B-Sides in the Bins #49 – Doug Roberson’s Yard Sale 7/11/09

Doug Roberson of the Diplomats of Solid Sound posted a Facebook event for a yard sale he was having. He was moving across town in Iowa City and decided, like many of us would, that he had some things he didn’t want to move so he decided to have a yard sale. Knowing that Doug is a record collector and having talked with him the night before when the band played Coctails and Company in Cedar Rapids about what he might have, I made the trip down.

It was a drizzly day which was sort of concerning, but I got down there around 1:30 and he had all of the records on his front porch. He was sitting on a lawn chair drinking a Budweiser and chatting with the other people hanging out looking at his stuff. Most of the people, as you might imagine were Iowa City scenesters– people in other bands in town, people who were fans of his bands. So, it was pretty cool.

He was selling a lot of vinyl– almost all of it duplicates he accumulated over the years in addition to some books, magazines, and some music gear like a couple of Farfisa organs used with his prior band The Bent Scepters and a couple of guitar amps. He also had a pretty substantial collection of 7-inch singles– a LOT of King Records releases of James Brown. I think someone could have bought most of a James Brown 7″ collection– if not all– right there!

I was hoping to pick up some rare pieces from Doug’s pretty extensive career and I wasn’t disappointed! I ended up picking up the following records for, I think $35. I good haul, for sure!

The Bent Scepters – “She Freak” b/w “The Curse” (7″, Prescription Records PRE001, 1993) This was a nice find. Doug’s band The Bent Scepters was formed out of the ashes of The Dangtrippers and Head Candy. The Bent Scepters’ certainly fulfilled Doug’s penchant for of 60’s Nuggets-style garage pop. The Scepters were closer in sound to the Dangtrippers than the layered distortion grunge delivered by Head Candy. Doug’s current band The Diplomats of Solid Sound started as kind of a side band of the Scepters. On Prescription Records which is Doug’s “vanity” label.

The Bent Scepters – “My Toyota” b/w The Delstars – “Lustron a Go-Go” (7″ split, Prescription Records PRE002, 1997) While I was flipping through the records, Doug found a box that had record pressing plates and a couple white-label 7″ test pressings for a split 7″ he put out with the Des Moines surfy band The Delstars. “My Toyota” comes from the Scepters second album Hellevator Music.

The Diplomats of Solid Sound featuring the Diplomettes – “If You’re Wrong” b/w “If You’re Wrong (Lack of Afro rmx)” (7″, Record Kicks RK45 023, 2008) This one sort of took me by surprise because I didn’t know that there was a second 7″ from Record Kicks. The first single was “Plenty Nasty” backed by “Hurt Me So (Lack of Afro Remix).” I hadn’t heard about this release, but apparently the band has been carrying this 7″ in their merch box. The remix by Lack of Afro is pretty similar to the remix he did for “Hurt Me So”– it adds a clubby groove to it.

The Shy Strangers – Indian Name (LP, Pravda Records PR-2616, 1986) Doug had an unopened box of still-sealed copies of Doug’s pre-Dangtrippers band The Shy Strangers. This record is still in print and can be ordered from Pravda for $4.99! I haven’t dropped a needle on this one, yet. The Shy Strangers was Roberson, Jim Merrick on drums and Scott Stecklein on bass. Doug and Scott were in The Dangtrippers and The Bent Scepters together.

I was hoping for some rare Head Candy stuff, but according to Doug there really wasn’t much more than the CD. There was promotional purple 7″ for “At The Controls” / “Watching the Sun’s Trail” I need to pick up some time, but Doug didn’t have any of those. Here’s the other non-Doug stuff I picked up:

Eric Dolphy – Out to Lunch (LP, Blue Note BLP-4163/84163, 1964) Sax player Eric Dolphy’s first and only release for Blue Note as a solo artist. The album was recorded by the legendary Rudy Van Gelder in February 1964. Soon after Dolphy moved to Paris and died in June 1964 from a diabetic coma. Out to Lunch is considered to be one of the essential free jazz records– considered by some to be on par with A Love Supreme. The label says “Blue Note – A Product of Liberty Records.” This release came soon after Blue Note and Liberty were purchased by Avnet in 1965. This also explains the “84163” catalog number. According to this label breakdown, my copy of Out To Lunch is a post-1968 repressing as my label art says “Blue Note Records – A Division of United Artists Records, Inc.” United Artists was a division of Transamerica which picked up Liberty and its associated imprints in 1968.

Lonnie Smith – Drives (LP, Blue Note Records BST 84351, 1970) This was a still-sealed reissue of Dr. Lonnie Smith’s funky, organ-fueled Blue Note release. The label shows the old 304 Park Ave. South address which I’m not sure would have been right. This would have been a UA release and I think they changed the labels to look like the Dolphy release above. I think this was a 90’s reissue done by EMI. Covers of “Spinning Wheel” by BS&T, the great “Twenty Five Miles” originally done by Edwin Starr, and “Seven Steps to Heaven” by Miles Davis.

Donald Byrd – The Cat Walk (LP, Blue Note Records BL-4075, 1961) This was also a still-sealed reissue of  trumpet player Donald Byrd’s 1961 solo release with regular sidekick Pepper Adams. I wasn’t very familiar with Donald Byrd’s work other than a couple of compilation tracks– notably “Blackjack” which was included on the Blue Note Rare Grooves comp. An easy bop record.

Julian Cope – Saint Julian (LP, Island Records/ATCO 90571-1, 1987) This was a nice find- not a record I was actually looking for, but one for the memories. I wasn’t familiar with Cope’s first band The Teardrop Explodes when I heard “World Shut Your Mouth” all those years ago. I listened to this record a lot in ’87 and found a guy in college who was a fan as well and got me to dig a bit deeper into Cope’s catalog. I still find myself coming back to this record. These days Julian Cope has become a strange cultish figure and I’m not following him as much, but this record is pretty much the best of his releases in my opinion.

Richard & Linda Thompson – Hokey Pokey (LP, Carthage Records CGLP 4408, 1983) This is the 1983 reissue of the 1974 Island release of Hokey Pokey. According to this thread on the stevehoffman.tv boards Carthage Records and Hannibal Records were run by Joe Boyd who discovered Pink Floyd among other things. These reissues and sometime new releases were centered around UK Folk groups like Fairport Convention. It would be cool to pick up Shoot Out the Lights by Richard & Linda on vinyl. I have it on 24kt CD today. I wasn’t familiar with this album, but I picked it up because the record seemed in good shape and Richard & Linda are notable musicians. I haven’t had a chance to listen to it yet.

Pieta Brown Announces Three-Week Residency at Iowa City Mill: This Land is Your Music

Pieta Brown live in Iowa City
Pieta Brown and The Iowa City Mill have announced a three-week residency in November called “This Land Is Your Music” and will have Pieta exploring her catalog in various solo and band configurations as well as showcasing local musicians.

The shows will take place the first three Thursdays in November: 11/5, 11/12, and 11/19 and will start at 8PM. The tickets will be $10.

As the daughter of Greg Brown, Pieta grew up surrounded by the fertile and tight-knit Eastern Iowa music scene. It was this scene that gave Pieta the launching pad to her career and these shows are a way for her to give tribute. I think this is a really cool thing for her to do.

Of course, on 11/10 Red House Records will be releasing Pieta’s first EP for that label, and I’m sure the 11/12 show will be a sort of record release party.

Also, it’s worth noting that The Pines will be playing a show at the Mill on Friday 11/20– do you suppose we’ll see some Pines showing up for the 11/19 show? We can hope!

The other acts that will be playing have not been announced, but I will update this as I get details.

Click Here for the Iowa City Mill Calendar

Click Here for Pieta Brown’s Website

Free Download: Wendy & Lisa – “Sweet Suite (Remixed by King Britt)”

The fine folks in the Wendy & Lisa camp are giving away a remix of my favorite track on the new White Flags of Winter Chimneys album “Sweet Suite.” Done by the Philly DJ/Producer King Britt.

The 9:57 track reimagines the stripped-down, dreamy, slightly melancholy track that I think could have sat alongside tracks on Parade into a downtempo electro number. On the album, “Sweet Suite” has a bit of a reprise of “Balloon” as a way to tie off the album tidily. This remix spends no time in the reprise, but breaks down the main theme in a very different light.

The track was debuted on the 9/4 episode of Girl Bros. Radio at Luxuria Music at which point I found out that the track would be made available, and here it is! According to the e-mail that was sent out today this is part of a White Flags of Winter Chimneys Remix Album they are working on! Very, very cool! (vinyl, please!).

Ryan Adams – Pax-Am Digital Single No. 2 “Allumette” b/w “What Color Is Rain” (Review)

It’s week #2 of the Pax-Am reboot and we are treated with another digital single from Ryan Adams’s archives. This time we get a track that was dropped from early consideration for Cardinology and another track that surfaced a bit as a “foggy” video. The third track is another demo from Cardinology.

Side A is the track “Allumette” clocking in at 1:43 and according to the Ryan Adams scholars on the ryanadamsarchive.com site was listed on an early proposed tracklisting for Cardinology.

Apparently the song is in reference to the 1974 book by Tomi Ungerer titled Allumette; A Fable, with Due Respect to Hans Christian Andersen, the Grimm Brothers, and the Honorable Ambrose Bierce. The Ungerer book is a re-imagining of the Hans Christian Andersen story “The Little Match Girl” where the girl this time lives and carries out her wish.

Side B is the track “What Color Is Rain” which  showed up as a video on the old version of Ryan’s video blog, affectionately called “Foggy.”

Again we are treated to a home demo of Cardinology– this time “Go Easy.”

All three songs are 160Kbps mp3’s and there aren’t any FLAC’s or cover art.

As you might imagine this caused quite a stir on the boards since this release differred in content from the first single’s inclusion of FLAC’s. Another point that upset some was that these songs weren’t the same quality as the songs on the first single, which were ostensibly multitrack recordings that were mixed for release and these songs were sketches. But for $1.49 who should complain? All of these songs are unreleased and we’re lucky that these songs are seeing the light of day– AND Ryan is excited to release them!

Both “Allumette” and “What Color Is Rain” are relatvely short songs but sound like they might have been written about the same time– both using multitracked guitar picking and utilizing a similar drum track. According to Ryan’s retorts to the complaints he used GarageBand to record them.

Both songs are very pretty songs with Ryan singing in a soft but urgent voice. These are songs that would have fit comfortably on Easy Tiger.

Click Here to purchase Pax-Am Digital Single No. 2

Click Here to read my review of Pax-Am Digital Single No. 1

Free Download: “Shake It Out” – Karl Denson’s Tiny Universe

Karl Denson is the sax player and frontman of groove powerhouse group Karl Denson’s Tiny Universe whose new album Brother’s Keeper (Shanachie) comes out next Tuesday, September 22nd. Karl has a fairly impressive career working with Lenny Kravitz on Let Love Rule and Mama Said as well as co-founding the jazz funk outfit Greyboy Allstars. I reviewed Greyboy Allstars last album, 2007’s excellent What Happened to Television?

So it seems with all of the people he has worked with in the past that he can call in favors– and on this album the payback came in the form of help from Meshell Ndegeocello on bass (you might remember her duet with Mellencamp on a cover of “Wild Night” by Van Morrison), Marc Ford from the Black Crowes, Jon Foreman from Switchfoot, Zan Najor from the Greyboy Allstars and others.

Brother’s Keeper is Denson’s 12th release since 1992 (not including Greyboy Allstars releases) and it finds him in fine and funky form as evidenced by our free track “Shake It Out.” Said Denson about the new album, “I’m not one to live in the past. I am very much a forward thinker. [This record] is a continuation of my world view [and] a culmination of all my life’s work up until now.”

Karl Denson’s Tiny Universe is on tour and will be at RIBCO in Rock Island Saturday, September 19th, followed by a Des Moines show on Sunday night at People’s.

Click Here to listen to or download “Shake It Out” from Brother’s Keeper by Karl Denson’s Tiny Universe.

Click Here to visit Karl Denson’s website.

Daytrotter Barnstormier II Announced! October 8 – 13

This week Daytrotter.com posted the details of the upcoming Barnstorm Tour– to be called “Daytrotter Barnstormier II” and will start Thursday,  October 8th in Milwaukee, WI and wrap up on Tuesday, October 13th in Johnston, IA.

Via the @realdaytrotter twitter account and the weekly e-mails Sean Moeller (master of ceremonies, general cool guy) had been dribbling out details about the upcoming shows so very little of this is a surprise to those of us who watch Daytrotter goings on closely.

This tour, which is apparently “Barnstormier” than the July shows, happens to hit three of the same stops– the barn of the very cool Biehl’s in Maquoketa (now called Codfish Hollow), Mooney Hollow Barn in Green Island south of Bellevue and the Seacrest Octogonal Barn. Sean also added on two Wisconsin stops– the very cool Turner Hall Ballroom on 10/8 and the Treinen Farm in Lodi on 10/9. The tour wraps up on the 13th at the Simpson Farm outside Johnston, IA (Des Moines).

As with the previous shows, these will be free and all-ages– except for the Lodi, WI show where you will gain admission to the other attractions for a measly $5-$8. The bands and Daytrotter are just tryin to recoup expenses by selling posters, teeshirts, records and other stuff in addition to passing the hat.

The bands are a mix of new and some from the July run. Dawes is kind of the headliner– their sound is one that evokes the 70’s SoCal sound– slightly country rock with impeccable harmonies– think Eagles, CCR and CSN with a little Band thrown in. Christopher Denny has a unique sound that at times reminds me of Dylan’s Nashville Skyline period. The Suckers from Brooklyn sport an angular almost No-Wave pop sound and Milwaukee is bringing the guitar power pop. Listening to the Daytrotter sessions linked below, I’m getting pretty stoked for this run! On a couple of the shows we get Paleo and Snowblink from the first tour.

Here are the shows broken down with links to the bands’ Daytrotter sessions where you can find out more about them:

October 8

7 pm — Milwaukee, Wisconsin: Turner Hall Ballroom: 1032 N. 4th St. (Performing — Dawes, Christopher Denny, Suckers, Maritime)
Dawes Daytrotter Session
Christopher Denny Daytrotter Session
Suckers Daytrotter Session
Maritime Daytrotter Session
Maritime Encore Session

October 9

6 pm — Lodi, Wisconsin (15 mintues north of Madison, WI): PUMPKIN PATCH!! Treinen Farm Corn Maze and Pumpkin Patch , W 12420 Highway 60 (Performing — Dawes, Christopher Denny, Suckers, Maritime)
Dawes Daytrotter Session
Christopher Denny Daytrotter Session
Suckers Daytrotter Session
Maritime Daytrotter Session
Maritime Encore Session

October 10

6 pm — Maquoketa, Iowa: BARN SHOW #1: Codfish Hollow Barn, 3437 288th Ave. (Performing — Dawes, Christopher Denny, Suckers, Snowblink, Paleo, Brooks Strause)
Dawes Daytrotter Session
Christopher Denny Daytrotter Session
Suckers Daytrotter Session
Snowblink Daytrotter Session
Paleo Daytrotter Session
Brooks Strause Daytrotter Session

October 11

6 pm — Green Island, Iowa (Near Bellevue, IA): BARN SHOW #2: Mooney Hollow Saloon Barn, 12471 Highway 52 (Performing — Dawes, Christopher Denny, Suckers, Snowblink)
Dawes Daytrotter Session
Christopher Denny Daytrotter Session
Suckers Daytrotter Session
Snowblink Daytrotter Session
Paleo Daytrotter Session

October 12

6 pm — West Liberty, IA: BARN SHOW #3: Secrest 1883 Octogonal Barn, 5750 Osage St. (Performing — Dawes, Christopher Denny, Suckers, Snowblink)
Dawes Daytrotter Session
Christopher Denny Daytrotter Session
Suckers Daytrotter Session
Snowblink Daytrotter Session

October 13

6pm — Johnston, Iowa: BARN SHOW #4: The Simpson Barn, 6169 Northglenn Dr. (Performing — Dawes, Christopher Denny, Suckers, Snowblink)
Dawes Daytrotter Session
Christopher Denny Daytrotter Session
Suckers Daytrotter Session
Snowblink Daytrotter Session

Upcoming Show: Bo Ramsey & The Mystery Lights at The Mill 10/23

 Bo Ramsey at The Mill 5/2/09

Back in May I had the chance to see Bo Ramsey and his band The Mystery Lights during his short run at the end of April/beginning of May at the Mill in Iowa City. It was a typically great show with Bo fronting a band of sidemen dating back to The Sliders days.

Bo is going to play another solo show with The Mystery Lights on Friday 10/23 at the Mill in Iowa City. Show starts at 8PM and the cover is $12. My birthday will be at Midnight, so this is a cool way to celebrate!

In other Bo news, boramsey.com got a retooling today– it seems to be the first one since I can remember dating back to the 1990’s! This one looks much cooler, and the tour date calendar (as well as other pages) can be subscribed with RSS so you don’t have to miss any shows! I subscribed mine in bloglines.com.

According to The Mill, the opening act is to be announced.

Click Here to visit Bo Ramsey’s Website

Click Here to visit Bo Ramsey’s MySpace Page

Ryan Adams – Pax-Am Digital Single No. 1 “Lost and Found” b/w “Go Ahead and Rain” (Review)

This week had the ‘Net a flutter with news of Ryan Adams’s re-launching his website and re-launching his Pax Americana (PaxAm) record label with a downloadable “Digital Single.” Pre-orders went up mid-week with a promise of the songs shipping on Friday, September 11th.

What you got for $1.49 was a .zip file with the advertised two songs “Lost and Found” and “Go Ahead and Rain” (which is mislabeled “Sunflower Rain”) in both FLAC (YAY!) and 128Kbps mp3’s plus a so-called “Free Jam” of the demo to the Cardinology song “Sink Ships” in 160Kbps mp3 format. Plus “cover art” (shown above) and what appears to be considered the label art.

“Lost and Found” is an official release of what had surfaced in November 2006 along with 11 albums of other unreleased songs under a bunch of pseudonyms including DJ Reggie, The Shit, WereWolph, Warren Peace, Rhoda Ro, Ghetto Birds and Sad Dracula. Most of the albums seemed like Ryan recording every possible inspiration– listenable or not. However, the most compelling of these releases seemed to fall under Sad Dracula and Warren Peace. “Lost and Found” was a song on Fasterpiece. The version released as part of this single doesn’t seem very much different from that track which would lead me to believe that this song was actually recorded for release.

According to threads on the ryanadamsarchive.com boards “Go Ahead and Rain” surfaced as a demo and video a while back. Ryan (posting as Wolfhunter) said that he had recorded four versions of “Go Ahead and Rain” including one which was considered for the Cardinology album. He says that Jamie (Candiloro?) plays drums on this take. Jamie Candiloro worked on the hotly-debated Rock N Roll album. He says that “Johnny T. (Yerington) played drums on ‘Oblivion’ and I played drums on the rest. ” Oblivion” is a track on Fasterpiece as well. So, probably we will see some kind of Sad Dracula release in the near future!

Ryan also says this:

Thanks for supporting Pax-Am. Though I know many of you have lot’s of tracks from over the years many don’t. The glitches and kinks are being figured out and soon enough it will be time for some bigger projects. Also with new work there will be a whole new slab of folks trying to tear down the whole thing but, fuck em- this is gonna be great, I am excited for all this shit yall never heard to come around AND I am happy to get some really badass stuff out there once and for all.

The plans for Pax-Am at the moment is to continue to release some of these “lost” albums and songs in digital and vinyl formats! There will also be other things for purchase like t-shirts. I think if any artist can make a go of this, it would be Ryan as he has the right formula– a rabid fanbase who will purchase just about anything and the fact that he’s very prolific would provide a lot of material to choose from.

I became a fan of Ryan’s because of Rock N Roll and the two Love is Hell EP’s. Rock N Roll was very much a departure from the Americana-leanings of his other releases and really the one that my wife prefers out of his catalog. I hadn’t really gotten into the three Cardinals releases from 2006 until I heard about the eleven albums he posted to his site. I found a suitable bit torrent from someone who snagged the tracks and made mp3’s of them. When I heard the Sad Dracula tracks, I was hooked– where had these songs been? These were more songs in the vein of Rock N Roll. Was this the Rock N Roll 2 that was rumored? Certainly based on what Ryan said on the board, these were the same session players.

Both tracks are of the same kind of guitar rock established on Rock N Roll. Kind of the slighty ramshackle, slightly unpolished guitar pop established by bands like The Replacements and their predecessor Big Star. I welcome more of these releases for sure!

I guess I prefer this approach of pumping stuff out on a number of releases– digital or vinyl rather than going the Neil Young Archives approach. Well, for a number of reasons– I would hate to wait 20 years for a compilation to come out of this stuff for one thing. But, also not making this a $300 purchase by releasing this a decade at a time makes it easier to budget.

Click Here to get you some rawk Ryan Adams.

Here is Ryan at the record mastering plant:

Record Testing Day from Ryan Adams on Vimeo.

David Sylvian Manafon Out 9/14 With Deluxe Edition

Next Tuesday (9/14) is the long-awaited release date of David Sylvian’s newest effort. Titled Manafon, it will be released on his Samadhi Sound record label he formed after he left Virgin Records in 2003.

This departure from Virgin has given David one of the most productive and creative periods since his 80’s output. But, I think it was the situation surrounding the ostensible 1991 Japan reunion album Rain Tree Crow that started to stress the relationship between Sylvian and Virgin.

These session started with improvisations of the band and were later amended with Sylvian’s vocals and lyrics. Around the time of the release Sylvian was interviewed (I think Magnet Magazine) and he said that he was under a lot of pressure to release the album unfinished– he had wanted to add more production and texture to the work.

It is the improvisational work that dots the landscape of Sylvian’s career, and a place he frequently stops on his particular path of creation.  Just as the initial session recordings for his departure album Blemish in 2003 were based on improvisational work done by Sylvian, Derek Bailey and Christian Fennesz and structured into a suite of sorts, so then is Manafon. In fact, Sylvian describes Manafon from his website as a “sister piece to the Blemish album.” The essay on the Manafon site describes the album as such:

…Sylvian pursues “a completely modern kind of chamber music. Intimate, dynamic, emotive, democratic, economical.” In sessions in London, Vienna, and Tokyo, Sylvian assembled the world’s leading improvisers and innovators, artists who explore free improvisation, space-specific performance, and live electronics. From Evan Parker and Keith Rowe, to Fennesz and members of Polwechsel, to Sachiko M and Otomo Yoshihide, the musicians provide both a backdrop and a counterweight to his own vocal performances – which, minus one instrumental, are nakedly the center of each piece.

Indeed, when you listen to the samples of each of the tracks from the site, it is noticeably more a vocal work  than instrumental. David’s voice still the gorgeous tenor it has always been, but the trademark lush and/or ambient production is non-existent apparently on Manafon.

In my article about Manafon from March of this year, I surmised that the album titled likely came from the Welsh village of the same name and mentioned the poet R.S. Thomas who studied the Welsh language while working as the rector. In the essay on the site it is confirmed that the track “Manafon” from the album is indeed about the Welsh poet– “There’s a man down in the valley who doesn’t speak his own tongue.”

Manafon will come in two forms: a standard CD release in a 6-panel digipak with the Ruud Van Empel artwork pictured above, and a Deluxe Edition which will have the same CD as the standar release, plus a DVD with a feature-length documentary titled “Amplified Gesture” and a 5.1 Surround (Dolby and DTS) version of Manafon.

If the bonus content of the Deluxe Edition weren’t enough, the CD and DVD will come with 2 hard back books in a rigid slipcase as well as a portrait print of Sylvian done by Atsushi Fukui. The first 2000 of this edition will be signed by Sylvian and Fukui.

Volume One of the two volume set is a “40 page full color printed, perfect bound book to accompany ‘Manafon’, featuring the complete lyrics from ‘Manafon’, accompanied by artwork from the artists Atsushi Fukui and Ruud Van Empel.”

Volume Two is “a 24 page full color printed, perfect bound book to accompany the documentary “Amplified Gesture”. With a foreword by Clive Bell, this book contains photos and biographies of all of the contributors to the documentary.” (quotes from the Manafon Editions Page)

The Deluxe Edition is simply breathtaking from the photo provided on the site. The edition is $85 plus shipping where applicable. While that may seem steep, consider what you are getting– CD and DVD plus two gorgeous books in a slipcover. It should sit proudly with any art book you may have in your collection.

The standard edition has a suggested price $15.99 and available either from Samadhi Sound or other retail outlets like Amazon- who has it for $12.99.

Pieta Brown Signs With Red House, New EP Produced by Don Was Due November 10

When I saw Bo Ramsey and the Mystery Lights at the Mill back in May, Pieta was kind of hanging back in the shadows of the dark bar and helping her sister sell some Bo Ramsey merchandise. After the show was over I took the opportunity to ask her about her record label situation. After being signed to One Little Indian for her last album, the brilliant Remember the Sun from 2007 the follow-up Flight Time EP was released on T-Records, which incidentally is the label she used to release her 2003 EP I Never Told.

(BTW: This EP was impossibly out-of-print and apparently Pieta found another box of these recently and you can buy them on CDBaby— get one while you can!)

Her simple answer was that she was “in limbo.” It certainly occurred to me that aside from the extensive touring and appearances she was making over the last couple of years, that she still wasn’t getting the exposure she deserved for that album.

It was announced today via her MySpace page that she has now signed to Twin Cities folk label Red House Records— which is also the label home for Greg Brown and The Pines. So, it is kind of a family reunion of sorts! All they’d need to do is sign Bo Ramsey and it would be complete!

Also as part of this announcement, we find out that she has a new 7-track EP titled Shimmer coming out on November 10th on Red House and is produced by uber-producer Don Was, who has produced acclaimed albums from Bob Dylan (Under the Red Sky), Bonnie Raitt (Her Grammy-winningest run– 1989’s Nick of Time (3 Grammies), 1991’s Luck of the Draw (3 Grammies), 1994’s Longing In Their Hearts (2 Grammies)) and The Rolling Stones (their last notable output in my opinion– 1994’s Voodoo Lounge, 1995’s Stripped, and 1997’s Bridges to Babylon).

All of this seems to me to be a formula for success, frankly. Switching to a label that is more geared to handle her music, and hiring on a big-gun producer who has worked with artists like her. I hope that Bo Ramsey will still be a big part of this recording even if he isn’t at the helm for this one. He certainly knows his way around a Grammy-winner in the studio, too– just look at his work with Lucinda Williams!

Click Here to visit Pieta’s MySpace Page

Click Here to visit Pieta’s Website

Click Here to visit Red House Records website