Releases I’m Looking Forward to in 2013

The month of January was named after the Roman goddess Janus who had two faces.  Like the goddess, January is the month of the year when we both look back on the previous year that is over as well as ahead to the year coming up. I just posted my favorite releases for 2012— here is a list of releases that I’m looking forward to in 2013.

Mountains Centralia (January 22) The Brooklyn duo of Brendon Anderegg and Koen Holtkamp is back with another couple of slabs of acoustic/electronic experimental ambient music (a couple of slabs in the vinyl version anyway). I’ve been a big fan since Choral and can’t wait to get this on the turntable.

Camper Van BeethovenLa Costa Perdida (January 22) David Lowery’s non-Cracker concern is back with its first release since New Roman Times in 2004.

Arbouretum Coming Out of the Fog (January 22) David Heumann is back with another slab of his folk-inspired distortion. If you are one of the early orders at Thrill Jockey, the vinyl comes in “Fog White” – I have one and it is beautiful.

Brokeback Brokeback and the Black Rock (January 22) – Doug McCombs of Tortoise and Eleventh Dream Day returns with his solo project, Brokeback. Started in 1997, Brokeback had two 7″es and three albums, with the last one out in 2003. Ten years later, Brokeback is resurrected in a new lineup which includes Pete Croke and Chris Hansen of Head of Skulls! (emphasis theirs) and James Elkington of The Zincs, The Horses Ha and Freakwater. The album is typical atmospheric reverbby guitar instrumentals.

Local NativesHummingbird (January 29) – The Local Natives are back with their sophomore release. I loved their first album Gorilla Manor, and got to see them during the first Daytrotter Barnstormer tour. They managed to tour for two years on that album. If the first track “Breakers” is any indication, Hummingbird is a strong followup.

Jacob JonesGood Timin’ In Waynetown (January 29) – Just in time for the hubbub over Nashville due to the ABC TV series of the same name, Jacob Jones is releasing his first album in two years. Instead of his typical roadworn acoustic folk country, he hit the studio with an album inspired by the classic R&B of Ray Charles and the “Keep On Movin'” parties on Monday nights at The 5 Spot.

Hiss Golden MessengerHaw (April 2) – MC Taylor and Scott Hirsch are on a roll. After a very polished release of Poor Moon in 2011 which was followed by a collection of odds and sods in 2012 called Lord, I Love the Rain they are done with another release Haw, which is due to come out on April 2nd and has members of Megafaun on it. Look for a review by me soon.

Golden Gunn – TBD (April) – As if a Hiss Golden Messenger release isn’t enough, Scott and MC are collaborating with Steve Gunn on an album which, from the sounds of the little bit I heard, will be more jamming and more stripped down (if that is possible).

Dawes Stories Don’t End (April 9)- The mighty Dawes return for a third album. This time they are releasing the album themselves through their management Q Prime— their first two albums were released by Dave Matthews’ label ATO. I’ve heard a couple songs from the new album live already, and it’s sounding like a great one. In an interview with Rolling Stone, Taylor Goldsmith said, “Obviously we have our influences, and I know that some of what we do as a band is of another time, even simple aspects like guitar solos. So I get it, I’m not mad at it, but at the same time, we just wanted to make sure people saw us as a modern band as well. With this album, thanks to what [producer] Jacquire [King] is really good at, we’re able to stay a rock & roll band and maintain classic qualities, but at the same time, it makes sense that this record is coming out in 2013.”

Jack Logan & Scott Baxendale – Bones in the Desert (TBD) – Jack Logan is back with his first release since 2006 or so. This time he’s partnered up with Athens, GA master guitar luthier Scott Baxendale. Joining them on the record are members of Drive By Truckers.

The Right Now – EP (First Half of 2013) In an interview with Chicagoverse, Brendan O’Connell says that the Chicago R&B band has demos collected that they can draw from to make an EP!

Dick Prall – Dick is releasing a song-per month, which he kicked off in October of 2012. The plan is to make the songs freely downloadable with a full-album of the tracks plus some bonuses available at the end of 2013.

Horses Ha – TBD – Carried over from last year’s list. The album is pretty much complete and a continuation of the first album Of The Cathmawr Yards. Here’s hoping that Janet and James, coming off the recent Freakwater tour will be energized and ready to release this.

History – (First half of 2013) The remains of the Iowa City band The Wandering Bears have formed a new band called History.

Har-di-Har – Third EP/LPI loved the first two EP’s released by the Cedar Falls husband/wife duo Har-di-Har. The third EP in the series is supposed to come out pretty soon. Andrew Thoreen told me that the plan is to bundle the three EP’s together into a physical release (possibly vinyl!).

Fender Brings Back the Legendary Bass VI in Its Pawn Shop and Squier Lines

Pawn Shop Bass VI Burst

Fender sent out an e-mail blast this week which, among other things, listed some new guitars in their Pawn Shop Line. Most interesting to me was the re-appearance of a Bass VI! I wrote a fairly comprehensive article about the Bass VI back in 2006 (CLICK HERE). At the time I was really interested in the Bass VI as a way to bridge my bass playing skills to 6-string. The Bass VI was a premium guitar from Fender which didn’t fit in my budget, but I tried out a couple of the Baritone Jaguars that Fender put out as a response to demand for a guitar in this class. You can read the article I linked to above where I compare the guitars, but ultimately I didn’t keep either of the guitars I tried and decided to invest in some regular 6-string electrics.

That said, this appearance of the Bass VI in the Pawn Shop line has me pretty interested in the Bass VI again. The guitar is introduced at an MSRP of $1079.99 (street price is estimated at $799) which makes this the most affordable Bass VI in a long time. Keeping with Fender’s tagline of “Guitars That Never Were But Should Have Been” the Bass VI gets a slight makeover and improves the guitar. For one thing, Fender removed the complicated and awkward bank of pickup switches and replaced it with a more conventional 5-position switch. Additionally, they replaced the bridge single-coil pickup with a humbucker that at first glance looked like a P90 or P100 but is in fact the Jazzmaster Humbucker (designated JZHB). This will give the guitar some interesting tone options not available in any of the previous Bass VI or Jaguar Baritone configurations. They did keep the distinctive locking tremolo and floating bridge that the Bass VI had and maintained the 30″ (76.2 cm) scale.

 

The Pawn Shop Bass VI 0143-700-300 in Sunburst

The Pawn Shop Bass VI 0143-700-300 in Sunburst

Pawn Shop Bass VI 0143-700-306 Black

Pawn Shop Bass VI 0143-700-306 in Black

Pawn Shop Bass VI 0143-700-309 in Candy Apple Red

Pawn Shop Bass VI 0143-700-309 in Candy Apple Red

The Pawn Shop Bass VI comes in three colors: Black with tortoise pickguard, Three-tone Sunburst with tortoise pickguard, and Candy Apple Red with painted headstock and parchment pickguard. The Bass VI comes out on March 19th, according to Guitar Center, where you can pre-order it.

In the vast history of electric guitars from Fender, the Bass VI is somewhat obscure and harbors a kind of cultish, rabid fanbase. It remains to be seen if this re-introduction will widen the visibility of the Bass VI, but I think that there is pent-up demand from people who have been unwilling or unable to pay premium prices for a used Bass VI. If Guitar Center here in Cedar Rapids gets one in, I’ll go try it out and report back.

Click Here to read my article comparing the Bass VI to the Baritone Jaguars.

Click Here to Go to Fender’s Pawn Shop Bass VI page.

UPDATE: You can now get a regular configuration Bass VI as a Squier! Click the pictures below to check them out at Reverb.com – The Marketplace for Musicians!

(Upcoming Show) Pieta Brown and the Sawdust Collective Live at CSPS Friday 1/18/13 – Boulevard & Wires Photograph Exhibition This Week

IMG_8084
Pieta Brown is kicking of the 2013 year of shows with a return to CSPS on Friday, January 18th. She’s bringing with her The Sawdust Collective which is her regular collaborators Bo Ramsey on guitars and backing vocals and Jon Penner on bass. The last time I saw Pieta at CSPS was during the Acoustic Cafe show in January of last year along with Kelly Joe Phelps and Carrie Rodriguez (my pictures here).

Since then, both Pieta and Bo contributed songs to the Iowa City Song Project album– a local-artists tribute to the Englert in celebration of the venue’s 100th birthday. I wrote a review of that album for Little Village back in October. You can check out her contribution “Doesn’t Take Long” here:

Martina by Pieta Brown

Martina by Pieta Brown

Boulevard & Wires by Pieta Brown

Pieta also lent a hand with Greg Brown’s new album Hymns to What Is Left and Iris DeMent’s new album Sing the Delta. Pieta also contributed the photographs for the cover art of both albums. These photographs will be part of an exhibit of photographs that will be opened in conjunction with the show Friday night. Titled Boulevard & Wires, it’s a selection of shots she’s taken on the road that she shows on her Blue Streak section of her website. “The communion takes place in just a blink, no flash,” she says.  “The simple process lends itself to chasing the gritty and mysterious essence of any given moment.” The exhibition will be in the Commons Gallery and will continue through February 28th– admission to the exhibit is free.
The performance on Friday night will start at 8PM and will be $17 in advance and $21 at the door.

Information on the Legion Arts Website HERE for the performance, and HERE for the gallery exhibition.