hai East Cotton since 2007 and the album proper came out last year. I was getting pretty hungry for some new material from MC and company!

In appreciation for the general love that playbsides.com gives Hiss Golden Messenger, MC Taylor sent me the mp3′s of Root Work to peruse in April.  “At first, I wasn’t sure about commercially releasing this material as it appears on Country Hai,” he said in a later e-mail, ” but it sounds so good– through no fault of mine, really– that I thought it would make a really nice  limited-edition vinyl release. That particular lineup of the band was special, in that we only played together three times (this  recording was the second time), and it all came together.”

The lineup for Root Work is Slim Diamond (MC Taylor) on vocals and guitar, on bass and lapsteel is regular HGM member Scott Hirsch, Yair Evnine on guitar, Terry Lonergan on percussion, Robert Stillman on piano and Fender Rhodes, and Crowmeat Bob on horns.

The resulting six-track recording is less a re-hashing of Country Hai East Cotton than it is a re-imagining of the source. I think this is partially a product of the chemistry of the musicians as well as MC and Scott benefiting from a perspective two years after the original album was recorded. The fresh perspective seems to allow the band to exercise some light improvisation.

“John Has Gone to the Light” goes from an almost five-minute track to an almost nine minute song. The band spends more time riding the loping dub beat before succumbing to the double reggae-time chorus.

“Lion/Lamb” actually gets edited from the epic Traffic-ish “Lion” on Country Hai down to a just over three-minute stripped down folky strumming guitar and mandolin.

“Resurrection Blues” was a cursing post-death two-beat march on Country Hai. On Root Work it becomes a bluesy sax-driven gospel swagger. The call-and-response makes me think that the Blind Boys of Alabama should cover this version!

“O Nathaniel” is stripped and slowed down to reveal the rich palate of the vocal melody at the sacrifice of the more pronounced double-time Fleetwood Mac glissando payoff at the chorus on. But, on the Root Work version of this song we get a really great guitar solo as the song wraps up that would make Lindsey Buckingham take a second notice.

“Isobel” doesn’t vary much from the original version, but it is clear that MC is comfortable hanging on notes in his vocal making the whole song a more relaxed and bluesy experience. The new mix of instruments and in particular the piano riffing is a welcome development to the song.

“From a Lincoln Continental (Boogie Interpolated)” I thought this Tim Rose cover from Country Hai ended up sounding a bit like a “Digging In The Dirt”- period Peter Gabriel due to the clockwork approach to the instrumentation. On Root Work “Boogie” gets a welcome extended swampy blues workout. The song ends up sounding a lot more like the original Tim Rose version this way.

I caught up with MC last week and the pre-sale is up on the Heaven & Earth Magic Company website. Heaven & Earth Magic Company is the record label MC and Scott Hirsch started for their projects. Their first release was Country Hai East Cotton. The vinyl release of Root Work is a frighteningly limited one-hundred records– each numbered with covers designed by Brendan Greaves and hand screened by MC! The record is $15 (around $20 shipped) and comes with a digital download from bandcamp so you can get 320Kbps mp3′s or FLACs (or just about anything else actually). This is a steal, frankly. If you’re not into the vinyl thing, you can just order the download for a very reasonable $6 or you can pick individual tracks for $1 apiece.

The debate over the versions of the songs between Country Hai East Cotton and Root Work is akin to debating the merits of red versus white wine. Either is appropriate depending on when you’re drinking. I’m looking forward to drinking in the subtle tannins and liquorice notes of the vinyl pressing of Root Work.

Click Here to listen to tracks from Hiss Golden Messenger’s Root Work and to order digital download or vinyl pressing with digital download.

Free Download: For The Budos Band The Third Time is a (Snake) Charm

Last week the mighty instrumental afro-funk band The Budos Band– which bills itself as the “Staten Island’s Undesputed Champions of Afro-Soul” announced the release and details of their new album The Budos Band III. To be released on August 10th on the formidable Daptone Records label the record is the band’s first release since 2009′s The Budos Band EP and the first full length since 2007′s The Budos Band II.

Coincidentally,  I was in Boston this week for work and managed to sneak in a run to Newbury Comics. I was hoping to pick up the new Suckers vinyl, but it has been delayed. Instead I ended up picking up a couple of records I’ve had on my Amazon Wish List for a while– The Budos Band and The Budos Band EP. I still need The Budos Band II. I’ve been a fan of The Budos Band since I did a review of the Scion Daptone Records compilation.

The Budos Band is a band with a distinctive sound– influenced by African– specifically Ethiopian– music coupled with organ and guitars lead melodically by a muscular horn section. The Budos Band shares guitarist Brenneck with the other signature Daptone house band– The Dap-Kings. Other Dap-Kings Neal Sugarman and Binky Griptite were on-board for the first Budos Band album.  It’s clear that the cross-pollination has helped establish them.

The first Budos Band Record featured a volcano in full eruption with the lava coming right for the viewer presumably representing “The Volcano Song.” The second Budos Band featured a scorpion ready to sting, representing the “Scorpion” album track. Continuing the “dangerous” cover art of the Budos Band records, III has a cobra on the cover– likely representing the “Black Venom” track– but I think may also be a sly reference to the expression “The Third Time is a Charm” where the charm would be for that cobra.

“Heading into the studio for Budos III, I really thought we were going to make the first psychedelic, doom-rock record ever recorded at Daptone,” said front man and baritone saxophonist Jared Tankel, “but somehow it ended up sounding like a Budos record.” I’ve had the opportunity to listen to the album and the familiar formula of the Budos Band is continued but I do get the sense of some underlying darkness.

I like the whole album– the songs on III fit comfortably next to the rest of their catalog in my opinion. Early standout tracks for me are “Unbroken, Unshaven” (this has to be a reference to the fact that the band used to be called Los Barbudos or “The Bearded Ones”) with its clean strumming leading the song, “Nature’s Wrath” has a great loping circular beat but has the BEST FLUTE SOLO this side of Ray Thomas’ solos in The Moody Blues! In my mind, Mother Nature is PISSED about the BP oil leak and this song is the warning before she tears us a new one! One nice bonus to this album is “Reppirt Yad” which wraps the album up. For Record Store Day this year, Daptone put out a split 7″ of Sharon Jones and the Dap-Kings and The Budos Band. The Budos Band track was an interpretation of The Beatles “Day Tripper.” They seem to have disguised the song with a backwards title for III.

To get a free download of “Unbroken, Unshaven” click on this link to sign up for a Daptone Records e-mail list (that they admit you can unsubscribe from). I’ve been on the Daptone e-mail list for a couple of years now and they aren’t abusive and it’s a good way to stay on top of news from this fantastic label.

The band is off on an extensive tour in support of III and hopefully they bring their snake charming show to a venue near you!

The Budos Band III Tracklisting:

  1. Rite of the Ancients
  2. Black Venom
  3. River Serpentine
  4. Unbroken, Unshaven
  5. Nature’s Wrath
  6. Golden Dunes
  7. Budos Dirge
  8. Raja Haje
  9. Crimson Skies
  10. Mark of the Unnamed
  11. Reppirt Yad

Tour Dates :
Sat June 5 Montclair, NJ Wellmont Theatre (w. Les Claypool)
Fri June 11 New York, NY Rocks Off Concert Cruise
Sat June 26 Vancouver, VC Vancouver Jazz Festival @ Commodore Ballroom
Sun June 27 Calgary, AB Calgary Jazz Festival @ The Whiskey
Tue June 29 Saskatoon, SK Saskatchewan Jazz Festival @ Lydia’s Pub
Wed June 30 Winnipeg, MAN Jazz Winnipeg Festival @ Pyramid Cabaret
Sat July 10 Chicago, IL Chicago Folk & Roots Festival @ Welles Park
Sun July 11 Bloomington, IN Bluebird
Mon July 12 Chicago, IL Millennium Park
Tue July 13 Ann Arbor, MI Blind Pig
Thu July 15 Quebec City, QC Quebec City International Summer Festival
Fri July 16 Ottawa, ON Cisco Ottawa Bluesfest
Sat July 17 Toronto, ON Lee’s Palace
Wed July 21 Philadelphia, PA Johnny Brenda’s
Thu July 22 Harrisburg, PA The Abbey Bar at ABC
Fri July 23 Floyd, VA Floydfest
Sat July 24 Washington, DC Black Cat
Sat Aug 7 Brooklyn, NY Celebrate Brooklyn! @ Prospect Park Bandshell
Thu Aug 12 Los Angeles, CA Levitt Pavilion
Fri Aug 13 Pasadena, CA Levitt Pavilion
Sat Aug 14 San Luis Obispo, CA Downtown Brew
Sun Aug 15 San Francisco, CA Outside Lands @ Golden Gate Park
Tue Aug 17 Phoenix, AZ Sail In
Thu Aug 19 Santa Fe, NM Santa Fe Brew Co
Sun Aug 22 Dallas, TX Granada
Tue Aug 24 Oklahoma City, OK Conservatory
Wed Aug 25 Kansas City, MO Record Bar
Fri Aug 27 Denver, CO Larimer Lounge
Sat Aug 28 Boulder, CO Fox Theater
Tue Aug 31 Salt Lake City, UT State Room
Wed Sept 1 Boise, ID The Grove Plaza
Thu Sept 2 Eugene, OR W.O.W. Hall
Fri Sept 3 Portland, OR Dante’s
Sat Sept 4 Seattle, WA Bumbershoot

Click Here to visit the Wikipedia page on The Budos Band.

Click Here to visit the Budos Band website.

Click Here to visit the Budos Band MySpace page.

Click Here to visit Obscure Sound page on The Budos Band which has some mp3’s.

Click Here to visit The Spinner.com Interface session with video of The Budos Band.


New Live Release from Arbouretum – Couldn’t Hit It Sideways

It was a happy surprise for me this week to find out that Arbouretum released a new recording! Part of the burgeoning Baltimore Indie scene which seems to favor sludgy guitar tone, Arbouretum is singer/songwriter/guitarist David Heumann with a rotating cast of supporting characters. Arbouretum has been on Thrill Jockey for the last three releases (2007′s Rites of Uncovering, 2008′s split with Pontiak Kale, and 2009′s Song of the Pearl).

On April 10th Arbouretum and another Baltimore duo The Expotentials played a gig at a secret venue known only as The Granfaloon. For this show, Arbouretum trotted out the over-51-minute composition that makes up the new CD/download and second release from Aural Slate– the house label for the Baltimore/D.C.-scenester blog Aural States, which I discovered about the same time I found out about Arbouretum. Aural States is worth following and it is a dream of mine to run a boutique label, so I’m watching Greg Szeto’s progress in this space closely– he’s off to a good start with his second release Couldn’t Hit It Sideways by Arbouretum. Couldn’t Hit It Sideways is 51-minutes of churning, chugging improvisation and exploration of a simple and familiar chord progression. To many the concept of this recording might seem tedious and repetitive– and certainly I wouldn’t recommend this as a first exposure to Arbouretum as it doesn’t showcase the strong vocals and lyrics from Heumann. However, even with the 5-minute sample that is provided one can see how Heumann creates and tears down guitar lines– subtle changes that roll over the constant rhythm anchored by the bass and drums laid down by Corey Allender and JV Brian Carey.

The physical CDR will be available at the live shows Arbouretum is doing this Spring (some with Pontiak!), but you can get either 320Kbps mp3 or FLAC (yay!) for $5 from Aural Slate.

Click Here to getcha some Arbouretum!

In other Arbouretum news, the blog Bmore Musically Informed has an mp3 download of Arbouretum’s show from the G Spot on 1/29/10. The show features a great selection of Arbouretum tracks and closes with an astounding version of Neil Young’s “When You Dance I Can Really Love” joined by Wye Oak!

Click Here to see pix and the link to download that show!

Ryan Adams Orion Metal Project Is Available For Pre-Order– Ships 5/24

I get home last from seeing Local Natives at the Mill in Iowa City with Suckers in support, check my e-mail and I see the above ad in my e-mail! Thank goodness I checked my e-mail before I went to bed!

This, of course, is the promised Metal album from Ryan Adams under the moniker Orion I reported on in March. Orion was recorded in 2006 with the final production completed earlier this year with Jamie Candiloro. It’s being described as a “fully realized Sci-Fi Metal Concept Album.” The track “Electro Snake” has been streaming since March which apparently was supposed to ease us into the idea of a full-on Metal record from Ryan. Looking over the track list I see that a song called “Fire and Ice” is on there. The assumption is that this is the same “Fire and Ice” that Ryan streamed from his website back in 2006 as part of the “fake” Warren Peace album – War and Peace. With lyrics like “Somewhere above the stars/In God’s cities/Reflecting the soul waves/Oh, the angels have mercy” it would seem to fit the SciFi concept, and aside from the mid-tempo piano part the chorus uses some pretty heavy guitars.

Orion will be the first full-length release from Ryan’s vanity record label Pax-Am. Last year he released three digital singles as well as his first venture into custom pressing vinyl with the pink 7″ of “Oblivion” b/w “People Need Sunlight.” Orion is the first of some promised releases from the mythical vaults of the very prolific Ryan Adams. The very limited (no reports on how many were pressed, yet) release is a very well-executed package from a fidelity and collectability standpoint. The artwork was done by “Away” aka Michel Langevin who, in addition to being the drummer for Canadian Thrash Metal band Voivod, is also a graphic artist. The artwork is screened onto a silver mirrored gatefold sleeve. The LP itself is pressed into clear 180g vinyl which is also a nice touch. Included with the LP is a card for a digital download of the album in the form of 320 Kbps mp3′s as well as a 24″ x 24″ double-sided folded poster (you can see it behind the LP in the picture above).

At the time of this writing, there are still copies available to order on the site. There was also a long-sleeve teeshirt available with some of the album art on it and a fake 2006 tour on the back– these are sold out. The album is $24 and for me at least, shipping was $8 which makes it $32 which is a bit on the steep side– but it is a very quality release and well worth it, I think. If Ryan keeps to his plans, there will be a digital-download-only version available eventually for those folks who don’t want the vinyl.

Click Here to Order the Orion vinyl + digital package.

Tracklisting for Orion:

Side One:

  1. Signal Fade
  2. Imminent Galactic War
  3. Disappyramid
  4. Fire Away
  5. Defenders of the Galaxy
  6. Fire and Ice

Side Two:

  1. By Force
  2. Ghorgon, Master of War
  3. Ariel
  4. Electro Snake
  5. Victims of the Ice Brigade
  6. 2,000 Ships
  7. End of Days

Members of Tortoise, Isotope 217 & Causa Sui to Release Chicago Odense Ensemble

AdLuna Records is a label I’ve been following for a little while due to their ties with Thrill Jockey artists. AdLuna is a boutique-ish label out of France which has a penchant for free jazz and funk (well, and one folk release). They released their first three releases in 2008. Due to the low volume of releases from the label, they are able to focus on the packaging of the releases. All three CD releases are in a unique 5.5″ x 7.75″ book style cover– printed on high-quality card stock with a matte finish. In the case of Rob Mazurek’s Abstractions on Robert D’Arbrissel (AR001CD) release, there was a 10-page full-color booklet included in the cover. In the case of Doug Scharin’s project Activities of Dust, whose sidemen included Jeff Parker (Tortoise), Bill Laswell and Bernie Worrell, in addition to the CD of their release A New Mind (AR003CDDVD), a DVD titled “Return to the Original Matrix” which was produced by Doug Scharin.

Last week AdLuna announced that their next release would be an album from Chicago Odense Ensemble. Chicago Odense Ensemble is a group made up of Rob Mazurek (Chicago Underground, Isotope 217, Exploding Star Orchestra), Jeff Parker (Tortoise, Isotope 217, Exploding Star Orchestra), Dan Bitney (Tortoise, Isotope 217), Matt Lux (Isotope 217, Exploding Star Orchestra), Brian Keigher (aka DJ Warp), Jonas Munk (Causa Sui, Manual) and Jakob Skott (Causa Sui). Evidently derives its name from the fact that Mazurek, Parker, Bitney, Lux and Keigher all call Chicago home and Causa Sui members Skott and Munk are from Odense, Denmark.

I was not aware of Causa Sui until I heard about this release so I checked them out. They are spacy-stoner rockish instrumental group. Kind of Doors-meets-Hawkwind, I suppose. I’ve been listening to it quite a bit in the last week, and the influence of Causa Sui should make for a really great release! From the press release is a quote from Jonas Munk, “The closest reference for this kind of music is probably early-1970′s proto-fusion jazz that strived for a similar synthesis of jazz improvisation, psychedelic rock, Eastern and African sounds and the use of the studio as a musical tool instead of merely a recording facility.”

The release, which doesn’t have a date yet, will come out in CD and 2 180g LP versions as well as digital download. AdLuna sent me some pictures of the proposed packaging which they are still formalizing. I also included the pretty cool teaser trailer for the release.

Stay tuned for more details as they come.

Click Here for AdLuna Records which will release Chicago Odense Ensemble this year.

Click Here for Chicago Odense Ensemble’s MySpace Page.

Free Download: “Definition of a Star” by DJ D-Sharp with Kev Choice and Tony Vic

Admittedly, I tend to favor L.A. and Bay Area Hip Hop which might not be surprising when you consider that my music website history starts with Solesides/Quannum labels. The crews out there tend to be pretty closely-knit, so you get a lot of really cool side projects and collaborations.

This week DJ D-Sharp has made his new single “Definition of a Star” available for FREE. The woodblock and strings-stabbing head-bobber features D-Sharp in a classic boasting MC role in addition to production. Kev Choice and Tony Vic have his back with their vocals. “I AM… The definition of a star,” D-Sharp announces.

I first became aware of D-Sharp when he came to Iowa City as Lyrics Born’s DJ last year. The fact of the matter is that D-Sharp has been around the Quannum camp since he was introduced by his friend Lateef Dumont– aka Lateef the Truth Speaker. Since then he has toured and worked with most of the acts on the label including Blackalicious and The Lifesavas in addition to LB and Lateef. His bio also includes a fairly extensive resume of working with A-List hip hop acts like Black Eyed Peas, Jurassic 5, and Lauren Hill.

The single comes down as one zip file with two versions of the single– the clean and dirty versions as well as the acapellas (in case you want to take on remixing!).

Click Here to download “Definition of a Star”

Click Here to visit DJ D-Sharp’s Website.

Click Here to visit DJ D-Sharp’s MySpace Page

Upcoming Show: Local Natives are Back! The Mill in Iowa City on 5/18, RIBCO on 5/15

Local Natives perform "Sun Hands"
It was last July when Local Natives graced our bucolic farmlands as part of the inaugural Daytrotter Barnstormer tour. I saw them twice– once in Bellevue at Mooney Hollow Barn and once at the Secrest Octagonal Barn. I recount my experience here. It was the case that at least for the two shows I saw, the Silverlake, CA group really stole the show in my opinion, and which is why I’m really excited to announce that they will be back in the area in May!

Since they played the barns last year, the Natives have seemingly been on the road non-stop. They had a package tour with Edward Sharpe & the Magnetic Zeros and Fool’s Gold that brought them to Madison, Chicago and Minneapolis at the end of November and beginning of December. It seems like they’ve been to Europe a couple of times already, and are currently there through March 11th before coming back to do a run of dates in the US which include some high-profile festival shows: SXSW on 3/18-20, Coachella on 3/18, and Sasquatch! on 5/30 and Bonnaroo on 6/10!

Local Natives’ album Gorilla Manor released in the US on French Kiss this week (2/16) and is available as CD, mp3 (with bonus tracks) and vinyl LP! I received my LP yesterday and because I pre-ordered I got a bonus 7″ of “Sun Hands” with a Daytrotter version of “Airplanes” as its b-side.

Local Natives will be hitting the very cozy Rock Island Brewing Company on Saturday, May 15th, The 400 Bar in Minneapolis on Monday, May 17th, and The Mill Restaurant in Iowa City on Tuesday, May 18th. That gap on Sunday makes me wonder if they might be sneaking in an encore Daytrotter session?

Click Here for the Facebook Event for the Rock Island Brewing Company.

Click Here for the Facebook Event for the Mill Restaurant Show.

Live Dates (from MySpace)

Feb 17 2010      8:00P SOLD OUT Maroquinerie     Paris
Feb 18 2010     8:00P Le Grand Mix     Tourcoing, Lille
Feb 19 2010     8:00P Le Normandy     Saint Lo
Feb 20 2010     8:00P Route du Rock Winter Festival     Saint Malo
Feb 24 2010     8:00P Thekla     Bristol
Feb 25 2010     8:00P Rescue Rooms     Nottingham
Feb 26 2010     8:00P Concorde II     Brighton
Feb 27 2010     8:00P Brudenell     Leeds
Feb 28 2010     8:00P Arts Centre     Norwich
Mar 2 2010     8:00P SOLD OUT Heaven     London
Mar 3 2010     8:00P Academy 3     Birmingham
Mar 4 2010     8:00P Club Academy     Manchester
Mar 5 2010     8:00P King Tuts     Glasgow
Mar 6 2010     8:00P Academy 2     Newcastle
Mar 10 2010     8:00P Academy 2     Dublin
Mar 11 2010     8:00P Limelight     Belfast
Mar 18 2010     8:00P SXSW     Austin, Texas
Mar 19 2010     8:00P SXSW     Austin, Texas
Mar 20 2010     8:00P SXSW     Austin, Texas
Apr 18 2010     3:00P Coachella     Indio, California
Apr 20 2010     8:00P Solar Culture     Tuscon, Arizona
Apr 22 2010     8:00P The Cavern     Dallas, Texas
Apr 23 2010     8:00P Emo’s (inside)     Austin, Texas
Apr 24 2010     8:00P Mango’s     Houston, Texas
Apr 26 2010     8:00P Sticky Fingerz Chicken Shack     Little Rock, Arkansas
Apr 27 2010     8:00P Thirsty Hippo     Haittesburg, Mississippi
Apr 29 2010     8:00P Cafe 11     St. Augustine, Florida
Apr 30 2010     8:00P The Basement     Nashville, Tennessee
May 1 2010     8:00P Masquerade     Atlanta, Georgia
May 4 2010     8:00P Local 506     Chapel Hill, North Carolina
May 5 2010     8:00P DC 9     Washington DC, Washington DC
May 6 2010     8:00P Bowery Ballroom     New York, New York
May 7 2010     8:00P Kung Fu Necktie     Philadelphia, Pennsylvania
May 8 2010     8:00P Great Scott     Allston, Massachusetts
May 11 2010     8:00P Beachland Tavern     Cleveland, Ohio
May 12 2010     8:00P The Basement     Columbus, Ohio
May 14 2010     8:00P Schubas     Chicago, Illinois
May 15 2010     8:00P Rock Island Brewing Company     Rock Island, Illinois
May 17 2010     8:00P 400 Bar     Minneapolis, Minnesota
May 18 2010     8:00P The Mill     Iowa City, Iowa
May 19 2010     8:00P Mojo’s     Columbia, Missouri
May 21 2010     8:00P Larimer Lounge     Denver, Colorado
May 22 2010     8:00P Kilby Court     Salt Lake City, Utah
May 25 2010     8:00P Empyrean     Spokane, Washington
May 26 2010     8:00P Neurolux     Boise, Idaho
May 27 2010     8:00P Mississippi Studios     Portland, Oregon
May 28 2010     8:00P Media Club     Vancouver, British Columbia
May 30 2010     8:00P Sasquatch!     Seattle, Washington
Jun 3 2010     8:00P Bottom of the Hill     San Francisco, California
Jun 10 2010     8:00P Bonnaroo     Manchester, Tennessee
Jun 15 2010     8:00P Shepherds Bush Empire     London

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