(Upcoming Release) Hiss Golden Messenger – “Poor Moon” Waxes 11/1/11 – Preorder Bundles Galore

Hiss Golden Messenger is the band name that former Court & Spark members MC Taylor and Scott Hirsch have been using since the dissolution of their previous band in 2007. Since then there have been four releases under this moniker: Live in Big Sur in 2007, Country Hai East Cotton in 2008 (which was re-released last year on Black Maps), and in 2010 we saw Root Work which was based on live in-studio Country Hai tracks and Bad Debt which was a recording of spiritually-themed songs Taylor recorded in his kitchen to a cassette recorder.

On November 1st, Hiss Golden Messenger will be releasing a new album called Poor Moon. Poor Moon will be released on a new record label, Paradise of Bachelors and will come out in a hand-numbered limited edition of 500 on beautiful 150g vinyl with a tip-on sleeve designed by Brendan Greaves from Paradise of Bachelors featuring a beautifully-detailed illustration by Alex Jako.

As if this wasn’t enough reason to jump on this purchase, there are tiers you can purchase at which get you bonus downloads. The base $20 “Oak” level gets you the vinyl on your doorstep around 11/1/11, but also a digital download of the album via Bandcamp on 10/15, so you can enjoy it whilst you wait for the physical version. (By the way, they are charging a very reasonable $5 domestic shipping and handling, as opposed to typical shipping charges seen via TopSpin these days). If you order at the $25 “Ash” level, you get an EP of demos and outtakes titled Lord, I Love the Rain which has some tracks from the Bad Debt sessions as well as some studio tracks from an “conceptual soundtrack” called He Wore Rings on Every Finger. At the $30 “Rowan” level you get the aforementioned EP, plus a live recording from 2008 called Plowed: Live in Bovina which was recorded in upstate New York around the same time that the Root Work radio session was taped.

Notably, the tracks on Lord, I Love The Rain will be the basis of the next HGM release, which is targeted for Spring 2012!

As for Poor Moon itself– the album shares it roots with the kitchen table ruminations of Bad Debt in that most of the songs started there. We get full-band treatments of  “Balthazar’s Song,” “O Little Light,” “Jesus Shot Me in the Head,” a driving “Super Blue (Two Days Clean),” Balthazar’s Song” and “Call Him Daylight” (which was a bonus track on the vinyl version of Bad Debt). The Lord, I Love the Rain EP also includes a Bad Debt version of “Westering.” So, you might consider Bad Debt and Poor Moon together as being a “deluxe” edition.

There are few songwriters today that have the ability to capture the sentiment of reaching desire that really grabs me. I think that MC Taylor is in a small group of current songwriters that includes Kurt Wagner of Lambchop and Richard Buckner that excel in this. If you’ve been following the combined story of The Court & Spark and Hiss Golden Messenger, the music on Poor Moon is not as much a revelation as it is a reinforcement of this fact.

Poor Moon captures a certain timelessness in its sound– the production doesn’t stand in the way of the music. Taylor confirms this in a recent conversation, “That was the intention. I wanted sort of a neutral production with the rhythm section fairly up front– which it is– and more acoustic instruments than Country Hai and Root Work. Country Hai was a concerted effort to feature no acoustic guitar whatsoever.”

To that end, Taylor has never been afraid to draw inspiration from his very diverse musical tastes and Poor Moon to these ears has some subtle but definite vibe and tone from early 70’s Van Morrison and Grateful Dead (more American Beauty than Aoxomoxoa, though). Certainly a more rustic setting than Country Hai, I would say, but no less enjoyable.

Below are the Bandcamp links to samples of tracks from Poor Moon and the two bonus releases and the links to order.

CLICK HERE to go to the Ordering Page for Poor Moon

Click Here for the Hiss Golden Messenger MySpace Page

Click Here for the Hiss Golden Messenger Facebook Page

Click Here for the Paradise of Bachelors Website

Click Here for Heaven and Earth Magic Recording Company

Click Here for MC Taylor’s Blog “The Old Straight Track”

 

Hiss Golden Messenger Transforms Country Hai Tracks on Vinyl as “Root Work”

When I heard that the next Hiss Golden Messenger release was going to be made available on vinyl I was pretty excited to hear it. I was a little disappointed that it wasn’t going to be new HGM songs but an EP to be titled Root Work based on a live radio session in August recorded by Irene Trudel on WFMU. I’d had the tracks that would make up Country Hai East Cotton since 2007 and the album proper came out last year. I was getting pretty hungry for some new material from MC and company!

In appreciation for the general love that playbsides.com gives Hiss Golden Messenger, MC Taylor sent me the mp3’s of Root Work to peruse in April.  “At first, I wasn’t sure about commercially releasing this material as it appears on Country Hai,” he said in a later e-mail, ” but it sounds so good– through no fault of mine, really– that I thought it would make a really nice  limited-edition vinyl release. That particular lineup of the band was special, in that we only played together three times (this  recording was the second time), and it all came together.”

The lineup for Root Work is Slim Diamond (MC Taylor) on vocals and guitar, on bass and lapsteel is regular HGM member Scott Hirsch, Yair Evnine on guitar, Terry Lonergan on percussion, Robert Stillman on piano and Fender Rhodes, and Crowmeat Bob on horns.

The resulting six-track recording is less a re-hashing of Country Hai East Cotton than it is a re-imagining of the source. I think this is partially a product of the chemistry of the musicians as well as MC and Scott benefiting from a perspective two years after the original album was recorded. The fresh perspective seems to allow the band to exercise some light improvisation.

“John Has Gone to the Light” goes from an almost five-minute track to an almost nine minute song. The band spends more time riding the loping dub beat before succumbing to the double reggae-time chorus.

“Lion/Lamb” actually gets edited from the epic Traffic-ish “Lion” on Country Hai down to a just over three-minute stripped down folky strumming guitar and mandolin.

“Resurrection Blues” was a cursing post-death two-beat march on Country Hai. On Root Work it becomes a bluesy sax-driven gospel swagger. The call-and-response makes me think that the Blind Boys of Alabama should cover this version!

“O Nathaniel” is stripped and slowed down to reveal the rich palate of the vocal melody at the sacrifice of the more pronounced double-time Fleetwood Mac glissando payoff at the chorus on. But, on the Root Work version of this song we get a really great guitar solo as the song wraps up that would make Lindsey Buckingham take a second notice.

“Isobel” doesn’t vary much from the original version, but it is clear that MC is comfortable hanging on notes in his vocal making the whole song a more relaxed and bluesy experience. The new mix of instruments and in particular the piano riffing is a welcome development to the song.

“From a Lincoln Continental (Boogie Interpolated)” I thought this Tim Rose cover from Country Hai ended up sounding a bit like a “Digging In The Dirt”- period Peter Gabriel due to the clockwork approach to the instrumentation. On Root Work “Boogie” gets a welcome extended swampy blues workout. The song ends up sounding a lot more like the original Tim Rose version this way.

I caught up with MC last week and the pre-sale is up on the Heaven & Earth Magic Company website. Heaven & Earth Magic Company is the record label MC and Scott Hirsch started for their projects. Their first release was Country Hai East Cotton. The vinyl release of Root Work is a frighteningly limited one-hundred records– each numbered with covers designed by Brendan Greaves and hand screened by MC! The record is $15 (around $20 shipped) and comes with a digital download from bandcamp so you can get 320Kbps mp3’s or FLACs (or just about anything else actually). This is a steal, frankly. If you’re not into the vinyl thing, you can just order the download for a very reasonable $6 or you can pick individual tracks for $1 apiece.

The debate over the versions of the songs between Country Hai East Cotton and Root Work is akin to debating the merits of red versus white wine. Either is appropriate depending on when you’re drinking. I’m looking forward to drinking in the subtle tannins and liquorice notes of the vinyl pressing of Root Work.

Click Here to listen to tracks from Hiss Golden Messenger’s Root Work and to order digital download or vinyl pressing with digital download.